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Issues in television and social media convergence process Yoedtadi, Moehammad Gafar; Ronda, Andi Mirza; Wahid, Umaimah
ProTVF Vol 8, No 1 (2024): March 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i1.49150

Abstract

Background: Competition between traditional media and social media in reaching the attention of the audience has become a necessity. The presence of social media has changed the pattern of media use in society in seeking entertainment and information. To anticipate these changes, television must converge with social media. Convergence is believed not only to be able to maintain the existence of television but also to increase the number of audiences. Purpose: This study aims to identify and explain the management problem in the process of convergence between social media and television at the IVM (Indosiar Visual Mandiri) television editorial team. Methods: This study uses a qualitative approach and a single case study method. The object of the research is the convergence process between social media and television at the IVM television editorial team; the research subjects are informants consisting of the editor-in-chief, news production manager, reporters, and social media managers. The convergence analysis used in this paper was the journalistic convergence model from Pavlik, which looks at the convergence model in newsrooms, newsgathering, and news content. Results: This study indicates that the convergence of social media and television at the IVM television editorial team does not occur in the newsroom model and only occurs not routinely in the news gathering model and content model. However, in order to converge with social media, television broadcasting encountered problems from the management side (organizational structure, work system, and technology infrastructure). Implications: The convergence of newsrooms between television and social media at IVM can be said to have failed due to the non-integration of social media management with IVM editorial staff. Due to the absence of an integrated social media team within the editorial team, there is a lack of handling of interactivity between social media followers and IVM editors.
Hegemony of Independent Campus Learning (Antonio Gramsci's Hegemony Study in the Indonesia Education System) Robin, Patricia; Ronda, Andi Mirza; Napitupulu, Frengki
Academy of Education Journal Vol. 15 No. 1 (2024): Academy of Education Journal
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47200/aoej.v15i1.2341

Abstract

Freire once revealed how education could liberate with the essence of "free"; truly "free". The existence of opportunities, challenges and demands continues to grow, especially for outsider students whose numbers continue to increase from year to year and need to be reviewed by the government. Through the MBKM, the government as the highest political society holder becomes an agent capable of making elements within it to submit and obey any policy made. The objective of the research is to explore the MBKM program that is proposed as a way out of the educational problem that has long been considered not to be able to meet the needs of the post-graduate student industry and titles as a Bachelor's. The goal of the researchers is to critically uncover and analyze the intellectual agents in the education system that dominate the element of the College through the practice of MBKM. The research method uses qualitative descriptive methods by borrowing the concept of Gramsci that produces descriptive data in the form of written and oral words of people and observable behavior. The results of the research show that the MBKM is an extension of the political practice of the state that is playing its role of power. MBKM is a neo-liberalization of education because the role of the state is increasingly diminishing and replacing with the private role. Students are no longer expected to contribute to the self-development or intellectuality of the nation, but what is important is to serve the private.
Phenomenological Study of Punk Community Hijrah at the Laskar Berani Hijrah Foundation in Depok Dano, Muhammad Yanuar; Ronda, Andi Mirza
The Eastasouth Journal of Social Science and Humanities Vol. 2 No. 03 (2025): The Eastasouth Journal of Social Science and Humanities (ESSSH)
Publisher : Eastasouth Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/esssh.v2i03.625

Abstract

This study aims to further explore the Punk Hijrah community under the auspices of the Laskar Berani Hijrah Foundation, focusing on understanding the meaning of hijrah among its members. The study questions whether hijrah is understood merely as a change in appearance like a Muslim, or if there is a deeper meaning related to changes in behavior and values. Jean Baudrillard's concept of Simulacra, which posits that modern humans often use things based on symbols rather than function and need, serves as a theoretical basis for this research. The research employs a qualitative method with Alfred Schutz's phenomenological approach, emphasizing the construction of meaning. Meaning construction is understood as the process of producing meaning through language, which is always dynamic and open to new interpretations and perspectives. For analysis, the Social Construction of Reality Theory is used as a guide to reveal the meaning of hijrah, the values of hijrah, the motives for hijrah, and the experiences of individuals who have experienced hijrah in the community. Specifically, this study analyzes the perspectives of punk community members who have joined the Laskar Berani Hijrah Foundation in Depok, aiming to uncover how the foundation's culture influences the hijrah desires of these punk youth. Through this research, it is hoped that the meaning of hijrah as understood by foundation members can be discovered, as well as how these values are internalized in their daily lives.
Communicating Sustainability Through Performing Arts: A Case Study of Teater Koma In Indonesia Cobis, Mikhael Yulius; Ronda, Andi Mirza; Ikhsano, Andre
Jurnal Toursci Vol 3 No 1 (2025): Vol 3 No 1 August 2025
Publisher : Ann Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62885/toursci.v3i1.887

