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Aditya, Mega Cantik Putri
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SEJARAH TARI BUBU DI DESA SANDAI KIRI KECAMATAN SANDAI KABUPATEN KETAPANG Wahyuni, Sinta Seri; Ismunandar, Ismunandar; Aditya, Mega Cantik Putri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 4 (2023): April, 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i4.64515

Abstract

This research is motivated by uniqueness Another which can move when recited poems and spells contained in the Bubu Dance in Sandai Kiri Village, Sandai District, Ketapang Regencyand peel back the history of the beginningother magic that can move and created dance as an accompaniment with the aim of making it more entertaining. This study aims to describe the history of the Bubu Dance in Sandai Kiri Village, Sandai District, Ketapang Regency. This study uses a descriptive method in a qualitative form, assisted by historical and anthropological approaches. Data collection techniques used in the form of interview techniques, documentation techniques, and documentation study techniques. From the results of this research, the history of the Bubu Dance begins with the story of Si Lokan, who had an illness and finally recovered because he entered the Bubu while composing and creating a poem about his father and mother. The poems and mantras sung in the show contain recitations of the holy verses of the Koran. There was a change in the show, at first it was artother accompanied by four female dancers, but now the only ones left in the show are the handler andother. Along with developments, the performance form of the Bubu Dance was eventually recognized as a traditional game originating from Sandai Village.
Inclusivity in Jepin and Raddat Dance: Exploring Changes in Gender Roles in Traditional Performing Arts Tindarika, Regaria; Rianto, Ridho; Satrianingsih, Aline Rizky Oktaviari; Aditya, Mega Cantik Putri
Jurnal Pendidikan Sosiologi dan Humaniora Vol 16, No 1 (2025): April 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v16i1.91607

Abstract

This study aims to examine the changes in gender roles in the Jepin dance in Sambas Regency, particularly regarding the involvement of women in performances that were previously dominated by men. The research also aims to understand the impact of these changes on the preservation of art, aesthetics, and the cultural values of the Sambas community. The methodology used is a qualitative approach with literature analysis and in-depth interviews with dance practitioners, cultural actors, and community leaders. The data obtained is then analyzed using anthropological and feminist approaches to explore the dynamics of gender roles in the context of traditional arts. The results show that gender roles in the Jepin dance were initially influenced by social structures and cultural values that restricted women's participation in dance. However, with social development, education, and globalization, women began to be accepted as part of the Jepin dance performances. Women's involvement not only enriched the aesthetics of the dance but also reflected broader social changes in gender equality. The positive impacts of these changes include the preservation of the art and the introduction of new aesthetics, while the negative impacts include potential cultural conflicts regarding violations of traditional norms. Overall, this study demonstrates that the transformation of gender roles in Jepin dance contributes to social change without eliminating the cultural essence embedded in the dance.
MAKNA PROPERTI TARI TUPENG NATUNA KABUPATEN NATUNA Saridin, Saridin; Oktariani, Dwi; Aditya, Mega Cantik Putri
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.56508

