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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Prosodi: Jurnal Ilmu Bahasa dan Sastra JPsd ( Jurnal Pendidikan Sekolah Dasar ) RITME Jurnal EMT KITA Gondang: Jurnal Seni dan Budaya Ganaya: Jurnal Ilmu Sosial dan Humaniora Gulawentah:Jurnal Studi Sosial Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Humaniora JSM (Jurnal Seni Musik) Nizham Journal of Islamic Studies International Journal of Visual and Performing Arts Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) Komunikasiana: Journal of Communication Studies Jurnal Adat dan Budaya Indonesia Jurnal Budaya Etnika Jurnal Indonesia : Manajemen Informatika dan Komunikasi Khazanah: Jurnal Sejarah dan Kebudayaan Islam DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Jurnal Kajian Seni Sense : Journal of Film and Television Studies Cinematology Journal Anthology of Film and Television Studies Jurnal Indonesia : Manajemen Informatika dan Komunikasi Harmony : Jurnal Pembelajaran IPS dan PKN
Supiarza, Hery
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Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Interaksi Sosial Penyintas Pelecehan Seksual Madjid, Wirda Syabrina; Supiarza, Hery; Undiana, Nala Nandana
Gulawentah:Jurnal Studi Sosial Vol. 8 No. 1 (2023)
Publisher : Universitas PGRI Madiun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25273/gulawentah.v8i1.15502

Abstract

Kepercayaan diri merupakan hal yang dimiliki bagi setiap orang. Kepercayaan diri mengarah kepada suatu sikap dan keyakinan dalam diri setiap orang dalam menghadapi sesuatu. Hal ini juga masih berlaku kepada individu yang pernah mengalami pelecehan seksual. Penelitian ini dilakukan yang bertujuan untuk mengetahui gambaran percaya diri kepada para penyintas pelecehan seksual. Metode dalam pengumpulan data dalam penelitian ini menggunakan observasi, wawancara dan juga studi dokumentasi. Adapun subjek dalam penelitian ini ialah korban pelecehan seksual, psikolog dan juga pihak dari Kementrian Hukum dan HAM. Hasil penelitian ini menunjukkan bahwa subjek pinyintas pelecehan seksual sudah kehilangan rasa percaya dirinya, kehilangan kepercayaan kepada orang disekitarnya, mengurung diri, marah, gemetaran, setiap malam ia masih terbayang-bayang dengan kejadiannya di masa lalu, ia merasa masih ingin menangis jika mengingat hal itu. Subjek tambahan psikolog dan pihak dari Kementrian Hukum dan HAM juga menyatakan bahwa terjadinya pelecehan seksual karena adanya relasi kuasa dan sikap dari masyarakat yang belum siap dalam menangani korban pelecehan seksual. Implikasi penelitian ini sebagai data perancangan film dokumenter berjudul: Antipati. 
Made Mouthpiece Bandung: Produksi dan Organologi Hybrid Alto Saxophone Supiarza, Hery; Ramadhan, Gilang
PROMUSIKA Vol 12, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v12i1.12556