Abstract

Background. Sustainable communication has gained prominence as society tackles social resilience, cultural preservation, and climate change. Numerous studies have investigated environmental groups, business strategies, and media campaigns; however, few have analyzed sustainable communication within the performing arts, especially theater. Teater Koma is a prestigious theater group in Indonesia, and this study seeks to examine the comprehension and dissemination of sustainability among cultural institutions. Aims. This study investigates, through the lens of sustainability communication, (1) Teater Koma members’ concerns about sustainability practices, (2) sustainability communication both internally and externally, and (3) challenges related to acceptance and implementation. Methods. Data was gathered via a qualitative case study, incorporating participant observation, document analysis, and comprehensive interviews. The research indicates that Teater Koma incorporates sustainability into resource management, stage design, intergenerational values, cultural resilience, and narrative strategies. Conclusion. This research enhances the literature on sustainability communication by integrating performance studies with environmental and organizational communication studies. Implementation. It offers Southeast Asian ideas, where the interplay between tradition, modernization, and ecological responsibility is intricately interwoven.
Makna “Ayah” pada Film Kebohongan Seorang Ayah Yolanda, Asti Tresna; Ronda, Andi Mirza; Napitupulu, Frengki; Lusianawati, Hayu
JURNAL MANAJEMEN PENDIDIKAN DAN ILMU SOSIAL Vol. 6 No. 6 (2025): Jurnal Manajemen Pendidikan dan Ilmu Sosial (Oktober-November 2025)
Publisher : Dinasti Review

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jmpis.v6i6.6508

Abstract

Sosok ayah sering kali digambarkan sebagai figur kuat, hadir secara fisik, dan emosional terbuka. Kasih sayang ayah kerap kali digeneralisasi dalam bentuk kehadiran, ketidakhadiran ayah, dianggap dapat berdampak negatif terhadap perkembangan karakter anak, film pendek “Kebohongan Seorang Ayah” menampilkan kompleksitas yang dialami ayah dalam menjalankan perannya, ayah kerap kali menyembunyikan banyak hal dalam kehidupannya membangun batas yang tidak mampu dipahami secara menyeluruh bahkan dalam kelemahannya serta kebohongan yang dilakukan. Setiap orang membawa serta nilai-nilai acuan-acuan mereka dan digunakan untuk memaknai peran ayah. Penelitian ini bertolak dari permasalahan makna cinta paternal direpresentasikan. Penelitian ini bertujuan untuk melihat pesan moral pada film kebohongan seorang ayah dan bagaimana makna konteks serta interteks film berinteraksi dengan wacana sosial tentang ayah ideal. Penelitian ini menggunakan pendekatan semiotika intertekstual Julia Kristeva, yang berpijak pada prinsip bahwa setiap teks merupakan mozaik kutipan dari teks-teks lain. Konsep ini digunakan untuk membaca simbol dan tanda dalam film sebagai bagian dari jaringan makna yang lebih luas, yang mencerminkan diskursus budaya tentang ayah, hubungan dengan anak, dan pengorbanan. Paradigma yang digunakan adalah paradigma konstruktivis. Metode kualitatif dengan pendekatan deskriptif-analitik, yang memadukan kajian teks dan konteks untuk membongkar lapisan-lapisan makna dalam film juga mengidentifikasi prinsip-prinsip intertekstual seperti transformasi, konversi, dan paralel dari berbagai sumber media dan narasi sosial tentang figur ayah dalam film.
Multimodality Discourses Of The Miss Universe Beauty Pageant As An Arena Of Cultural Production HERMAWAN, Dony; RONDA, Andi Mirza; SIGIT, Ridzki Rinanto
International Journal of Environmental, Sustainability, and Social Science Vol. 4 No. 4 (2023): International Journal of Environmental, Sustainability, and Social Science (Jul
Publisher : PT Keberlanjutan Strategis Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38142/ijesss.v4i4.706