Abstract

The Natuna Tupeng Dance is a traditional folk dance that grows and develops in Kelanga Village, North East Bunguran District, Natuna Regency, however there has been no writing about the meaning of the properties used by dancers. This research aims to determine the form, meaning and function that need to be revealed from the unique properties of the Natuna Tupeng Dance. The research method is descriptive qualitative with an ethnochoreology and semiotic approach to obtain data results regarding the meaning of property in the Tupeng Natuna dance. Data collection techniques include observation, interviews and documentation. The data validity testing technique used is extended observation and source triangulation. Based on the analysis of the data obtained, the results show that the properties of the Natuna Tupeng Dance contain meaning and messages to be conveyed to the audience. The properties of the Tupeng Natuna Dance include masks in the shape of human faces, men, women, animal faces such as beqok, plates and scarves. The mask in the shape of a human face depicts the young people of the Kelanga Village community in the Bedung forest, the mask in the shape of a beqok face depicts a monkey. The meaning of the three forms of masks is to depict the harmony of life between humans and animals, which can mean that living creatures need and interact with each other. The plate property symbolizes a form of gratitude to God, because he has provided sufficient sustenance to the people in the village. The shawl's properties symbolize the natural beauty that exists in the Bedung forest. The meanings of all the properties of the Natuna Tupeng Dance are interconnected with each other and are related to the daily lives of the people in Kelanga Village, North East Bunguran District, Natuna Regency.Keywords: Meaning, Properties, Tupeng Natuna DanceAbstrakTari Tupeng Natuna merupakan salah satu tari tradisional rakyat yang tumbuh dan berkembang di Desa Kelanga Kecamatan Bunguran Timur Laut Kabupaten Natuna, namun belum ada tulisan mengenai makna properti yang digunakan oleh penari. Penelitian ini bertujuan untuk mengetahui bentuk, makna, dan fungsi yang perlu diungkap dari keunikan properti Tari Tupeng Natuna. Metode penelitian berupa deskriptif kualitatif dengan pendekatan etnokoreologi dan semiotika guna mendapatkan hasil data mengenai makna properti dalam tari Tupeng Natuna. Teknik pengumpulan data berupa observasi, wawancara, dan dokumentasi. Teknik penguji keabsahan data yang digunakan adalah perpanjangan pengamatan dan triangulasi sumber. Berdasarkan analisis data diperoleh hasil bahwa properti Tari Tupeng Natuna terdapat makna dan pesan yang ingin disampaikan kepada penonton. Properti Tari Tupeng Natuna berupa topeng yang berbentuk wajah manusia laki-laki, perempuan, wajah binatang seperti beqok, piring, dan selendang. Topeng yang berbentuk wajah manusia menggambarkan muda mudi masyarakat Desa Kelanga yang berada di dalam hutan Bedung, topeng berbentuk wajah beqok yang menggambarkan seekor monyet. Makna dari ketiga bentuk topeng itu adalah menggambarkan keserasian hidup antara manusia dan binatang yang dapat bermakna bahwa makhluk hitup itu saling membutuhkan dan saling berinteraksi. Properti piring menyimbolkan bentuk rasa syukur kepada Tuhan, karena telah memberikan rezeki yang cukup kepada masyarakat di Desa tersebut. Properti selendang melambangkan keindahan alam yang berda di dalam hutan Bedung.  Makna dari keseluruh properti Tari Tupeng Natuna saling berhubungan satu sama lain dan mempunyai keterkaitan dengan kehidupan sehari-hari masyarakat di Desa Kelanga Kecamatan Bunguran Timur Laut Kabupaten Natuna.Kata Kunci: Makna, Properti, Tari Tupeng Natuna Authors:Saridin : Universitas TanjungpuraDwi Oktariani : Universitas TanjungpuraMega Cantik Putri Aditya : Universitas Tanjungpura ReferencesAnwar, A. (2020), œMakna Topeng Perempuan. Hasil Wawancara Pribadi:  5 Februari 2024, Universitas Tanjungpura.Ardiani, A., & Fitriani, N. (2023). Motif dan Makna Motif Tenun Ulos Batak Angkola di Kabupaten Tapanuli Selatan. Gorga: Jurnal Seni Rupa, 12(2).Budihardini, S. S., Tindarika, R., & Aditya, M. C. P. (2022). SEJARAH TARI TOPENG NATUNA DESA TANJUNG KECAMATAN BUNGURAN TIMUR LAUT KABUPATEN NATUNA. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 12(2), 665-673.Darmawan, D. (2024), œAsal Mula Bentuk Tari Tupeng Natuna. Hasil Wawancara Pribadi:  13 Februari 2024, Universitas Tanjungpura.Istiandini, W., Tindarika, R., & Sulissusiawan, A. (2022). Makna Simbol Properti Gong pada Tari Tradisional Ngeruai Kenemiak Dayak Kantu. Jurnal Seni Tari, 11(2), 179-187.Kistanto, N. H. (2015). Tentang konsep kebudayaan. Sabda: Jurnal Kajian Kebudayaan, 10(2).Liliweri, A. (2019). Pengantar studi kebudayaan. Nusamedia.Mariana, D., Dwi, O., & Ismunandar, I. (2023). Manajemen Organisasi Sanggar Seni Kesumba di Kabupaten Mempawah. Gorga: Jurnal Seni Rupa, 12(2).Oktariani, D. (2023). Tari Jepin Langkah Simpang Budaya Melayu. Pontianak: Cv. LakeishaOktariani, D. (2024). Peran Sanggar Seni Kesumba Dalam Melestarikan Kesenian Tradisional Melayu. Jurnal Ilmiah Rinjani 12(1), 15-24.Pujiana, P., & Novrita, S. (2023). Transformasi Bentuk Alam Menjadi Motif Batik di Kecamatan Enam Lingkung Kabupaten Padang Pariaman. Gorga : Jurnal Seni Rupa, 12(2).Purnamawati, S., Adriani, A., & Novrita, S. Z. (2016). Studi Tentang Batik Basurek di Kota Bengkulu Provinsi Bengkulu. Journal of Home Economics and Tourism, 11(1), 1“12.Suhendra, R., Fretisari, I., & Muniir, A. (2019. MAKNA SIMBOL PROPERTI TARI SELODANG MAYANG DI PULAU PEDALAMAN KABUPATEN MEMPAWAH. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 8(3).Swathy, I. D. A. I., Joni, I. D. A. S., & Suryawati, I. G. A. A. (2020). Makna Simbol Komunikasi Dalam Tari Topeng Sidakarya. Jurnal Ilmiah Mahasiswa Ilmu Komunikasi Medium, 1(1), 38-45.Varadibtya, S. D., Ismunandar, I., & Istiandini, W. (2022). MAKNA PROPERTI TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBU RAYA. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 11(6), 365-375.
PERGESERAN FUNGSI TARI BUJANG LANYO DI DESA SEBONGKUH KECAMATAN KEMBAYAN KABUPATEN SANGGAU Putri, Marta Yana; Aditya, Mega Cantik Putri; Oktariani, Dwi
TACET Jurnal Pendidikan dan Kajian Seni Vol 4, No 2 (2025): Oktober 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/tacet.v4i2.99842

