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All Journal Al Qalam: Jurnal Ilmiah Keagamaan dan Kemasyarakatan Jurnal Seni Tari International Journal of Social Science, Education, Communication and Economics Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Journal of Dance and Dance Education Studies Arif: Jurnal Sastra dan Kearifan Lokal Publikasi Ilmiah Bidang Pengabdian Kepada Masyarakat (SIKEMAS) Abdimas Mandalika International Journal of Performing Arts (IJPA)
Nursilah Nursilah
Universitas Negeri Jakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

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DANCE AS A SOCIAL GIFT: A STUDY OF MARCEL MAUSS'S THEORY OF THE GIFT IN PERFORMING ARTS PRACTICE: DANCE AS A SOCIAL GIFT: A STUDY OF MARCEL MAUSS'S THEORY OF THE GIFT IN PERFORMING ARTS PRACTICE Aidah, Hasna; Nursilah, Nursilah
International Journal of Performing Arts (IJPA) Vol. 3 No. 1 (2024): June
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v3i1.260

Abstract

This article discusses the relevance of Marcel Mauss's The Gift theory in understanding dance as aform of symbolic exchange in the context of performing arts. Based on a conceptual study and aperformance anthropology approach, this paper highlights the main principle in Mauss's theory,namely the obligation to give, receive, and reciprocate, which can be interpreted as a social structurethat binds the relationship between dancers, audiences, and society. In dance practice, the act ofdancing is seen as a "social gift" that contains moral, spiritual, and cultural values. The dancer'smovements, expressions, and performativity function not only as aesthetic representations, but alsoas a means of communication and exchange of meaning that creates a reciprocal relationshipbetween the performer and the recipient of the performance. Through an analysis of the socialfunction of dance, this article shows that the performance process is a total social event ( total socialfact ), as explained by Mauss, where the values of solidarity, empathy, and appreciation are realizedthrough symbolic interaction. The concept of the "soul of the gift" ( hau ) in Mauss's theory isreinterpreted as the artistic spirit in the performance that fosters emotional resonance betweendancers and audiences. Thus, The Gift theory not only enriches understanding of the social functionof performing arts, but also offers a new conceptual framework for dance education and practice inthe modern era.
SUSTAINABLE BUSINESS MODELS IN THE DANCE INDUSTRY: INTEGRATION OF ARTISTIC AND ECONOMIC ACTIVITIES: SUSTAINABLE BUSINESS MODELS IN THE DANCE INDUSTRY: INTEGRATION OF ARTISTIC AND ECONOMIC ACTIVITIES Ping, Xiao; Nursilah, Nursilah; Alhempi, R. Rudi
International Journal of Performing Arts (IJPA) Vol. 4 No. 2 (2025): December (On Progress)
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v4i2.263

Abstract

The dance industry faces challenges in economic sustainability due to the increasingly complex and rapidly changing dynamics of the arts market. This study aims to design a sustainable business model that integrates artistic and economic dimensions in dance production practices. By adopting a descriptive qualitative approach and reviewing literature from various sources, this study explores performing arts monetization practices, revenue diversification strategies, and digital technology-based innovations such as crowdfunding, merchandise, and digital products. The study results show that the sustainability of the dance industry is highly dependent on the ability of artists to build an adaptive, collaborative, and culturally value-based business system. The integration of choreographers' artistic visions and economic strategies has been shown to increase the resilience of arts organizations to crises, expand their audience base, and strengthen the socio-economic legitimacy of dance. This study provides a conceptual contribution to the development of an arts business model framework relevant to the context of the creative industry in the digital era, as well as practical implications for artists and policymakers in supporting a sustainable performing arts ecosystem.
MEMPERKUAT PEMAHAMAN TENTANG WARISAN BUDAYA TAK BENDA INDONESIA UNTUK MAHASISWA HEBEI MELALUI PELATIHAN TARI REYOG PONOROGO Nursilah, Nursilah; Andriani, Susi; Akbar Pahala, Agam
Publikasi Ilmiah Bidang Pengabdian Kepada Masyarakat (SIKEMAS) Vol. 3 No. 3 (2024): Artikel Pengabdian bulan Oktober-Desember 2024
Publisher : Lafadz Jaya Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47353/sikemas.v3i3.2392

Abstract

Program pengabdian masyarakat internasional ini bertujuan untuk memperkenalkan dan memperkuat pemahaman tentang warisan budaya tak benda Indonesia, khususnya tari Reyog Ponorogo, kepada mahasiswa Universitas Studi Internasional Hebei, Tiongkok. Program ini mengintegrasikan pelatihan tari dengan pembelajaran bahasa Indonesia untuk memberi pemahaman yang lebih mendalam tentang budaya Indonesia. Kegiatan ini dilaksanakan dalam bentuk daring dan luring selama satu tahun. Melalui program ini, peserta tidak hanya mempelajari teknik tari Reyog Ponorogo, tetapi juga memahami nilai-nilai budaya yang terkandung di dalamnya. Hasil dari program ini menunjukkan adanya peningkatan apresiasi terhadap budaya Indonesia, serta penguatan hubungan diplomatik antara Indonesia dan Tiongkok melalui diplomasi budaya. Program ini juga memberikan kontribusi terhadap pemajuan budaya Indonesia di kancah internasional, sekaligus mempererat hubungan bilateral antara kedua negara.
MARK MORAL IN DANCE GAMBIRANOM (STUDY MORALITY IMMANUEL KANT) List Salsabila, Nadia; Nursilah, Nursilah; Pearl Sari, Kartika
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.13

