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All Journal Scriptura Jurnal e-Komunikasi Bricolage : Jurnal Magister Ilmu Komunikasi Jurnal Leverage, Engagement, Empowerment of Community (LeECOM) Jurnal Komunikasi dan Media Jurnal Visi Komunikasi Scriptura: Jurnal Ilmiah Komunikasi Jurnal Desain Komunikasi Visual Nirmana Sintesa Jurnal Spektrum Komunikasi Komunikatif : Jurnal Ilmiah Komunikasi
Fanny Lesmana
Ilmu Komunikasi, Universitas Kristen Petra Surabaya
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Representasi Feminisme Dalam Film Penyalin Cahaya Nevan Gonza; Fanny Lesmana; Daniel Budiana
Jurnal e-Komunikasi Vol 10, No 2 (2022): VOL 10, NO 2 SEPTEMBER 2022
Publisher : Jurnal e-Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Film Penyalin Cahaya yang disutradarai oleh Wregas Bhanuteja menyorot perempuan sebagai tokoh utama yang memiliki sisi tangguh. Rumusan masalah yang ingin dijawab adalah bagaimana representasi feminisme dalam film Penyalin Cahaya. Penelitian ini menggunakan metode semiotika, khususnya kode-kode televisi John Fiske. Jenis penelitian ini menggunakan pendekatan kualitatif. Subjek dari penelitian ini adalah film Penyalin Cahaya, sedangkan objek dari penelitian ini representasi feminisme. melalui film Penyalin Cahaya menunjukkan gambaran feminisme, sebagaimana upaya yang dilakukan Sur saat mengumpulkan bukti-bukti untuk mendapatkan keadilan, serta ketegasan dan keberanian Anggun dalam memimpin teater Mata Hari, yang telah membuktikan bahwa perempuan dapat kebebasan untuk berkembang dan mencapai kesetaraan hak perempuan. Selain itu, dalam film ini juga terdapat ideologi liberalisme.
Study of DI’s Way Daily Layout in Hermeneutics Viewed from its Layout Elements Asthararianty; Fanny Lesmana; Yeremia Tulude Ambat
Jurnal Spektrum Komunikasi Vol 10 No 1 (2022): Jurnal Spektrum Komunikasi
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v10i1.273

Abstract

DI's Way is present as a new media in the world of print media. Print media originating from Surabaya, and for Surabaya residents. It looks like a magazine but is published every day, has a cover layout that is not like a magazine or newspaper. The cover design, in this case, especially the layout, has an aesthetic to determine the mass media, especially print, whether the media will sell or not. However, this daily is claimed to have many fans, both in its initial form, namely a website, to becoming a daily printed in color. This study uses a qualitative method with a hermeneutic approach to explore the impression of what the cover layout design shows that is not like a magazine or newspaper to Surabaya. The hermeneutic method is carried out by interpreting the data seen in the DI's way cover design, layout theory, and also matters related to Surabaya. This data mining is done by looking at the cover layout design in terms of the use of grids, margins, and also text and image elements. The results that can be seen are as a DI's way daily like a newspaper or newsletter that has a template for each edition with a cover layout showing the impression that the main interest of this media is to be able to tell important news to the City of Surabaya, by always using a large size for the main news photo and also for the text element (headline) but the arrangement can still be followed as a comfortable reading flow. A large portion seems to want to show the impression of the characteristics of the City of Surabaya as a city of heroes which has a great and passionate fighting spirit. Meanwhile, supporting news is placed below it according to the order of its news value, showing the impression of the vision that the City of Surabaya has in building a city that is more advanced from all aspects. In addition, grid management displays the impression of being a local mass media that is regularly reported in its media according to the identity of a daily media that has a news order position like an inverted pyramid.
Representation of Single Father in the Movie Fatherhood Cateline Marscha; Fanny Lesmana
Jurnal Spektrum Komunikasi Vol 10 No 2 (2022): Jurnal Spektrum Komunikasi
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v10i2.278