Abstract

Penelitian ini mendeskripsikan Made Mouthpiece Bandung: Produksi dan Organologi Mouthpiece Type Hybrid Alto Saxophone. Masalah penelitian ini mengkaji proses produksi mouthpiece  hybrid alto saxophone oleh made mouthpiece Bandung, Diketahui banyak pemain saxophone di Indonesia yang menggunakan produk dan mengakui kualitas mouthpiece produksi made mouthpiece Bandung. Hal ini yang membuat peneliti tertarik untuk mengkaji secara komprehensip organologi mouthpiece buatan made sebagai keilmuan yang khusus mendalami asal muasal karakter bunyi. Tujuan penelitian menganalisi bahan yang digunakan dalam produksi mouthpiece type hybrid, tahapan – tahapan pembuatan Mouthpiece type hybrid alto saxophone dan karakter bunyi mouthpiece type hybrid produksi made mouthpiece Bandung. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data meliputi wawancara, observasi, dokumentasi, dan analisis data dilakukan dengan tahapan reduksi, klasifikasi data, interpretasi data, dan deskripsi data dalam bentuk kata-kata, kemudian menarik kesimpulan. Hasil penelitian menemukan bahwa karakter suara made mouthpice dihasilkan oleh sistem organologi, dan teknik produksi. Kemudian peneliti menemukan 6 tahapan proses pembuatan sehingga menghasilkan karakter bunyi khas made mouthpiece type hybrid. Tahapan tersebut meliputi 1) Proses pembuatan desain, 2) Proses pembuatan cetakan silicon, 3) proses bubut logam kuningan, 4) Proses pencetakan mouthpiece, 5)  Proses Refacing, 6) Proses Finishing. Implikasi penelitian ini dapat menjadi role model bagi peneliti selanjutnya untuk menganalisis akustik organologi mouthpiece alto saxophone dari berbagai tipe dan pembuat yang beragam.Made Mouthpiece Bandung: Hybrid Alto Saxophone Production and OrganologyAbstractThis research describes Made Mouthpiece Bandung: Production and Organology of Hybrid Alto Saxophone Mouthpiece Type. This research problem examines the production process of the hybrid alto saxophone mouthpiece by made mouthpiece Bandung, It is known that many saxophone players in Indonesia use products and recognize the quality of the mouthpiece produced by made mouthpiece Bandung. This makes researchers interested in comprehensively studying the organology of mouthpieces made by made as a science that specifically explores the origin of sound characters. The research aims to analyze the materials used in the production of hybrid type mouthpieces, the stages of making Mouthpiece type hybrid alto saxophone and the sound character of the hybrid type mouthpiece production made mouthpiece Bandung. This research uses descriptive qualitative methods with data collection techniques including interviews, observation, documentation, and data analysis is carried out with the stages of reduction, data classification, data interpretation, and data description in the form of words, then draw conclusions. The results of the study found that the sound character of made mouthpice is produced by the organological system, and production techniques. Then the researcher found 6 stages of the manufacturing process so as to produce a typical made mouthpiece type hybrid sound character. These stages include 1) Design making process, 2) The process of making silicon molds, 3) brass metal lathe process, 4) Mouthpiece molding process, 5) Refacing process, 6) Finishing process. The implications of this research can be a role model for future researchers to analyze the acoustic organology of alto saxophone mouthpieces of various types and various makers.Keywords: Organology; Sound character; Mouthpiece; Production; Saxophone
The use of formalist techniques and semiotic analysis in depicting social media realities in 'budi pekerti': a study of cinematic composition and social commentary Rizkitaa, Meira Rai; Supiarza, Hery; Pawitan, Zakiah
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6024

Abstract

The film "Budi Pekerti" has garnered critical acclaim, earning multiple awards and nominations at prominent festivals, including the Toronto International Film Festival 2023 and Jakarta Film Week 2023. This study examines how cinematic techniques are utilized to depict social realities. Anchored in Sergei Eisenstein's formalist theory and Roland Barthes' semiotic analysis, the research adopts a qualitative methodology involving scene observations, in-depth interviews with the director, and document analysis. The findings reveal that montage techniques and visual compositions effectively construct narratives that highlight moral and ethical issues. Additionally, the use of symbols within the film uncovers culturally relevant messages, providing deeper insights into contemporary social dynamics. Through an integrative approach combining formalist and semiotic perspectives, the study underscores the critical role of cinematic aesthetics in conveying complex social commentaries. This research makes a significant contribution to the fields of visual arts, communication, and linguistics by offering a comprehensive framework that links visual storytelling with cultural critique and societal reflection, emphasizing the power of film as a medium for understanding and shaping cultural narratives.
A qualitative analysis of technical and compositional constraints in FPV drone videography for vertical social media content video Sarbeni, Irwan; Sugihartono, Ranang Agung; Suyanto, Suyanto; Supiarza, Hery; Pertiwi, Apsari Azimat
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1638

