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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Prosodi: Jurnal Ilmu Bahasa dan Sastra JPsd ( Jurnal Pendidikan Sekolah Dasar ) RITME Jurnal EMT KITA Gondang: Jurnal Seni dan Budaya Ganaya: Jurnal Ilmu Sosial dan Humaniora Gulawentah:Jurnal Studi Sosial Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Humaniora JSM (Jurnal Seni Musik) Nizham Journal of Islamic Studies International Journal of Visual and Performing Arts Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) Komunikasiana: Journal of Communication Studies Jurnal Adat dan Budaya Indonesia Jurnal Budaya Etnika Jurnal Indonesia : Manajemen Informatika dan Komunikasi Khazanah: Jurnal Sejarah dan Kebudayaan Islam DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Jurnal Kajian Seni Sense : Journal of Film and Television Studies Cinematology Journal Anthology of Film and Television Studies Jurnal Indonesia : Manajemen Informatika dan Komunikasi Harmony : Jurnal Pembelajaran IPS dan PKN
Supiarza, Hery
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Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Film Tapak Tilas Jejak Atas Kelabu: Spiritual Pilgrimage Activities in the Perspective of Islam Farizki, Rendi Al; Supiarza, Hery; Tjahjodiningrat, Harry
Nizham Jurnal Studi Keislaman Vol 12 No 01 (2024): Nizham: Jurnal Studi Keislaman
Publisher : Pascasarjana IAIN Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/nizham.v12i01.8822

Abstract

Berasal dari penelitian yang dilakukan dalam film dokumenter berjudul Tapak Tilas: Jejak Di Atas Kelabu mengangkat tentang ziarah tapak tilas atau napak tilas yang adalah sebuah aktivitas spiritual yang tujuan utamanya adalah menziarahi petilasan tokoh. Ziarah ini akan dibahas dalam konteks dan sudut pandang dua organisasi islam yaitu Persatuan Islam (PERSIS) dan Nahdlatul Ulama (NU). Peneliti melakukan observasi dan berpartisipasi langsung berziarah mengikuti kelompok peziarah Silaturahmi Spiritualis Alami dan Amalan (SSADA). Data yang didapat selain melalui observasi langsung juga didapat dari wawancara-wawancara ekslusif yang dilakukan pada pihak terkait. Dengan demikian, penelitian ini dapat memberikan gambaran yang lebih jelas terhadap ziarah napak tilas ini.
Interpretation of Jae Hee Choi: Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato" by Carl Philip Stamitz Supiarza, Hery; Annisa, Luli Angsal Lintang; Sarbeni, Irwan
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.74434

Abstract

The research of Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato” by Carl Philipp Stamitz by Jae Hee Choi is motivated by the clarinet solo performance of a clarinetist performing the cadenza part of this concerto. The focus of this research is to find out the interpretation and technique of Jae Hee Choi's clarinet playing by analyzing the cadenza part through the interpretation and technique of playing the clarinet to be able to have a good impact in interpreting an interpretation of playing music, especially concertos in the baroque era. The method used in this research is a descriptive research method with three stages of analysis. The first stage is audio-visual analysis. The second stage rewrites the notation with the Sibelius application. The third step is to analyze the rewritten notes and make a comparison between the cadenza played by Jae Hee Choi and the original cadenza in this concerto. This research found two very important things namely; clarinet interpretation and technique. Interpretation includes interpretation of expression, rhythm, melody, and dynamics. The clarinet playing technique includes blowing techniques and fingering techniques.
Synchronization Functions of œMickey-Mousing in Animation Film Rhapsody Rabbit Fadly, Alvriza Mohammed; Supiarza, Hery; Pawitan, Zakiah
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57435

Abstract

Synchronization between visual animation and music has been widely known as mickey-mousing. Notable old animation films have used this particular technique to reinforce action with a musical flourish and convey a certain meaning. Furthermore, animation music is commonly based on popular music, such as The Hungarian Rhapsody No.2 in Rhapsody Rabbit. The music is utilized not just as a scoring aspect but to dictate every Bugs Bunny's action when playing the piano. This research aims to study the implementation of the mickey-mousing technique in Rhapsody Rabbit film. It uses a qualitative content analysis approach to analyze visual and aural aspects”primary data is sourced from the Rhapsody Rabbit film and the Hungarian Rhapsody No. 2 music sheet. Secondary data is collected from literature studies related to the topic. Data collection is conducted through observation, interview, and documentation study. The data is analyzed using Klaus Krippendorf's content analysis technique which divided into six steps. The result of this study is that the mickey-mousing technique is implemented through a combination of a fast pace of visual and musical play altogether. Animation adapts to several parts of the musical composition so that articulation, illustration, and accentuation occur as a function of the mickey-mousing technique.
Perancangan Proses Kreatif Dalam Mendesain Kostum Dan Menata Make Up Pada Karakter Koboi-Alita Prabowo, Dayu Amandito; Nafsika, Salsa Solli; Supiarza, Hery
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 5 No 1 (2025): DIVAGATRA #09
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v5i1.13207

