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Eksistensi Tokoh Perempuan dalam Novel Mustika Zakar Celeng Karya Adia Puja: Analisis Feminisme Eksistensial Ramadhan, Maharani Syifa; Zurmailis, Zurmailis; Sukmawati, Noni
TSAQOFAH Vol 4 No 5 (2024): SEPTEMBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v4i5.3541

Abstract

The novel Mustika Zakar Celeng by Adia Puja was chosen as the object of research. This study focuses on how the marginalization of women as Others in a patriarchal environment and how they resist as a form of existence, as depicted by the characters Nurlela, Lilis Komariah, and Kelanti. The three female protagonists are assertive female characters who struggle to be accepted as equal beings with men who especially have the freedom to reject things that are not in line with their existence. In this study, researchers chose a feminist approach. Because this research has a female perspective, the genre chosen for this research approach is feminism. Simone de Beauvoir's theory became the theoretical basis for this research analysis. According to Simone de Beauvoir, women are just the Other for men in life. Men are subjects and women are objects. According to Beauvoir, existentialism is a state when women are no longer objects but subjects in themselves. Descriptive research methodology with a qualitative approach is used in this research. Critical phenomenology, especially existentialist feminist phenomenology, is the research methodology used in this study to reveal and show the existence of women and the relationship between the subject and object of study. There are three forms of marginalization of female characters as Others in this study, including: 1) stereotyping of women, 2) subordination of women, 3) violence against women. From these forms of marginalization, there are three forms of resistance of female characters as a form of existence, including: 1) working 2) doing intellectual activities in daily life 3) rejecting the internalization of her womanhood through words and actions.
HABITUS AND AGENT IN LITERATURE PRACTICE ACTIVITIES IN JAMBI CITY IN THE AiR THEATER COMMUNITY (ART IN REVOLT) Pratiwi, Retno Endah; ivan, ivan adilla; zurmailis, Zurmailis
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 5 No. 2 (2023)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.5.2.107.2023

Abstract

AbstractThe literary community has an important role in activating literary practice in a social environment. The literary activity carried out by these communities is engaged in the promotion of the literary genres of poetry and theater or drama. The purpose of this study is to show how a community becomes important and also a source of vital literary creation for various existing literary genres, be it poetry, prose, or drama. The method used in this study is the method described by Pierre Bourdieu in his theory, namely genetic structuralism. The agents within this community are tasked with developing and carrying out these literary creation practices. The AiR Theater Community, with its agents, carries out literary activities in the City of Jambi by developing a literary life in the form of poetry, prose, and also theater which the people of Jambi City can witness and participate in. Thus, the existing literary climate is expanding with activities built by agents who move continuously to activate existing literary programs in the community.Keywords: literature community, agent, Pierre bourdieu
DOKSA, KEKERASAN SIMBOLIK DAN HABITUS YANG DITUMPANGI DALAM KONSTRUKSI KEBUDAYAAN DI DEWAN KESENIAN JAKARTA Zurmailis, Zurmailis; Faruk, Faruk
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 1 (2017)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (231.87 KB) | DOI: 10.14421/ajbs.2017.01103

Abstract

This research aims to reveal the doxa generated by the Jakarta Arts Council (DKJ)  and its role as the institution with the legitimacy to build cultural construction, especially in the field of literature. This study uses the theory of genetic structuralism or also known as constructivist structuralism by Pierre Felix Bourdieu. This theory departs from the basic concept of the habitus and the arena, agency and structure as the principles that gave birth and developed the habits, producing habitus as well as perspectives. The results shows that the habitus and the perspective place the Jakarta Arts Council as doxa and as a guidelines for cultural practices in art programs, which is rooted on the structure of culture that is constructed through symbolic violence toward the involved agents and is socialized in the field of culture through similarly of symbolic violence.
UPAYA MENUMBUH KEMBANGKAN MINAT BELAJAR SENI TRADISI MINANGKABAU PADA DAERAH PERKOTAAN: - Lindawati Lindawati; Zurmailis Zurmailis; Diah Tyahaya Iman
BULETIN ILMIAH NAGARI MEMBANGUN Vol. 6 No. 3 (2023)
Publisher : LPPM (Institute for Research and Community Services) Universitas Andalas Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/bina.v6i3.449