Abstract

The Miss Universe beauty pageant is a cultural production arena where the construction of female beauty is formed through an ideal image that is slowly socialized by the media, becoming a standard in society. This research aims to find out and describe the construction of the meaning of beauty built through the Miss Universe beauty contest through the perspective of Discourse Analysis Multimodality, reveal the implied meaning of gestures, and understand the self-identity of the Miss Universe contestants. This qualitative research uses a critical paradigm using document studies, interviews, and literature. Data analysis used multimodality discourse analysis through data reduction, presentation, and conclusion. The results of this study indicate that: 1) The meaning of beauty at the Miss Universe 2021 pageant is constructed through the depiction of the contestants' perfection, which consists of their physique, attitude, and insight. The contestants' appearances have created beauty criteria that shape the idealization of the female figure and influence the audience's perspective on self-appreciation; 2) Overall, the most frequently shown contestant gestures give confidence and grace according to the message in the Miss Universe slogan, namely confidently beautiful; 3) The identity of the Miss Universe contestants reveals who, personality, where, and what culture is being performed with various styles and uniqueness. This uniqueness can be in the form of personality, interests, favorite food, way of talking, way of walking, and even how the contestants behave when responding to things and questions. 
Prambors Radio Strategy Optimization: Expanding Broadcast Covering to Reach the Target Audience of Young People MOERFIQIN, Lucky Ali; RONDA, Andi Mirza; SERAN, Alexander
International Journal of Environmental, Sustainability, and Social Science Vol. 5 No. 1 (2024): International Journal of Environmental, Sustainability, and Social Science (Jan
Publisher : PT Keberlanjutan Strategis Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38142/ijesss.v5i1.961

Abstract

In today's very tight competition in radio media, especially in big cities like Jakarta, radio stations compete to dominate the listener segment and optimize revenue from advertising. However, Law Number 32 of 2002 concerning Broadcasting sets limits on the reach of local radio broadcasts, limiting the ability of radio stations to reach a limited area with listeners. This article discusses the strategic efforts of PT Radionet Cipta Karya (RCK), a holding company, as the owner of Prambors radio, to focus on increasing the number of listeners without violating applicable regulations. The research uses qualitative analysis methods and a case study approach, with interviews with the Directors and Manager of Prambors radio as the main source. The Mediamorphosis Theory by Roger Fidler (1997) was adopted in this research by highlighting media transformation as a result of the interaction of interests, political pressure, and technological and social innovation. The research results show that since 2000, Prambors radio adopted networked radio broadcasts and broadcast centralization in 2009/2010 succeeded in expanding its reach to several cities and converging with social media. The use of streaming radio also opens up access to broadcasts throughout the world for listeners with an internet connection.
Reflections on Photos of Political Power and Public Perception of the Joko Widodo-K.H. Ma'ruf Amin and Prabowo Subianto-Sandiaga Uno Victory Declaration Photos Senaharjanta, Ignasius Liliek; Ronda, Andi Mirza; Dua, Mikhael
Indonesian Journal of Social Science Research Vol. 4 No. 2 (2023): Indonesian Journal of Social Science Research (IJSSR)
Publisher : Future Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.11594/ijssr.04.02.07

Abstract

Photography can be used as a means to convey a narrative or a message behind the presented visuals. In the context of political communication, narrative has the power to influence and win opinions. In regard to this, one particular political narrative at which it is interesting to take a closer look among the political moments in Indonesia is the victory declaration in the 2019 Presidential Election contest. Victory declaration is a political phenomenon that occurred in the 2014 and 2019 Presidential Elections. In both occasions this event led to riots. Based on the description above, the research questions are: (1) How is visual photography produced as a medium to convey narratives within political message? and (2) How does the public as viewers or recipients of political messages perceive political messages in the visual form? This study aimed to identify the meaning of political narratives and the interrelationships of photography in the political context in Indonesia. The method employed in this study was Paul Ricœur’s Hermeneutics, with reference to semantic understanding, reflective understanding and existential understanding. An interpretive paradigm with data sources in the form of declaration photos, interviews with photographers and viewers. Our results showed that political success depends on individual aspects in carrying out their roles. In this context these roles of the individuals refer to political figures, agents and supporters. Interrelationships between roles in such group of individuals mainly revolve around cooperation in realizing common prosperity in political goals. This study concludes that cooperation between politicians, agents and supporters must be guided by political ethics as the main guideline for behaving and acting for the sake of achieving common prosperity. In addition, the use of technology in politics must be guided by ethics as an effort to realize a political system that is just, responsible, trustworthy, and meets the moral standards expected by society. Together, individuals, including politicians, agents and society, broadly play the role of moral agents to achieve politics with integrity, honesty and trustworthiness.
Understanding the Recognition of Occupational Safety and Health: A Critique of Corporate Culture Kusmayadi, Yadi; Ronda, Andi Mirza; Seran, Alexander
Indonesian Journal of Social Science Research Vol. 4 No. 2 (2023): Indonesian Journal of Social Science Research (IJSSR)
Publisher : Future Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.11594/ijssr.04.02.12