Abstract

The increasing dominance of vertical video formats on mobile-first platforms such as Instagram Reels and TikTok presents new challenges for First Person View (FPV) drone videography, especially when capturing natural landscapes. This study aims to investigate the technical and compositional constraints of FPV drones in producing vertical video content for social media. Using a qualitative case study approach, data were collected through field observation, interviews with 10 professional FPV pilots, and a supplementary online survey. The findings reveal key limitations, including fixed horizontal camera orientation, lack of gimbal-based stabilization, and control systems ergonomically optimized for horizontal framing. These constraints hinder smooth movement, reduce composition flexibility, and increase the difficulty of capturing high-quality vertical footage. Although some pilots attempt workarounds, such as custom camera mounts and post-production cropping, these solutions are often labor-intensive and compromise video quality. This study contributes practical insights for drone designers and content creators seeking to adapt FPV technology for vertical video production and offers a foundation for future research into hardware innovation and workflow adaptation in response to evolving social media trends.
Menumbuhkan Falsafah Silih Asah, Silih Asih, Silih Asuh Melalui Film Dokumenter "Pulo" Alfarissy, Muhammad Ramdhan; Supiarza, Hery
Harmony: Jurnal Pembelajaran IPS dan PKN Vol. 9 No. 1 (2024): Volume 9 Nomor 1 Mei 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmony.v9i1.389

Abstract

Kampung Pulo merupakan kampung adat sunda yang mempunyai konsep falsafaf lokal Silih Asah, Silih Asih, dan Silih Asuh. Penelitian mengenai pandangan hidup Kampung Pulo bertujuan untuk menumbuhkan falsafaf-falsafaf tersebut melalui film dokumenter berjudul “Pulo” yang menceritakan tentang kurangnya perhatian dari pemerintah kepada masyarakat Kampung Pulo terkait pemberdayaan wisata budaya. Adapun metode penelitian yang dilakukan melalui pendekatan kualitatif deskriptif. Data primer yang diperoleh melalui observasi dan wawancara, serta data sekunder diperoleh dari analisis film dan studi kepustakaan berdasarkan artikel-artikel relevan yang sesuai dengan studi pembahasan. Hasil dari penelitian konsep kehidupan yang diterapkan oleh masyarakat Kampung Pulo mampu menunjukkan makna cinta dan kasih sesama manusia yang mampu diserap dan diaplikasikan juga terhadap khalayak umum yang mengalami masalah ketakutan, antipati, ataupun egois. Dengan demikian akan menstimulasi untuk bersikap saling pengertian dalam lingkup masyarakat sosial.  
Software sibelius: Eksplorasi Teknik Arransemen Lagu Indonesia Pusaka Karya Ismail Marzuki di Masa Pandemi Covid 19 mulyadi, hendrikus -; Supiarza, Hery
PROMUSIKA Vol 9, No 1 (2021): April 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v1i1.5296

