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All Journal Jurnal Ilmiah Mahasiswa FIB Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Capture : Jurnal Seni Media Rekam Tonil, Jurnal Kajian Sastra, Teater dan Sinema Jurnal Media dan Komunikasi International Journal of Humanities Education and Social Sciences Aspirasi : Publikasi Hasil Pengabdian dan Kegiatan Masyarakat Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Jurnal Audiens Jurnal Pengabdian Masyarakat dan Riset Pendidikan Cultural Narratives MEDIAKOM : Jurnal Ilmu Komunikasi
Ni Luh Ayu Sukmawati
Program Studi Televisi Dan Film, Universitas Jember
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Mathematics Public Health Social Sciences Other

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DINAMIKA PENCARIAN JATI DIRI TOKOH AURORA DALAM FILM JALAN YANG JAUH JANGAN LUPA PULANG Ariyanti Mulyaningtias, Wahyu; Zamroni, Muhammad; Sukmawati, Ni Luh Ayu
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 22, No 2: September 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v22i2.16984

Abstract

Perubahan motivasi tokoh Aurora seiring menghadapi konflik internal dalam film Jalan yang Jauh, Jangan Lupa Pulang dapat terlihat melalui pendekatan psikoanalisis Sigmund Freud. Pendekatan tersebut mampu memperlihatkan cara tokoh Aurora menggunakan mekanisme pertahanan ego sebagai tanggapan terhadap tekanan akademik, keluarga, dan sosial, terutama akibat perilaku destruktif Jem. Pemilihan topik penelitian ini berkaitan dengan relevansi isu kesehatan mental pada generasi muda, khususnya akibat dominasi keluarga yang memengaruhi proses pencarian jati diri. Film tersebut menggambarkan konflik internal yang erat kaitannya dengan bayangan masa lalu dan pengaruhnya terhadap pengambilan keputusan tokoh Aurora. Penelitian ini menggunakan metode deskriptif kualitatif dan menggabungkan pendekatan psikoanalisis Sigmund Freud, struktur naratif Tzvetan Todorov, serta sinematik David Bordwell. Penerapan struktur naratif serta sinematik sebagai pendukung dapat membantu menganalisis interaksi id, ego, dan superego Aurora melalui struktur pembagian cerita serta visualisasi dalam adegan. Hasil penelitian menunjukkan bahwa seiring berkembangnya cerita, motivasi tindakan Aurora mengalami perubahan secara bertahap menuju kondisi yang lebih stabil, mandiri, dan rasional. Oleh karena itu, film Jalan yang Jauh, Jangan Lupa Pulang tidak hanya menampilkan konflik internal dan proses perubahan motivasi tokoh, tetapi juga menggunakan struktur naratif dan sinematik untuk memperjelas dinamika kondisi tokoh Aurora. Kata kunci: Jalan yang Jauh Jangan Lupa Pulang, psikoanalisis Sigmund Freud, konflik internal
MARKETING CONFLICT AND SHARPENING ANTAGONISM: DOCUMENTING AND PRESERVING SOCIAL DIVISION IN THE FILM 3 HATI DUA DUNIA SATU CINTA Hartanto, Denny Antyo; Murti, Ghanesya Hari; Sukmawati, Ni Luh Ayu; Astutiningsih, Irana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4982

Abstract

This research analyzes the 2010 film 3 Hati Dua Dunia Satu Cinta (3 Hearts Two Worlds One Love) amidst the social phenomenon indicating increased religious intolerance. Additionally, this study seeks to analyze social urban society's phenomenon and disparity through the film's narrative and characters. This research also seeks to understand the film's impact on urban society's heterogeneity from the spatial politics perspective. The study employed the qualitative method with narrative and discourse analysis approaches using Laclau-Mouffe's antagonistic framework. Data was collected by watching and directly analyzing the film and through relevant literature studies. The research results indicate that the film 3 Hati Dua Dunia Satu Cinta successfully utilized the social phenomenon as a marketing strategy, maintained disparity through its narrative and characters, resulted in subject dislocation towards a certain hegemonic identity, and influenced the heterogeneity of urban society from the perspective of spatial politics. 
Analisis Semiotika Roland Barthes: Visualisasi Kelas Sosial dalam Sinematografi Film The Handmaiden (2016) Agustin, Yuli Ayu; Setiawan, Ikwan; Sukmawati, Ni Luh Ayu
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53697

