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All Journal Rekayasa Mesin JURNAL PETERNAKAN IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Linguistics and Elt Journal Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Journal of English Teaching, Literature, and Applied Linguistics JURNAL PENELITIAN PENDIDIKAN BAHASA DAN SASTRA CALL Journal of English Language and Education Journal of English Development Prosiding University Research Colloquium Saksama: Jurnal Sastra
Yoga Sudarisman
UIN Sunan Gunung Djati Bandung
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Medicine & Pharmacology Social Sciences Other

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Jinx’s Character Development Shapes Irony in Christian Linke’s Arcane Season One (2021) Fadilah, Nizam; Nurholis, Nurholis; Sudarisman, Yoga
Journal of English Language and Education Vol 10, No 4 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i4.969

Abstract

Character development is a literary element that refers to the process through which characters are shaped with traits that establish their role and presence within the narrative world. This research aims to analyze the character development of Jinx in Arcane Season one (2021) using film theories by Petrie Boggs, with a particular focus on identifying the irony that shapes. A descriptive qualitative approach is used due to the use of narrative structure, visuals, and dialogue. The study identifies six key moments in Jinx’s development across episodes 1 to 9. Each moment is marked by a specific type of irony: dramatic irony, irony of situation, irony of character, irony of setting, irony of tone, and cosmic irony. This irony serves to deepen the audience’s understanding of her complex identity shift from Powder to Jinx. This study concludes that Arcane constructs Jinx’s character development as an ironic tragedy. Each ironic turn in the story underscores the tension between who Jinx was, how others perceived her, and who she chooses to become. 
THE SYMPHONY OF NATIONALISM: A POSTCOLONIAL STUDY TO THE MUSIC AND LYRICS OF INDONESIAN KERONCONG Assiddiqi, Hasbi; Nurrachman, Dian; Priyawan, Pepen; Sudarisman, Yoga
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 22 No. 1 (2025): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

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Abstract

This paper examines the role of keroncong music as a medium for building and strengthening the values of patriotism, nationalism, and diversity harmony in Indonesia. Keroncong music, which was first introduced by Portuguese sailors in the 16th century, underwent a process of acculturation until it became an integral part of Indonesian cultural identity. During the colonial period, this genre of music was used as a symbolic tool of resistance that ignited the spirit of struggle and nationalism. With its touching lyrics and melodious tunes, keroncong became a means for the Indonesian people to express their love for their homeland and national identity. Songs such as “Bengawan Solo,” “Melati di Tapal Batas,” and “Rayuan Pulau Kelapa” became powerful symbols of patriotism and played an important role in the Indonesian independence movement. Postcolonial literary criticism was applied to understand how colonial and nationalist elements interacted in keroncong music, as well as how keroncong helped reconstruct postcolonial national identity in Indonesia. The results of the study show that keroncong music not only serves as entertainment but also as a symbol of struggle that reflects Indonesia's national identity. As an adaptive form of music, keroncong has successfully maintained its relevance by incorporating local elements and themes that reflect Indonesia's socio-political dynamics. In its lyrics, keroncong conveys messages rich in national values and diversity, capable of embracing all layers of Indonesian society, from various ethnicities, religions, and social backgrounds. The value of patriotism in keroncong music emerges through themes of struggle, love for the homeland, and pride as an independent nation. Nationalism in keroncong is further strengthened by the use of local language and idioms, as well as the incorporation of traditional cultural elements deeply rooted in Indonesian society.
Irony in Mark Webb's 500 Days of Summer (2009) Nugraha, Andita Shabirah Putri; Nurulaen, Yuyun; Sudarisman, Yoga
Journal of English Language and Education Vol 10, No 4 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i4.1177