Abstract

Sanitary napkins are used by women during menstruation to absorb blood from the vagina. Sanitary napkins are divided into 2 types, namely disposable pads which are usually made of cotton and plastic, and cloth pads that can be reused (reusable pads). According to the Indonesian Consumers Foundation (YLKI) sanitary napkins are one of the highest polluters in Indonesia. The amount of pad waste in one month can reach 1.4 billion. In addition, the discovery of chlorine which is harmful to health. The average woman uses more than 16,000 pads/tampons/pantyliners during her lifetime. That means, there are more than 45 million women's products are used and discarded every year. In Indonesia alone, it turns out that sanitary pads can reach 26 tons every day. The Faculty of Public Health (FKM) Andalas University realizes that the problem of waste, especially waste from pads, is very important for the balance of the environmental ecosystem. As an initial step to reduce sanitary napkin waste by providing education and socialization on the manufacture of cloth sanitary napkins. The service activity began with socialization with the school principal and teachers, after which it was given to all 29 Al-Ishlah High School students. Then a pre-test was conducted to find out the students' knowledge regarding eco-friendly sanitary napkins and menstruation where more than half of the students (89%) had good knowledge about reproductive health. After that, counseling was carried out regarding the impact of using disposable sanitary napkins on the environment and educating female students to use cloth sanitary napkins and explaining how to make cloth sanitary napkins. It is hoped that by carrying out this community service activity, the use of disposable pads/plastic pads can be reduced little by little, so that the amount of sanitary pad waste can be reduced and the environment will be better.
Saputangan Sirah Baragi : New Hegemony of Minangkabau Modern Literature Yulia, Novi; Zurmailis, Zurmailis; Anwar, Khairil; Vadilla, Riyani
Andalas International Journal of Socio-Humanities Vol. 1 No. 1 (2019)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v1i1.4

Abstract

This paper seeks to reveal the existence of the modern literary genre of Minangkabau, in the repertoire of modern Indonesian literature. Modern Minangkabau literature was detected existed since the 1930s through the printed media of the time. But the genre only showed its entity in the 1960s through Nasrul Siddik's short stories recorded in Saputangan Sirah Baragi (1966). The anthology of this short story gives a firm limit to the existence of the Minangkabau modern literary genre, and the kaba genre by strengthening its epigons in local print media, such as writers in the Aman Makmur newspaper , Singgalang , Semangat , and so on in the modern Indonesian literary horizon. So that it becomes a new hegemony in the modern Minangkabau literature repertoire in particular.
Absurditas Eksistensi Tokoh Barman dalam Novel Khotbah di Atas Bukit Karya Kuntowijoyo Desriyanto, A; Devi, Rima; Zurmailis, Zurmailis
Stilistika: Jurnal Pendidikan Bahasa dan Sastra Vol 16 No 1 (2023)
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/st.v16i1.14828

Abstract

Absurditas Eksistensi Tokoh Barman dalam Novel Khotbah di Atas Bukit Karya Kuntowijoyo Barman Character Existensialism Absurdity in Khotbah di Atas Bukit Written By Kuntowijoyo ABSTRAKPenelitian ini bertujuan mengungkapkan bentuk absurditas eksistensi tokoh Barman pada novel Khotbah di Atas Bukit karya Kuntowijoyo. Objek formal penelitian ini adalah bagaimana bentuk perspektif absurditas eksistensialisme Albert Camus yang terdapat pada tokoh utama yaitu Barman. Metode yang digunakan adalah metode naratologi Gerard Genette. Hasil penelitian ini mengungkapkan absurditas yang dimanfaatkan oleh tokoh Barman sebagai cara untuk menunjukkan bentuk eksistensi terhadap dirinya. Temuan penelitian adalah bentuk pemberontakan yang dihasilkan tokoh Barman terbagi atas dua jenis, yaitu pemberontakan secara fisik dan pemberontakan secara filosofi. Pemberontakan secara fisik mempengaruhi tindakan absurditas yang diperlihatkan oleh Barman sedangkan pemberontakan secara filosofi mempengaruhi tindakan perasaan dan cara berpikir tokoh Barman. Barman mengakhiri kehidupannya di dunia, tetapi tidak dengan ideologi yang sudah ditanamkan dan dikenang oleh para pengikutnya.Kata Kunci: Absurditas, Albert Camus, Eksistensialisme, Naratologi ABSTRACTThis study aims to reveal the form of the absurdity of Barman's existence in the novel Khotbah di Atas Bukit by Kuntowijoyo. The formal object of this research is how the perspective of the existentialist absurdity of Albert Camus is found in the main character, namely Barman. The method used is Gerard Genette's narratology method. The results of this study reveal the absurdity used by the character Barman as a way to show a form of existence towards himself. The research finding is that the form of rebellion produced by Barman's character is divided into two types, namely physical rebellion and philosophical rebellion. Rebellion physically affects the acts of absurdity shown by Barman while rebellion philosophically affects the actions of feelings and ways of thinking of Barman's character. Barman ended his life in the world, but not with the ideology that had been implanted and remembered by his followers.Keyword: Absurdity, Albert Camus, Existentialism, Narratology
Hybrid Narratives: Exploring Cultural Fusion in The Goats in the Cemetery by Kanogpong Songsompun Gustiari, Amelia; Sulastri, Sulastri; Zurmailis, Zurmailis
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.33023

