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All Journal Humaniora Politika: Jurnal Ilmu Politik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Lingua Cultura Mozaik Humaniora KEMBARA Panggung Lire journal (journal of linguistics and literature Kandai Hasta Wiyata Humaniora Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Kawruh : Journal of Language Education, Literature and Local Culture
Wakit Abdullah Rais
Universitas Sebelas Maret, Indonesia
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Reciprocal Prefix ko- in Loloda Language, North Halmahera Maklon Gane; Wakit Abdullah; Dwi Purnanto
Humaniora Vol. 10 No. 2 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i2.5585

Abstract

This research aimed to describe the morphological process which focused on reciprocal prefix ko- and to find the word class of the base word that could attach with that prefix in Loloda language. The sources of data were Loloda language used by Lolodanese in the field research. The data were clauses or sentences that contained base word with reciprocal prefix ko-. The data obtained through several methods and techniques, such as observation and conversation, elicitation technique, recording, taking notes, and introspection technique. Introspection technique was used because the researcher is the speaker of this language. The data were analyzed by a qualitative descriptive method. The researchers used morphologic perspective to analyze the data. The results show that reciprocal prefix can attach with base words that have vocal /o/ in the first syllable. Moreover, there are several categories of the base word can attach with reciprocal prefix ko- such as the verb, noun or noun phrase, adjective, and interrogative. The function of the reciprocal prefix is to form the active verb.
An Ethnolinguistic Study in the Names of Salt Farming Tools in Rembang District Faris Febri Utama; Wakit Abdullah Rais; Sumarlam -
Humaniora Vol. 10 No. 2 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i2.5623

Abstract

The aim this research was to describe the names of the tools used in salt farming in Rembang district, which was viewed from an ethnolinguistic perspective. This research was a qualitative research using the Spradley ethnographic method. Data collection used participatory observation and interview techniques. The collected data were analyzed using the ethnosains analysis model. The results show that salt farmers in Rembang regency know at least 13 names of tools in salt farming, namely: ebor, sirat, kincir, desel, garuk, kusut, slender, ekrak, tolok, mbatan, angkong, dium, and ukuran banyu. The thirteen tools can be classified according to their functions, such as (1) to move seawater; (2) to flatten the pond bottom; (3) to compact the pond bottom; (4) to move the salt into a sack or conveyance; (5) to transport the salt in storage area; (6) for coating the bottom of the pond; (7) to determine the density of seawater in the pond.
THE UNIQUENESS OF PAMBIWARA`S LANGUAGE IN KAHIYANG AYU AND BOBBY NASUTION`S WEDDING CEREMONY IN SURAKARTA (Kekhasan Bahasa Pambiwara dalam Upacara Pernikahan Kahiyang Ayu dan Bobby Nasution di Surakarta) Nugraheni Setyaningrum; Wakit Abdullah; Dwi Purnanto
Kandai Vol 14, No 2 (2018): KANDAI
Publisher : Kantor Bahasa Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (129.745 KB) | DOI: 10.26499/jk.v14i2.615

Abstract

The aim of this research is to describe the typicality and uniqueness of master of ceremony ‘pambiwara`s’ language in the panggih temanten procession of Kahiyang Ayu and Bobby Nasution`s wedding ceremony in Surakarta. This research is a qualitative- descriptive with a stylistic approach. The data resources are the text of pambiwara`s speech in the panggih temanten procession of Kahiyang Ayu and Bobby Nasution`s wedding ceremony. The research data are an orthographic transcription of pambiwara`s speech, which is broadcasted live by national televisions. The scrutinizing technique was used to collect the information by scrutinizing the language use of pambiwara. In this context, scrutinizing techniques consist of extracting the uniqueness of language use, encompassing the uniqueness of speech sound and the typicality of morphology in the language of pambiwara. The data was then analyzed through scrutinizing technique and note-taking technique. The result of the research shows that pambiwara in the panggih temanten procession of Kahiyang Ayu and Bobby Nasution`s wedding ceremony has an aesthetic language use, which accentuates on the uniqueness and the typicality of speech sound and morphologic of language. (Penelitian ini bertujuan mendeskripsikan kekhasan bahasa pada bahasa pewara ‘pambiwara’ dalam upacara panggih temanten Kahiyang Ayu dan Bobby Nasution di Surakarta. Penelitian ini berbentuk deskriptif kualitatif dengan pendekatan stilistika. Sumber data data tertulis yang berupa satu teks ‘pambiwara’ dalam upacara panggih temanten Kahiyang Ayu dan Bobby Nasution di Surakarta. Sumber data tersebut berupa sumber data lisan yang disampaikan oleh ‘pambiwara’ yang berasal dari informan. Data berupa transkipsi ortografis ‘pambiwara’ dalam upacara panggih temanten Kahiyang Ayu dan Bobby Nasution di Surakarta yang disiarkan langsung di TV nasional. Teknik dasar yang dipakai adalah menggunakan teknik simak, yaitu teknik mendapatkan data dengan cara menyimak penggunaan bahasa. Dalam hal ini menyadap analisis tentang kekhasan pemakaian bahasa meliputi kekhasan bunyi bahasa dan kekhasan morfologi bahasa dalam bahasa ‘pambiwara’, dan lanjutannya menggunakan teknik simak dan teknik catat. Hasil penelitian ini menunjukan bahwa ‘pambiwara’ dalam upacara panggih temanten Kahiyang Ayu dan Bobby Nasution di Surakarta mempunyai keindahan bahasa yang berfokus pada kekhasan aspek morfologi bahasa.) 
Pragmatic Study of Discourse Hegemony on the Enactment of Dhalang Trah in Ruwatan Ceremony: A Critical Discourse Analysis Approach Efendi, Agus; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.6754