Abstract

This research explores the use of irony in the film 500 Days of Summer (2009), directed by Mark Webb. Unlike typical romance films, this movie presents a non-linear narrative and avoids the usual happy ending, making it a rich subject for irony analysis. Using a qualitative descriptive method, the study identifies and explains different types of irony found in the film, including dramatic, situational, verbal, etc. These ironic moments are key to understanding the development of the main character, Tom Hansen, whose expectations about love often clash with reality. Scenes such as “Expectations vs. Reality” and the unexpected meeting with Autumn illustrate how irony shapes the story and reflects Tom’s emotional journey. The findings show that irony is a powerful narrative device that adds depth to the film, challenges traditional ideas about romance, and helps the audience connect more deeply with the character’s experience. This study highlights how irony can be used in film to reveal personal growth and present a more realistic view of love.
Irony in Jonathan Glazer’s The Zone of Interest (2023): A Cinematographic Analysis of Long Shot. Haykal, Muhammad; Ruminda, Ruminda; Sudarisman, Yoga
Journal of English Language and Education Vol 10, No 5 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i5.1347

Abstract

This research examines how irony is conveyed through long shot cinematography in Jonathan Glazer’s The Zone of Interest (2023). Using Joseph M. Boggs and Dennis W. Petrie’s six types of irony such as dramatic, situational, character, setting, tone, and cosmic as the main framework, the research analyzes how these forms manifest visually through cinematic language. Set in the domestic sphere of Auschwitz commandant Rudolf Höss, the film employs visual distance and static framing to juxtapose everyday normalcy with atrocities occurring beyond the frame. Adopting a qualitative descriptive method, and drawing on theories from Mario Klarer and Gustavo Mercado, the analysis reveals that long shots function not only to emphasize physical and emotional detachment but also to heighten ironic contrast between visual calm and unseen violence. This creates a compelling visual irony that confronts viewers with the moral indifference and normalized evil within the setting. The research contributes to broader discussions on how irony in films can represent historical trauma through indirect yet deeply affective cinematic strategies.
THE WOMEN’S MASCULINITY IN FANTASTIC BEASTS AND WHERE TO FIND THEM (2016) Safanah, Qayla Putri; Sudarisman, Yoga
Saksama: Jurnal Sastra Vol. 2 No. 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.29519

Abstract

Film is a field of study that is very relevant to the analysis of human values, one of which is the value of masculinity. This study was conducted to determine the masculinity presented through language signs, verbal and non-verbal signs in the film Fantastic Beasts and where to Find Them (2016). The analysis technique used in this study is descriptive qualitative which refers to the female character character approach in the film Fantastic Beasts and Where to Find Them (2016) through the analysis of masculinity John Archer and Barbara Lloyd.Based on this level and the results of this study, researchers see that the film Fantastic Beasts and Where to Find Them (2016) provides an overview of the forms of masculinity, according to the concept of stereotype masculinity that is closely related and cannot be separated from the patriarchy culture and try to change the main stereotype In this film that women do not have to be at home and do not have the right to argue, but brave and firm in doing something or in making decisions. Women's masculinity is described not only about the style of dress or physically but through logical thinking and has a high leadership spirit.
ADVENTURE FORMULA STORYLINE IN MAD MAX: FURY ROAD (2015) MOVIE DIRECTED BY GEORGE MILLER Nuraini, Sri; Sudarisman, Yoga; Hkikmat, Mahi M
Saksama: Jurnal Sastra Vol. 3 No. 2 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i2.33594

Abstract

This research attempts to examine the adventure aspect that focuses on the storyline in the popular movie "Mad Max: Fury Road" directed by George Miller, released in 2015. The film shows a hero successfully completing a dangerous mission with fairly short but effective dialog to convey the intended message while advancing the story. Therefore, the researcher poses an analysis question which is how the adventure storyline is built in the movie of Mad Max: Fury Road (2015). To achieve the outcome of the question, this research identifies the adventure aspects that build the story by using the main formula theory by Sarick (2009). The method used in this research is qualitative method. The researcher uses dialog and character scenes as data to get results. From the results of the study, the researcher found 3 data which are the boundaries between the beginning of the movie, the middle of the movie, and the end of the storyline of the movie. The conclusion of the movie Mad Max: Fury Road can be understood that the adventure plot is very simple but gives a tense impression and although various obstacles are encountered during the travel process, the adventure narrative includes the ability to successfully survive and overcome dangerous circumstances involving physical, human, and animal risks, as well as the need to escape and pass through dangerous predicaments.
RESPRESENTATIONS OF MASCULINITY IN BARBIE FILM 2023 Ramdhan, Mochamad Akmal; Yatmikasari, Ika; Sudarisman, Yoga
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37780

