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All Journal Humaniora Politika: Jurnal Ilmu Politik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Lingua Cultura Mozaik Humaniora KEMBARA Panggung PRASASTI: Journal of Linguistics Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Lire journal (journal of linguistics and literature Kandai Hasta Wiyata Humaniora Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Khazanah Theologia Khazanah Theologia Kawruh : Journal of Language Education, Literature and Local Culture Javanologi: International Journal of Javanese Studies
Wakit Abdullah Rais
Universitas Sebelas Maret, Indonesia
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Sêrat Bayanullah: Raden Panji Natarata’s Theological Da’wah Rhetoric through Classical Javanese Literature Mila Indah Rahmawati; Wakit Abdullah Rais; Prasetyo Adi Wisnu Wibowo
Khazanah Theologia Vol 4, No 1 (2022): Khazanah Theologia
Publisher : UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/kt.v4i1.17096

Abstract

This study discusses the wise advice related to Sufism aspects conveyed by Raden Panji Natarata which is packaged in Sêrat Bayanullah based on the character of each têmbang. The purpose of this research is to describe Raden Panji Natarata’s mindset as outlined in the rhetoric of têmbang-têmbang macapat. The method employed descriptive qualitative. The results showed that Raden Panji Natarata was quite skilled at mixing and matching his stories into a da’wah field according to the characteristics of the têmbang. Of the various têmbang macapat presented in this Sêrat Bayanullah, Raden Panji Natarata did not use têmbang durma. This was because têmbang durma has a character that tends to be harsh and angry so that it is not in accordance with the content of the da’wah proclaimed by Raden Panji Natarata. Thus, this locality nuanced da’wah element has an aesthetic and humanistic impression. As the title embedded in this literary work, Sêrat Bayanullah means the explanation of the chapter of Allah. Thus, it is hoped that this literary work can be a reference for understanding the nature of the chapter of Allah.
Pragmatic Study of Discourse Hegemony on the Enactment of Dhalang Trah in Ruwatan Ceremony: A Critical Discourse Analysis Approach Efendi, Agus; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.6754

Abstract

This study applies qualitative research with Critical Discourse Analysis (CDA) of Fairclough (1995) and the criticism on the ideological dissection of social opacities. The data collection encompasses the interactive and non-interactive techniques which involve the techniques of in-depth interviewing, observation and content analysis. Results of the analysis reveal that units of language use reflected from the texts and contexts of the ruwat puppeteer based genealogy's enactment can be traced from the use of modalities, the phrase ‘mboten kalilan’ (impermissible, unable) in the decree of dhalang ruwat can be further extend to express the word ‘unable’ and ‘able to’, other aspects such as politeness, metaphors, ethos which is classified into the verbal and non-verbal discourse are the devices of discursive enactment of the elite power of dhalang trah. The findings conclude that there is arising symptoms of social inequality narrowing the role and significance of the non-ruwat puppeteers. The hegemonic practice such as the discursive enactment of dhalang trah (descendent of Ki Lebdajiwa) is determined by certain associations which try to normalize certain condition. The argument which refers to the enactment of Ki Lebdajiwa and his descendants as the holder of power is enacted through transactional form, where power is centered on one point.
Critiques on the Ideologies of Contemporary Bedhayan Dances Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakit; Chaya, Nyoman
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.7497

Abstract

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ‘ideology’. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely  concerns the fulfillment of material needs.
Social Criticism in the Text Scripture of Dharmasonya Aryanto, Aris; Sudardi, Bani; Purwasito, Andrik; Wakit, Abdullah
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8340

Abstract

This study took a closer look at the socio-condition of the Javanese people in Surakarta at the time Dharmasonya (Ds) text was produced through a perspective of critical-sociological studies. The present Ds text was read through seeing the historical life of the Islamic religion. The main objective of this study was to probe socio-cultural life of the society in the age the Ds text was produced. The data source used was the translation of Ds text by Suratmin which was issued by the Ministry of Education and Culture. To obtain the objectives, study on the Ds text was compared with other similar ancient texts of the same themes produced in the same time; these texts were Serat Wedhatama by KGPAA Mangkunegara IV (1853-1881) and Serat Tjemporet by R.Ng. Ranggwarsita. The data was analyzed through perspectives of Hermeneutic and Semiotics methods. The result shows that in Ds text, social criticism was an attempt to resist against the dynamic circumstances faced by the society at the time wherein the social status and nobility became people’s life concern. Such circumstance has apparently been used at least by a stream of Islamic group to write religious text in literary form, since religious doctrine was considered as one of the powerful weapons to control the society. Thus, most people would forcefully obey and submit to the teachings of Islam based on the Sharia law.
Between Economic Burden and Cultural Dignity: Belis in the Marital Custom of the NTT Society Rodliyah, Siti; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8672

