Article Per Year (5 Year)
p-Index From 2020 - 2025
5.443
P-Index
This Author published in this journals
All Journal E-Journal Of Cultural Studies Jurnal Pendidikan Seni Rupa Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Panggung ARTISTIC : International Journal of Creation and Innovation International Journal of Social Science calaccitra: jurnal film dan televisi Journal of Aesthetics, Creativity and Art Management Bhumidevi : Journal Of Fashion Design Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Journal of Aesthetics, Design, and Art Management Hastagina: Jurnal Kriya dan Indsutri Kreatif Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni E-Amal: Jurnal Pengabdian Kepada Masyarakat Global Art Creativity Conference
I Ketut Muka
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Physics Public Health Social Sciences Other

Published : 44 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search
Journal : MUDRA Jurnal Seni Budaya

 1 
Forms And Functions Of Sandstone Handicrafts In Singapadu Kaler Village In The Global Era I Ketut Muka; Ni Made Rai Sunarini
Mudra Jurnal Seni Budaya Vol 33 No 3 (2018): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i3.500

Abstract

In this era, the forms and functions of sandstone handicrafts in Singapadu Kaler Village have undergone very rapid development and change. This is marked by the emergence of various types of sandstone handicrafts, which enrich the arts and culture of Bali in particular and Indonesia in general. Several forms of sandstone handicrafts produced by craftspeople in Singapadu Kaler Village are very popular and much in demand by consumers. Among these are garden lampshades, wall lights, ventilation decor, flower pots, fauna and flora bas-relief, statues of the Buddha, and other sculpture motifs. These forms have a different function, style and aesthetic impression than traditional sandstone handicrafts in other regions. Overall, the products were created as a result of the influence of globalization, which gave birth to a wide variety of forms and innovations. Hence, it is important to write about so that the forms and functions as well as the messages contained within them can be clearly revealed. A qualitative interpretive method was used to analyze this phenomenon with a cultural studies approach utilizing deconstructivist theory and postmodern aesthetic theory. This lead the authors to the general conclusion that these new forms and functions of sandstone handicrafts have given rise to positive and negative impacts, which have not only been accepted by the craftspeople, but also the broader community of Singapadu Village and consumer society. In addition, these handicrafts also contain important creative, economic, aesthetic, and cultural change functions. This brief article hopes to be useful as a medium for study by secondary and higher education institutions of art or the general public about the field of sandstone handicrafts growing in Singapadu Kaler Village. It also hopes to be a useful reference for writers and researchers in other regions, so that the repertoire of scientific knowledge on sandstone handicrafts in Indonesia can become more widely known.Dewasa ini bentuk dan fungsi kerajinan batu padas di Desa Singapadu Kaler mengalami perkembangan dan perubahan sangat pesat. Hal ini ditandai munculnya berbagai jenis kerajinan batu padas dengan fungsi yang berbeda sehingga memperkaya khasanah seni budaya Bali khususnya dan di Indonesia pada umumnya. Ada beberapa bentuk dan fungsi kerajinan batu padas yang sangat populer dan diminati para konsumen merupakan produksi perajin-perajin dari Desa Singapadu Kaler Gianyar. Bentuk kerajian batu padas tersebut memiliki fungsi, gaya dan kesan estetis yang berbeda dengan bentuk kerajinan batu padas tradisional didaerah lain. Secara keseluruhan kerajinan yang diciptakan tersebut pada dasarnya akibat dari pengaruh globalisasi, sehingga melahirkan bentuk dan fungsi kerajinan batu padas yang sangat variatif dan inovatif. Hal tersebut berdampak positif dan negatif tidak saja diterima oleh para pengrajin, namun lebih luas, pada masyarakat desa dan masyarakat konsumen. Selain itu, bentuk dan fungsi kerajinan batu padas di Desa Singapadu Kaler secara umum mengandung fungsi yang bereka macam dan sangat penting, antara lain: fungsi kreatipvitas, ekonomi, estetis, dan fungsi perubahan budaya. Metode yang dipakai untuk menganalisis permasalahan adalah kualitatif dengan pendekatan kajian budaya, memanfaatkan, teori dekonstruksi, dan teori estetika postmodern. Tulisan ini diharapkan dapat dipakai sebagai media pembelajaran baik oleh lembaga pendidikan seni tingkat menengah dan perguruan tinggi atau masyarakat umum, khususnya dalam bidang kerajinan batu padas yang berkembang di Desa Singapadu Kaler Gianyar. Di samping itu tulisan ini juga dapat dijadikan acuan oleh para penulis dan peneliti dalam melakukan penelitian ilmiah yang lain, agar khasanah ilmu pengetahuan seni kerajinan batu padas di Indonesia semakin diketahui dan berkembang dengan pesat. 
Sasolahan Legong Dedari di Pura Luhur Catur Kanda Pat Sari Pangideran Dewata Nawa Sanggha (Kajian Teo- Estetik) I Nyoman Linggih; I Ketut Muka
Mudra Jurnal Seni Budaya Vol 36 No 1 (2021): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v36i1.1330

