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Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
Arjuna Subject : -
Articles 617 Documents
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Mbesan Wedding Tradition in Banyumas, Banjarnegara, Cilacap and Purbalingga (Study of Culture and Religion) Fransisca, Malia; Idi, Abdullah; Syawaluddin, Muhammad
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 1 (2024): Januari 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i1.14075

Abstract

This article wants to reveal the phenomenon of wedding traditions that exist in the Karisedenan area of Banyumas (Banyumas, Banjarnegara, Cilacap and Purbalingga). This wedding tradition in called mbesan. In practice, this mbesan tradition before holding a wedding ceremony at the bride’s house (reception), there is an event such as praying for the bride and groom before sailing the ship of the next life. The mbesan tradition is carried out at the groom's house, but the two brides do not yet have a marriage contract. The purpose of writing this article is to inform the public that Indonesia is rich in traditions, one of which is the mbesan tradition which is the hallmark of the Banyumas area and its surroundings and the impact of this mbesan tradition. The method used in this research is qualitative with phenomenological, sociological and cultural approaches. The results of this study found that in the mbesan tradition which has become the customs of the people of Banyumas, Cilacap, Purbalingga and Banjarnegara there are sides that are not in accordance with Islamic teachings because in practice the bridegroom and bride carry out the event at the groom but both have not yet carried out the marriage contract.
Social Class Oppression in Ally Condie's Crossed Novel: A Marxist Criticism Eva Puspita; Singgih Kuncara; Fatimah M.
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8295

Abstract

This study examined social class oppression in Ally Condie’s Crossed novel as the object of the research. This research applied Tyson’s social class and Young’s types of oppression theory. This research used qualitative research as a method and used a Marxist approach to conduct research. This research showed five indicators of social class: Aristocracy is portrayed as an Institution that has unlimited jobs and financial security. The upper class is the people in Tana provinces who are economically privileged which is they had small facilities for production. The middle class referred to the Officer, they worked with Institutions to oppress the lower class. The types of lower class refer to Ky, Vick, and Eli they were in dirty and disheveled clothes. Underclass refers to the Anomalies, they are alienated from society. This research also showed the third type of oppression; Exploitation was the Officers, and who get oppressed in this novel is the Aberration. In Marginalization, types of society that marginalize the Anomalies. In Powerlessness the oppressor is the Institution, and those who get oppressed are the Aberration, Anomaly, and the decoy. The existence of oppression was caused by social class and portrayed implicitly in society.
The Reflection of Economic Power in Natasha Solomons' The House at Tyneford Novel Yuni Nadziroh; Singgih Kuncara; Eka Sudirman
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8230

Abstract

This research analyzes economic power towards the main character in The House at Tyneford Novel, written by Natasha Solomons. This research applied Dobie's economic power and Gill's characterization theory. This research used a qualitative method and Marxist approach to present the class distinction in capitalist society. This research showed two indicators of class they were bourgeoisie and proletariat. Bourgeoisie referred to Rivers Family consists of Mr. Rivers and his son Christopher Rivers, Kit. They were the owner of Tyneford House and economically privileged. Rivers’ family also has domination to controls all people who live in their houses. Meanwhile, the proletariat referred to Elise Landau, a Jewish character and also a servant in the Tyneford house whose life only depends on the employer. The proletariat were also subordination, they were powerless because they had no power to break the mode of production, and they were economically dominated.
Representasi Budaya Sumatera Selatan dalam Film Pendek “Lenget” Eduar, Eduar
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 1 (2024): Januari 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i1.13542

Abstract

Tujuan penelitian ini yaitu meneliti dan mendeskripsikan nilai budaya yang direpresentasikan dalam film “Lenget”. “Lenget” merupakan sebuah film pendek berbahasa Melayu Palembang yang diproduksi oleh Komunitas Layar Taman dan dirilis pada tahun 2021. Sumber data dalam penelitian ini adalah film “Lenget” dengan data yang digunakan berupa potongan gambar dari adegan atau scene dalam film tersebut. Metode yang digunakan dalam penelitian ini adalah menggunakan pendekatan kualitatif. Metode pengumpulan data yang digunakan menggunakan teknik observasi dan dokumentasi. Jenis penelitian yang digunakan penulis yaitu kualitatif deskriptif. Penelitian ini menggunakan teori semiotika Charles Sanders Peirce yang membagi tanda berdasarkan symbol, object, dan interpretant yang dikenal sebagai segitiga triadik. Berdasarkan analisis yang telah dilakukan menggunakan pendekatan semiotik Charles Sanders Peirce maka ditemukan empat data yang merepresentasikan nilai budaya dalam film “Lenget”. Film “Lenget” merepresentasikan budaya pakaian adat, penggunaan bahasa, bentuk rumah yang masuk ke dalam kategori sistem bahasa, kesenian, dan juga organisasi sosial. Temuan tersebut dapat dilihat dalam analisis penelitian yang sudah dilakukan.  Kata kunci: Semiotika, Budaya, Representasi, Film
Hierarki Kebutuhan Tokoh Utama dalam Novel Represi Karya Fakhrisina Amalia: Kajian Psikologi Sastra Abraham Maslow Nurwahidah, Anisa; Wahyuni, Ian; Mubarok, Ahmad
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.11104

