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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Sendratasik Gorga : Jurnal Seni Rupa Ekspresi: Indonesian Art Journal MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya Melayu Arts and Performance Journal Creativity And Research Theatre Journal Prosiding Seminar Nasional Humaniora Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Jurnal Prabung Seni: Pengkajian dan Penciptaan Seni Pertunjukan Multidisciplinary Indonesian Center Journal Gestus Journal
IKHSAN SATRIA IRIANTO
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Religion Arts Humanities Earth & Planetary Sciences Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences Other

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Journal : Jurnal Sendratasik

 1 
"Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED Ilham Rifandi; Ikhsan Satria Irianto
SENDRATASIK UNP Vol 12, No 2 (2023)
Publisher : FBS Padang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i2.122569

Abstract

Theatrical discourse in Indonesia is still dominated by Western theater discourses, both theoretically and practically. This domination ordains theater as an art that is distant from the audience, including Makyong. As an effort to bring theater closer to the community, the development of acting methods based on ethnic traditions can be an alternative. The research method that will be used in this study is the Research and Development method developed by Thiagarajan, et al. The stages of implementing the research are as follows: Defining, Designing, Developing. The theory used as a basis in this study is the theory of postcolonial acting put forward by Asrul Sani and concept of theater anthropology from Eugenio Barba. The results of this study are Malay acting training methods arranged in the order of spiritual knowledge based on Tunjuk Ajar Melayu, pantun skills and body training based on Malay dance techniques. The development of the acting training method, which the author calls Framing Malay, aims to collect things that can help actors in creating Malay behavior.
Estetika Komoditas pada Opera Batak Si Mardan Ilham Rifandi; Susandro Susandro; Ikhsan Satria Irianto
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.126093

Abstract

Globalization affects every line of human cultural life, including theatre arts. As an important subsystem in culture, art is a manifestation of the complexity of human culture which is embedded coherently in its cultural identity. The city of Medan is a city with relatively dynamic theater development which has various groups with various theater genres. This tendency also gives rise to a tendency to use traditional culture as the basic material for creating theatrical works, for example, the Bandar Peran group. This group staged the work "Opera Batak Si Mardan" which involved the charm of Batak Toba and Malay culture simultaneously. In this research, it was found that the Bandar Peran group used a dual orientation imagination in its creation process and the traditional idiom used led to postmodern aesthetic tendencies. This research uses qualitative research methods to understand in depth the conditions and phenomena in the field. Apart from that, this article is also intended as a form of inventive criticism so that the content of the article uses the critical framework explained by Benny Yohanes.Globalisasi mempengaruhi setiap lini kehidupan kebudayaan manusia, termasuk seni teater. Sebagai subsistem penting dalam kebudayaan, seni merupakan wujud kompleksitas kebudayaan manusia yang tertanam secara koheren dalam identitas budayanya. Kota Medan merupakan kota dengan perkembangan teater yang relatif dinamis yang mempunyai berbagai kelompok dengan genre teater yang beragam. Kecenderungan tersebut juga memunculkan kecenderungan untuk menggunakan budaya tradisional sebagai bahan dasar penciptaan karya teater, misalnya kelompok Bandar Peran. Kelompok ini mementaskan karya “Opera Batak Si Mardan” yang melibatkan budaya Batak Toba dan Melayu secara bersamaan. Maka dalam artikel ini ditemukan hasil bahwa kelompok yang menggunakan imajinasi orientasi ganda dalam proses penciptaannya dan idiom tradisional yang digunakan mengarah pada kecenderungan estetika postmodern. Penelitian ini menggunakan metode penelitian kualitatif untuk memahami secara mendalam kondisi dan fenomena di lapangan. Selain itu, artikel ini juga ditujukan sebagai bentuk kritik inventif agar isi artikel menggunakan kerangka kritis yang dijelaskan oleh Benny Yohanes.
Co-Authors Dwi Febrianti, Syielvi Enrico Alamo Gustyawan, Tofan Habillah, Ari Handayani, lusi Hendri Jihadul Barkah Ilham Rifandi Ilham Rifandi Indra Gunawan Indra Gunawan Kumala, Ofa Yutri Lusi Handayani M, Hartati M., Hartati Mahdi Bahar Mayda, Mayda Meria Eliza Nazria, Nazria Nolly Medya Putra Piri, Tirza Benedicta Pramasheilla, Dinda Assalia Avero Rahmayani, Wahdania Nur Ramadhanti, Sri Ratumas, Fitri Wulandari Riantoni Pasaribu Rifandi, Ilham Riswani Riswani Riswani Riswani Riswani Rusmayani, Rusmayani Saduddin Saaduddin Susandro Susandro Susandro Susandro Susandro, Susandro Tofan Gustyawan Tofan Gustyawan Wardana, Putri Yusi Wiratsih, Woro Yuniarni Yuniarni