Article Per Year (5 Year)
p-Index From 2021 - 2026
4.033
P-Index
This Author published in this journals
All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Sendratasik Gorga : Jurnal Seni Rupa Ekspresi: Indonesian Art Journal MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya Melayu Arts and Performance Journal Creativity And Research Theatre Journal Prosiding Seminar Nasional Humaniora Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Jurnal Prabung Seni: Pengkajian dan Penciptaan Seni Pertunjukan Multidisciplinary Indonesian Center Journal Gestus Journal
IKHSAN SATRIA IRIANTO
Universitas Jambi
Religion Arts Humanities Earth & Planetary Sciences Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences Other

Published : 28 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 28 Documents
Search

 1   2   3 
Semiotic Community Perspectives on Offerings in Traditional Jathilan Performances in Yogyakarta: A Semiotic Study Piri, Tirza Benedicta; Avero Pramasheilla, Dinda Assalia; Gustyawan, Tofan; Irianto, Ikhsan Satria
Creativity And Research Theatre Journal Vol 6, No 2 (2024): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v6i2.4941

Abstract

In Javanese terms, Jathilan stands for "Jarane jan thil-thilan" which means "The horse moves irregularly". People in the city of Yogyakarta know jathilan as part of a certain ritual procession that uses the properties of an artificial horse or commonly called jaran kepang. Jathilan traditional art itself cannot be separated from rituals and sesaji used as a form of expression of prayer and hope. The formulation of the problem in this journal is: How do people view the belief that sesaji are a "culture" that will continue to live side by side with humans?. Using qualitative data analysis, this study examined the symbolic meaning of offerings in Yogyakarta's traditional art ceremony of jathilan. Offerings are a manifestation of moral values, reverence for ancestors, and the existence of a healthy interaction between humans and nature, according to the study's findings from the community perspective.
Analisis Tokoh Tuan Durand dalam Naskah Kematian yang Direncanakan karya August Strinberg Ikhsan Satria Irianto
Gestus Journal: Penciptaan dan Pengkajian Seni Vol 2 No 1 (2022): GESTUS JOURNAL : PENGKAJIAN DAN PENCIPTAAN SENI
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gsts.v2i1.35025

Abstract

Analisis tokoh Tuan Durand dalam naskah Kematian yang Direncanakan merupakan upaya penelusuran visi dramatik August Strinberg melalui tokoh Tuan Durand. Metode analisis yang digunakan adalah metode deskriptif analitik. Tahapan analisis yang dilakukan antara lain: analisis tokoh berdasarkan jenis kedudukan, analisis tokoh berdasarkan tipe perwatakan, analisis tokoh berdasarkan tipe perwatakan, analisis relasi antar tokoh dan analisis relasi tokoh dengan struktur naskah. Kesimpulan dari proses analisis ini adalah tokoh Tuan Durand adalah tokoh protagonis yang memiliki karakter yang kompleks.
Creation of a Surreal Dramatic Text Based on the Myth of Kramat Bedil from Kedotan Ikhsan Satria Irianto; Dinda Assalia Avero Pramasheilla; Lusi Handayani; Tofan Gustyawan; Dwi Febrianti, Syielvi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64795

Abstract

The myth of Kramat Bedil is a local genius of the Kedotan Village community who has a surreal vision. The creation of a surreal dramatic text based on the myth of Kramat Bedil is an effort to process the cultural wealth of Kedotan Village into a drama that can meet global aesthetic needs. This research is an ethnodramaturgical research oriented towards processing cultural products. The data collection techniques used consist of interviews, observations and literature studies. The data testing technique used is the source triangulation technique. The data analysis techniques used are data reduction techniques, data presentation techniques and conclusion drawing techniques. The drama writing technique used is the writing mechanism of Lajos Agri. The results achieved from this study are surrealistic dramatic texts with a dramatic vision of "subconscious chaos". The drama writing style used is a combination of poetic and realistic styles. Conflict is formulated through subconscious chaos as a symptom of psychological degradation in a gloomy and restless atmosphere. The writing of this surreal dramatic text is an effort to utilize local genius into a dramatic text that is able to reach global aesthetics. This surreal dramatic text based on the Kramat Bedil myth is entitled "La Dalu: Dark Terror in the Circle of Anxiety".
Regenerasi dan Adaptasi sebagai Strategi Pelestarian Wayang Topeng Kelompok Kadaryono di Situbondo, Jawa Timur Rahmayani, Wahdania Nur; Gustyawan, Tofan; Handayani, Lusi; Irianto, Ikhsan Satrio
Ekspresi Vol 14, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i1.16160

