Articles
<![CDATA[Moslem Women: Modification Of Belle Character Costumes In Film Beauty And The Beast ]]>
<![CDATA[Mauly Putri Dipiati]]>;
<![CDATA[Hery Supiarza]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v0i0.34759
<![CDATA[In modern times, clothing is not only used as a cover and self-protection but also has its trend. In Islam, the clothes used have rules between men and women. The clothes that these women wear in Islam are known as the hijab. Hijab is one type of clothing that is identical to Muslim women. The artistic modification of Belle's character clothing in Beauty and The Beast with a Muslim theme is one way to show the public that Belle's clothes in the cast are no less attractive than the costumes of the original Disney characters. The method that will be used refers to the transformation method, which is the process of changing one design that is more different than before. However, this transformation process does not leave its original form. The Muslim theme in Belle's character clothing is a style development aimed at Muslim women who wear the hijab these days. Fashion modification Muslim woman themed has the aim a renewal of Belle's character outfit. In contrast to the original, Muslim fashion models do not only cover the wearer's genitals but are intended for women to have characteristics and make women a permanent symbol of beauty by following the rules as Muslims. Fashion is all equipment, including accessories that accompany the actress or player in a film, which serves to describe the characteristics of the character played. Keywords — Moslem Women, Modification, Costume, Character]]>
<![CDATA[Artistics: Colonial Cultural Costumes In Film Bumi Dan Manusia ]]>
<![CDATA[Mochamad Ridwan Rosidin]]>;
<![CDATA[Salsa Solli Nafsika]]>;
<![CDATA[Hery Supiarza]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v0i0.34816
<![CDATA[The film Bumi Manusia directed by Hanung Bramantyo is an adaptation of a novel written by Paramoedya Ananta Toer with the same title. The story raised tells of the struggle of the indigenous people against various forms of colonialism. To describe the setting of the place and time of the film Bumi Manusia, represent it through costumes as a feature that the story occurred during the Dutch colonial period and the culture of colonialism occurred in the country. Costumes are a very vital marker during the Dutchcolonial period that can distinguish the social stratification between aristocrats and indigenous peoples. This study used a descriptive qualitative approach and data sources were obtained from the film Bumi Manusia. The data taken in this study were the costumes that distinguished the two parties between the colonizers or aristocrats and the indigenous people. The results of this study indicate that there are caste differences that are depicted through costumes during the colonialism era. Keywords — Artistics, Costumes, Colonial Culture, Bumi Manusia Film]]>
<![CDATA[THE MORAL MESSAGE IN THE LITTLE MOM FILM ]]>
<![CDATA[Siti Ailani Yonaski]]>;
<![CDATA[Hery Supiarza]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 3 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i3.41318
<![CDATA[Film is a tool to convey various messages to audiences through a story medium. There are so many moral messages contained in a film. In Indonesia itself has produced many films which are not solely for entertainment, but also provide a moral message for the audience. Moral itself means Etymologically, the word moral comes from the Latin word mos, the plural form is mores, which means ordinances or customs. In the Big Indonesian Dictionary (1989: 592), moral is defined as morals, character, or morality. Departing from this phenomenon, the author decided to conduct this study more deeply by examining the moral messages contained in the film Little Mom, in understanding the author's moral message using Charles Sanders Pierce's semiotic analysis. The purpose of this study was to determine the moral message in the film Little Mom based on Charles Sanders Peirce's analysis. The type of research used is qualitative with descriptive method, the results of this study indicate that the film Little Mom with 13 episodes, there are moral messages about responsibility, consequences, sex education, teaching to do things that have not been legalized and think before doing anything. And this film can also be an example for those who are in the same problem or problem raised in this film, namely pregnancy out of wedlock.]]>
<![CDATA[Functions of Music in Film : The Meeting of Visual and Aural Arts ]]>
<![CDATA[Hery - Supiarza]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i1.42417
