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All Journal Humaniora Politika: Jurnal Ilmu Politik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Indonesian Journal of Applied Linguistics (IJAL) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Lingua Cultura Mozaik Humaniora Jurnal Antropologi: Isu-Isu Sosial budaya KEMBARA IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature International Journal of Science and Applied Science: Conference Series Panggung Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Journal of Islamic Architecture Jurnal ASPIKOM Jurnal Ilmiah Lingua Idea Lire journal (journal of linguistics and literature Kandai English Language and Literature International Conference (ELLiC) Proceedings Hasta Wiyata Humaniora Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Sutasoma : Jurnal Sastra Jawa IJOLTL (Indonesian Journal of Language Teaching and Linguistics) Indian Journal of Forensic Medicine & Toxicology Kawruh : Journal of Language Education, Literature and Local Culture Society: Jurnal Pengabdian Masyarakat Journal of Language Development and Linguistics Penamas Indonesian Research Journal on Education Journal of Pragmatics Research Javanologi: International Journal of Javanese Studies Tradition and Modernity of Humanity Lire Journal (Journal of Linguistics and Literature) Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Panggung Jurnal Penelitian Pendidikan Khazanah Theologia
Wakit Abdullah Rais
Universitas Sebelas Maret
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LOCAL KNOWLEDGE AND WISDOM IN THE JAVANESE SALVATION OF WOMEN PREGNANCY ‘MITONI’ (AN ETHOLINGUISTIC PERSPECTIVE) Wakit Abdullah
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

Mitoni ‘a lifecycle salvation ceremony of the seventh month Javanese women pregnancy’ culturally well preserved and passed from generation to generations as an ethnolinguistic phenomenon. It is a descriptive and qualitative exploratory approach of the ethnoscience perspective. The data collection is done through techniques of in-depth interviewing and participant observation in ethnographic method. The data were analyzed using the ethnoscience model steps of analysis; the taxonomic, componential, and domain based on the cultural theme to reconstruct the phenomenon of language and traditions encompassing the local knowledge of the ritual ceremony. The results were divided into; (a) verbal expressions (pangucap 'words’') which strengthen the implementation of both the ritual offerings and ceremony of mitoni; (b) nonverbal expressions (patrap 'behavior') which include attitudes toward the ritual procession applying some required offerings such as jarik clothes along with the types, janur or yellow coconut leaves, water in a Jar (kendi), rice and chicken eggs in the sasserole. The life cycle ceremony mitoni aims to gain the ease and success for a mother in facing the birth process. Mitoni as a ritual ceremony includes the ritual function, social function, and the function of the preservation of traditions. It is found that the implementation life cycle ceremony mitoni turns the hearts’ of the practitioners tranquil as well as family providers can be trusted to provide life nobility.
WACANA KETERASINGAN PEREMPUAN DALAM NOVEL STENSILAN: STUDI KASUS KARYA ENNY ARROW Ariska Puspita Anggraini; Dwi Susanto; Wakit Abdullah
Proceeding of International Conference on Art, Language, and Culture 2018: Proceeding of 3rd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

Stencil novels were so popular in the 1970s until the end of 1990s, precisely when the new order was existed. One of the most popular stencil novels was written by Enny Arrow. Her masterpiece gives abig impact for the generation. Her works present details of sexual relation and descriptionsof the human body, especially the female body, which can be able to awaken the reader's libido. The cover and illustration of the books often present pictures of sexy women. Uniquely, Enny Arrow's novels were able to get away from the tightness of the New Order regime which conditions for banning and censorship. Historically, during the New Order era women seemed to be printed in the culture of ‘controlled by husband'.That’s why the author sees the discourse of alienation in Enny Arrow's works, but how the discourse of alienation described in Enny Arrow's stencil novels? By using theory of power by Foucault, discourse of alienation is understood by the writer as a form of resistance from patriarchal domination that shapes women's understanding.
STYLISTIC OF PAMBIWARA PANGGIH TEMANTEN SURAKARTA Nugraheni Setyaningrum; Wakit Abdullah; Dwi Purnanto
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