Abstract

AbstrakWayang topeng adalah salah satu jenis teater rakyat tradisional yang berasal dari Situbondo, Jawa Timur, yang kini mengalami penurunan intensitas pertunjukan dibandingkan dengan kesenian ludruk dan ketoprak. Kelompok Wayang Topeng Kadaryono menjadi salah satu representasi penting dalam pelestarian bentuk seni ini. Penelitian ini bertujuan untuk mendeskripsikan keberadaan dan dinamika kelompok Kadaryono dalam mempertahankan eksistensi seni pertunjukan wayang topeng. Dengan menggunakan pendekatan sejarah dan metode kualitatif deskriptif, data diperoleh melalui studi pustaka, observasi, dan wawancara mendalam dengan tokoh seniman lokal. Hasil penelitian menunjukkan bahwa upaya pelestarian wayang topeng didorong oleh inisiatif pelaku seni itu sendiri, terutama Ki Dalang Kadaryono, yang secara aktif menjaga kesinambungan tradisi melalui regenerasi internal dan adaptasi format pementasan. Keberlangsungan kesenian ini membutuhkan kolaborasi antara seniman, masyarakat, dan pemerintah sebagai ekosistem pendukung yang berkelanjutan.Kata kunci: Situbondo, wayang topeng, keberadaan, KadaryonoAbstractRegeneration and Adaptation as Preservation Strategies for the Kadaryono Group's Wayang Topeng in Situbondo, East Java. Wayang topeng is a traditional folk theater in Situbondo, East Java, which has experienced a decline in performance frequency compared to other regional arts such as ludruk and ketoprak. The Kadaryono mask puppet group plays a vital role in preserving this art form. This study aims to describe the presence and cultural significance of the Kadaryono group in maintaining the existence of wayang topeng. Employing a historical approach and qualitative descriptive method, data were collected through literature review, field observation, and in-depth interviews with local art figures. The results indicate that preservation efforts are initiated by the artists themselves, particularly Ki Dalang Kadaryono, who continues to sustain the tradition through internal regeneration and performance adaptation. The sustainability of this cultural heritage relies on the collaborative support of artists, the community, and local authorities. Keywords: Situbondo, puppet mask, existence, Kadaryono
PENYUTRADARAAN TEATER BONEKA ABDUL MULUK DENGAN NASKAH SALAH SANGKO KARYA DIMAS RADITYA ARISANDI Ratumas, Fitri Wulandari; Irianto, Ikhsan Satria; Bahar, Mahdi
Prabung Seni: Jurnal Pengkajian dan Penciptaan Seni Vol. 1 No. 2 (2022): Prabung Seni | Pengkajian dan Penciptaan Seni Pertunjukan (Desember 2022)
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (484.523 KB) | DOI: 10.22437/jpps.v1i2.23618

Abstract

Naskah Salah Sangko adalah naskah yang terinspirasi dari teater tradisional Abdul Muluk di Jambi. Naskah Salah Sangko berisi kisah aktual kehidupan modern saat ini, tentang hubungan orang tua dan anak. Penulis yang bertindak sebagai sutradara tertarik kepada transformasi teater tradisional Abdul Muluk ke bentuk teater boneka. Bagi penulis hal ini merupakan kesempatan untuk mengekspresikan estetika dan artistika kontemporer yang berbasis teater tradisi Jambi. Proses mewujudkan pementasan teater boneka ini penulis menggunakan metode penyutradaraan teater boneka prologis (boneka mati yang dihidupkan) serta menggunakan penggabungan teori Lissez Faire dan Gordon Craig.
PELATIHAN DAN PERTUNJUKAN DRUMBAND BAGI SISWA SMP NEGERI 30 KABUPATEN MUARO JAMBI DALAM MENINGKATKAN KETERAMPILAN BERMUSIK Gunawan, Indra; Mahdi Bahar; Ikhsan Satria Irianto; Riswani
Multidisciplinary Indonesian Center Journal (MICJO) Vol. 2 No. 1 (2025): Vol. 2 No. 1 Edisi Januari 2025
Publisher : PT. Jurnal Center Indonesia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62567/micjo.v2i1.330

Abstract

The Independent Curriculum in elementary to high schools (SD to SMA) is a challenge for schools to improve their ability in managing both learning and administration, so that what is aspired to in the mandate of the Constitution which reads "to educate the life of the nation" is something that is essential. Something that is quite urgent is the learning objectives, one of which is to improve cognition for students, which is the basis for this community service program, namely improving musical skills with a drumband training and performance program at SMPN 30 Muaro Jmabi. The skills program in the independent learning curriculum is strongly encouraged by being a leading government program (Ministry of Education and Culture) so that students can create something that fosters independence in determining and choosing the direction of life (future). The purpose of this community service program is that in addition to increasing interest and talent, it also provides space for creativity for students in carrying out music learning activities through extracurricular activities as intended by the independent curriculum. The community service program is a government program that is assigned to educators (Lecturers) in carrying out the Tri Dharma of Higher Education. For that, of course there are scientific measurements called activity outputs, in this case the team will target outputs in the form of (1) National Seminar Proceedings. (2) Scientific Journals. (3) Publications on Electronic Media. (4) Activity Documentation Videos.
Penerapan Model Project Based Learning (PjBL) pada Mata Kuliah Repertoar Musik I untuk Meningkatkan Keterampilan dan Kepekaan Individu Mahasiswa dalam Pertunjukan Paduan Suara di Prodi Sendratasik FKIP-Universitas Jambi Kumala, Ofa Yutri; Ramadhanti, Sri; Irianto, Ikhsan Satria
Besaung : Jurnal Seni Desain dan Budaya Vol. 7 No. 2 (2022)
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v7i2.2467

