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All Journal Paradigma : Journal of Science, Religion and Culture Studies Grenek: Jurnal Seni Musik PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Music Science, Technology, and Industry (JOMSTI) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Nusantara: Jurnal Pendidikan Indonesia LEARNING : Jurnal Inovasi Penelitian Pendidikan dan Pembelajaran Wacana : Jurnal Bahasa, Seni, dan Pengajaran Kajian Linguistik dan Sastra Jurnal Ilmu Pendidikan dan Pembelajaran Jurnal Damar Pedalangan TEBAR SCIENCE (Jurnal Kajian Sosial dan Budaya)
Maulana, Marsel Ridky
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Rebaban Performance in The Song “Gorompol” at Kliningan Sunda Tresnadi, Soni; Maulana, Marsel Ridky; Suparli, Lili; Irawan, Endah
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 8 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v8n2.p167-183

Abstract

The study discusses the use of rebaban in “Gorompol” sekar-gending in Sundanese Kliningan performances. The study focuses on the role of the Sundanese rebab instrument in accompanying and enriching the musical composition, as well as how the rebaban playing pattern shapes the ornamentation in the “Gorompol” sekar-gending. The research method used is content analysis with data collection techniques through observation, interviews with art practitioners, and analysis of performance recordings. The results show that the Sundanese rebab plays a central role in the “Gorompol” sekar-gending, providing expressive nuances through accompanying melodies (pamurba lagu) and dynamic interactions with gamelan instruments. The Sundanese rebab playing technique in the “Gorompol” sekar-gending emphasizes embellishments (reureueus) and ornamentation variations that harmonize with the vocals and rhythm of the Sundanese gamelan. The skill of Sundanese rebab players in interpreting dynamics and ornamentation is an important factor in presenting the distinctive atmosphere of Sundanese Kliningan performances. Thus, this study deepens the understanding of the role of the Sundanese rebab in the “Gorompol” sekar-gending, and can also be a reference for the development of Sundanese rebab instrument learning methods and the preservation of Sundanese gamelan aesthetics in the context of Sundanese traditional music performances.
Traditional Values and Tetekon: Creativity and Innovation in Padalangan of Sundanese Wayang Golek Purwa Maulana, Marsel Ridky
Dance and Theatre Review Vol 8, No 2: November 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i2.16738

Abstract

Wayang golek purwa is one of the traditional art performances of the Sundanese community that has a standardized structure and tetekon in its performance. However, along with the times that affect the way of thinking of the performers of wayang golek purwa art, there are changes in function and structure that affect the tetekon of the previous wayang golek purwa performance. The purpose of this study is to examine the changes in the value of tetekon in the art of wayang golek purwa related to the development of creativity and innovation from the young generation of puppeteers. This research uses descriptive qualitative method through observation, audio-visual analysis of wayang golek performances, and literature study on wayang golek purwa puppetry. Based on these methods, it was found that there is a paradoxical phenomenon in wayang golek art: on the one hand, creativity plays an important role in maintaining the existence of wayang golek art, but on the other hand, it is often considered to violate tetekon or traditional rules. Tetekon needs to be interpreted not only as a standard rule, but as a principle that can provide space for creativity and innovation to maintain the relevance of wayang golek art.
Co-Authors Agus Budiman Darmawanti , Regina Endah Irawan Heon, Lee Ji Hutapea, Clarisa Jesika Korina Tiurmauli Iwan Gunawan Kartono P, Alfin Pradinata Mugiyat , Arellya Muqri, Al Nandang Budiman Nurfalah, Asep Rizwan Rita Milyartini Romadlana, Rifani Syahru sandie gunara, sandie Saputra , Raffa Arya Sembiring, Piter Sunaryo, Ayo Suparli, Lili Surya, Dhea Elvionita Sutisna , Diynan Prayuga Suwandi, Miranto Taswadi Taswadi, Taswadi Tati Narawati Toni Setiawan Sutanto Tresnadi, Soni Tri Karyono uus karwati Yudi Sukmayadi