Abstract

Penelitian ini berfokus pada analisis hierarki kebutuhan tokoh utama dalam novel Represi (2018). Hierarki kebutuhan merupakan susunan kebutuhan bertingkat yang tersusun berdasarkan kebutuhan terendah hingga tertinggi. Tujuan penelitian ini ialah untuk: (1) mendeskripsikan fakta cerita dalam novel Represi karya Fakhrisina Amalia; (2) mendeskripsikan hierarki kebutuhan tokoh utama dalam novel Represi karya Fakhrisina Amalia. Penelitian ini merupakan penelitian studi pustaka dengan pendekatan deskriptif kualitatif. Data yang digunakan ialah kata, frasa, kalimat, dan wacana yang terdapat dalam novel Represi, sumber datanya ialah novel Represi karya Fakhrisina Amalia. Teknik pengumpulan data yang digunakan ialah teknik baca dan catat serta teknik analisis data, yakni reduksi data, penyajian data, dan penarikan kesimpulan. Teori pendukung yang digunakan ialah teori fakta cerita Robert Stanton dan teori hierarki kebutuhan Abraham Maslow. Hasil dari penelitian ini, tokoh utama dalam novel Represi ialah Anna. Novel ini menggunakan alur campuran, latar tempat yang digunakan ialah Kota Yogyakarta. Berdasarkan hasil analisis hierarki kebutuhan pada tokoh utama, Anna memiliki lima kebutuhan manusia seperti dalam teori hierarki kebutuhan, yakni (1) kebutuhan fisiologis dipenuhi melalui makanan dan minuman yang dikonsumsi serta beristirahat yang cukup; (2) kebutuhan rasa aman melalui kepedulian orang tua dan sahabat-sahabatnya; (3) kebutuhan rasa cinta dan rasa memiliki dari Saka yang mencintainya; (4) kebutuhan harga diri dari pujian yang diberikan oleh Nabila saat sesi konsultasi serta; (5) kebutuhan aktualisasi diri dengan menerima masalah dan meyakini adanya pilihan hidup. Dengan terpenuhinya kelima hierarki kebutuhan tersebut maka Anna telah mencapai aktualisasi diri continued freshness of appreciation atau mensyukuri segala hal yang terjadi dalam hidupnya.
A STYLISTIC ANALYSIS OF FIGURATIVE LANGUAGE IN ARIANA GRANDE’S SONG LYRICS Nur Fadilla, Devi Ayu Novia; Ariani, Setya; Dewi Max, Jonathan Irene Sartika
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8705

Abstract

Figurative language is a language where the conveying of implied meaning is more effective than literal meaning because figurative language provides several effects that help readers to understand the meaning easily. This study aims to analyze the figurative language of Ariana Grande's selected songs in the album Position. To get more immense understanding on how the lyrics are analyzed, Perrine’s theory of figurative language was used. This research used descriptive qualitative research and a stylistic approach. The results showed that nine of twelve types were found such as metaphors, similes, personifications, apostrophes, metonymy, symbols, allegory, paradox and hyperbole. The most frequently type used in the selected song is metaphor. Through the findings mention above, the researcher can conclude that patterns in the selected songs that she always compares herself to luxury objects. This means that the pattern she wants to show in Position album to her listeners is that she tries to love and appreciate herself by comparing herself to luxurious objects such as diamond, Givency, and gold.
The Events of Frustration on Josephine in Chritie;s Crooked House Novel Khairun Nisa; Nita Maya Valiantien; Nasrul Ullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.7338