Abstract

The Handmaiden is an exotic-thriller film by Park Chan-wook which tells the story of Korean people who disguise themselves to deceive Japanese nobles. In the storyline regarding the fraud, there is a storyline that involves the issue of social class being an important thing in it. A social class is a group of people divided based on education, occupation, property ownership, and lifestyle. The purpose of this research is to show how social class is visualized in The Handmaiden film. The type of research used is qualitative research using Roland Barthes semiotic analysis method in film cinematography. The research focuses on how upper and lower social classes are visualized. The results show that the visualization of social classes is divided into 3 (three) categories. The first is visualisation of the upper social class who have power and lifestyle through clothing. Second, the visualisation of the lower social class that is highlighted very small in cinematography so that it represent the character as powerless or weak. Third, the representation of the lower social class that fights back by destroying the barrier between classes to save one of the upper-class characters.
Flim Andragogy (2023): Identity Crisis and Power Shift in Indonesian Cinema Sukmawati, Ni Luh Ayu
International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 5 No 3 (2025): IJHESS DECEMBER 2025
Publisher : CV. AFDIFAL MAJU BERKAH

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55227/ijhess.v5i2.1896

Abstract

The phenomenon of posthumanism in Indonesia is no longer merely a theoretical discourse, but has become an everyday experience that reshapes social relations, identity, and human existence in the digital era. This study aims to examine how Wregas Bhanuteja's film Andragogy (2023) represents the dynamics of power in posthuman cinema through visual and narrative studies, with the Actor-Network Theory (ANT) approach from Bruno Latour and Jacques Lacan's gaze theory. The results of the study show that the virality of Bu Prani's video in the film functions as a non-human actor who has agency in shaping public opinion, mobilizing social networks, and distributing power. Social media is not only a space of representation, but also regulates social narratives that oppress individuals. Bu Prani loses control over her own identity, trapped in the logic of algorithms and collective power exercised by netizens through the mechanisms of gaze and méconnaissance. Through visual framing that shows how Bu Prani's personal space is reduced and her narrative is constructed by digital social networks, this film highlights the crisis of the subject in the posthuman era. Andragogy is not only an aesthetic critique of the post-pandemic era, but also reflects how power has shifted from humans to digital objects that are able to significantly modulate social life. The findings of this study emphasize that in posthuman networks, humans are no longer the absolute center of social construction, and cinema can be a critical medium to dismantle the tension between human agency and algorithms
Revitalisasi Kesenian Pojhien Bondowoso Melalui Upaya Viralitas di Media Sosial Instagram dan Tiktok Ni Luh Ayu Sukmawati; Fina Zahra; Ghanesya Hari Murti; Mushthofa Kamal
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.3874