Abstract

Selama kurang lebih 60 tahun silam Sasolahan Legong Dedari tidak ditarikan, belakangan ini mulai Sasolahan Legong Dedari ditarikan kembali mengingat terjadinya fenomena aneh yaitu; terjadinya secara berturut-turut penduduk meninggal hingga delapan orang (grubug), uang sesari di balai banjar hilang misterius, warga banjar yang tidak harmonis dan terjadinya trend (kerauhan) yang mengisyaratkan beliau Ida Ratu Ayu Mas Maketel (Rangda) berkeinginan untuk tedun masolah kembali (napak pertiwi) diiringi Sasolahan Legong Dedari. Sasolahan Legong Dedari yang tergolong tari Sakral ini hanya ditarikan ketika Upacara piodalan di Balai Banjar Pondok, dan Upacara Piodalan di Pura Luhur Kanda Pat Sari Pangideran Dewata Nawa Sanggha. Penari Sasolahan Legong Dedari wajib hukumnya untuk mengikuti upacara penyucian sebelum menari.Ditarikan kembali Sasolahan Legong Dedari serta Ida Ratu Ayu Mas Maketel (Rangda) Napak Pertiwi tiada lain untuk menetralisir kembali, agar hal-hal aneh tidak terjadi lagi di wilayah Desa Banjar Pondok. Demikian juga masyarakat sangat meyakini dengan ditarikan Sasolahan Legong Dedari serta Ida Ratu Ayu Mas Maketel, merupakan simbol turunnya Ida Sanghyang Widhi Wasa (manifestasinya) diiringi para Widyadara- Widyadari, dapat menyucikan kembali wilayah serta isinya, sehingga masyarakat dapat hidup rukun, damai, tentram sejahtra serta bersenang hati untuk senantiasa meyakini Pura Luhur Kanda Pat Sari Pangideran Dewata Nawa Sanggha dilestarikan sebagai tempat suci pemujaan Beliau.
Analisis Bentuk Dan Fungsi Gerabah Banyumulek Lombok Barat I Ketut Muka Pendet
Mudra Jurnal Seni Budaya Vol 21 No 2 (2007): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.961 KB) | DOI: 10.31091/mudra.v21i2.1528

Abstract

The Acceptance of Wayang Kamasan Porcelain Ceramics at Petitenget Temple Bali Rai, Sunarini; I Wayan, Mudra; Anak Agung Ayu Oka, Saraswati; I Ketut, Muka; I Wayan, Karja
Mudra Jurnal Seni Budaya Vol 39 No 3 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i3.2795