Abstract

This study applies qualitative research with Critical Discourse Analysis (CDA) of Fairclough (1995) and the criticism on the ideological dissection of social opacities. The data collection encompasses the interactive and non-interactive techniques which involve the techniques of in-depth interviewing, observation and content analysis. Results of the analysis reveal that units of language use reflected from the texts and contexts of the ruwat puppeteer based genealogy's enactment can be traced from the use of modalities, the phrase ‘mboten kalilan’ (impermissible, unable) in the decree of dhalang ruwat can be further extend to express the word ‘unable’ and ‘able to’, other aspects such as politeness, metaphors, ethos which is classified into the verbal and non-verbal discourse are the devices of discursive enactment of the elite power of dhalang trah. The findings conclude that there is arising symptoms of social inequality narrowing the role and significance of the non-ruwat puppeteers. The hegemonic practice such as the discursive enactment of dhalang trah (descendent of Ki Lebdajiwa) is determined by certain associations which try to normalize certain condition. The argument which refers to the enactment of Ki Lebdajiwa and his descendants as the holder of power is enacted through transactional form, where power is centered on one point.
Critiques on the Ideologies of Contemporary Bedhayan Dances Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakit; Chaya, Nyoman
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.7497

Abstract

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ‘ideology’. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely  concerns the fulfillment of material needs.
Social Criticism in the Text Scripture of Dharmasonya Aryanto, Aris; Sudardi, Bani; Purwasito, Andrik; Wakit, Abdullah
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8340

Abstract

This study took a closer look at the socio-condition of the Javanese people in Surakarta at the time Dharmasonya (Ds) text was produced through a perspective of critical-sociological studies. The present Ds text was read through seeing the historical life of the Islamic religion. The main objective of this study was to probe socio-cultural life of the society in the age the Ds text was produced. The data source used was the translation of Ds text by Suratmin which was issued by the Ministry of Education and Culture. To obtain the objectives, study on the Ds text was compared with other similar ancient texts of the same themes produced in the same time; these texts were Serat Wedhatama by KGPAA Mangkunegara IV (1853-1881) and Serat Tjemporet by R.Ng. Ranggwarsita. The data was analyzed through perspectives of Hermeneutic and Semiotics methods. The result shows that in Ds text, social criticism was an attempt to resist against the dynamic circumstances faced by the society at the time wherein the social status and nobility became people’s life concern. Such circumstance has apparently been used at least by a stream of Islamic group to write religious text in literary form, since religious doctrine was considered as one of the powerful weapons to control the society. Thus, most people would forcefully obey and submit to the teachings of Islam based on the Sharia law.
Between Economic Burden and Cultural Dignity: Belis in the Marital Custom of the NTT Society Rodliyah, Siti; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8672

Abstract

The indigenous marital system giving belis ‘bride price’ practiced by the East Nusa Tenggara (NTT), Indonesia, is one of the Nusantara marital custom phenomena that  today has developed and raised issues of both pros and cons which deserves critical scrutiny from Cultural studies and Anthropological perspective. Both perspectives facilitate the critical standpoint of the NTT society’s mindset summarized in the cultural or customary marriage rules requiring a marriage with belis. This study revealed that in the attitude towards belis, the East Nusa Tenggara women agreed and taken for granted the construction of their reality and power production through various discourses. Current practice of belis raises the economic capitalism up to the identity contestations. Lately, the essence and value of belis have changed and are likely to be more commercial. Even some may view it as mere a symbol and customary fixtures, such as in the region of Lamaholot imposing the elephant tusks, and the Allor society with their Moko as the payment methods of belis.  Belis has left biggest challenge for the communities who are not able to afford higher bride-price objects, this consequently lead to a more emerging unlawful marriages as a resistance against the unresolved poverty problems.
Javanese Language and Culture in the Expression of Kebo Bule in Surakarta: An Ethnolinguistic Study Abdullah, Wakit -
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.7195