Abstract

Film is one of the media that is still often used by many people to convey a message and have an impact on a wide audience who enjoy it. One of them is the depiction of a person in a film that gives a message of its impression to the audience. Since the Covid-19 pandemic that entered Indonesia in March 2021, many people have died due to exposure to the virus. Not infrequently, some people have also lost their parents during this pandemic, such as losing their mothers and leaving fathers with their children. The phenomenon of single fathers and their stories of defending their families and raising their children eventually became the main attraction for the audience. At the same time, a film called Fatherhood was released which tells the story of a single father and his daughter. The author conducted this research because it was deemed to describe how a single father faces the problems that surround him. The purpose of this study was to find out the message of the single father representation conveyed in the media of this film. The method used is Roland Barthes' semiotics. Semiotics Roland Barthes will discuss from 3 points of view, namely denotation, connotation, and also myth. In this study, the theory used is about single-parent problems, Roland Barthes' semiotics, and also films. The findings in this study are that every single father will face several problems such as work, child care, economy, and also social pressure.
ANALISIS SEMIOTIKA FOTO HEADLINE HARIAN DI’S WAY JULI 2020 Ambat, Yeremia Tulude; Lesmana, Fanny; rianty, asthara
Sintesa Vol 3 No 02 (2024): Jurnal Sintesa Volume 3 No 02 Juli 2024
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/sintesa.v3i02.11057

Abstract

Daily DI's Way, a print media that was first published on July 4, 2020, was initiated by a former senior Jawa Pos official, Dahlan Iskan. The main focus of this media is news especially the city of Surabaya. There are three main elements in DI's Way Daily, especially on the main page, namely: text, photos / illustrations, and layout. In the photojournalism aspect, researcher analyze how the message is conveyed through photo headlines and captions on the main page of DI's Way Daily through Roland Barthes' semiotic method, using a qualitative approach. Researcher find the implicit picture of the photo headlines and captions of DI'sWay Daily related to the Surabaya City Government July 2020, the first month this media operates. The results of this study provide an overview of the application of social control values carried out by DI's Way Daily, especially in reviewing the Surabaya City Government program. The topic of the City Government's unpreparedness and inadequate handling of Covid-19 pandemic is one of the most highlighted by this daily on July, 2020. The lack of realization of the Surabaya City Government's programs related to education, transportation and infrastructure is also highlighted on the main page. Keywords: Newspaper, Photojournalism, Semiotic, Roland Barthez, Surabaya City Government
SIKAP MAHASISWA SURABAYA TERHADAP KONTEN TIKTOK PARTAI SOLIDARITAS INDONESIA Lesmana, Fanny; Laurencia, Valerie Audrey; Mamarimbing, Gabriella Valentina; Sukmarani, Reyna Arumanti
Jurnal Komunikasi dan Media Vol 5, No 1: November 2024
Publisher : Universitas Katolik Soegijapranata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/jkm.v5i1.12255

Abstract

Awal tahun 2024 merupakan masa pemilu bagi Indonesia sehingga memunculkan banyak upaya dari berbagai partai politik untuk melakukan komunikasi politik. Seiring berkembangnya bidang teknologi, media yang digunakan sebagai alat penyampai komunikasi politik juga semakin beragam, salah satunya media sosial. Pada tahun 2024, diprediksi 60% suara berasal dari pemilih muda. Berbagai partai politik dan tokoh politik berlomba dalam merancang komunikasi politik guna menjangkau pemilih muda. Partai Solidaritas Indonesia (PSI) merupakan salah satu partai politik yang banyak mengunggah konten yang menarik perhatian pemilih muda, sehingga mengalami lonjakan pengikut dalam waktu yang singkat. Media sosial yang diteliti adalah TikTok, mengingat sebanyak 34,9% dari pengguna TikTok Indonesia berusia 18-24 tahun, yang mana usia ini didominasi oleh kalangan mahasiswa. Provinsi Jawa Timur merupakan provinsi dengan jumlah mahasiswa tertinggi di Indonesia dan kota Surabaya sendiri merupakan kota dengan jumlah perguruan tertinggi di Jawa Timur. Maka dari itu, penelitian ini bertujuan untuk mengetahui sikap mahasiswa Surabaya terhadap konten TikTok Partai Solidaritas Indonesia. Teori utama yang digunakan dalam penelitian ini adalah teori Stimulus Organism Response (S-O-R) untuk dapat mengetahui sikap para responden terhadap konten TikTok PSI. Hasil dari penelitian ini diraih melalui metode kuantitatif deskriptif dan penyebaran survei kepada mahasiswa aktif Surabaya. Pemerolehan data juga menggunakan skala Likert untuk dapat menentukan hasil akhir dan jumlah sampling dari populasi diukur menggunakan rumus Slovin. Setelah menyebarkan survei kepada 100 responden, didapati bahwa sikap mahasiswa Surabaya terhadap konten TikTok PSI bersifat positif dalam tingkat kognitif, afektif, dan konatif.
Strategi Dialektika Relasional Pasangan Suami Isteri di Masa Pandemi Covid-19 Elisha Kristian Putri; Fanny Lesmana; Desi Yoanita
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 10 No. 2 (2021)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v10i2.3295