Abstract

Temples, integral to Hindu Dharma worship, are quintessential features of Balinese architectural tradition. Among these, Petitenget Temple stands out with its distinctive interior, adorned with ceramic plates embellishing the pelinggih (shrine). This study focuses on Petitenget Temple, where porcelain ceramic plates featuring the Wayang Kamasan motif are utilized within the Tri Angga framework, representing a novel exploration. Research related to the study of the use of porcelain ceramics as ornaments in old buildings in Bali. Previous research has been carried out but has not been studied in depth on the use of Wayang Kamasan motifs on pelinggih with the Tri Angga concept in particular. This research aims to reveal the form, meaning, and aesthetic value of porcelain ceramics with wayang kamasan motifs as ornaments on pelinggih. Using qualitative methods with a descriptive approach, data collection involved observation, in-depth interviews, and documentation, and data reduction flow. Meanwhile, the data source sampling technique uses purposive sampling. The findings obtained through analysis of the Wayang Kamasan motif applied to porcelain ceramic plates at Petitenget Temple, Kerobokan Badung, are the harmony of Wayang motif porcelain ceramics, as a prototype or reference for preserving the use of Wayang Kamasan motif porcelain ceramics in sacred buildings and other functions, and temple visitors can enjoy the form, meaning, and aesthetics displayed by the porcelain ceramics with Wayang Kamasan motifs installed. From this research, it can be concluded that Wayang Kamasan porcelain ceramics are accepted by the community, temple owners, or Petitenget Temple owners.
Brand Image Linkage, Product Diversity and Store Atmosphere to Customer Loyalty in Fashion Shops in Bali Ribek, Pande Ketut; Purnawati, Ni Luh Gede Putu; Pendet, Ketut Muka; Yuliastuti, Ida Ayu Nyoman
Mudra Jurnal Seni Budaya Vol 39 No 1 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i1.2489

Abstract

Loyalty is created based on the experience of consumers buying and consuming products, the factors that influence the emergence of customer loyalty so that they can carry out the right strategy for the survival of the company. brand image, product variety, and store atmosphere. The purpose of this study was to analyze the effect of brand image, product variety, and store atmosphere on customer loyalty. The population of this study are consumers who come to shop at least 2 times. The sampling technique is purposive sampling, this method uses the census method with a total of 102 fashion shop owners. Samples in this study were 102 respondents, with multiple linear regression analysis. Results of this study brand image has a significant positive effect on customer loyalty, product variety has a significant positive effect on customer loyalty, store atmosphere has a significant positive effect on customer loyalty in fashion stores in Bali.
Co-Authors Adesastrawiguna, Iputu Adi Udyana, I Made Agustin Dia Sapariadi, I Dewa Ayu Reika Alit Parwita Yana, I Made Anak Agung Ayu Oka, Saraswati Angga Maha Putra, I Komang Arba Wirawan, I Komang Ardika, I Gusti Ngurah Putu Arimbawa, I Gede Artawan, Cokorda Alit Artayani, Ida Ayu Gede Berata, I Made Bimo Prasetyo Darmawan, James Dewa Putu Oka Prasiasa Diajeng Wardani Diantari, Ni Kadek Yuni Eka Putri Suryantari Gusti Ngurah Agung Dalem Diatmika I Gede Arya Sugiartha, I Gede Arya I Gede Mugi Raharja I Ketut Adi Sugita I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sida Arsa, I Ketut Sida I Made Jana I Made Mertanadi I Made Suarpradana, K I Made Sujana I Made Suparta I Nengah Wirakesuma, I Nengah I Nyoman Linggih I Nyoman Suarka I Nyoman Yudhi Satriawan I Nyoman, suardina I Wayan Adnyana I Wayan Mudra, I Wayan I Wayan Suardana I Wayan Suardana I Wayan Sudana I Wayan Sujana I Wayan Sujana Ida Ayu Gede Artayani Ida Ayu Nyoman Yuliastuti Jana, I Made Karuni, Ni Kadek Kondra, I Wayan Laba, I Nyoman Made Rai Budaya Bumiarta Miyasa, I Nyoman Ni Luh Gede Putu Purnawati Ni Made Rai Sunarini, Ni Made Rai Ni Made Ruastiti Pande Ketut Ribek Pande Putu Ogy Mega Sanjaya Putu, Tari mey jessica Rai, Sunarini Ratna Cora Sudharsana, Tjok Istri Remawa, Anak Agung Gede Rai Ruta, I Made Ruta, Made Satrio Hutomo, Adam Soelistyowati Soelistyowati Suardana I Wayan, Suardana Sugiartini, Ni Nyoman Ari Totton, Mary Louise Wayan Karja Yogi Kertayasa, I kadek