Abstract

Masculinity is the characteristics that are traditionally thought to be typical of or suitable for men. This research attempts to discuss a character's masculinity in The Barbie 2023 Film. To specify the research, the researcher divided this analysis into two research questions, they are: 1) What are the elements of masculinity depicted in The 2023 Barbie Film? 2) How is the depiction of stereotypical masculinity in The 2023 Barbie Film? Masculinity in Barbie 2023 is very interesting to discuss because it can be identified from various elements contained in the film, in this case the identification of masculinity can be seen from how the characters in this film behave, the instrinsic elements implied in the film, the setting, and also other things that illustrate how the elements of masculinity are contained in the film. The results of this study found two findings, namely the first is what elements of masculinity are found in this film in the form of how the character Ken has an athletic posture that strongly shows elements of masculinity and in several scenes in the film shows masculinity, then the findings of other stereotypes of masculinity that the author managed to identify from the dialog, character acting, setting, or atmosphere that is contained in this film.
PEMANFAATAN LIMBAH GERGAJIAN KAYU SEBAGAI BAHAN PENGISI MATERIAL GESEK REM CAKRAM Sudarisman, Sudarisman; Jati, Susena; Kamiel, Berli P.
Prosiding University Research Colloquium Proceeding of The 8th University Research Colloquium 2018: Bidang Teknik dan Rekayasa & Bidang Tekni
Publisher : Konsorsium Lembaga Penelitian dan Pengabdian kepada Masyarakat Perguruan Tinggi Muhammadiyah 'Aisyiyah (PTMA) Koordinator Wilayah Jawa Tengah - DIY

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Abstract

Serbuk gergajian kayu merupakan limbah industri penggergajian kayu yang banyak dijumpai sebagai industri rakyat berskala kecil. Selama ini limbah tersebut belum termanfaatkan secara optimal, hanya sebatas sebagai bahan bakar subtitusi bahan bakar fosil. Penelitian ini bertujuan menguji kelayakan limbah serbuk gergajian kayu lokal untuk bahan pengisi yang dikombinasikan dengan epoksi sebahgai bahan pengikat sebagai material gesek untuk rem cakram. Material gesek dicetak langsung pada sepatu rem yang juga digunakan bekas yang sudah mengalami keausan total, dengan teknik cetak tekan. Selain 60 vol% serbuk gergajian dan 20 vol% epoksi, juga ditambahkan 10 vol% serat pendek gelas-E dan 10 vol% serbuk karet sintetis. Sifat-sifat yang diuji meliputi kekerasan Brinnell, laju keausan dengan metoda Ogoshi, dan koefisien gesek. Selain material gesek alternatif serbuk gergajian kayu/serat gelas/serbuk karet/epoksi, juga diuji dua produk komersial bahan gesek rem cakram yang tersedia di pasaran sebagai pembanding. Hasil pengujian menujukkan bahwa material alternatif yang diusulkan memiliki koefisien gesek yang lebih tinggi dan laju keausan yang lebih rendah dibandingkan dengan yang ada di pasaran, namun dengan angka kekerasan Brinnel yang lebih rendah. Dengan demikian, material yang diusulkan layak untuk material gesek rem cakran karena akan menghasilan jarak pengereman yang lebih pendek, lebih awet, dan dengan tekanan yang lebih kecil.
Fabrikasi dan Karakterisasi Tekan dan Impak Komposit Serat Ijuk/Polimer Sudarisman, Sudarisman
Prosiding University Research Colloquium Proceeding of The 11th University Research Colloquium 2020: Bidang Sains dan Teknologi
Publisher : Konsorsium Lembaga Penelitian dan Pengabdian kepada Masyarakat Perguruan Tinggi Muhammadiyah 'Aisyiyah (PTMA) Koordinator Wilayah Jawa Tengah - DIY