Abstract

The short story "The Goats in the Cemetery" by Kanogpong Songsompun, a Buddhist writer from Southern Thailand, incorporated Islamic terminologies as its opening and closing lines, highlighting the presence of hybridity between Islam and Buddhism in the region. This research aimed to explore and analyze the depiction of hybridity between Islam and Buddhism in Southern Thailand, as observed in Songsompun's writing. The focus was on the coexistence and mutual respect between the majority Malay-Muslim villagers and the Thai-Buddhist capital holders in the face of a modernization program. This research employs Homi K. Bhabha's postcolonial theory. The analysis revealed that the short story effectively portrayed the villagers' anxiety caused by the modernization program. Despite the religious differences, with the villagers being predominantly Malay-Muslims and the capital holders being Thai-Buddhists, they lived harmoniously, demonstrating mutual respect and coexistence. Moreover, Songsompun's writing challenged the notion of Islam as a restricted religion by presenting it from a global perspective within the context of his work. The research findings emphasized the potential for hybridity to thrive when different religious communities respect and tolerate one another. This research contributes to a broader understanding of the manifestations of hybridity between Islam and Buddhism in societies that embrace multiple religions. It underscores the importance of mutual respect and coexistence, serving as a reminder of the possibilities for cultural hybridity and harmonious coexistence in diverse communities.
Inferioritas Dan Kompensasi Tokoh Utama Dalam Novel Kawi Matin di Negeri Anjing Karya Arafat Nur (Kajian Psikologi Sastra) Ilmiawan, Nuzul; Zurmailis, Zurmailis; Sukmawati, Noni
Puitika Vol. 20 No. 2 (2024)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i2.612

Abstract

The purpose of this study is to identify the feelings of inferiority and compensatory behaviors of the main character in the novel Kawi Matin di Negeri Anjing by Arafat Nur, using Alfred Adler's psychology theory. The research methodology employed is qualitative descriptive analysis, involving repeated readings to describe the identified data comprehensively. Through the analysis conducted, it was found that Kawi Matin, as the central character in the novel, faces serious psychological issues stemming from his inferiority complex. These issues include shame, insecurity, fear, doubt, submissive obedience, feelings of inadequacy, and a need for encouragement or support. The inferiority complex possessed by the main character significantly affects his psychological condition. Consequently, the character development of the protagonist is prominently visible from the beginning to the end. Furthermore, Kawi Matin's compensatory actions do not bring significant changes to his life, largely because he lacks a concrete vision for his future. This is due to psychological factors resulting from inferiority of the main character Kawi Matin which greatly influences his personality.
EKSISTENSI LEGENDA ORANG KAYO HITAM DI JAMBI Febrianti, Maya; Anwar, Khairil; Zurmailis, Zurmailis
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 5 No. 1 (2023)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.5.1.91.2023

Abstract

The legend of the Orang Kayo Hitam is a folk tale from Jambi. The legend of the Orang Kayo Hitam develops between spoken and written. The legend of the Orang Kayo Hitam is considered a historical story or folklore that has meaningful values in life. This paper will discuss the existence of the Legend of the Orang Kayo Hitam in Jambi with the aim of describing the existence of the Legend of the Orang Kayo Hitam in society and the existence of the Legend of the Orang Kayo Hitam in literary works. The research method is a qualitative descriptive method using explanations. Data analysis was done by rereading interview data and story books to get results that are close to the problem formulation. The result of this paper is the existence of the Legend of the Orang Kayo Hitam seen from the community, the author continues to work by himself by the Legend of the Orang Kayo Hitam. For the people of the Legend of the Orang Kayo Hitam, it is very influential in social life, besides that people easily tell briefly the Legend of the Orang Kayo Hitam, some relics of the Orang Kayo Hitam are still used as icons in Jambi. While in literary works, the author describes the Legend of Orang Kayo Hitam fairly, the work used in this paper has a long period of publication and has differences in the title and content of the story text. The message conveyed was that Jambi had a firm leader during his reign, Orang Kayo Hitam had an influence in the creation of new works.