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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Gorga : Jurnal Seni Rupa JMM (Jurnal Masyarakat Mandiri) Academy of Education Journal Jurnal Peduli Masyarakat Journal Of Human And Education (JAHE) Mamangan Social Science Journal GEMBIRA (Pengabdian Kepada Masyarakat) TACET Jurnal Pendidikan dan Kajian Seni
Aditya, Mega Cantik Putri
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PEMBERDAYAAN PEMBUATAN RUMAH PRODUKSI SILOTUANG BERBASIS VIRTUAL STUDIO TECHNOLOGY DI BENGKAYANG Putra, Zakarias Aria Widyatama; Aditya, Mega Cantik Putri; Romadoni, Muhammad; Finsen, Finsen; Trisnawati, Trisnawati; Dewantara, Jagad Aditya
JMM (Jurnal Masyarakat Mandiri) Vol 9, No 6 (2025): Desember
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jmm.v9i6.35192

Abstract

Abstrak: Sanggar Gawia Sowa’ merupakan sanggar yang bergerak di bidang seni pertunjukan tradisional khususnya Silotuang. Permasalahan pihak mitra adalah pada aspek manajemen yakni belum memahami tata kelola rumah produksi Silotuang berbasis Virtual Studio Technology dan aspek sosial kemasyarakatan yakni belum memahami manajemen kelompok seni yang mandiri, efektif dan efisien. Oleh karena itu, pihak tim menawarkan solusi dengan materi rumah produksi alat musik tradisoinal Silotuang berbasis Virtual Studio Technology. Tujuannya adalah melakukan pemberdayaan langsung kepada pihak sanggar dalam meningkatkan pengetahuan dan keterampilan untuk membuat rumah produksi Silotuang secara mandiri, efektif, dan berbasis teknologi. Metode yang digunakan berupa sosialisasi, pelatihan dan penerapan teknologi. Peserta dari anggota sanggar adalah 10 orang dengan evaluasi berupa pengisian post dan pre test, pembuatan iringan musik dan pembuatan Silotuang. Hasilnya adalah 10 peserta sanggar mengalami peningkatan pengetahuan dan keterampilan secara langsung yakni memahami pembuatan rumah produski Silotuang berbasis Virtual Studio Technology dibuktikan dengan peningkatan nilai keterpahaman dari 80 ke 90, 5 iringan musik Silotuang, dan 3 alat musik Silotuang.Abstract: Sanggar Gawia Sowa' is an art studio engaged in traditional performing arts, particularly Silotuang. The partner's problems lie in the areas of management, namely a lack of understanding of Silotuang production house management based on Virtual Studio Technology, and social aspects, namely a lack of understanding of independent, effective, and efficient arts group management. Therefore, the team offers a solution in the form of a Silotuang traditional musical instrument production house based on Virtual Studio Technology. The aim is to directly empower the studio in improving their knowledge and skills to create a Silotuang production house independently, effectively, and based on technology. The methods used are socialization, training, and technology application. There were 10 participants from the studio, and the evaluation consisted of pre- and post-tests, the creation of musical accompaniments, and the creation of Silotuang instruments. The results showed that the 10 studio participants experienced a direct increase in knowledge and skills, namely an understanding of how to create a Silotuang production house based on Virtual Studio Technology, as evidenced by an increase in comprehension scores from 80 to 90, 5 Silotuang musical accompaniments, and 3 Silotuang musical instruments.
Women’s Agency and Gender Negotiation in Jonggan Dance: Cultural Preservation in the Era of Modernization and Creative Industries Aditya, Mega Cantik Putri; Satrianingsih, Aline Rizky Oktaviari; Zulianto, Mukhamad; Pattisinai, Amanda Ristriana
Jurnal Mamangan Vol 15, No 1 (2026): Jurnal Ilmu Sosial Mamangan Accredited 2 (SK Dirjen Ristek Dikti No. 0173/C3/DT
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v15i1.10885

Abstract

The Jonggan performing art, as a cultural heritage of the Dayak Kanayatn community, faces preservation challenges amid shifting gender values and contemporary cultural dynamics, particularly regarding the position and role of women in performance practices. This study aims to analyze the role of women in Jonggan performance as a process of gender value transformation and its implications for the preservation of traditional Dayak Kanayatn performing arts. The analysis is grounded in gender theory and cultural performativity, which conceptualize the body, social roles, and artistic practices as spaces for symbolic meaning articulation and value negotiation. This research employs a qualitative approach using a new ethnographic framework through participant observation, in-depth interviews, and visual documentation analysis of Jonggan performances conducted in customary rituals and cultural festivals. The informants consisted of ten individuals selected through purposive sampling, with the criteria including community members who had experience in the implementation of local wisdom, as well as community leaders who actively promote and regularly carry out traditional practices and local wisdom. The findings reveal that women’s involvement in Jonggan is not merely visual or aesthetic but represents symbols of fertility, hospitality, and social cohesion rooted in Dayak Kanayatn cosmology, while simultaneously functioning as mediators of gender value transformation in sustaining traditional arts. The novelty of this research lies in its interpretation of women’s roles not only as performers but also as agents of cultural transformation and empowerment within a tradition-based creative economy.
Co-Authors Ahadi Sulissusiawan ALINE RIZKY OKTAVIARI SATRIANINGSIH Amanda Ristriana Pattisinai Asfar Muniir, Asfar Audina, Sovi Budihardini, Sindy Sri Dewantara, Jagad Aditya Dewi, Della Aprilya Djau, Nurmila Sari Dwi Oktariani Dwi Septiani Finsen, Finsen Fitri, Rosa Elisa Gew, Dorotea Rebika Grandena, Egi Putri Haris Firmansyah Imam Ghozali Imma Fretisari Imran Imran Ismunandar Iwan Ramadhan Mastri Dihita Sagala Muhamad Romadoni Muhammad Agus Hardiansyah Mukhamad Zulianto Putri, Marta Yana Regaria Tindarika Rianto, Ridho Saridin, Saridin Satrianingsih, Aline rizky Sephia, Nur Malika Silaban, Chiristianly Yerry Trisnawati Trisnawati Wahyuni, Sinta Seri Yudhistira Oscar Olendo Zakarias Aria Widyatama Putra