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All Journal Jurnal Ilmiah Mahasiswa FIB Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Capture : Jurnal Seni Media Rekam Tonil, Jurnal Kajian Sastra, Teater dan Sinema Jurnal Media dan Komunikasi International Journal of Humanities Education and Social Sciences Aspirasi : Publikasi Hasil Pengabdian dan Kegiatan Masyarakat Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Jurnal Audiens Jurnal Pengabdian Masyarakat dan Riset Pendidikan
Ni Luh Ayu Sukmawati
Program Studi Televisi Dan Film, Universitas Jember
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Mathematics Public Health Social Sciences Other

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THE IMPROVEMENT OF WRITING ACHIEVEMENT BY USING PICTURES FOR NINTH GRADE STUDENTS OF PRIMAGAMA KARANG PLOSO MALANG SUKMAWATI, NI LUH AYU
Jurnal Ilmiah Mahasiswa FIB Vol 2, No 9 (2015)
Publisher : Fakultas Ilmu Budaya Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (279.567 KB)

Abstract

Keywords: Writing Achievement, Pictures, Writing skill, Ninth grades, Primagama Karang Ploso Malang. The writer aims to improve students’ writing achievement by using pictures in writing descriptive text for the ninth grade students of Primagama Karang Ploso Malang. This study used Classroom Action Research (CAR) for research design. The data in this research was obtained from the students’ descriptive writing products. The descriptive writing products were descriptive text written by the ninth grade students of the second semester in Primagama Karang Ploso. The writer found the improvement of writing achievement by using picture of writing descriptive text for ninth grader students of Primagama Karang Ploso
Diskursus Martabat dan Tragedi Manusia dalam Film Perempuan Tanah Jahanam (2019) Kukuh Yudha Karnanta; Ni Luh Ayu Sukmawati
MOZAIK HUMANIORA Vol. 21 No. 2 (2021): MOZAIK HUMANIORA VOL. 21 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v21i2.29666

Abstract

Penelitian ini bertujuan mengeksplisitkan aspek naratif dan diskursif film Perempuan Tanah Jahanam karya Joko Anwar meliputi aspek penokohan, genre, dan master genre, yang berujung pada pemaknaan terhadap film tersebut. Data-data didapatkan dengan teknik simak-catat dari transkripsi dialog dan tangkap layar scene film. Data-data dianalisis berdasarkan teori naratif model aktansial Greimas dan puitika film David Bordwell untuk menunjukkan sintaksis naratif, skema aktansial, hingga pada semiotic square. Penelitian ini menemukan bahwa, pertama, meskipun dikemas dalam genre horor supranatural dan ditemukan penggunaan naratif tragedi Aristotelian sebagai master genre, film ini sesungguhnya berbicara tentang martabat manusia hidup, khususnya martabat perempuan. Hal itu terlihat dari aktan-aktan yang mendominasi sintaksis naratif cerita adalah perempuan dengan premis cerita keinginan mendapatkan harta warisan hingga pada akhirnya mendorong seseorang untuk berjuang mengakhiri misteri dan kutukan keluarga. Tokoh-tokoh perempuan itu digambarkan sebagai subjek bagi tindakan serta tubuhnya, tetapi jauh dari kesan eksploitasi seksual seperti pada film horor Indonesia lainnya. Kedua, pada aspek diskursif, penelitian ini menemukan diskursus eksotifikasi yang ditunjukkan dengan hadirnya kode-kode sinematik tentang stereotipe masyarakat eastern yakni irasional, mistis, tradisional, eksotis, dan bahkan masih berperilaku bar-bar.
REPRESENTATION OF THE NEW REGIME TRANSITION TOWARDS THE REFORMATION ERA IN THE TEMBOK PAK RAMBO SHORT STORY BY TAUFIK IKHRAM JAMIL: INTERTEXTUALITY STUDY Ni Luh Ayu Sukmawati
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 9 No. 1 (2020): Jurnal Lakon
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (629.238 KB) | DOI: 10.20473/lakon.v9i1.19810