This study aims to describe the uniqueness and uniqueness of the use of language style (sounds of language, morphology aspect, diction, and imaging) in pambiwara panggih temanten style Surakarta. In this research, the researcher uses descriptive qualitative by using stylistic approach. Sources of data in this study is a source of written data in the form of a text pambiwara Surakarta.  The data source is in the form of oral data source delivered by pambiwara from informants. The data in this research is orthographic transcription of pambiwara panggih temanten in Javanese Surakarta. The basic technique used by using the listening technique, it is obtained data by listening the use of language. In this research, the researcheruses stylistic analysis of sentences in the Javanes language, and also using listening techniques and record techniques. The results of this study shows that the temanten style Surakarta style has the beauty of the language text: (1) Sound beauty aspect (asonansi (purwakanthiswara), alliteration (purwakanthi sastra), repetition (purwakanthilumaksita), (2) Diction beauty aspect (usage of various tembung kawi, dasanama), (3) morphological beauty aspect (prefix, suffix, confix, dwipurwa / iteration), and (4) imagery to describe the bride.
POWER RELATIONS, SYMBOLIC RULES AND THE POSITION OF BELIS IN THE HABITUS OF THE NTT SOCIETY’S CUSTOMARY MARRIAGE S. Rodliyah; A. Purwasito; B. Sudardi; Wakit Abdullah
Proceeding of International Conference on Art, Language, and Culture 2018: Proceeding of 3rd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

This study employs sociological-ethnographic basic method and the cultural studies paradigm as the approach in understanding the habitus within the customary marriage of the East Nusa Tenggara (NTT) society who require belis as a bride-price. The conceptual basis underlying the application of habitus theory and symbolic power in the NTT society refers to the Bourdieu’s framework. This study is a result of participatory observation on the habitus of a marital system using belis observed by the NTT society as a cognitive structure which connects individuals to the social activities of the customary marriage and makes it unquestionable habits. Knowledge of the social world under the pretext of prosperity for the recipients (family) of a bride-price can be a political instrument for the sustainability of power relations. The ritual-mythical system in the society has never been fully present as a neutral habit. The habitus reflected in the marital relationship among the NTT society enables the men to obtain and exercise their power relations. The sustainability of power relations can be seen from the representation of the social status of a girl and the properties attached to her. This is what gave birth to a symbolic rule, in which the social rules about bride-price or belis eventually will serve the interests of those who occupy a dominant position in the social structure, namely the rich men.
REFLECTIONS OF GUNUNGPATI SOCIETY’S LEXICON ON THE FOLKLORE OF GOA KREO IN SEMARANG CITY AS PETILASAN SUNAN KALIJAGA (ETNOLINGUISTIC STUDIES) Sifa Destry Fauzia; Wakit Abdullah Rais; Dwi Purnanto
English Language and Literature International Conference (ELLiC) Proceedings Vol 4 (2021): Creative and Innovative Learning Strategies in The Field of Language, Literature, Ling
Publisher : Universitas Muhammadiyah Semarang

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Abstract

This research is based on improving the oral culture (folklore) and native language which is an intellectual wealth of a nation. Folklore is an oral culture that is passed down through generation to generation in its submission and defense. Whereas in the modern generation that desperately needs more attention to keep preserving it. This research aims to find out the reflections of Gunungpati society's lexicon on the folklore of Goa Kreo as a petilasan of Sunan Kalijaga in Semarang City. Folklore of Goa Kreo as  petilasan of Sunan Kalijaga became the beginning of  Sesaji Rewanda tradition in Gunungpati Semarang. The research method used is qualitative descriptive.  The data collection in this research uses participation observation techniques, in-depth interviews, library studies and documents. The data that has been obtained is analyzed with an ethnolinguistic approach, then the data analysis technique is done by ethnographic analysis methods covering domains, taxonomy, and components. The results of analysis this research data are the forms of lexicon of Gunungpati society on the Goa Kreo’s folklore in the form of lingual units including of monomorphists, polymorphists, phrases and clauses. The folklore lexicons of Goa Kreo in Javanese have cultural, lexical and contextual meanings that reflecting the local wisdom of Gunungpati society.
Tradition of Sesaji Rewandaat Goa Kreo as local wisdom Sifa Destry Fauzia; Wakit Abdullah; Dwi Purnanto
Indonesian Journal of Applied Linguistics Vol 12, No 1 (2022): Vol. 12, No. 1, May 2022
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ijal.v12i1.46537