Abstract

The indigenous marital system giving belis ‘bride price’ practiced by the East Nusa Tenggara (NTT), Indonesia, is one of the Nusantara marital custom phenomena that  today has developed and raised issues of both pros and cons which deserves critical scrutiny from Cultural studies and Anthropological perspective. Both perspectives facilitate the critical standpoint of the NTT society’s mindset summarized in the cultural or customary marriage rules requiring a marriage with belis. This study revealed that in the attitude towards belis, the East Nusa Tenggara women agreed and taken for granted the construction of their reality and power production through various discourses. Current practice of belis raises the economic capitalism up to the identity contestations. Lately, the essence and value of belis have changed and are likely to be more commercial. Even some may view it as mere a symbol and customary fixtures, such as in the region of Lamaholot imposing the elephant tusks, and the Allor society with their Moko as the payment methods of belis.  Belis has left biggest challenge for the communities who are not able to afford higher bride-price objects, this consequently lead to a more emerging unlawful marriages as a resistance against the unresolved poverty problems.
Javanese Language and Culture in the Expression of Kebo Bule in Surakarta: An Ethnolinguistic Study Abdullah, Wakit -
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.7195

Abstract

The phenomenon of Kebo Bule as the actuality of Javanese language and culture in Surakarta can be criticized from the perspective of ethnolinguistic. In terms of the descriptive qualitative expression of the language and culture of Java, Kebo Bule from the perspective of Ethnolinguistic is identifiable on the background of it in Surakarta, the influence of Kebo Bule to the Surakarta’s Court, and the meaning of Kebo Bule as one of the magical icons of the Surakarta’s Court. Ethnolinguistic as a theoretical concept is part of the branch of linguistic studies that seeks to study the language understanding in a broader context in order to express an understanding of the culture. Methodologically, understanding the relationship between the expression of language and culture Kebo Bule can be peeled using ethnomethodology to ethnolinguistics by utilizing ethnoscience (knowledge typically owned by ethnicity, tribe, people) to find the cultural themes of people related to their mindset and the worldview. The research data encompasses of oral and written data, verbal data sources from informants and writes from a library. The validity of the data was done by triangulation, and data analysis using ethnoscience (especially taxonomic, domain and componential analysis). Results of the discussion is presented in the form of narrative texts related to the background, the effect and meaning Kebo Bule for the existence of the language and culture of Java in Surakarta.
MADURESE PROVERBS USING COLOR NAME ELEMENT: AN ETHNOLINGUISTIC STUDY Nurul Fadhilah; Wakit Abdullah Rais; Dwi Purnanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 18, No 2 (2019)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1635.315 KB) | DOI: 10.24036/humanus.v18i2.107167

Abstract

Color is a symbolic expression tool used by humans to translate the intentions and ideas of its users, not exception the color names used in proverbs. This research is a qualitative descriptive which aims to describe the meaning of Madurese proverbs which contain color name elements and their relation to the Madurese life principles. The data of this study are Madura proverbs which contain color name elements. Furthermore, primary data sources come from informants and secondary data sources come from books and internet pages. Data were analyzed using an ethnolinguistic approach with ethnoscience methods. The results showed that 6 Madurese proverbs used the color name elements. The colors are potѐ ‘white’, celleng ‘black’, and konѐng ‘yellow’. Each same color can have a different meaning in each proverb. Besides, the six proverbs that use the color name elements become Madurese life guidelines in running their life, such as having to maintain self-esteem, be humble, avoid abuse of power, keep trying, be a person who has good character, and associate with people who bring benefits. Thus, this research is fundamental because the color is not just a symbol of beauty, but it can show the culture of its users in the form of language expression.
THE NAMES OF ASAHAN AS PRAYER MEDIA IN THE NELONI TRADITIONAL CEREMONY IN PONOROGO REGENCY (ETHNOLINGUISTIC STUDY) Ahmad Riza Fauzi; Wakit Abdullah Rais; Prasetyo Adi Wisnu Wibowo
Haluan Sastra Budaya Vol 7, No 1 (2023)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v7i1.69387