Abstract

Penelitian ini membahas tentang pergeseran fungsi tari Bujang Lanyo yang ada di desa Sebongkuh, kecamatan Kembayan, kabupaten Sanggau mengenai perubahan yang terdapat didalam tari Bujang Lanyo akibat pergeseran fungsi, masalah yang ditemukan dalam adalah tarian ini hanya ditampilkan pada ritual bayar niat yang sudah jarang dilaksanakan, Tujuan dari penelitian ini adalah mendeskripsikan pergeseran fungsi tari Bujang Lanyo dan faktor penyebabnya. Penelitian ini menggunakan metode penelitian deskriptif dengan bentuk kualitatif melalui pendekatan etnokoreologi. Lokasi penelitian dilakukan di desa Sebongkuh, kecamatan Kembayan, kabupaten Sanggau. Sumber data dalam penelitian ini adalah Antonius Irwan.B, Anastasia Minot, dan antonius Ajo. Teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Teknik analisis data menggunakan metode reduksi, klasifikasi dan display data. Hasil dari pembahasan a) Struktur penyajian Ritual Bayar Niat pada suku Dayak Bih Nangeuh di desa Sebongkuh kecamatan Kembayan kabupaten Sanggau, b) Fungsi Ritual tari Bujang Lanyo, c) Fungsi Pertunjukan tari Bujang Lanyo, d) Faktor-faktor penyebab bergesernya fungsi tari Bujang Lanyo, e) Pergeseran Fungsi tari Bujang Lanyo, f) Upaya Pelestarian tari Bujang Lanyo di desa Sebongkuh kecamatan Kembayan kabupaten Sanggau.
MANAJEMEN ORGANISASI SANGGAR SENI BORNEO TARIGAS DI KOTA PONTIANAK Gew, Dorotea Rebika; Ismunandar, Ismunandar; Aditya, Mega Cantik Putri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 14, No 10 (2025): OKTOBER 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v14i10.99706

Abstract

This study explores the organizational management of Borneo Tarigas Art Studio in Pontianak City, which has consistently developed its artistic achievements and maintained cultural preservation. The research aims to describe the management functions and elements implemented, including planning, organizing, actuating, controlling, financial management, methods, materials, facilities, learning content, and marketing strategies. This research employed a qualitative descriptive method with a sociological approach. Data were collected through interviews, observations, and documentation, with the validity of data ensured through source triangulation and extended observation. Findings indicate that the studio applies systematic and effective management practices, enabling it to sustain its artistic programs, foster talent development, and maintain organizational resilience amidst challenges such as the COVID-19 pandemic. The study concludes that effective organizational management is crucial for cultural art studios to remain sustainable and competitive.
Sosialisasi Penilaian Portofolio Seni Untuk SNPMB Bagi SMA Sederajat di Kabupaten Mempawah Oktariani, Dwi; Ismunandar, Ismunandar; Tindarika, Regaria; Aditya, Mega Cantik Putri; Oktaviari, Aline Rizky; Fretisari, Imma
Journal Of Human And Education (JAHE) Vol. 4 No. 5 (2024): Journal of Human And Education (JAHE)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jh.v4i5.1692