Abstract

Sesaji Rewanda tradition is a ceremonial ritual performed by the Gunungpati community in Goa Kreo which is an annual event on the fifth day of Shawwal a month in the Islamic calendar. The ritual ceremony of Sesaji Rewanda is a symbol of respect for the ancestors of the monkeys who had helped Sunan Kalijaga when taking teak wood to be used as the main pillar of the 'saka guru' at the Great Mosque of Demak. This study used descriptive methods with qualitative study forms. The data collection in this study utilized participation observation techniques, in-depth interviews, library studies, and documents. The data obtained were analyzed with an ethnolinguistic approach, then the data analysis technique was completed by ethnographic analysis methods covering domains, taxonomy, and components. In addition, informal and formal methods were applied in presenting data. The results of the study obtained the use of the term in the tradition of Sesaji Rewanda in Gunungpati. The terms used in traditional rituals are classified in monomorphemic and polymorphemic forms (fixation and composition). Through an ethnolinguistic approach, the traditional term Sesaji Rewanda contains lexical and cultural meanings. The mindset of the Gunungpati community is reflected in the terms used in the ritual tradition of Sesaji Rewanda. The use of terms in the lexicon of Sesaji Rewanda can be put as a guide or paradigm of life in behaving and living by the Gunungpati community.
VERBAL AND NON-VERBAL EXPRESSIONS IN THE TRADITION OF MOMBOLASUAKO OF TOLAKI Ilfan Askul Pehala; Inyo Yos Fernandez; Wakit Abdullah
IJOTL-TL: Indonesian Journal of Language Teaching and Linguistics Vol. 2 No. 2 (2017): May 2017
Publisher : Center of Language and Cultural Studies [CLCS]

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (223.027 KB) | DOI: 10.30957/ijoltl.v2i2.296

Abstract

This research aims to classify, describe and explain verbal and non-verbal expressions in eloping tradition (mombolasuako) of Tolaki based on the procession comprehensively. Theories used to solve the problem are ethnolinguistics and ethnoscience. Methodologically, the ethnographic method was used in this study. The data includes primary and secondary data that were collected by participant observation and an in-dept interview. All collected data were analyzed by using Spradely ethnoscience’s analysis and linguistics’ analysis. The study revealed that verbal expressions in mombolasuako include verbal utterances, recitation and remark. The non-verbal expressions consisted of (1) the tradition objects must be served by bride groom consists of process (2) gestures of tradition casts in the implementation of the traditions process and (3) tradition casts. The mombolasuako’s process of verbal and non-verbal expressions including verbal utterances, gestures and tradition casts were adapted to tradition.  
THE RESISTANCE AND ACCEPTANCE OF THE MAJELIS TAFSIR ALQURAN’S ISLAMIC PREACHING METHODS Muhammad Farkhan Mujahidin; Istadiyantha Istadiyantha; Abdullah Wakit; Ediyono Suryo
Penamas Vol 35 No 2 (2022): Volume 35, Issue 2, July-December 2022
Publisher : Balai Penelitian dan Pengembangan Agama Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (289.971 KB) | DOI: 10.31330/penamas.v35i2.636

Abstract

When da'wah is practiced by an individual or a group of community members, the consequence is always acceptance or rejection. The problem of da'wah of the Majelis Tafsir Alquran (MTA) Surakarta and its branches and representatives in Indonesia is criticism, blasphemy, rejection, and acceptance of these activities and movements. The most serious resistance emerges from groups upholding regional religious and cultural traditions, despite this strong opposition, MTA also grows widespread in areas where people find a match for their fresh perspectives. The objective of this study is to determine how a da'wah institution can develop and establish several branches and representatives in a short period of time yet remain accepted by the community. In this study, primary and secondary data sources were interviews and direct field observation. To obtain a balanced view of the interpretation over MTA's religious social movement acceptance and resistance, the descriptive qualitative analysis research typology was used. The findings revealed that several factors, including leadership, da'wah attitudes and methods, the competence and abilities of da'wah actors, and acceptance and ideological differences among da'wah targets, contribute to MTA's resistance and acceptance of its da'wah.
Pragmatic Study of Discourse Hegemony on the Enactment of Dhalang Trah in Ruwatan Ceremony: A Critical Discourse Analysis Approach Efendi, Agus; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.6754