Abstract

One of the important elements in visuals is artistry, because artistry greatly affects the composition of the resulting image. The main elements of artistic design are costume character design and make-up arrangement. With the concept of costume design and character make-up, a character has its own characteristics in films, TV shows, and stage theatre. The process of making a character in costume and make up design is the main thing to support the deepening of the character, in the making process a case study is carried out and data collection techniques in the form of content analysis, from online media which is then processed in an intensive and detailed way, to explore the process of designing costume and make up characters. after obtaining character design reference data, the data is processed by deeply analysing the acquisition of data that has been obtained. The important impact of research on the process of costume design and styling cowboy character make-up to descriptively describe each process undertaken. 
Menggali Dialektika Estetika Budaya Tutur Nusantara pada Kelas Studio Dokumenter Universitas Pendidikan Indonesia Pauhrizi, Erik Muhammad; Supiarza, Hery; Undiana, Nala Nandana; Sukanta, Sukanta
Komunikasiana: Journal of Communication Studies Vol 4, No 2 (2022)
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/kjcs.v4i2.21609

Abstract

Penelitian ini mendiskusikan menggali dialektika estetika budaya tutur Nusantara pada kelas studio documenter dalam pengembangan kurikulum prodi FTV UPI 2021. Kekayaan budaya tutur Nusantara merupakan khasanah kekayaan keilmuan yang berkaitan dengan visi dan misi program studi Film dan televise FPSD Universitas Pendidikan Indonesia. Dimana hal ini telah diimplementasikan ke dalam kurikulum yang terwujud dalam beberapa perkuliahan yang seharusnya saling mendukung terutama film dokumenter yang dapat mengakomodasi kekayaan ini. Permasalahan dalam penelitian ini adalah untuk melihat apakah konsep budaya tutur nusantara secara efektif telah terwujud dalam karya studio film dokumenter, dan apakah diperlukan metode khusus bagi pengajar di prodi film dan televisi. Metode kualitatif digunakan untuk menggali keterkaitan matakuliah sehingga dapat ditemukan formulasi pengajaran yang efektif untuk mata kuliah yang akan dilakukan disemester selanjutnya. Penelitian ini menemukan 1) beberapa matakuliah yang dilaksanakan pada semester genap menjadi penompang utama sebagai landasan memperkuat penggalian budaya tutur nusantara di mata kuliah studio dokumenter. Hal ini dilihat dari karya-karya studio dokumenter telah merepresentasikan khasanah budaya nusantara, 2) adanya matakuliah metodologi penelitian yang disinergikan dengan kelas studio dokumenter menjadi pengetahuan untuk mengumpulkan seluruh data penelitian. Namun keadaan yang baik ini tetap harus dievaluasi untuk semester selanjutnya guna mewujudkan visi dan misi prodi FTV, terutama penguatan pada sumber daya manusia dengan cara pertukaran dosen. Implikasi penelitian ini akan menjadi evaluasi bagi kesempurnaan kurikulum film dan televisi dan juga dapat menjadi role model pengajaran studi film documenter bagi program studi film di Indonesia. 
Montage experimentation as pedagogical strategy: a practice-led and artistic research study of student films in Bandung, Indonesia Pauhrizi, Erik Muhammad; Supiarza, Hery; Warsana, Dedi; Ernawan, Erika; Alfathadiningrat, Danendra
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7735