Abstract

Siswa-siswi SMA sederajat yang ingin melanjutkan ke PTN dengan tes portofolio pada program studi kesenian adalah sasaran dari program sosialisasi. Kegiatan ini dilaksanakan di Kabupaten Mempawah dengan peserta para guru seni budaya tingkat SMA dan para siswa. Kegiatan ini bertujuan agar memudahkan para siswa dan guru dalam memahami perubahan kebijakan tata aturan masuk Perguruan Tinggi dengan sistem portofolio untuk proses seleksi masuk ke Perguruan Tinggi. Hasil kegiatan ini yaitu peserta kegiatan yang kemudian dapat menjadi fasilitator bagi siswa di SMA yang membutuhkan informasi mengenai sistem portofolio yang menjadi aturan baru untuk proses seleksi masuk ke Prodi Pendidikan Seni. Pelatihan ini sebagai hasil Kerjasama antara pelaksana dan mitra program Pengabdian Kepada Masyarakat Universitas Tanjungpura. Usai Sosialisasi adaptasi perubahan kebijakan tata aturan masuk Perguruan Tinggi dengan sistem portofolio ini diharapkan dapat memberikan manfaat bagi peserta kegiatan yang kemudian dapat menjadi fasilitator bagi siswa di SMA tersebut yang membuthkan informasi mengenai sistem portofolio yang menjadi aturan baru untuk proses seleksi masuk ke Prodi Pendidikan Seni. Selain itu, publikasi hasil PKM merupakan langkah awal agar PKM tersebut dapat berkontribusi terhadap perkembangan ilmu pengetahuan dan kualitas sumber daya manusia bangsa.
Becupin Tradition: The Efforts of Young Generation in Maintaining the Existence of Malay Culture in Kapuas Hulu Ramadhan, Iwan; Hardiansyah, Muhammad Agus; Imran, Imran; Firmansyah, Haris; Aditya, Mega Cantik Putri
Jurnal Mamangan Vol 12, No 1 (2023): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i1.6625

Abstract

Becupin tradition is a Malay ethnic cultural heritage from Kapuas Hulu, namely an entertainment program that is held at the first wedding of the Malay ethnic Kapuas Hulu. In its development, this tradition has begun to be forgotten by the community, because it is no longer attractive, people prefer entertainment events by hiring local singers or artists. more modern both the music and the singer. The purpose of this study is to describe the becupin tradition which has begun to be eroded by the times, and the efforts of the younger generation to maintain the becupin tradition as part of the Kapuas Hulu Malay ethnic culture. The method used in this study is a descriptive qualitative method, providing an overview of the processes, implementation, and efforts made by the young generation to maintain the existence of local cultural traditions by collecting observations and reinforced by interviews with informants who have been determined by the researcher. The results of this study are the process of performing the becupin tradition with the staging that has been prepared by the wedding event committee, then the implementation is carried out at the reception and the evening after the reception event, while the value contained in this becupin tradition is to provide advice to the bride and groom so that they can maintain their marriage until the end of their lives, as well as the efforts made by the Malay community of Kapuas Hulu is to provide flexibility for the younger generation to become committee members and become actors in this tradition so that they can survive amidst the flow of modernization. This research is one of the studies that is still lacking in exploring Malay ethnic cultural traditions, especially in riverside communities in Kapuas Hulu.
Integrating Sandur Madura as a Cultural Context in Science Education: An Ethnographic Study on Migration and Acculturation in West Kalimantan Aditya, Mega Cantik Putri; Satrianingsih, Aline Rizky Oktaviari; Tindarika, Regaria
Jurnal Penelitian Pendidikan IPA Vol 11 No 5 (2025): May
Publisher : Postgraduate, University of Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/jppipa.v11i5.11023

Abstract

Immigration by Madurese natives in West Java was carried out due to economic and geographical factors and supported by an independent, dynamic, and courageous nature. This economic factor is indicated by the still high poverty rate in East Java and the high level of competition in getting jobs. Migration is an option for Madurese people to find sources of life that are starting to be limited; one of the migration destinations is in West Kalimantan. Many Madurese people migrate to West Kalimantan because they already have relatives there and have opportunities to improve their economy. This migration certainly affects the culture of the community, where Madura has a culture that must be maintained by its people even though they are outside the Madura area; the goal is to preserve and maintain the culture. Sandur is one of the Madurese cultures in the form of a theatre performance that integrates music, dance, and acrobatic silat movements. Education is one of the keys to preserving Madurese culture for immigrant communities in West Kalimantan. The method used is a qualitative ethnographic approach through observation and structured in-depth interviews to understand the dynamics and interactions of the Madurese ethnic group with local ethnic groups. The results of the study show that the Sandur performing arts not only function as entertainment, but also as a means of social education that conveys moral and ethical values, a bridge of acculturation. The process of enculturation and acculturation creates cultural harmony that enriches the identities of both parties, marked by the modernization of Sandur in its performances to adapt to local culture in West Kalimantan. The existence of a curriculum that supports Sandur culture can support students' sense of pride and active participation so that students will have awareness and participate in preserving Sandur culture. These findings support the integration of local cultural values into science education, fostering both scientific literacy and cultural identity among students.
PESAGUAN DAYAK CULTURE: TENTOBUS TRADITIONAL CEREMONY Tindarika, Regaria; Satrianingsih, Aline Rizky Oktaviari; Aditya, Mega Cantik Putri; Sulissusiawan, Ahadi
Jurnal Pendidikan Sosiologi dan Humaniora Vol 14, No 2 (2023): Edisi Oktober 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v14i2.71510