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Abstract

Randomly oriented chopped sugar palm fiber (SPF)-reinforced epoxy and –reinforced polyester has successfully been fabricated, and their compressive and impact properties have been evaluated. Prior to being used as reinforcement, the SPF was alkali-treated and chopped into ~20 mm long. Specimens were cut from a composite plate panel fabricated by means of cold-pressed molding. Compressive and impact tests were carried out according to the AASTM D3410 and ASTM D5410, respectively. It was found that compressive strength and strain-to-failure of SPF/epoxy samples were lower than those of the SFP/polyester samples, but to the contrary, compressive modulus of the SPF/epoxy samples were higher than that of the SPF/polyester samples. Impact toughness of SPF/epoxy specimens was found being higher than that of the SPF/polyester specimens.
Reflection of Women Struggle Through the Main Character in Olivia Newman’s Where the Crawdads Sing (2022) Thasyalina Amarthalia; Sudarisman, Yoga; Syarifudin, Bunyamin Faisal
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 1 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i1.6255

Abstract

This study aims to analyze how Kya's character reflects the struggle of women in the context of feminism in Where the Crawdads Sing (2022). This is done to find out whether there are elements of feminism in Kya Clark's character in Where The Crawdads Sing (2022). The method used is qualitative research. In this study, researchers used feminist analysis to examine the characters in the movie and also examined transcripts integrated with Simone de Beauvoir's feminism. The main data source in this study is the character development of Kya from the main character in the movie Where The Crawdads Sing (2022). The data collection technique used is documentation in the movie Where The Crawdads Sing (2022) which highlights Kya's character that contains elements of feminism, interpreting the results of data collection and conclusions. The data analysis technique of this research uses feminist analysis by observing, identifying characters, and concluding. The results of this study state that Kya's character reflects the struggle of women in the context of feminism in the film Where The Crawdads Sing (2022) has five stages of how Kya reflects the struggle of women which include such as independence, freedom, social stigma, discrimination, harassment and oppression.
Co-Authors Agus Purnomo Agustin, Citravia Al kahfi, Fahmi Haidar Anjarico, Fauzan Assiddiqi, Hasbi Awaludin, Lili Bunyamin Faisal Dian Nurrachman, Dian Erlan Aditya Ardiansyah Fadilah, Nizam Faisal, Bunyamin Fauzi, Erfan Muhamad Haykal, Muhammad Hendrajat, Sulthan Bonang Hkikmat, Mahi M Hkikmat, Mahi Mamat Irdan Hildansyah Jati, Susena Jidan Mustopa Kamiel, Berli Paripurna Kustanti, Dewi Lili Awaludin Nanda Amelia Handaeni Nofriady. H Nugraha, Andita Shabirah Putri Nurholis Nurholis, Nurholis Pauji, Resa Restu Priyawan, Pepen Rahayu, Tia Rachel Ramdhan, Mochamad Akmal Rifqiana, Widaad Rosediana, Erika Intan Ruminda Ruminda Safanah, Qayla Putri Sri Nuraini, Sri Sulthan Bonang Hendrajat Syahrevi Khairani Syarifudin, Bunyamin Faisal Thasyalina Amarthalia Tia Rachel Rahayu Tiara Meisyarani, Zaskia Viki Savira Nasyarin Wahyu Prihtiyantoro Yatmikasari, Ika Yudha Nur Widiananta Yulianti, Sinta Augina Yuyun Nurulaen, Yuyun