Abstract

This research was conducted to determine the relational dialectics strategy of married couples facing the Covid-19 pandemic. There were two couples as interviewees, the first spouse experienced work from home (WFH). The second one whose husband has worked from office (WFO). This research uses a qualitative approach with a case study method. Based on the findings of the data obtained, it shows that the WFH pair is more directed at autonomy, stability and closedness, while the WFO pair refers to connection, change and openness. From the research conducted, researchers can find five things that can cause dialectical tension for couples during a pandemic. First, the closeness of the partner depends on the age and character of the child. Second, work determines the interaction of partners during a pandemic. Third, family backgrounds shape relationships in the family. Fourth, character and personal preferences shape responses in relationships. Finally, adaptations and communication alternatives facing the pandemic. Then the strategies that are mostly used by both partners are segmentation and integration. It is also seen how communication is an important (key) in forming an agreement by adjusting between partners. Penelitian ini dilakukan untuk mengetahui strategi dialektika relasional pasangan suami isteri di masa pandemi Covid-19. Terdapat dua pasangan sebagai narasumber, pasangan pertama mengalami work from home (WFH) dan pasangan kedua yang suaminya telah work from office (WFO). Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus dan teori dialektika relasional. Berdasarkan temuan data yang diperoleh menunjukkan pasangan WFH lebih mengarah pada autonomy, stability dan closedness sedangkan pasangan WFO merujuk pada connection, change dan openness. Ditemukan lima hal yang dapat menimbulkan tegangan dialektika bagi pasangan di masa pandemi. Pertama, kedekatan pasangan dipengaruhi oleh usia dan karakter anak. Kedua, pekerjaan menentukan interaksi pasangan di masa pandemi. Ketiga, latar belakang keluarga membentuk hubungan dalam keluarga. Keempat, karakter dan preferensi pribadi membentuk respon dalam hubungan. Terakhir, adaptasi dan alternatif komunikasi dalam menghadapi masa pandemi. Mayoritas strategi yang digunakan kedua pasangan adalah segmentasi dan integrasi. Dapat disimpulkan komunikasi adalah kunci dalam membentuk kesepakatan dengan menyesuaikan diri antar pasangan.
Melukis Kembali Penggambaran Citra Gender dalam Media Massa Yuwono, Sherlynn; Lesmana, Fanny; Ambat, Yeremia Tulude
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 13 No. 1 (2024)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v13i1.5144