<![CDATA[This research describes the meeting between visual and aural arts in film. Does the meeting affect all aspects of the psychology of the audience. Music as an aural art gives a feeling of being alive in the body of the audience. When a viewer feels horror when watching a horror film, when the audience feels a heroic feeling when seeing a patriotic scene, it is interesting to study how music plays a major role in expressing visuals and influencing the audience. The categories of diagetic and non-diagetic sounds in films are sounds that the audience sometimes doesn't realize that they have a big influence on the psychology of the audience. The question that needs to be answered is the meeting between visual and aural art in the film, why does it have an impact. A qualitative method with a literature study approach was carried out to obtain data in answering research questions. Through literature study of various scientific writings, data were collected to find out the truth. This study found that music has an important role to enter into the world of film. Music has a function in integrating the audience's subconscious in seeing images. Music enters the audience's feelings which then gives an influence on behavior as a result of the audience's own knowledge of the music they listen to. Music influences the audience more in terms of expression. The results of this study can be used as a reference for further research to explore the various influences of music in films for various disciplines. It is also important for filmmakers to consider story narratives as the main reference for incorporating music into films. ]]>
<![CDATA[Short Dance Film: Construction of the Arts and Design Project Subject during COVID-19 Pandemic ]]>
<![CDATA[Hery Supiarza]]>;
<![CDATA[Ria Sabaria]]>
<![CDATA[ Humaniora Vol. 13 No. 2 (2022): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v13i2.7908
<![CDATA[The research discussed short dance films as the product of the Arts and Design Project subject at FPSD Universitas Pendidikan Indonesia during the COVID-19 pandemic. The importance of a collaborative learning model between two disciplines, dance and film, had emerged the notion of creating an art product. The research aimed to create dance film products as a form of student constructive idea. With the participatory action research method, the data were collected and validated to be analyzed and then embodied in the form of a dance film product. The research was applied to 53 students in collaboration between the Department of Dance Education and the Film and Television Study Program, divided into eight small groups of six to seven members. The action stages of the research were: (1) observation and analysis; (2) collection of ideas and notions in the form of a script; (3) testing; (4) shooting; (5) product. The research finds that: (1) through a collaborative learning model, the subject of Arts and Design Project could be implemented to create a dance film product, short dance film; and (2) during the COVID-19 pandemic, collaborative learning could enable students to keep productive to create the product of their learning result. As an advantage, the research result can be used as a learning sample of production-based subjects during the pandemic where the learning and teaching activity should be done at home. ]]>
<![CDATA[Stereotip Sinden Sunda: Keadilan Perempuan dalam Berekspresi Seni ]]>
<![CDATA[Shelvira Alyya Putri Anjani]]>;
<![CDATA[Hery Supriaza]]>
<![CDATA[ Jurnal Kajian Seni Vol 9, No 1 (2022): Jurnal Kajian Seni Vol 9 No 1 November 2022 ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
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DOI: 10.22146/jksks.72221
<![CDATA[Sinden merupakan sebuab praktik kesenian dalam bidang tarik suara, membawakan lagu tradisi seperti kawih sunda. Sinden memiliki stereotipe yang dibuat sama seperti ronggeng, hal tersebut sangat melekat pada konotasi negative perempuan, begitupun pandangan ataupun stereotipe yang berada dimasyarakat seringkali membuat posisi sinden dinilai buruk sebagai perempuan penggoda. Dalam hal ini penelitian difokuskan kepada pandangan seorang perempuan pelaku sinden mengenai perkembangan dan respon masyarakat dalam lingkup sosial terhadap sinden sebagai seorang perempuan. Penelitian ini bertujuan untuk melihat pandangan masyarakat saat ini mengenai praktik sinden, khususnya di tanah Sunda. Pendekatan penelitian yang digunakan adalah kualitatif dengan metode deskriptif analisis dengan mendeskripsikan hasil analisis data yang telah diperoleh dilapangan. Pengumpulan data melalui wawancara dan studi literatur untuk menguatkan data dan hasil penelitian. Hasil yang ditemukan bahwa saat ini pergeseran pandangan negatif akan sinden menuju pandangan dan apresiasi yang tinggi dari masyarakat, sehingga stereotipe akan perempuan yang memiliki nilai buruk sudah semakin pudar, tentunya hal tersebut didukung dengan pola pikir dan perekembangan masyarakat dari hasil perjuangan para pesinden terdahulu.]]>
<![CDATA[Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts ]]>
<![CDATA[Dedi - Warsana]]>;
<![CDATA[Hery - Supiarza]]>;
<![CDATA[Erik Muhammad Pauhrizi]]>;
<![CDATA[Irwan Sarbeni]]>
<![CDATA[ Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/glr.v20i2.4412
<![CDATA[This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society]]>
<![CDATA[Menggali Dialektika Estetika Budaya Tutur Nusantara pada Kelas Studio Dokumenter dalam Pengembangan Kurikulum Prodi FTV UPI 2021 ]]>
<![CDATA[Erik Muhammad Pauhrizi]]>;
<![CDATA[Hery Supiarza]]>;
<![CDATA[Nala Nandana Undiana]]>;
<![CDATA[Sukanta Sukanta]]>
<![CDATA[ Komunikasiana: Journal of Communication Studies Vol 4, No 2 (2022) ]]>
Publisher : <![CDATA[Universitas Islam Negeri Sultan Syarif Kasim Riau ]]>
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DOI: 10.24014/kjcs.v4i2.21609