Abstract

Leave from perspective Immanuel Kant about morality, study this aim for identify the moral values in the Gambiranom dance that deserve to be guided to bring life to life return values moral which has faded. Discourse analysis methodology with approach Qualitative research in this study is used to understand the symbolic messages contained in the text something discourse. Discourse which meant in study this is dance Gambiranom. Collection data done through Interview, observation, studies References, and studies documentation. The data analysis technique used the data analysis technique of the Miles and Huberman model. This research produce two data main research, namely Hasta Sawanda dance Gambiranom and shape Gambiranom dance presentation. These data produce an interpretation of Hasta Sawanda in the Gambiranom dance as good will according to the perspective of Immanuel Kant's moral values, and the form of presenting the Gambiranom dance as an act rightly according to the perspective of Immanuel's moral values Kant. From the two data, it produces a good value (praiseworthy) which is then gives birth to the highest good (summum bonum). The highest good is obtained by a dancer if has carry out the action which correct (act rightly) and intention which good (good will) according to the rules of classical Javanese dance style Surakarta is a condition where dancers are successful merged himself into the full character of Irawan's character. So that connoisseurs/viewers don't again see dancer as personal dancer but character Raden Irawan or King Gambiranom.
PACKAGING MODEL OF THE CREATIVE ARTS INDUSTRY BASED ON MAPPING THE ARTS OF THE NUSANTARA CULTURE AS A MULTICULTURAL BASED POLITICAL POLICY STRATEGY Nursilah, Nursilah
International Journal of Performing Arts (IJPA) Vol. 1 No. 1 (2022): JUNE
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v1i1.15

Abstract

This article raises the issue of the packaging model of the performing arts creative industry which is based on the mapping of the archipelago's cultural arts. This model is structured to find appropriate technology in packaging the creative industry of performing arts which is gathered from various ethnic groups in the archipelago which is expected to be used as a harmonious multicultural-based political policy strategy. In particular, the targeted target is to create creative industry products for performing arts thematically, both in the form of presenting performing arts directly on stage or packaged in video form. The research method used is the Research and Development method which is carried out in multi years for 3 years. The first year's research is exploratory to map the cultural arts of the archipelago based on the theme and presentation model. The second year of research resulted in a creative industry model for the performing arts that was compiled based on the mapping of the archipelago's cultural arts that was useful for establishing a multicultural-based political policy strategy. Meanwhile, in the third year, the performance art creative industry model was tested to determine the effectiveness of the model that had been compiled. Based on this research, it can be concluded that Indonesia's cultural diversity is a resource that can be used as capital in the creative arts industry as well as the basis for determining multicultural-based political policy strategies. Given the importance of the substance of this research, it is hoped that every element of society realizes, appreciates and manages traditional dance well so that the welfare of life increases, social harmonization is built, and political stability can be maintained.
Exploring Cultural Representations in Regional Content on YouTube: A Comprehensive Review Nursilah, Nursilah; Jayadi, Usman
SIWAYANG Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Vol. 4 No. 1 (2025)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/siwayang.v4i1.2697

Abstract

This study explores the representation of regional cultures on YouTube, highlighting how digital platforms serve as vital spaces for cultural expression, preservation, and dissemination. As a leading video-sharing platform, YouTube plays a crucial role in showcasing diverse cultural narratives and allowing users to engage with local traditions, customs, and lifestyles from around the world. Employing qualitative methods, including content analysis of selected videos and interviews with content creators, this research investigates how cultural elements are portrayed and perceived in the digital landscape. The findings reveal that YouTube not only democratizes access to cultural content but also facilitates cross-cultural exchanges, fostering understanding among diverse audiences. However, challenges related to authenticity, cultural commodification, and the potential loss of cultural integrity are evident, raising critical questions about the portrayal of local narratives in a global context. This study concludes that while YouTube presents significant opportunities for cultural representation, careful consideration is necessary to ensure the accurate and respectful conveyance of cultural identities. Recommendations for content creators and policymakers are provided to enhance the effectiveness of cultural representation and encourage responsible content creation in the digital age.
Pelatihan Tari Nawung Sekar sebagai Langkah Memperkenalkan Keberagaman Budaya untuk Anak-anak Sulistiani, Sulistiani; Tampubolon, Rines Onyxi; Nursilah, Nursilah
Abdimas Mandalika Vol 5, No 2 (2026): Februari
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/am.v5i2.37631