Abstract

In Netflix’s 'Ice Cold,' which delves into the murder of Jessica by Mirna, she is often praised and forgiven for her beauty. The documentary even states that the killer is a handsome figure. Women seem to be forced to conform to the image of modern women, who should hold feminist paradigms. Digital television content, as one of the mass media platforms, often portrays women as limited to the role of 'subordinates.' The existence of women is frequently reduced solely to their physical dimensions. It is as if advertisements and television programs would feel empty without the presence of women celebrated as objects. This perspective eventually becomes ingrained in the minds of modern women, largely through the influence of mass media, while commercial demands and the race for the highest ratings are the primary reasons why women continue to be used as complementary objects in various media content.This research employs Roland Barthes' Semiotics to explore how religious education, the male gaze, mass media, and societal views interact in shaping the contemporary perception of the female body. Ironically, the excessive use of patriarchal media has made women feel more liberated to express themselves and actualize their potential in various aspects of life. In this context, elements of religious education play a crucial role, as some Abrahamic religious teachings promote gender hierarchies that can influence society's perception of women and result in gender inequality. The concept of the male gaze is also relevant in this analysis, as it refers to how the male perspective dominates the understanding and representation of women in media, often reducing women to objects of male sexual desire. This research can offer valuable insights into the interconnection of these perspectives and women's potential for increased self-expression within patriarchal-dominated environments.ABSTRAKPada film dokumenter 'Ice Cold' di Netflix yang mengulik tentang pembunuhan Jessica oleh Mirna, ia kerap dipuji dan dimaafkan karena parasnya. Dokumenternya pun menyebutkan bahwa sang pembunuh adalah sosok rupawan. Di luar itu, televisi digital sebagai salah satu medium media massa seringkali menggambarkan perempuan sebagai objek yang terbatas dalam peran 'bawahan'. Eksistensi perempuan sering direduksi hanya pada dimensi fisik mereka. Seakan iklan dan tayangan televisi akan terasa hampa tanpa kehadiran perempuan sebagai objek yang dirayakan. Perempuan seolah-olah dipaksa untuk memenuhi citra perempuan modern yang seharusnya memegang paradigma feminis. Pandangan ini akhirnya tertanam dalam pikiran perempuan modern, sebagian besar melalui pengaruh media massa, sementara tuntutan komersialisme dan perlombaan untuk mendapatkan rating tertinggi menjadi alasan utama mengapa perempuan terus dijadikan objek pelengkap dalam berbagai konten media. Penelitian ini menggunakan metode penelitian Semiotika Roland Barthes, menggunakan denotasi, konotasi, serta mitos untuk memahami interaksi kompleks antara unsur didikan agama, ‘male gaze’, dan pengaruh media massa serta dampaknya terhadap persepsi tubuh perempuan dalam masyarakat modern. Ironisnya, penggunaan berlebihan oleh media patriarki telah membuat perempuan merasa lebih bebas untuk mengekspresikan diri dan mengaktualisasikan potensi mereka di berbagai aspek kehidupan. Dalam konteks ini, unsur didikan agama memainkan peran penting, karena beberapa ajaran agama Abrahamik mengajarkan hierarki gender, yang dapat memengaruhi persepsi masyarakat terhadap perempuan dan menimbulkan ketidaksetaraan gender. Konsep ‘male gaze’ juga relevan dalam analisis ini, karena mengacu pada cara pandangan laki-laki mendominasi pemahaman dan representasi perempuan dalam media, sering kali mengurangi perempuan menjadi objek hasrat seksual laki-laki. Temuan dalam penelitian ini dapat memberikan wawasan yang lebih dalam tentang bagaimana pandangan-pandangan ini berkaitan dan bagaimana perempuan dapat lebih leluasa mengekspresikan diri dalam lingkungan yang seringkali didominasi oleh norma-norma patriarki.
Megawati VS Jokowi di Pemilu 2024 (Analisis Semiotika Desain Sampul Majalah Tempo “Bara Dalam Sekam Jokowi-Mega”) Ambat, Yeremia Tulude; Lesmana, Fanny
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 13 No. 2 (2024): KOMUNIKATIF : Jurnal Ilmiah Komunikasi
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v13i2.6012

Abstract

Situasi politik di Indonesia menghangat di Pemilihan Umum 2024. Keputusan Mahkamah Konstitusi mengubah batas usia pendaftaran calon presiden dan wakil presiden pada 16 Oktober 2023. Hasilnya, Gibran Rakabuming Raka yang masih berusia di bawah 40 tahun berhasil mengikuti konstetasi Pemilu 2024, bersama Prabowo Subianto. Hal ini turut menimbulkan perbedaan pandangan politik antara Jokowi, Gibran, yang justru tidak mendukung Ganjar-Mahfud yang diusung oleh PDIP. Momen ini menjadikan media tidak putus mengulas dan melakukan kritik sosial sebagai salah satu tugasnya. Kondisi inipun terdokumentasi lewat ilustrasi dalam Majalah Tempo di desain sampul edisi “Bara Dalam Sekam Jokowi-Mega” yang sarat akan kritik sosial dalam bahasa visual. Menggunakan metode penelitian analisis semiotika Roland Barthez, yang menganalisis bagaimana makna denotatif, konotatif, hingga mitos di belakang sebuah objek, peneliti melihat Tempo menggambarkan Jokowi meninggalkan partai yang telah membesarkan langkah politiknya selama ini, PDIP Perjuangan. Momen ini punya banyak analisis pertimbangan, mulai dari ketidakcocokan dalam program pemerintahan, adanya pergesekan otoritas dan kekuasaan antara Jokowi dan Megawati, hingga momen Jokowi yang tidak ada menampilkan penolakan akan keikutsertaan anaknya menjadi bakal calon wakil presiden dari Prabowo Subianto. Hasilnya, efek ‘perpindahan’ kubu yang secara tidak langsung dilakukan oleh Jokowi, membuat Prabowo Subianto dan Gibran Rakabuming Raka sah menjadi Capres dan Cawapres terpilih yang ditetapkan oleh KPU. Desain majalah Tempo edisi ini menampilkan kritik media akan tindakan implisit penguasa akan naluri menggunakan aturan negara, untuk menjawab keinginan pribadi. Secara mendalam, kondisi ini mencerminkan feodalisme yang kental pada negara demokrasi.
NAVIGATING TRUTH IN THE NEWS ENVIRONMENT ON DIGITAL PLATFORMS Hadi, Ido Prijana; Lesmana, Fanny; Wijayanti, Chory Angela
Jurnal Visi Komunikasi Vol 24, No 02 (2025): November 2025
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/visikom.v24i02.31102