Abstract

Film education in Indonesia, often prioritizing industry goals, forcing students to adapt to industry targets and serve the economic gains over artistic achievement. As Indonesian Film and Television Study Program Association (PROSFISI) stated, this industry-oriented view correlates to students who merely consume foreign film entertainment, causing them to become less active, creative, and connected to Indonesian culture and identity. An approach like this breeds a lack of critical thinking and a limited artistic imagination with montage as a contextual device. The purpose of this study is to demonstrate that recreate montage in filmmaking education in Indonesia is an opportunity to renew freedom, cultural address, and critique. Through Practice-Led and Artistic Research, the research was conducted in the Film Study Program Bandung, analyzed the application of montage theories by Eisenstein, Pudovkin and Vertov, on student films. Findings suggest that narrative and symbolic montage facilitated deeper meaning around local topics and more straightforward and emotionally resonant narratives. Through a consideration of social-cultural issues the study shows the power of the montage as both an artistic and research tool. This study argues that the curriculum should approach film as a tool that promotes experimentation integrating montage and local culture to deepen student” understanding of film beyond its commodified nature.
RITUAL BALIMAU MINANGKABAU: TRADISI PENYUCIAN DIRI DAN TRANSFORMASI SOSIAL Azizul Rahman Dimi; Hery Supiarza; Muhammad Arjun Pratama
Jurnal Budaya Etnika Vol. 9 No. 2 (2025): POTRET BUDAYA TRADISI DAN MATERI LOKAL DAN GLOBAL PADA MASA KONTEMPORER DI INDO
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jbe.v9i2.4227

Abstract

Abstrak: Artikel ini membahas ritual Balimau sebagai tradisi penyucian diri masyarakat Minangkabau menjelang Ramadan. Permasalahan penelitian mencakup asal-usul, makna, dan transformasi sosial dalam pelaksanaannya. Kajian ini berlandaskan pada teori fungsionalisme budaya dan simbolisme Clifford Geertz, dengan metode studi dokumentasi terhadap literatur budaya dan jurnal ilmiah. Hasil analisis menunjukkan bahwa ritual Balimau memiliki dimensi religius dan sosial yang penting, namun mengalami pergeseran makna akibat modernisasi dan komersialisasi. Diskusi menyoroti perlunya pelestarian nilai-nilai adat dan keagamaan dalam praktik budaya lokal. Penelitian ini memberikan kontribusi terhadap kajian budaya dan menawarkan rekomendasi pelestarian tradisi Balimau yang sesuai konteks zaman. Kata kunci: Balimau, Minangkabau, Tradisi, Modernisasi, Simbolisme Abstract: This article explores the Balimau ritual, a Minangkabau tradition of physical and spiritual purification before Ramadan. The research addresses issues of origin, meaning, and socio-cultural transformation of the ritual. Grounded in cultural functionalism and Clifford Geertz’s symbolic theory, this study uses document-based research through literature and cultural archives. Findings reveal that Balimau holds strong religious and social values but has shifted in meaning due to modernization and commercialization. The discussion emphasizes the importance of preserving both traditional and spiritual values in the face of cultural change. This study contributes to cultural discourse and offers recommendations for sustaining the Balimau tradition in a contemporary context. Keywords: Balimau, Minangkabau, tradition, modernization, symbolism
Co-Authors Alfarissy, Muhammad Ramdhan Alfathadiningrat, Danendra Alvriza Mohammed Fadly Andini, Mustika Anelina, Nazla Vania Annisa, Luli Angsal Lintang Azizul Rahman Dimi Cece Sobarna Cece Sobarna Dedi Warsana Deni Setiawan Ernawan, Erika Fadly, Alvriza Mohammed Farizki, Rendi Al Gilang Ramadhan Harry Tjahjodiningrat Hartono, Tono Rachmad Pujo Hutapea, Clarisa Jesika Korina Tm. Madjid, Wirda Syabrina Mauly Putri Mauly Putri Dipiati Mochamad Ridwan Rosidin Muhammad Arjun Pratama mulyadi, hendrikus - Nabila Pramadita Rahmadani Nada Sofia Irmanika Nala Nandana Undiana pauhrizi, erik muhammad Permadikusumah, Mu'afa Audia Pertiwi, Apsari Azimat Prabowo, Dayu Amandito Raden Muhammad Mulyadi Raguan , Sopia Rahmadani, Nabila Pramadita Reasoa, Sonia Regina Ria Sabaria Rizkitaa, Meira Rai Salsa Solli Nafsika Shelvira Alyya Putri Anjani Siti Ailani Yonaski Siti Anisa Setiani Sugihartono, Ranang Agung Sukanta Sukanta Sukanta Sukanta Suyanto Suyanto Tisha Maulida Fazriah Tjahjodiningrat, Harry Tono Rachmad Pudjo Harto Warsana, Dedi Yudi Sukmayadi Zakiah Pawitan