Abstract

Penelitian ini bertujuan merevitalisasi Kesenian Pojhien di Kabupaten Bondowoso melalui strategi viralitas di media sosial Instagram dan TikTok dengan memanfaatkan teori viral success dan memetic success sebagai landasan konseptual. Kegiatan dilaksanakan bersama komunitas Pojhien Unik selama satu bulan melalui empat tahapan utama, yakni persiapan, perencanaan program, pelaksanaan, serta monitoring dan evaluasi. Metode yang digunakan bersifat partisipatif dan berbasis komunitas, meliputi observasi lapang, pendampingan produksi konten, pengelolaan akun media sosial, serta analisis metrik digital menggunakan dasbor Instagram, TikTok Studio, dan beberapa alat analitik lain. Hasilnya menunjukkan bahwa penerapan enam dimensi viralitas—positivity, high-arousal emotions, packaging, positioning, prestige, dan participation—mampu meningkatkan paparan dan interaksi terhadap konten Pojhien secara signifikan. Akun Instagram @pojhien.unik memperoleh sekitar 18.200 tayangan, 505 interaksi, dan jangkauan 7.637 akun, sementara akun TikTok @pojhien.unik meraih sekitar 4.400 tayangan dengan mayoritas penonton berusia 18–24 tahun. Sebagian besar penonton berasal dari non-pengikut dan menemukan konten melalui fitur For You atau Explore, yang menunjukkan potensi penyebaran organik. Temuan ini mengindikasikan bahwa media sosial dapat menjadi medium efektif untuk pelestarian kesenian tradisi bila dikelola secara strategis dan partisipatif, sekaligus memperkuat kapasitas komunitas lokal dalam ekosistem budaya digital.
Representation of Social Inequality in the Film Shoplifters: A Semiotic Study of Roland Barthes Danuta Korpas, Azalea; Zamroni , Muhammad; Sukmawati, Ni Luh Ayu; Kartika, Bambang Aris; Hartanto, Denny Antyo
Cultural Narratives Vol. 3 No. 1 (2025): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v3i1.1356

Abstract

This study examines the representation of social inequality in the film Shoplifters (2018) by Hirokazu Kore-eda through the lens of Roland Barthes semiotic theory. As an audiovisual medium, film reflects social realities and conveys ideological messages, with Shoplifters serving as a poignant depiction of poverty and marginalization. The study explores how mise-en-scene elements such as setting, costume, make up, and camera angles communicate deeper meanings through Barthes three levels of signification: denotation, connotation, and myth. Using a descriptive qualitative method and focusing on two key scenes, the research identifies how the film presents various dimensions of social inequality including economic hardship and social exclusion. The findings reveal that the Shibata family's unconventional structure and survival strategies underscore systemic disparities and challenge dominant societal norms.  
Transformasi Karakter Melalui Tata Rias dan Busana Pada Tokoh Young-sook Dalam Film The Call (2020) Zetra Aurora, Idz Nada; Astuti, Soekma Yeni; Sukmawati, Ni Luh Ayu
MEDIAKOM Vol. 9 No. 02 (2026): Mediakom, Februari 2026
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/mediakom.v9i02.4440

Abstract

Film The Call (2020) is South Korean fantasy thriller an adaptation of The Caller which was released in 2011. The appeal of the film in its ability to present an unexpected character transformation turns into an antagonist, Young-sook. This study uses a qualitative descriptive method with a film analysis approach to examine how visual elements are used to reinforce the character transformation of the antagonist. Data were collected through observation, focusing on the storyline that motivates the character to change their attitudes and behavior, based on Todorov’s three-act structure theory and Jeff Gerke’s character arc theory. Scenes from the film were captured and analyzed in depth to highlight changes in the makeup and costume aspects of the character. Research findings indicate that makeup and fashion serve not only as aesthetic elements but also play a significant role in creating character changes of the antagonist in reflecting the development of conflict in films.
Co-Authors Agustin, Yuli Ayu Alifiyah Haafizhoh Andini Femy Pramudya Ariyanti Mulyaningtias, Wahyu Astuti, Soekma Yeni Audy Putri Lestari Bambang Aris Kartika Bambang Aris Kartika, Bambang Aris Danuta Korpas, Azalea Dian Faqih Kurniawan Dinda Yulia Saputri Fina Zahra Ghanesya Hari Murti Hartanto, Denny Antyo Hartanto, Denny Antyo Ikwan Setiawan Irana Astutiningsih Kukuh Yudha Karnanta M.Aghis Azria Al Fathonian Muhammad Zamroni Mushthofa Kamal Nur Wulan Puji Karyanto Zamroni , Muhammad Zetra Aurora, Idz Nada