Abstract

Online media platforms, mainly social media and Google, are often referenced in the crowded digital information environment. However, this has led to increased violations such as ignoring ethical codes, lack of verification, unbalanced reporting, sexual provocation, and slanderous news. The urgency of this research is to find out the subject's experience when the quantity of information is abundant and whether they have balanced it with literacy in navigating to get the truth when consuming news on digital platforms. This study aims to discover and reveal how sceptical audiences experience navigating the truth in the news environment on digital platforms. Using a descriptive phenomenology approach, the qualitative research design was conducted through in-depth interviews with 14 participants from various work professions. The results found that actors who navigate the truth use social media applications such as YouTube, Instagram, Twitter, and Facebook by checking the credibility of news sources, considering context, and verifying from other sources. Users chose to wait for the original truth of the event through follow-up posts from multiple sources on WA, Line, and Snapchat. Moreover, search engines are used to confirm news on social media, such as the 2024 elections in Indonesia. 
Gaya Bahasa Satir Pandji Pragiwaksono Dalam Iklan Pewaris Lezza Fanny Lesmana; Marco Nugroho
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 15 No. 1 (2026): Komunikatif : Jurnal Ilmiah Komunikasi
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The stand-up comedy show presented by Pandji Pragiwaksono entitled Mens Rea has become a controversy because there is material that is suspected of being inflammatory. Ultimately, Pandji Pragiwaksono was reported to the police. However, the Pewaris Lezza brand took advantage of the moment by creating an advertisement that is in line with the Mens Rea performance, even Pandji also became the advertising star in the Pewaris Lezza advertisement version of 'Enakin Mulut Loe'. In its broadcast, the advertisement which lasts 1 minute 37 seconds received various responses from the public regarding the use of satirical language styles all delivered by Pandji Pragiwaksono. Therefore, this study aims to determine Pandji's satirical language style in the narrative of the advertisement which is analyzed narratively from the beginning, middle, and end of the advertisement. The research method used in this study is narrative analysis by Tzvetan Todorov with qualitative research approach and constructivism paradigm. The total unit of analysis is 13 scenes of Pandji in the advertisement. The findings of this study reveal a visible and deliberate satirical style of language in several advertisements. All of Pandji's satirical language refers to freedom of speech and the freedom to criticize what is happening. Furthermore, there is a congruence between the message of the advertisement "Enakin Mulut Loe" and the character of Pandji Pragiwaksono, who is vocal in criticizing government issues. There is also a strong symbolic interaction and representation of reality in every angle in this advertisement. ABSTRAK Pertunjukan stand up comedy yang dibawakan oleh Pandji Pragiwaksono bertajuk Mens Rea telah menjadi kontroversi karena ada materi yang diduga bernada menghasut. Ujungnya, Pandji Pragiwaksono dilaporkan ke