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All Journal Rekayasa Mesin JURNAL PETERNAKAN IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Linguistics and Elt Journal Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Journal of English Teaching, Literature, and Applied Linguistics JURNAL PENELITIAN PENDIDIKAN BAHASA DAN SASTRA CALL Journal of English Language and Education Journal of English Development Prosiding University Research Colloquium Saksama: Jurnal Sastra
Yoga Sudarisman
UIN Sunan Gunung Djati Bandung
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Medicine & Pharmacology Social Sciences Other

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Journal : CALL

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Semiotic Signs in Avengers Endgame Movie Tia Rachel Rahayu; Lili Awaludin; Yoga Sudarisman
CALL Vol 4, No 1 (2022): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v4i1.15160

Abstract

This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles Sanders Peirce is used in the debate. It focused on two problem formulations: the type of semiotic sign by highlighting the hostile sign present in the film, and the sign's meaning. Aims of this study was to identify the various hostile semiotic cues present in the film as well as how a film communicates a message that can be applied to daily life. Then, it has significant ideals that can inspire and make reference to societal reality. The study examines a variety of materials, including interview transcripts, social science texts, and narrative-style films, television shows, and periodicals. It does this using a qualitative research methodology called content analysis. In order to be interpreted afterwards, hostile cues from the actors are gathered and grouped. The findings demonstrate that when the Avengers are prepared to make sacrifices in order to battle and defend the universe in order to defeat evil, indicators of animosity are visible. Keywords: semiotics, sign, meaning, hostility, movie
CINEMATOGRAPHY IN GABRIELE MUCCINO’S THE PURSUIT OF HAPPINESS (2006) Sulthan Bonang Hendrajat; Pepen Priyawan; Yoga Sudarisman
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.19539

Abstract

This study aimed to study cinematography elements presented in Gabriele Muccino’s The Pursuit of Happiness (2006). To analyse the object of the research, it used cinematography theory by Blain Brown. The study used descriptive qualitative research design. Drama genre is one of the biggest and popular genre in the movie industry, since it shares some empathy, hopes, aspirations, dreams and fears (Editors, 2018). It focused on analysing the dramatic aspect through cinematography using Gabriele Muccino’s The Pursuit of Happiness (2006) movie. The study found that many cinematography elements in Gabriele Muccino’s The Pursuit of Happiness (2006) are proven using dramatic aspect from both lighting and camera technique. In conclusion, the movie shows a drama genre movie which has cinematography elements that need to be added to deliver the emotion of the story and to increase dramatic elements in the movie. Keywords: cinematography, genre, drama
Semiotic Signs in Avengers Endgame Movie Rahayu, Tia Rachel; Awaludin, Lili; Sudarisman, Yoga
CALL Vol. 4 No. 1 (2022): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v4i1.15160

Abstract

This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles Sanders Peirce is used in the debate. It focused on two problem formulations: the type of semiotic sign by highlighting the hostile sign present in the film, and the sign's meaning. Aims of this study was to identify the various hostile semiotic cues present in the film as well as how a film communicates a message that can be applied to daily life. Then, it has significant ideals that can inspire and make reference to societal reality. The study examines a variety of materials, including interview transcripts, social science texts, and narrative-style films, television shows, and periodicals. It does this using a qualitative research methodology called content analysis. In order to be interpreted afterwards, hostile cues from the actors are gathered and grouped. The findings demonstrate that when the Avengers are prepared to make sacrifices in order to battle and defend the universe in order to defeat evil, indicators of animosity are visible. Keywords: semiotics, sign, meaning, hostility, movie
CINEMATOGRAPHY IN GABRIELE MUCCINO’S THE PURSUIT OF HAPPINESS (2006) Hendrajat, Sulthan Bonang; Priyawan, Pepen; Sudarisman, Yoga
CALL Vol. 5 No. 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.19539

Abstract

This study aimed to study cinematography elements presented in Gabriele Muccino’s The Pursuit of Happiness (2006). To analyse the object of the research, it used cinematography theory by Blain Brown. The study used descriptive qualitative research design. Drama genre is one of the biggest and popular genre in the movie industry, since it shares some empathy, hopes, aspirations, dreams and fears (Editors, 2018). It focused on analysing the dramatic aspect through cinematography using Gabriele Muccino’s The Pursuit of Happiness (2006) movie. The study found that many cinematography elements in Gabriele Muccino’s The Pursuit of Happiness (2006) are proven using dramatic aspect from both lighting and camera technique. In conclusion, the movie shows a drama genre movie which has cinematography elements that need to be added to deliver the emotion of the story and to increase dramatic elements in the movie. Keywords: cinematography, genre, drama
Co-Authors Agus Purnomo Agustin, Citravia Al kahfi, Fahmi Haidar Anjarico, Fauzan Assiddiqi, Hasbi Awaludin, Lili Bunyamin Faisal Dian Nurrachman, Dian Erlan Aditya Ardiansyah Fadilah, Nizam Faisal, Bunyamin Fauzi, Erfan Muhamad Haykal, Muhammad Hendrajat, Sulthan Bonang Irdan Hildansyah Jati, Susena Jidan Mustopa Kamiel, Berli Paripurna Kustanti, Dewi Lili Awaludin MAHI MAMAT HKIKMAT Nanda Amelia Handaeni Nofriady. H Nugraha, Andita Shabirah Putri Nurholis Nurholis, Nurholis Pauji, Resa Restu Priyawan, Pepen Rahayu, Tia Rachel Ramdhan, Mochamad Akmal Rifqiana, Widaad Rosediana, Erika Intan Ruminda Ruminda Safanah, Qayla Putri Sri Nuraini, Sri Sulthan Bonang Hendrajat Syahrevi Khairani Syarifudin, Bunyamin Faisal Thasyalina Amarthalia Tia Rachel Rahayu Tiara Meisyarani, Zaskia Viki Savira Nasyarin Wahyu Prihtiyantoro Yatmikasari, Ika Yudha Nur Widiananta Yulianti, Sinta Augina Yuyun Nurulaen, Yuyun