<![CDATA[Penelitian ini mendiskusikan menggali dialektika estetika budaya tutur Nusantara pada kelas studio documenter dalam pengembangan kurikulum prodi FTV UPI 2021. Kekayaan budaya tutur Nusantara merupakan khasanah kekayaan keilmuan yang berkaitan dengan visi dan misi program studi Film dan televise FPSD Universitas Pendidikan Indonesia. Dimana hal ini telah diimplementasikan ke dalam kurikulum yang terwujud dalam beberapa perkuliahan yang seharusnya saling mendukung terutama film documenter yang dapat mengakomodasi kekayaan ini. Metode kualitatif dengan pendekatan analisis deskriptif untuk menggali keterkaitan matakuliah sehingga dapat ditemukan formulasi pengajaran yang efektif untuk mata kuliah yang akan dilakukan disemester selanjutnya. Penelitian ini menemukan 1) beberapa matakuliah yang dilaksanakan pada semester genap menjadi penompang utama sebagai landasan memperkuat penggalian budaya tutur nusantara di mata kuliah studio dokumenter. Hal ini dilihat dari karya-karya studio dokumenter telah merepresentasikan khasanah budaya nusantara, 2) adanya matakuliah metodologi penelitian yang disinergikan dengan kelas studio dokumenter menjadi pengetahuan untuk mengumpulkan seluruh data penelitian. Namun keadaan yang baik ini tetap harus dievaluasi untuk semester selanjutnya guna mewujudkan visi dan misi prodi FTV, terutama penguatan pada sumber daya manusia dengan cara pertukaran dosen. Implikasi penelitian ini akan menjadi evaluasi bagi kesempurnaan kurikulum film dan televisi dan juga dapat menjadi role model pengajaran studi film documenter bagi program studi film di Indonesia.]]>
<![CDATA[Symbolization of Educational Messages on the Cianjuran Sundanese Song: A Study of the Structure and Meaning of Lyrics ]]>
<![CDATA[Sukanta Sukanta]]>;
<![CDATA[Hery Supiarza]]>;
<![CDATA[Irwan Sarbeni]]>
<![CDATA[ Humaniora Vol. 14 No. 2 (2023): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v14i2.8625
<![CDATA[The research discussed Tembang Sunda Cianjuran (Cianjuran Sundanese Song) which contained a very high quality of music and was full of hidden wisdom values as a reflection of the people who created it. In a cross-generational context, transforming wisdom values was considered an educational process. The research used an anthropological approach to uncover the mystery behind the song’s structure and lyrics’ meaning and structuralism theory to interpret the meaning behind the structure. Data collection techniques were carried out by interviewing and studying archives of old documents in the form of audio recordings related to the Tembang Sunda Cianjuran, especially the genre of Papantunan (poetry-like). The collected data were identified, classified, then interpreted, and compiled qualitatively. The results illustrate that educational messages communicated through the lyrics of Papantunan as well as the process of transforming the values of past Sundanese’ lives into symbols, are carried out across generations. The substance of the values contained includes catur watak (four characters), which consists of education about courage (leber wawanen), faithful to promises (kukuh kana jangji), prioritizing the glory of life (medang kamulyan), and silih asih (giving each other the affection), silih asah (honing each other in intelligence or skills), and silih asuh (caring each other). All of this is packaged in the form of a pupuh poem and sung by a juru tembang accompanied by kacapi suling.]]>
<![CDATA[ANALISIS DAMPAK IKLAN NETFLIX TERHADAP KETERTARIKAN PENGGUNA INSTAGRAM ]]>
<![CDATA[Nabila Pramadita Rahmadani]]>;
<![CDATA[Hery Supiarza]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Jurnal Indonesia : Manajemen Informatika dan Komunikasi Vol. 4 No. 2 (2023): Jurnal Indonesia : Manajemen Informatika dan Komunikasi (JIMIK) ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) AMIK Indonesia ]]>
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DOI: 10.35870/jimik.v4i2.224
<![CDATA[Social media is a platform that is able to connect its users with other users online. One of the most widely used social media is Instagram. Instagram is a social media platform capable of displaying videos and photos that aim to inform and attract the attention of Instagram users in giving judgments. Instagram has ads that display various platforms that collaborate with Instagram. One platform that collaborates with Instagram is Netflix. Netflix is a streaming service platform that contains movies, television shows and series that have a marketing strategy to attract the attention of various platform users, companies and others. Netflix is working with Instagram to be able to attract the attention of Instagram users so they have the desire to use the streaming service provided by Netflix. However, every ad that has high quality and value, such as Netflix, does not necessarily have an impact on Instagram users. Therefore, this study aims to examine the impact of Netflix ads on Instagram users. This type of research is a quantitative research, namely by using a survey of Indonesian Education University students. This study found that Neflix has an influence on Instagram users with indicators from the results of the Neflix ad survey providing an attraction to subscribe. The implications of this research can be a reference for further research and a theoretical reference about the impact of Netflix ads on Instagram users.]]>