Abstract

The Pesaguan Dayak ethnic has various types of culture and customs within it. One of the cultures it has is in the form of traditional ceremonies. The Tentobus Traditional Ceremony has a series of activities that have been arranged systematically from start to finish. This research aims to describe the processions contained in the Tentobus Traditional Ceremony considering that carrying out traditional ceremonies has its own applicable rules and procedures. The rules and procedures for carrying out traditional ceremonies in an ethnic group are a reflection of the society that has them. The data was obtained using data collection techniques such as direct observation, in-depth interviews, documentation and literature studies related to the object and focus of the research. The results of this research are that the Tentobus traditional ceremony procession was held for 2 consecutive days. The traditional ceremonial procession on the first day consists of tentobus; penyorahan sensarang; betare; and menanam ancak. Meanwhile, the Tentobus traditional ceremony procession of the Dayak Pesaguan ethnic on the second day consisted of the Besogak Dance; Makan Betanggai;, and Mengerurutan Payung Langit.
Analysis of Social And Religion Change of Dayak Ma'amp on Katipak Dance In The Ritual Babukokng Audina, Sovi; Tindarika, Regaria; Aditya, Mega Cantik Putri
Jurnal Pendidikan Sosiologi dan Humaniora Vol 16, No 3 (2025): Special Issue 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v16i3.102064

Abstract

This study aims to explain the forms of social change and shifts in belief systems that occur within the Dayak Ma’amp community, as well as their relationship to the implementation of the Babukokng ritual and the continuity of the Katipak Dance as one of the sacred cultural elements. The focus of the research is directed toward identifying the forms of social and belief changes within the Dayak Ma’amp community, particularly those related to the practice of Babukokng and the preservation of the Katipak Dance. The study employs a qualitative approach with technique triangulation, which involves comparing data derived from interviews, observations, and document studies. Anthropological and historical approaches are used to understand how social and belief changes unfold within the Ma’amp community. The findings indicate that social change in the Ma’amp community can be seen through the shift from traditional customary leadership to a dual system involving village governance, the transition of livelihoods toward a monetary economy, and the simplification of the duration and procedures of the Babukokng ritual. The community’s belief system has also shifted due to the influence of formal religions, which have weakened traditional beliefs in spirits and spiritual elements, resulting in the modification or removal of certain ritual stages. The Katipak Dance, which was once strictly sacred, has undergone desanctification and can now be performed in public cultural events as an effort toward preservation. Overall, these changes demonstrate that the Ma’amp community is able to adapt to modern developments while simultaneously facing challenges in cultural regeneration if deliberate preservation efforts are not implemented.
Co-Authors Ahadi Sulissusiawan ALINE RIZKY OKTAVIARI SATRIANINGSIH Asfar Muniir, Asfar Audina, Sovi Budihardini, Sindy Sri Dewantara, Jagad Aditya Dewi, Della Aprilya Djau, Nurmila Sari Dwi Oktariani Dwi Septiani Finsen, Finsen Fitri, Rosa Elisa Gew, Dorotea Rebika Grandena, Egi Putri Haris Firmansyah Imam Ghozali Imma Fretisari Imran Imran Ismunandar Iwan Ramadhan Mastri Dihita Sagala Muhammad Agus Hardiansyah Putri, Marta Yana Regaria Tindarika Rianto, Ridho Romadoni, Muhammad Saridin, Saridin Satrianingsih, Aline rizky Sephia, Nur Malika Silaban, Chiristianly Yerry Trisnawati Trisnawati Wahyuni, Sinta Seri Yudhistira Oscar Olendo Zakarias Aria Widyatama Putra