Abstract

Penelitian penerapan model Project Based Learning (PjBL) adalah upaya menemukan strategi pembelajaran yang mampu meningkatkan keterampilan dan kepekaan individu mahasiswa dalam pertunjukan paduan suara di Prodi Sendratasik, FKIP- Universitas Jambi. Rumusan masalah dari penelitian ini adalah: 1). Apa langkah-langkah metodologis penyusunan bahan-bahan ajar yang sistematis dan disertai dengan pedoman pembelajaran yang mengantarkan pada pencapaian keutuhan CPL matakuliah Repertoar Musik I. 2). Bagaimana menerapkan model Project based Learning (PjBL) dalam melaksanaan bahan ajar yang sistematis pada pembelajaran mata kuliah Repertoar Musik I. Tujuan dari penelitian ini adalah mengoptimalkan proses pembelajaran di Prodi Sendratasik, khususnya pada mata kuliah Repertoar Musik I pada Semester II. Hasil yang dicapai dari penelitian ini adalah model pembelajaran project based learning mampu meningkatkan kemampuan mahasiswa dalam bernyanyi dengan tema teknik vokal, pernafasan diafragma, artikulasi, dinamika, head voice dan timbre. Indikasi peningkatan tersebut tergambar dari meningkatnya rata-rata dari nilai belajar mahasiswa.
Tranformasi Sastra Lisan Krinok ke dalam Komposisi Musik Musik Orkestra Gunawan, Indra; Handayani, Lusi; Irianto, Ikhsan Satria; Gustyawan, Tofan
Prosiding Seminar Nasional Humaniora Vol. 4 (2025): Prosiding Seminar Nasional Humaniora
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Krinok oral literature can also be called performance literature because of its delivery by means of performance or show. In this article, it is discussed how the exploration of Krinok oral literature is transformed into a musical work or musical composition with an orchestral formation. The delivery style of Krinok oral literature with a singing style becomes the basis for the creation of the music itself such as singing text, tone, vocal melody, harmony, and development of structural forms. This music composition is titled “Bungo Bermada”, this title is made based on the meaning of praise. The method used is Mixed Method from qualitative and quantitative as the development of musical and extramusical ideas (philosophical aspects) into a musical composition “Bungo Bermada”,. The collection techniques consisted of interviews, observations, and literature studies. Meanwhile, the data analysis technique used consists of data reduction, data presentation, and conclusion drawing. For testing this product is a prototype of musical composition in the form of Digital Scoring (digital audio visual). Abstrak Sastra lisan Krinok dapat juga disebut sastra pertunjukan karena penyampaian nya dengan cara di pertunjukan atau dipertontonkan. Dalam artikel ini, dibahas bagaimana eksplorasi sastra lisa Krinok ditranspormasikan menjadi karya musik atau komposisi musik dengan formasi orkestra. Gaya penyampaian sastra lisan Krinok dengan gaya nyanyian menjadi dasar penciptaan musik itu sendiri seperti teks nyanyian, nada, melodi vokal, harmoni dan pengembangan bentuk struktur. Komposisi musik ini diberi judul “Bungo Bermada”, judul ini dibuat berdasarkan makna puji-pujian. Metode yang digunakan adalah Mixed Method dari kualitatif dan kuantitatif sebagai pengembangan gagasan musikal dan ekstramusikal (aspek filosofi) menjadi komposisi musik “Bungo Bermada”,. Teknik pengumpulan yang dilakukan terdiri dari wawancara, observasi dan studi pustaka. Sedangkan untuk teknik analisis data yang digunakan terdiri dari, reduksi data, penyajian data dan penarikan kesimpulan. Untuk pengujian produk ini adalah prototipe komposisi musik berupa Scoring Digital (audio visual digital).
Co-Authors Dwi Febrianti, Syielvi Enrico Alamo Gustyawan, Tofan Handayani, lusi Hendri Jihadul Barkah Ilham Rifandi Ilham Rifandi Indra Gunawan Indra Gunawan Kumala, Ofa Yutri Lusi Handayani M, Hartati M., Hartati Mahdi Bahar Meria Eliza Nazria, Nazria Nolly Medya Putra Piri, Tirza Benedicta Pramasheilla, Dinda Assalia Avero Rahmayani, Wahdania Nur Ramadhanti, Sri Ratumas, Fitri Wulandari Riantoni Pasaribu Rifandi, Ilham Riswani Riswani Riswani Riswani Riswani Saduddin Saaduddin Susandro Susandro Susandro Susandro Susandro, Susandro Tofan Gustyawan Tofan Gustyawan Wiratsih, Woro Yuniarni Yuniarni