Abstract

The Javanese are the largest ethnic group in Indonesia. Javanese society has a characteristic that is fond of carrying out traditions related to life, such as the life cycle tradition, namely the neloni tradition. The people in Ponorogo Regency are Javanese people who have lived through a long period and various problems related to their lives so that a cultural system is formed in their identity. The neloni tradition according to the Ponorogo community is a tradition to ask for safety and blessings when a pregnant woman is about three months old. In the neloni tradition, there are offerings or sharpening devices. Sharpening has various forms and names. The focus of this research examines the meaning of "name" or "term" asahan as a prayer medium in the Neloni traditional ceremony in Ponorogo Regency. Asahan can be in the form of offerings or food that is formed according to the purpose of holding the traditional ceremony. The method of collecting data is done using interviews and observations of the community who carry out the tradition and who understand the tradition in Ponorogo Regency. After analyzing the data, the results obtained are 17 names of asahan which have the meaning of a medium of prayer asking for safety, happiness, and performance.
GANDRUNG AS A POLITICAL COMMUNICATION TOOL IN BANYUWANGI (A Study of Antonio Gramsci's Hegemony): GANDRUNG SEBAGAI ALAT KOMUNIKASI POLITIK DI BANYUWANGI (Suatu Kajian Hegemoni Antonio Gramsci) Mahfud; Andrik Purwasito; Warto; Wakit Abdullah Rais
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 7 No 2 (2023): Santhet : Jurnal Sejarah, Pendidikan dan Humaniora
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v7i2.1849

Abstract

Gandrung is one of the oldest forms of performing arts in Banyuwangi. Gandrung becomes a symbol of political communication through culture. This is clearly seen during the democratic party period. The purpose of this research is to reveal and criticize Gandrung which is used as a medium of political communication by political actors in Banyuwangi. The form of this research is descriptive qualitative. The theory used is Gramsci's hegemony. Data collection techniques using interviews, observation, and content analysis. The data analysis technique used in this study is an interactive analysis. The results of the study show that the high creativity of the people of Banyuwangi in folk art is recognized by the local government. This has become a loophole for political actors in Banyuwangi to insert political messages into Gandrung art performances. Thus, these political messages can be easily accepted by the public. This proves that if Gandrung's art is studied using Gramsi's theory, it shows that Gandrung is totally hegemony. Total hegemony is characterized by close to total mass affiliation. Society shows a strong degree of moral and intellectual unity, which is evident from the organic relationship between the government and the governed. This relationship is not colored by contradictions and antagonisms either socially or ethically.
Nyuwun Slamet; Local Wisdom of Javanese Rural People in Dealing with Covid-19 Pandemic through Request in Slametan Rite Mukhlas Alkaf; Andrik Purwasito; I Nyoman Murtana; Wakit Abdullah
Jurnal Javanologi Vol 4, No 2 (2021): Javanologi Volume 4 No. 2: Juni
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v4i2.67971

Abstract

Covid-19 pandemic effect has resulted in restlessness within community. Some are restless because of decreased job and business opportunities, fear of being infected with disease, fear of losing the closed and beloved one, etc. This article tries to raise a Javanese community’s local wisdom, Slametan. Slametan is a form of local wisdom existing within Javanese people containing an action functioning to be a medium to request God to give safety. In principle, slametan rite is one of human actions to communicate with the Creator. Through the rite, human beings feel that what they ask will be granted. Human beings doing this are also sure and suggested that those having done the rite will get safety and protection effect. This belief will further create self confidence and the feeling of secure among them in working and continuing the life.
Co-Authors -, Sumarlam Agnes Serfozo Agus Efendi Ahmad Riza Fauzi Andika, Yunilis Andrik Purwanto, Andrik Andrik Purwasito Andrik Purwasito Andrik Purwasito Arief Rahman Aris Aryanto Ariska Puspita Anggraini Ariska Puspita Anggraini Bani Sudardi Bani Sudardi Betty Gama Dodik Murdiyanto Laksmana Putra Dwi Purnanto Dwi Purnanto Dwi Purnanto Dwi Purnanto, Dwi Dwi Susanto Dwi Susanto Endang Tri Irianingsih Faris Febri Utama Gane, Maklon Hi Muhammad, Hujaefa Hidayati, Inke Wahyu Hodairiyah, Hodairiyah I Nyoman Murtana Inyo Yos Fernandez Kayatun, Siti Nur Mahendra Wijaya Mahfud Mahfud Maklon Gane Maklon Gane Mila Indah Rahmawati Mukhlas Alkaf Nugraheni Setyaningrum Nurul Fadhilah Nurul Fadhilah Nurul Fadhilah Nyoman Chaya, Nyoman Pehala, Ilfan Askul Prasetyo Adi Wisnu Wibowo Prasetyo Adi Wisnu Wibowo Sawardi Sawardi Sawitri Sawitri Siti Rodliyah, Siti Sumarlam - Sumarlam Sumarlam Sumarlam Sumarlam, Sumarlam Titis Srimuda Pitana Titis Srimuda Pitanav Utama, Faris Febri Warto Warto Wibowo, Prasetyo Adi Wisnu Yunilis Andika