polisi. Meski demikian, brand Pewaris Lezza memanfaatkan momen dengan membuat iklan yang senada dengan pementasan Mens Rea, bahkan Pandji sekaligus menjadi bintang iklan pada iklan Pewaris Lezza versi 'Enakin Mulut Loe'. Dalam tayangannya, iklan yang berdurasi 1 menit 37 detik ini mendapat berbagai respons dari publik mengenai penggunaan gaya bahasa satir yang semuanya dibawakan oleh Pandji Pragiwaksono. Oleh sebab itu, penelitian ini bertujuan untuk mengetahui gaya bahasa satir Pandji dalam narasi tayangan iklan yang dianalisis secara naratif dari awal, tengah, dan akhir iklan. Metode penelitian yang digunakan dalam penelitian ini adalah analisis naratif oleh Tzvetan Todorov dengan pendekatan penelitian kualitatif dan paradigma konstruktivisme. Total unit analisis yang ada ialah 13 scene Pandji yang ada di iklan tersebut. Hasil temuan dalam penelitian ini terdapat gaya bahasa satir secara nampak dan sengaja di beberapa potongan iklan. Semua gaya bahasa satir Pandji merujuk pada kebebasan berpendapat dan kebebasan dalam mengkritik atas apa yang terjadi. Kemudian, ada kesesuaian antara pesan iklan ‘Enakin Mulut  Loe’ dengan karakter tokoh sosok Pandji Pragiwaksono yang vokal dalam mengkritisi isu pemerintah, serta adanya interaksi simbolik dan representasi dari realitas yang kuat di setiap pengambilan angle pada iklan ini.
Co-Authors Agatha Giovanny Puteri Radja Agatha Tiffany Manuhutu Agusly Irawan Agusly Irawan Aritonang Agusly Irawan Aritonang Agusly Irawan Aritonang Ambat, Yeremia Tulude Angelia Giovani Anggraeni, Cindy Asthararianty Asthararianty Astri Yogatama Astri Yogatama Atha Nilakandi Oknadia Aylanda Hidayati Dwi Nugroho Belinda, Leviana Brian Henry Cateline Marscha Celine Dian Lukartono Cherry Kimberly Chory Angela Wijayanti Chory Angela Wijayanti Christabel Cheryl Famdale Cristianingrum, Bihannovi Daniel Budiana Desi Yoanita Desi Yoanita Desi Yoanita Desi Yoanita Desi Yoanita Desi Yoanita Eka Wahyu Tama Eliana Ariesta Dewantari Elisabeth Glory Victory Elisha Kristian Putri Eryanto, Naomi Victoria Ester Handriani Eva Maria Gusta Francisca Fabrizio Revand Tannur Felicia Goenawan Felicia Luvena Feliks Hindrawan Fiona Evangeline Onggodjojo Gabrielle Julietta Pradika Gatut Priyowidodo Gideon Feriyanto Grace Gerungan Grace Layrensius Gunawan, Michelle Alda Halim Adiputra Setiawan Hariadi, Josselin Natasha Herodion Verdianto Hindrawan, Feliks Ida Bagus Ragadinjana Ido Prijana Hadi Ikwan, Melina Irawan, Agusly Jendry Johanis Sengkey Jessica Gunarta Jessica Tamariska C. Baware Johanna Alicia Gunawan Josselin Natasha Hariadi Jovita Rebecca Poluan Kartika B. Primasanti, Kartika B. Kezia Novelia Lady Joanne Tjahyana Laurencia, Valerie Audrey Lavenia Pili Roboh Madeleine Christabel Sudibyo Mamarimbing, Gabriella Valentina Mandiriani, Natalia Mandiriani, Natalia Marco Nugroho Megawati Wahjudianata Melisa Fransisca Liemantara Mingkid, Grasella Sofia Mingkid, Grasella Sofia Naomi Victoria Eryanto Natalia Mandiriani Natasha Erlina Dewi Nathania Jovita Netta Christine Tjahjono Nevan Gonza Nurul Amalina Yatim Paramuswari, Lentera Patrick Jonathan Lugito Pradika, Gabrielle Julietta Rhein Valdaw Kalangi rianty, Asthara Sintya Kumala Dewi Sukmarani, Reyna Arumanti Titi Nur Vidyarini Tjan Jessica Geraldine Tjandra Veronica Maureen Victorio Irlando Siswanto Vivien Wahyu Aprillian Yeremia Ambat Yeremia Tulude Ambat Yeremia Tulude Ambat Yuwono, Sherlynn