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All Journal Gorga : Jurnal Seni Rupa Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif Melayu Arts and Performance Journal JURNAL ILMIAH GLOBAL EDUCATION Humantech : Jurnal Ilmiah Multidisiplin Indonesia Bercadik: Jurnal Pengkajian dan Penciptaan Seni Journal of Innovation Research and Knowledge Education Journal: General and Specific Research CARONG: Jurnal Pendidikan, Sosial dan Humaniora Ulil Albab Jejak digital: Jurnal Ilmiah Multidisiplin
Rasmida Rasmida
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Tari Lembaran Persegi: Makna Filosofi Maindang Manampih Bareh Disisiahan Atah Ciek-Ciek Reza Maulidil Akbar; Rasmida Rasmida; Donny Osmond; Wardi Metro
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/80zyg274

Abstract

The dance work "Square Sheet" is inspired by the meaning of the Minangkabau proverb, namely maindang manampih bareh disisahan or ciek-ciek, which means the importance of full awareness of what is done and the impact caused, aware of choices and decisions. Based on this meaning, the author is interested in making that meaning as a source of inspiration for the dance work entitled "Square Sheet". This interest is based on the author seeing that at this time the public is no longer choosing leaders with a decent track record but the public attaches more importance to closeness and wealth. Related to that, the worker focuses on the issue of full awareness of the decisions made and the impact caused, through the body's physical, mental, and emotional response. To realize the dance work, the author chose the piriang koto sani dance as a foothold in the preparation of the work. The worker interprets into the form of group choreography which is worked in three grooves of atmosphere. The theories used in this work are social construction theory and choreography theory. The method used is the method written by Alma M. Hawkins in the book choreography of form, technique, and content of Sumandiyo Hadi's translated work is field observation data collection, data processing, literature study, exploration, improvisation, formation and evaluation. This work is performed by two female dancers and four male dancers, the music is used to strengthen the atmosphere that the worker is based on from the music from the traditional Minangkabau which is worked by the composer according to the concept of the work. Other than that, of course, it cannot be separated from the nine elements of the tar composition. This work has been displayed at the Boestanoel Arifin Adam Auditorium of the Indonesian Padangpanjang Art Institute on January 15, 2026.
Tari “Mahelo Nan Ado” Terinspirasi dari Kegiatan Mamukek di Kecamatan Lengayang Kabupaten Pesisir Selatan Ressia Aulia Putri; Rasmida Rasmida; Ali Sukri; Kurniadi Ilham
CARONG: Jurnal Pendidikan, Sosial dan Humaniora Vol. 3 No. 1 (2026): January-Maret, Pendidikan dan Edukasi Masyarakat Berkelanjutan
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/37xskj90

Abstract

The dance work “Mahelo Nan Ado” is inspired by the traditional mamukek activity in Lengayang District, Pesisir Selatan Regency. The mamukek or maelo pukek tradition is a method of catching fish practiced by coastal fishermen using large, long nets and ropes, which are cast from the shore to catch fish. This activity served as the source of inspiration for the choreographer to create a group dance that interprets the maelo pukek fishing activity. The central issue explored in this work is the togetherness and cooperation among the fishermen, as well as the gratitude they feel for the harvest they receive. The theoretical foundation used in the creation process is macro sociology, which relates to large-scale and long-term social processes that underlie the division of individuals into various groups. The choreographic method applied in this work follows the model developed by Alma M. Hawkins, as translated by Y. Sumandiyo Hadi, which includes field observation, literature study, exploration, movement arrangement, improvisation, composition, and evaluation. The choreography is structured into three parts: a calm atmosphere, tension, and joy mixed with solemnity. The piece is performed by seven female dancers and was staged on July 17, 2025, at the Boestanul Arifin Adam Auditorium, Indonesian Institute of the Arts (ISI) Padangpanjang.
Co-Authors Abdul Wahab Syakhrani Ali Sukri Andar Indra Sastra ASRIL ASRIL Asril Asril Desmawardi, Desmawardi Diandra Ramadhani Alifa Donny Osmond Ediwar Ediwar Ediwar Ediwar Eliza, Yeni Erlinda Erlinda Erwin Mardiansyah Eva Riyanti Hamidun Syaputra Intania Ananda Jonisa Jufri Jufri Kurniadi Ilham Leoni Intan Sari Lucky Pesona Sari Martarosa Martarosa Martion Martion Martion Martion Martion, Martion Martion, Martion Muchtar, Asril Niken Novrianti Rahmatina Rahmatina Rahmatul Rida Rasel, Panny Redho Syaputra Ressia Aulia Putri Reza Maulidil Akbar Rina Oktavia Riska Reysa Sahrul N Sherli Novalinda Siti Indah Lestari Siti Pratiwi Agmaulida Fatrion Sonia Anisah Utami Susas Rita Loravianti Susi Susanti Syafwandi Syafwandi Syahril Syahril Syaputra, Redho Syaputra, Redho Taufik Imran Taufik Robiansyah Wardi Metro Yeni Eliza Yuhari Andrika Yusril, Yusril