Abstract

Penelitian ini mengkaji  eksplorasi teknik aransemen orkestrasi melalui penggunaan software sibelius pada lagu Indonesia Pusaka karya Ismail Marzuki. Tujuan dari penelitian ini adalah untuk mengidentifikasi teknik dan keputusan yang perlu dilakukan dalam penyusunan aransemen dan untuk menguji keefektifan software sibelius dalam mendukung suatu orkestrasi. Metode yang digunakan adalah metode kualitatif dengan pendekatan eksploratif. Analisis teks musik digunakan untuk mendapatkan gambaran umum terkait aspek musik dan teknis, sedangkan analisis data dilakukan melalui reduksi data. Dalam penelitian ini ditentukan 3 nara sumber utama untuk mendapatkan informasi mengenai tanggapan karya virtual aransemen Indonesia Pusaka di masa pandemic covid 19. Penelitian ini menemukan bahwa arransemen Indonesia Pusaka mewakili nasionalisme, keberagaman dan alternatif tontonan di masa pandemi, kemudian terdapat 3 elemen dasar dalam eksplorasi aransemen orkestrasi lagu Pusaka Indonesia, yaitu: 1) bentuk aransemen, 2) idiom musik yang dimunculkan, 3) Softwaresibelius memiliki tingkat kesesuaian yang tinggi. efisiensi dalam membantu siswa membuat aransemen dan orkestrasi, juga dapat membantu arranger untuk membuat aransemen orkestrasi tanpa harus melibatkan pemain musik. Penelitian ini dapat menjadi acuan bagi dunia pendidikan musik dalam penggunaan softwaremusik khususnya penggunaan sibelius untuk orkestrasi dan keperluan kreasi musik lainnya.AbstractSibelius Software: Exploration of The Technique of Arranging Indonesian Songs Pusaka by Ismail Marzuki in the Covid 19 Pandemic. This study examines orchestration arrangement techniques through Sibelius software in the song Indonesia Pusaka by Ismail Marzuki. This research aims to identify the methods and decisions that need to be arranged and test the Sibelius software’s effectiveness in supporting an orchestration. The method used is a qualitative method with an exploratory approach. Music text analysis is used to get an overview regarding musical and technical aspects, while data analysis is done through data reduction. In this study, three primary sources were determined to obtain information about the response to the virtual work of the Indonesian Pusaka arranger during the Covid 19 pandemic. This study found that the Indonesia Pusaka arrangement represented nationalism, diversity and alternative spectacle during the pandemic, then there were three essential elements in exploration. Pusaka Indonesia song orchestration arrangements, namely: 1) arrangement form, 2) musical idioms that appear, 3) Sibelius software has a high level of conformity. Efficiency in helping students make arrangements and orchestration can also help the arranger make orchestration arrangements without involving music players. This research can be a reference for the world of music education in the use of music software, especially the use of Sibelius for orchestration and other musical creation purposes.Keywords: exploration; arrangement; Indonesia Pusaka; Ismail Marzuki; Sibelius software
The use of formalist techniques and semiotic analysis in depicting social media realities in 'budi pekerti': a study of cinematic composition and social commentary Rizkitaa, Meira Rai; Supiarza, Hery; Pawitan, Zakiah
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6024

Abstract

The film "Budi Pekerti" has garnered critical acclaim, earning multiple awards and nominations at prominent festivals, including the Toronto International Film Festival 2023 and Jakarta Film Week 2023. This study examines how cinematic techniques are utilized to depict social realities. Anchored in Sergei Eisenstein's formalist theory and Roland Barthes' semiotic analysis, the research adopts a qualitative methodology involving scene observations, in-depth interviews with the director, and document analysis. The findings reveal that montage techniques and visual compositions effectively construct narratives that highlight moral and ethical issues. Additionally, the use of symbols within the film uncovers culturally relevant messages, providing deeper insights into contemporary social dynamics. Through an integrative approach combining formalist and semiotic perspectives, the study underscores the critical role of cinematic aesthetics in conveying complex social commentaries. This research makes a significant contribution to the fields of visual arts, communication, and linguistics by offering a comprehensive framework that links visual storytelling with cultural critique and societal reflection, emphasizing the power of film as a medium for understanding and shaping cultural narratives.
Transformasi Karakter dalam The Wonderful Story of Henry Sugar: Kajian Hermeneutika Paul Ricoeur Permadikusumah, Mu'afa Audia; Supiarza, Hery; Anelina, Nazla Vania
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 2: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i2.30364

Abstract

This study explores the transformation of the protagonist in Wes Anderson's short film The Wonderful Story of Henry Sugar (2023), through the lens of Paul Ricoeur's hermeneutic arc. The film narrates the spiritual and existential journey of Henry Sugar, a wealthy man who shifts from materialism to altruism after discovering a meditative technique that allows him to see without using his eyes. Initially motivated by greed and self-interest, Henry experiences a profound internal transformation that leads him to use his abilities for philanthropic purposes. The study employs a qualitative descriptive method, focusing on narrative analysis supported by Ricoeur’s three-phase interpretative framework: explication, understanding, and appropriation. Findings suggest that Henry’s transformation embodies a significant ethical and existential shift, highlighting the film's critique of consumerism and spiritual emptiness. Moreover, Anderson’s distinctive aesthetic—marked by symmetrical compositions, pastel palettes, and theatrical mise-en-scène—reinforces the symbolic depth and moral trajectory of the narrative. This research underscores how cinema can be interpreted as a reflective medium that facilitates ethical contemplation and personal meaning-making through character development. Ultimately, the study affirms that The Wonderful Story of Henry Sugar functions not only as artistic storytelling but also as a philosophical exploration of purpose, morality, and the transformative potential of self-discovery.
Film Tapak Tilas Jejak Atas Kelabu: Spiritual Pilgrimage Activities in the Perspective of Islam Farizki, Rendi Al; Supiarza, Hery; Tjahjodiningrat, Harry
Nizham Jurnal Studi Keislaman Vol 12 No 01 (2024): Nizham: Jurnal Studi Keislaman
Publisher : Pascasarjana IAIN Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/nizham.v12i01.8822