Abstract

This study applies qualitative research with Critical Discourse Analysis (CDA) of Fairclough (1995) and the criticism on the ideological dissection of social opacities. The data collection encompasses the interactive and non-interactive techniques which involve the techniques of in-depth interviewing, observation and content analysis. Results of the analysis reveal that units of language use reflected from the texts and contexts of the ruwat puppeteer based genealogy's enactment can be traced from the use of modalities, the phrase ‘mboten kalilan’ (impermissible, unable) in the decree of dhalang ruwat can be further extend to express the word ‘unable’ and ‘able to’, other aspects such as politeness, metaphors, ethos which is classified into the verbal and non-verbal discourse are the devices of discursive enactment of the elite power of dhalang trah. The findings conclude that there is arising symptoms of social inequality narrowing the role and significance of the non-ruwat puppeteers. The hegemonic practice such as the discursive enactment of dhalang trah (descendent of Ki Lebdajiwa) is determined by certain associations which try to normalize certain condition. The argument which refers to the enactment of Ki Lebdajiwa and his descendants as the holder of power is enacted through transactional form, where power is centered on one point.
Critiques on the Ideologies of Contemporary Bedhayan Dances Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakit; Chaya, Nyoman
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.7497

Abstract

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ‘ideology’. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely  concerns the fulfillment of material needs.
Co-Authors -, Sumarlam A. Purwasito Agnes Serfozo Agoes Hendriyanto Agus Efendi Ahmad Ghozi Ahmad Riza Fauzi Andika, Yunilis Andrik Purwanto, Andrik Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Anggraini, Ariska Puspita Arief Rahman Arifin, Fadila Aris Aryanto Ariska Puspita Anggraini B. Sudardi Bani Sudardi Betty Gama Chafidhi, Umar Die Bhakti Wardoyo Putro Dodik Murdiyanto Laksmana Putra Dwi Purnanto Dwi Purnanto Dwi Purnanto Dwi Purnanto Dwi Purnanto, Dwi DWI SURYANTO Dwi Susanto Dzumar, Sahmurah Sahdah Effendi, Janeth Christy Endang Tri Irianingsih F.X. Sawardi F.X., Sawardi Faris Febri Utama Fitri Anekawati Fx Sawardi Gane, Maklon Gesiradja, Asriyanti Saputri Hi Muhammad, Hujaefa Hidayati, Inke Wahyu Hodairiyah, Hodairiyah I Nyoman Murtana Ilfan Askul Pehala Inke Wahyu Hidayati Inyo Yos Fernandez Inyo Yos Fernandez Inyo Yos Fernandez Inyo Yos Fernandez Istadiyantha Istadiyantha Kayatun, Siti Nur Laksmana Putra, Dodik Murdiyanto Mahendra Wijaya Mahfud Mahfud Maklon Gane Maklon Gane Manumanasa, Sindhu Linguistika Mila Indah Rahmawati Mugijatna Mugijatna Muhammad Farkhan Mujahidin Mukhlas Alkaf Nugraheni Setyaningrum Nurul Fadhilah Nurul Fadhilah Nurul Fadhilah Nurul Fazriani Nyoman Chaya Nyoman Chaya, Nyoman Oktaviana, Stia Ayu Paleta, Jessica Pehala, Ilfan Askul Prasetyo Adi Wisnu Wibowo Rahmawati, Mila Indah Ramadhani, Sekarningtyas Adita Riyadi Santosa Rizal Ryolita, Widya Putri S. Rodliyah Sahid Teguh Widodo Sakti, Prima Putra Sawardi, Sawardi Sawitri Sawitri Sawitri Septiana, Dwiani Siburian, Tesalonika Oktavia Sifa Destry Fauzia Sifa Destry Fauzia Siti Rodliyah, Siti Sofa Marwah Sri Hastjarjo Sri Hastjaryo Sri Kusumo Habsari Sumarlam, Sumarlam Suryo Ediyono Suwanto Yohanes Teisar Arkida Titis Srimuda Pitana, Titis Srimuda Titis Srimuda Pitanav Titovandaru, Wisanggeni Utama, Faris Febri Utami, Pratiwi Noor Warto - Warto Warto Wibowo, Prasetyo Adi Wisnu Yohanes, Suwanto Yunilis Andika Yunita, Novita Mela Yusuf Kurniawan