Abstract

In the era of globalization, in the face of industrial competition, companies are attempting to instill a culture of Occupational Safety and Health (OSH) as a symbol and image of their existence. However, it is unfortunate that the presence of OSH in the company does not always serve as a barometer of the company's normative compliance with OSH. In practice, the rules governing worker behavior still show varying degrees of permissiveness. The practice of OSH must be accompanied by moral values in order to achieve the desired condition. Therefore, there are two behavioral approaches in OSH communication practices in companies: (1) do the things right, which means following the rules. This does not necessarily resolve OSH problems, as ‘rules’ at the minimum only regulate employee behavior and (2) do the right things, which is moral in nature, which allows workers to act and behave according to their nature because what is outlined in the rules does not always reflect free will, so in the end each worker must find a way to do what’s best. The critical-interpretive approach with phenomenological method in research focuses on the meaning and awareness of OSH caused by communication distortion in the company on workers' behavior towards social reality as something complex, continuously evolving and full of meaning. In the development of Axel Honneth's conceptual dimensions of recognition theory (love, rights and solidarity) has a central role and solution in the distortion of corporate communication, especially in the implementation of OSH programs that emphasize the importance of recognizing worker relationships and developing self-confidence, self-respect and self-esteem, in the context of Good Corporate Governance (GCG) and Governance Risk and Compliance (GRC), recognition theory provides implications for the importance of recognizing workers’ contributions to the goals achieved in the company, thereby increasing workers' dignity and individual values in the company. Without social recognition, OSH will not be able to serve as operational barometer of a start-up company. It will only serve as a framing to protect the company, “as if” it already fulfills its legal obligations towards OSH.
MESSAGE DESIGN LOGIC PRODUKSI KARYA FOTOGRAFI : (KAJIAN SEMIOTIKA SOSIAL KARYA FOTOGRAFER ULLY ZOELKARNAIN) Enrieco, Edward; Ronda, Andi Mirza; Alifahmi, Hifni
EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI Vol 6 No 2 (2023): May
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Pembangunan Nasional Veteran Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33822/jep.v6i2.5497

Abstract

Fotografer Ully Zoelkarnain sebagai pekerja seni kreatif murni dan seni komersial, berpijak pada dua tarikan keadaan. Dengan masalah dua tarikan pemikiran logika desain pesan berdasarkan idealisme pribadi dan pesanan, pada konsep makna foto yang harus dikoordinasikan dengan cermat. Penelitian bertujuan mengungkap logika desain pesan pada makna foto konteks portrait fullbody-shot karya fotografer Ully Zoelkarnain, sebagai seniman murni dan seniman komersial dalam bekerja. Menganalisis logika pesan dari hasil konsep makna karya foto berupa pemikiran ekspresif fotografer dan pemikiran permintaan. Metode analisis deskriptif digunakan teori semiotika sosial dengan konsep Metafungsi dalam bahasa gambar untuk mengungkap makna pesan, kemudian hasil makna pesan dianalisis keterkaitannya dengan premis pada teori Message design logic, dan metode triangulasi dengan narasumber. Tiga subjek foto merepresentasikan makna struktur naratif terkait dengan hasil logika desain ekspresif dan retorika pada pemikiran pesan makna foto. Satu subjek foto merepresentasikan makna struktur konseptual dengan hasil logika desain konvensional pada konsep bersama pengguna foto. Tiga Logika desain pesan dalam sebuah foto karya fotografer tidak semua akan dimunculkan, tergantung dari konteks produksi pesan pada foto tersebut.