Abstract

Berasal dari penelitian yang dilakukan dalam film dokumenter berjudul Tapak Tilas: Jejak Di Atas Kelabu mengangkat tentang ziarah tapak tilas atau napak tilas yang adalah sebuah aktivitas spiritual yang tujuan utamanya adalah menziarahi petilasan tokoh. Ziarah ini akan dibahas dalam konteks dan sudut pandang dua organisasi islam yaitu Persatuan Islam (PERSIS) dan Nahdlatul Ulama (NU). Peneliti melakukan observasi dan berpartisipasi langsung berziarah mengikuti kelompok peziarah Silaturahmi Spiritualis Alami dan Amalan (SSADA). Data yang didapat selain melalui observasi langsung juga didapat dari wawancara-wawancara ekslusif yang dilakukan pada pihak terkait. Dengan demikian, penelitian ini dapat memberikan gambaran yang lebih jelas terhadap ziarah napak tilas ini.
Interpretation of Jae Hee Choi: Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato" by Carl Philip Stamitz Supiarza, Hery; Annisa, Luli Angsal Lintang; Sarbeni, Irwan
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.74434

Abstract

The research of Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato” by Carl Philipp Stamitz by Jae Hee Choi is motivated by the clarinet solo performance of a clarinetist performing the cadenza part of this concerto. The focus of this research is to find out the interpretation and technique of Jae Hee Choi's clarinet playing by analyzing the cadenza part through the interpretation and technique of playing the clarinet to be able to have a good impact in interpreting an interpretation of playing music, especially concertos in the baroque era. The method used in this research is a descriptive research method with three stages of analysis. The first stage is audio-visual analysis. The second stage rewrites the notation with the Sibelius application. The third step is to analyze the rewritten notes and make a comparison between the cadenza played by Jae Hee Choi and the original cadenza in this concerto. This research found two very important things namely; clarinet interpretation and technique. Interpretation includes interpretation of expression, rhythm, melody, and dynamics. The clarinet playing technique includes blowing techniques and fingering techniques.
Co-Authors Alfarissy, Muhammad Ramdhan Alfathadiningrat, Danendra Alvriza Mohammed Fadly Andini, Mustika Anelina, Nazla Vania Annisa, Luli Angsal Lintang Azizul Rahman Dimi Cece Sobarna Dedi Warsana Deni Setiawan Ernawan, Erika Fadly, Alvriza Mohammed Farizki, Rendi Al Gilang Ramadhan Harry Tjahjodiningrat Hartono, Tono Rachmad Pujo Hutapea, Clarisa Jesika Korina Tm. Madjid, Wirda Syabrina Mauly Putri Mauly Putri Dipiati Mochamad Ridwan Rosidin Muhammad Arjun Pratama mulyadi, hendrikus - Nabila Pramadita Rahmadani Nada Sofia Irmanika Nala Nandana Undiana pauhrizi, erik muhammad Permadikusumah, Mu'afa Audia Pertiwi, Apsari Azimat Prabowo, Dayu Amandito Raden Muhammad Mulyadi Raguan , Sopia Rahmadani, Nabila Pramadita Reasoa, Sonia Regina Rizkitaa, Meira Rai Sabaria, Ria Salsa Solli Nafsika Shelvira Alyya Putri Anjani Siti Ailani Yonaski Siti Anisa Setiani Sugihartono, Ranang Agung Sukanta , Sukanta Sukanta Sukanta Suyanto Suyanto Tisha Maulida Fazriah Tjahjodiningrat, Harry Tono Rachmad Pudjo Harto Warsana, Dedi Yudi Sukmayadi Zakiah Pawitan