Abstract

The phenomenon of Kebo Bule as the actuality of Javanese language and culture in Surakarta can be criticized from the perspective of ethnolinguistic. In terms of the descriptive qualitative expression of the language and culture of Java, Kebo Bule from the perspective of Ethnolinguistic is identifiable on the background of it in Surakarta, the influence of Kebo Bule to the Surakarta’s Court, and the meaning of Kebo Bule as one of the magical icons of the Surakarta’s Court. Ethnolinguistic as a theoretical concept is part of the branch of linguistic studies that seeks to study the language understanding in a broader context in order to express an understanding of the culture. Methodologically, understanding the relationship between the expression of language and culture Kebo Bule can be peeled using ethnomethodology to ethnolinguistics by utilizing ethnoscience (knowledge typically owned by ethnicity, tribe, people) to find the cultural themes of people related to their mindset and the worldview. The research data encompasses of oral and written data, verbal data sources from informants and writes from a library. The validity of the data was done by triangulation, and data analysis using ethnoscience (especially taxonomic, domain and componential analysis). Results of the discussion is presented in the form of narrative texts related to the background, the effect and meaning Kebo Bule for the existence of the language and culture of Java in Surakarta.
MADURESE PROVERBS USING COLOR NAME ELEMENT: AN ETHNOLINGUISTIC STUDY Nurul Fadhilah; Wakit Abdullah Rais; Dwi Purnanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 18, No 2 (2019)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1635.315 KB) | DOI: 10.24036/humanus.v18i2.107167

Abstract

Color is a symbolic expression tool used by humans to translate the intentions and ideas of its users, not exception the color names used in proverbs. This research is a qualitative descriptive which aims to describe the meaning of Madurese proverbs which contain color name elements and their relation to the Madurese life principles. The data of this study are Madura proverbs which contain color name elements. Furthermore, primary data sources come from informants and secondary data sources come from books and internet pages. Data were analyzed using an ethnolinguistic approach with ethnoscience methods. The results showed that 6 Madurese proverbs used the color name elements. The colors are potѐ ‘white’, celleng ‘black’, and konѐng ‘yellow’. Each same color can have a different meaning in each proverb. Besides, the six proverbs that use the color name elements become Madurese life guidelines in running their life, such as having to maintain self-esteem, be humble, avoid abuse of power, keep trying, be a person who has good character, and associate with people who bring benefits. Thus, this research is fundamental because the color is not just a symbol of beauty, but it can show the culture of its users in the form of language expression.
GANDRUNG AS A POLITICAL COMMUNICATION TOOL IN BANYUWANGI (A Study of Antonio Gramsci's Hegemony): GANDRUNG SEBAGAI ALAT KOMUNIKASI POLITIK DI BANYUWANGI (Suatu Kajian Hegemoni Antonio Gramsci) Mahfud; Andrik Purwasito; Warto; Wakit Abdullah Rais
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 7 No 2 (2023): Santhet : Jurnal Sejarah, Pendidikan dan Humaniora
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v7i2.1849

Abstract

Gandrung is one of the oldest forms of performing arts in Banyuwangi. Gandrung becomes a symbol of political communication through culture. This is clearly seen during the democratic party period. The purpose of this research is to reveal and criticize Gandrung which is used as a medium of political communication by political actors in Banyuwangi. The form of this research is descriptive qualitative. The theory used is Gramsci's hegemony. Data collection techniques using interviews, observation, and content analysis. The data analysis technique used in this study is an interactive analysis. The results of the study show that the high creativity of the people of Banyuwangi in folk art is recognized by the local government. This has become a loophole for political actors in Banyuwangi to insert political messages into Gandrung art performances. Thus, these political messages can be easily accepted by the public. This proves that if Gandrung's art is studied using Gramsi's theory, it shows that Gandrung is totally hegemony. Total hegemony is characterized by close to total mass affiliation. Society shows a strong degree of moral and intellectual unity, which is evident from the organic relationship between the government and the governed. This relationship is not colored by contradictions and antagonisms either socially or ethically.
Co-Authors -, Sumarlam Agnes Serfozo Agus Efendi Andika, Yunilis Andrik Purwanto, Andrik Andrik Purwasito Andrik Purwasito Arief Rahman Aris Aryanto Ariska Puspita Anggraini Bani Sudardi Betty Gama Dodik Murdiyanto Laksmana Putra Dwi Purnanto Dwi Purnanto Dwi Purnanto Dwi Purnanto, Dwi Dwi Susanto Endang Tri Irianingsih Faris Febri Utama FX. Sawardi Gane, Maklon Hi Muhammad, Hujaefa Hidayati, Inke Wahyu Hodairiyah, Hodairiyah Inyo Yos Fernandez Kayatun, Siti Nur Mahendra Wijaya Mahfud Mahfud Maklon Gane Maklon Gane Mila Indah Rahmawati Nugraheni Setyaningrum Nurul Fadhilah Nurul Fadhilah Nurul Fadhilah Nyoman Chaya, Nyoman Pehala, Ilfan Askul Prasetyo Adi Wisnu Wibowo Sawitri Sawitri Siti Rodliyah, Siti Sumarlam - Sumarlam Sumarlam Sumarlam Sumarlam, Sumarlam Titis Srimuda Pitana Titis Srimuda Pitanav Utama, Faris Febri Warto Warto Wibowo, Prasetyo Adi Wisnu Yunilis Andika