Abstract

This study is aimed to find out the types of causes of frustration and defensive behaviours on Josephine’s character of Crooked House novel. There are two theories used to answer these questions such as frustrations and defensive behaviours by Krech et al. and characterization by Reaske. This study uses narrations and dialogues as the data which are taken from Crooked House novel by Agatha Christie. The results of this study find that Josephine experiences two types of causes of frustrations and conducts three types of defensive behaviours. The causes of frustrations are Josephine’s biological limitations as twelve years old girl and her social environment of living only in the Crooked House. In order to persist her existence after receiving the hard blows from her frustrations, Josephine conducts three forms of defensive behaviours which are aggression, autism, and identification. The conclusions show that Josephine’s desire to learn ballet plays the biggest role for her to experience frustrations events and due to this unfulfilled desire too that she performs the most extreme form of defensive behaviour of killing people in the Crooked House.
Pendidikan Inklusif: Membangun Lingkungan Pembelajaran Yang Mendukung Kesetaraan Dan Kearifan Budaya Nadhiroh, Umi; Ahmadi, Anas
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 1 (2024): Januari 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i1.14072

Abstract

Dalam era kemajuan pendidikan, tantangan dan peluang terus muncul, dan salah satu paradigma pendidikan yang semakin diperhatikan adalah pendidikan inklusif. Penelitian ini bertujuan untuk menyelami lebih dalam konsep pendidikan inklusif, menggali pentingnya membangun pembelajaran yang mendukung kesetaraan dan mengimplementasikan nilai-nilai kearifan budaya di dalamnya. Metode penelitian ini menggunakan deskriptif kualitatif dengan studi kepustakaan. Pembelajaran inklusif yang menggabungkan kesetaraan dan kearifan budaya melibatkan berbagai strategi, termasuk penggunaan metode pembelajaran, kurikulum yang responsif terhadap budaya, partisipasi orang tua, dan penilaian yang beragam. Dengan menyatukan semua aspek, guru dapat menciptakan lingkungan pembelajaran yang mendukung kesetaraan, menghargai keberagaman budaya, dan memungkinkan setiap peserta didik untuk mencapai potensinya secara optimal.
Women's Language Features of Jules Ostin in The Intern Film Nur Amalia Fhadila Putri; Setya Ariani; Jonathan Irene Sartika Dewi Max
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.9387

Abstract

This research aims to identify the women’s language features of Jules Ostin utterances based on Lakoff’s theory and to identify language functions served by women’s language features of Jules Ostin based on Jakobson’s theory. This research was conducted by using descriptive qualitative research. From ten features of women’s language, the researcher found nine features used by Jules Ostin in The Intern film. They were lexical hedges or fillers, tag questions, rising intonations on declaratives, empty adjectives, precise color terms, intensifiers, super polite forms, avoidance of strong swear words, and emphatic stress. The first frequent of women’s language features that Jules Ostin used lexical hedges or fillers, and the second frequent of women’s language features that Jules used intensifiers. Meanwhile, hypercorrect grammar did not occur in this research because Jules used informal language in her utterances to shorten the gap between Jules and the others character. Then, there are language functions served by women’s language features by Jules Ostin’s utterance in The Intern film. They were expressive function, directive function, and metalinguistic function. Jules used expressive function to express her feelings such as, lack of confident, being unsure, and gratitude. Jules used directive function because it contains commands and requests. The purpose of Jules using the mentioned of metalinguistic function was to clarify about her ideas. 
Radical Feminism of Natalie Artemis' Character in Monster Hunter Film F. Sandro Asshary; Fatimah Muhajir; Ririn Setyowati
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8431

Abstract

Feminism issues are often radically depicted in literary works, especially in a film today. Filmmakers emphasize these issues to raise women’s awareness about the oppression that might happen to them. This radical movement happens because they try to create an idealistic society for women. From this premise, radical feminism was born because the previous movement could not undo the women’s oppression as time goes throughout the decades. Adjusting to the patriarchal system, women are often portrayed as unique and unusual to be treated as equal to men. This study aims to analyze the radical feminism of Natalie Artemis’ character in Monster Hunter film using Tong’s radical feminism and Petrie and Boggs’ characterization theories. This research used Uwe’s qualitative descriptive method and Mikos’ film analysis theory. The researcher confirms that Natalie Artemis’ character is portrayed as a radical feminist through radical libertarians and radical cultural feminists’ ideas in the Monster Hunter film. These ideas are portrayed through Natalie Artemis’ androgynous appearance and gender portrayal.

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