Abstract

The transition era between the New Order Era to the Reformation Era in Indonesia in 1998 became one of the popular themes for Indonesian writers. One of the works entitled Tembok Pak Rambo inserted elements of historical facts that occurred in Indonesia. The representation of the obscurity of the new order in this short story cannot be read only with heuristic readings, therefore a theory is needed to explore more profound the significance of the story. This paper utilizes the intertextuality approach in dismantling the veiled meanings in the story. The results showed that the short story represents two Indonesian leaders in the era of the new order transition to the reform era. This representation appears when aligned with a book called The Long Way of Indonesia Towards Democracy written by B. J. Habibie. Moreover, the short story titled Tembok Pak Rambo is not just about the hegemony between the ruler to his subordinates, but how the Indonesian writers were trying to criticism on the government and the historical facts that happened in 1998.
PERALIHAN ORDE BARU MENUJU ERA REFORMASI DALAM CERPEN TEMBOK PAK RAMBO KARYA TAUFIK IKHRAM JAMIL DAN DETIK-DETIK YANG MENENTUKAN KARYA B.J. HABIBIE Ni Luh Ayu Sukmawati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 20 No 1 (2020)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v20i1.4046

Abstract

Abstrak. Artikel ini bertujuan untuk menganalisis keterkaitan antara cerita pendek berjudul Tembok Pak Rambo karya Taufik Ikhram Jamil dan buku berjudul Detik-Detik yang Menentukan karya B.J. Habibie. Dengan memanfaatkan teori struktural-semantik oleh A.J. Greimas dan pendekatan intertekstual oleh Riffaterre penelitian mengupas makna yang terselubung dibalik cerpen Tembok Pak Rambo. Hasil dari penelitian ini menunjukan bahwa cerpen Tembok Pak Rambo bukan hanya sekedar merepresentasikan hegemoni yang ada antara atasan dan bawahan dalam dunia pekerjaan, nemun lebih jauh, tedapat relasi dengan buku Detik-Detik yang Menentukan. Cerpen Tembok Pak Rambo merepresentasikan kondisi yang terjadi pada masa peralihan dari orde Baru menuju era reformasi, berikut dengan dua tokoh yang berpegaruh pada masa tersebut yaitu Soeharto dan B.J. Habibie. Selanjutnya, perluasan makna menunjukan adanya perjuangan pembebasan suara masyarakat Indonesia dari belengu pemerintah oligarki pada masa orde baru dan peran B.J. Habibie dalam proses pembentukan demokrasi.
Literacy Learning Model Based on Surabaya’s Local Identities in Community-Based Libraries of Surabaya Nur Wulan; Kukuh Yudha Karnanta; Ni Luh Ayu Sukmawati; Puji Karyanto
MOZAIK HUMANIORA Vol. 22 No. 1 (2022): MOZAIK HUMANIORA VOL. 22 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i1.33666

Abstract

This study investigates the ways bottom-up learning, specifically discovery and project-based learning, in strengthening local wisdom and identities among the youths in Surabaya. The local identities of Surabaya are generally associated with being egalitarian, urban, and multicultural. Despite the strong association of Surabaya with the bravery of Surabaya youths in the 1945 war against the Allied troops (semangat arek Suroboyo), young people of Surabaya nowadays do not internalize the spirit strongly. Our preliminary observation suggests the fact, and this can be seen from their writings before joining the writing class that we conducted. In coordination with the Public Library of Surabaya (Municipal Library and Archive of Surabaya) and community-based libraries in Surabaya, this experimental research was conducted to gain insights on the extent to which discovery and project-based learning can stimulate junior high school students to be more aware of their locally rooted identities. The study shows that the application of the student-centered learning methods can contribute significantly to the internalization and representation of Surabaya identities reflected in the students’ writings.
Menggugat Stereotip Maskulinitas: Peran Ayah Tunggal dalam Film Rumah Aya (2021) Sukmawati, Ni Luh Ayu
Jurnal Media dan Komunikasi Vol. 4 No. 2 (2024): Jurnal Media dan Komunikasi (MEDKOM) No 2 Volume 4 2024
Publisher : Airlangga University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/medkom.v4i2.55735