Abstract

Abstract: This community service was carried out by applying Experiential Learning Theory at dance training activity. The purpose of this activity was to introduce multiculturalism among children through Nawung Sekar dance training. The training was conducted through a demonstration at the Citra Betawi RPTRA (Ruang Publik Terpadu Ramah Anak) on June 27, 2025. Participants consisted of children aged 6-12 years with a total of 20 children. There were four steps taken, namely, Concrete Experience, Reflective Observation, Abstract Conceptualization, Active Experimentation. The benefits found from this community service were seen from the children's attitude of having an interest in Javanese culture even though previously they were more familiar with Betawi culture through Betawi dance training. This is a form of introducing multiculturalism to children. This activity is effective if carried out in the RPTRA which is an open space that is easily accessible to children. The dance training demonstrates that traditional dance can be an effective medium for multicultural education and character building in children from an early age. In addition to contributing to the preservation of Indonesian culture, dance training can also foster a pattern of tolerance and inclusive attitudes.Abstrak: Pengabdian ini dilakukan dengan mengaplikasian Experiential Learning Theory dalam kegiatan pelatihan tari. Tujuan kegiatan ini dilakukan sebagai bentuk mengenalkan multikulturalisme di kalangan anak-anak melalui pelatihan tari Nawung Sekar. Pelatihan dilakukan dengan cara demonstrasi berlokasi di Ruang Publik Terpadu Ramah Anak (RPTRA) Citra Betawi pada 27 Juni 2025. Peserta terdiri dari anak-anak usia 6-12 tahun dengan total 20 anak. Ada empat langkah yang dilakukan yaitu, Concrete Experience (Pengalaman Nyata), Reflective Observation (Pengamatan Reflektif), Abstract Conceptualization (Konseptual Abstrak), Active Experimentation (Eksperimen Aktif). Dari hasil pengabdian ini terlihat anak-anak dapat membawakan tari Nawung Sekar. Selain itu, manfaat lain yang ditemukan dari pengabdian ini dilihat dari sikap anak-anak memiliki ketertarikan pada budaya Jawa meskipun sebelumnya lebih sering mengenal budaya Betawi melalui pelatihan tari Betawi. Hal ini adalah wujud dari pengenalan multikulturalisme untuk anak-anak. Pengabdian ini efektif dilakukan di RPTRA yang merupakan ruang terbuka yang mudah diakses anak-anak. Dengan adanya pelatihan tari, membuktikan bahwa tari tradisional dapat menjadi media efektif dalam pendidikan multikultural dan penguatan karakter anak sejak usia dini. Selain  berkontribusi pada pelestarian budaya Indonesia, dengan adanya pelatihan tari dapat membuat pola pembentukan sikap toleran serta inklusif.
Transformasi Estetika dalam Festival Reyog Ponorogo: Negosiasi Tradisi dan Modernitas Nursilah, Nursilah; Tambunan, Shuri Mariasih Gietty; Setyani, Turita Indah; M. Yoesoef
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 5 No. 2 (2026): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.052.01

Abstract

Artikel ini membahas permasalahan yang muncul akibat transformasi seni pertunjukan Reyog Ponorogo dalam Festival Nasional yang menggeser orientasi tradisional ke arah profesionalisme dan estetika modern. Tujuan penelitian ini adalah untuk memahami perubahan format dan elemen artistik dalam pertunjukan Reyog antara format Reyog Festival dan Reyog Obyog mempengaruhi kelangsungan nilai budaya tradisional. Penelitian ini menggunakan pendekatan kualitatif dengan metode etnografi dan analisis teks. Teknik pengumpulan data dilakukan melalui observasi partisipatif, wawancara mendalam dengan seniman dan pengelola festival, serta studi dokumentasi visual. Hasil penelitian menunjukkan bahwa Reyog Festival cenderung menekankan inovasi visual, perubahan koreografi dan kostum, serta komersialisasi seni pertunjukan. Sebaliknya, Reyog Obyog mempertahankan interaksi langsung dengan penonton serta unsur ritual dan adat yang kuat. Kesimpulan dari penelitian ini menegaskan bahwa meskipun modernisasi menghadirkan tantangan terhadap nilai-nilai budaya tradisional, ia juga membuka ruang negosiasi antara pelestarian adat dan inovasi kontemporer. Oleh karena itu, strategi pelestarian yang adaptif dan kontekstual sangat diperlukan untuk menjaga keberlanjutan identitas budaya Reyog Ponorogo.
Co-Authors Agam Akbar Pahala Aidah, Hasna Alfira Hadiatiningrum Ayodele, Osiyemi Olusegun DEDEN HAERUDIN Ekosiwi, Embun Kenyowati Elindra Yetti Eza Kusuma Putri Ida Nuraida Leo Nardo Setia Budi Djojo List Salsabila, Nadia M. Yoesoef Merrysa Christina Pearl Sari, Kartika Ping, Xiao Raden Rudi Alhempi Rd. Nia Kania Kurniawati Reza Yonatan Hanata Salman Alfarisi Sulistiani Sulistiani, Sulistiani Susi Andriani, Susi Tafarannisa, Melaprilya Anggun Tampubolon, Rines Onyxi Turita Indah Setyani Youmi Ayu Prima Sihaloho