Abstract

This study criticizes the concept of "Housefather" that has released since 2021, which reflects changes in the construction of hegemonic masculinity in contemporary society. The dominant masculinity stereotypes have formed the gender dichotomy and resulted in the perception that men must be superior to women. However, this monolithic concept fails to encompass the various manifestations of masculinity that exist within diverse cultural contexts. This stereotype, often explained through the role of men as authoritative "heads of the household" who support the family and abstain from household chores, ignores a more complex and diverse reality. Through analysis of the film Rumah Aya (2021), this study responds to the idea that masculinity values can contribute to gender justice. Unlike popular films that usually focus on the mother's character, this film highlights a father's perspective and changes traditional stereotypes of masculinity. The main character, Bari, represents a unique construction of masculinity, one that differs from prevalent Western models of masculinity. In Teun A. Van Dijk's critical discourse analysis and Fluid Connell's concept of masculinity, this research shows a shift in the role of men from "head of the household" to "father of the household". These results point to a more flexible role for men, where they are no longer limited by their traditional role as breadwinners, but also participate in domestic and childcare tasks. This research, therefore, helps in expanding knowledge about variations in masculinity, particularly in local contexts, and breaking down the boundaries of rigid gender stereotypes. Keywords: Stereotype; masculinity; film; critical discourse analysis; gender roles.
The Existence of Balinese Female Dancers in Tisna's Ni Rawit Ceti Penjual Orang, Rusmini's Tarian Bumi, and Arnada's Jejak Dedari Sukmawati, Ni Luh Ayu
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 13 No. 1 (2024): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v13i1.20096

Abstract

This qualitative research aims to reveal how Balinese female dancers have existed by dancing in each era depicted in three novels namely Ni Rawit Ceti Penjual Orang (1935) by A.A. Pandji Tisna, (2) Tarian Bumi (2000) by Oka Rusmini, and (3) Jejak Dedari (2016) by Erwin Arnada. Structural-narrative theory by A.J. Greimas and Simone de Beauvoir's existentialist feminism approach was used to dissect the three novels. From the analysis, some differences describe the characteristics of Balinese female dancers in each era. In the novel Ni Rawit Ceti Penjual Orang as a marker of the postcolonial era, female dancers have not been able to reach their existence because of tradition dominated by men. In contrast, in Tarian Bumi and Jejak Dedari as a remark of the 2000s, Balinese female dancers can achieve their existence with the help and motivation of the surrounding community of figures. Thus, it shows the progress in the way of Balinese society towards the existence of Balinese female dancers from time to time.
Gerakan Plastic Exchange Melalui Pemanfaatan Ecobrick di Desa Bendelan Bondowoso Ni Luh Ayu Sukmawati; Audy Putri Lestari; Alifiyah Haafizhoh; Dinda Yulia Saputri; Andini Femy Pramudya; Dian Faqih Kurniawan; M.Aghis Azria Al Fathonian
ASPIRASI : Publikasi Hasil Pengabdian dan Kegiatan Masyarakat Vol. 2 No. 5 (2024): September : ASPIRASI : Publikasi Hasil Pengabdian dan Kegiatan Masyarakat
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/aspirasi.v2i5.1062

Abstract

The problem of plastic waste in Indonesia has become an increasingly urgent issue to be addressed. One of the areas facing serious waste management challenges is Bendelan Village in Binakal District, Bondowoso Regency. The lack of waste processing facilities and community awareness are key factors exacerbating the situation. Through a community service program, efforts were made to introduce and utilize ecobricks as a solution for managing plastic waste. This program involved PKK cadres in the socialization and creation of ecobricks. The outcome of this program was the creation of 20 ecobrick bottles, reflecting active community participation in the Plastic Exchange movement. This initiative is expected to be sustainable and contribute positively to creating a cleaner and healthier environment.
MARKETING CONFLICT AND SHARPENING ANTAGONISM: DOCUMENTING AND PRESERVING SOCIAL DIVISION IN THE FILM 3 HATI DUA DUNIA SATU CINTA Hartanto, Denny Antyo; Murti, Ghanesya Hari; Sukmawati, Ni Luh Ayu; Astutiningsih, Irana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4982

Abstract

This research analyzes the 2010 film 3 Hati Dua Dunia Satu Cinta (3 Hearts Two Worlds One Love) amidst the social phenomenon indicating increased religious intolerance. Additionally, this study seeks to analyze social urban society's phenomenon and disparity through the film's narrative and characters. This research also seeks to understand the film's impact on urban society's heterogeneity from the spatial politics perspective. The study employed the qualitative method with narrative and discourse analysis approaches using Laclau-Mouffe's antagonistic framework. Data was collected by watching and directly analyzing the film and through relevant literature studies. The research results indicate that the film 3 Hati Dua Dunia Satu Cinta successfully utilized the social phenomenon as a marketing strategy, maintained disparity through its narrative and characters, resulted in subject dislocation towards a certain hegemonic identity, and influenced the heterogeneity of urban society from the perspective of spatial politics. 
Perjalanan Sineas Independen Jember: Diseminasi Film Melalui Program Misbar Komunitas Film Layar Kamisan Muhammad Zamroni; Ni Luh Ayu Sukmawati; Bambang Aris Kartika; Denny Antyo Hartanto
Jurnal Audiens Vol. 5 No. 4 (2024): December
Publisher : Universitas Muhammdiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jas.v5i4.516

Abstract

Kajian ini membahas strategi Komunitas Layar Kamisan di Jember dalam mendiseminasikan film independen melalui program "Misbar." Program ini menjadi platform bagi sineas lokal untuk memamerkan karya mereka, menciptakan ruang diskusi, dan memfasilitasi kolaborasi antar komunitas. Dengan menggunakan pendekatan circuit of culture yang dikembangkan oleh Hall dan du Gay, kajian ini menyoroti bagaimana produksi, distribusi, dan penerimaan film independen berinteraksi dalam konteks sosial, budaya, dan ekonomi Jember. Melalui program "Misbar," komunitas ini berhasil memperluas jaringan distribusi alternatif, memanfaatkan festival dan pemutaran di ruang komunitas untuk menjangkau audiens yang lebih luas. Program ini juga berperan penting dalam membangun apresiasi publik terhadap film-film independen yang mencerminkan identitas dan isu sosial lokal. Kajian ini menggunakan metode kualitatif, termasuk wawancara dan observasi, untuk menggali dinamika komunitas film di Jember. Hasil penelitian menunjukkan bahwa melalui program seperti "Misbar," sineas lokal dapat mengatasi keterbatasan sumber daya, mendistribusikan karya mereka secara lebih mandiri, dan membangun dialog konstruktif dengan penonton. Strategi ini memperkaya ekosistem kreatif lokal dan mendukung keberlanjutan industri film independen di Jember.
Co-Authors Agustin, Yuli Ayu Alifiyah Haafizhoh Andini Femy Pramudya Ariyanti Mulyaningtias, Wahyu Audy Putri Lestari Bambang Aris Kartika Dian Faqih Kurniawan Dinda Yulia Saputri Fina Zahra Ghanesya Hari Murti Hartanto, Denny Antyo Hartanto, Denny Antyo Ikwan Setiawan Irana Astutiningsih Kukuh Yudha Karnanta M.Aghis Azria Al Fathonian Muhammad Zamroni Mushthofa Kamal Nur Wulan Puji Karyanto