cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Alfian Rokhmansyah
Contact Email
jurnalilmubudaya.fibunmul@gmail.com
Phone
+6285385388335
Journal Mail Official
jurnalilmubudaya.fibunmul@gmail.com
Editorial Address
Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia 75123
Location
Kota samarinda,
Kalimantan timur
INDONESIA
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
Arjuna Subject : -
Articles 617 Documents
 58   59   60   61   62 
An analysis of slang words in Mean Girls (2024) movie Hanafi, Tifanny Maulidya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.21434

Abstract

This research aims to identify the types of slang words used by the characters in Mean Girls (2024) and analyse their functions through social dimensions. This research applied a qualitative approach, with data collected from the dialogues of the four main characters: Regina, Cady, Gretchen and Karen, focusing on slang expression found in their conversations. The slang words were classified based on Allan and Burridge’s (2006) theory, which includes Fresh and Creative, Flippant, Imitative, Acronym, and Clipping. Additionally, Holmes’ (2013) social dimension theory was used to explore how slang functioned in different social contexts, particularly in terms of solidarity, status, formality, and functional meaning. From the analysis, the findings showed that all five slang types appeared in the film, each serving different purposes depending on the situation. Some slang words were used to establish group identity and reinforce friendships, while others helped characters reinforce dominance or add humor. Moreover, the use of slang was not only a reflection of informal speech but also a means of strengthening friendships, gaining control, and maintaining social identity.
A stylistics analysis of figurative language in Inside Out 2 (2024) Nita, Reva; Prafitri, Wilma
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.21591

Abstract

This study aimed to explore the use of figurative language in the dialogues of the film Inside Out 2 (2024). The research used a qualitative descriptive method to describe the types of figurative language based on Perrine’s theory. The data consisted of words and phrases found in the dialogues spoken by the two main characters, Joy and Anxiety. The data was collected by repeatedly watching and observing the film, capturing relevant scenes, highlighting dialogues that exhibited figurative language, analyzing and classifying the types of figurative language. The study revealed six types of figurative language: metaphor, apostrophe, synecdoche, metonymy, hyperbole, and irony, with irony appearing as the most frequently type. The findings showed that figurative language in the film functioned not only as a stylistic effect but also as a means to represent emotional complexity in a more concrete and relatable form. By examining the film’s stylistic choices, the study demonstrated how figurative expressions contributed to deeper character portrayal and emotional nuance, especially in reflecting the internal struggles of Riley as she undergoes emotional development. This research contributes to the field of stylistics by illustrating how figurative language can be effectively used in animated films to visualize abstract emotions and enhance audience understanding.
Makna cinta pada kumpulan lirik lagu dalam album Soekamti.com karya Endank Soekamti: Kajian semiotika Roland Barthes Fitriani, Juwita; Hanum, Irma Surayya; Purwanti, Purwanti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.22356

Abstract

Kajian semiotika merupakan konsep yang menjadikan tanda sebagai sebuah fenomena komunikasi sosial maupun budaya. Endank Soekamti menggunakan tanda-tanda ini untuk menggambarkan fenomena sosial yang ada di masyarakat pada album Soekamti.com. Penelitian ini membahas mengenai makna cinta yang ada di dalam lirik lagu ciptaan Endank Soekamti. Rumusan masalah dalam penelitian ini mengenai makna denotasi, konotasi, dan mitos serta makna cinta yang ada pada kumpulan lirik lagu tersebut. Tujuan dilakukannya penelitian ini ialah mendeskripsikan makna denotasi, konotasi, dan mitos serta makna cinta yang ada pada lirik lagu dalam album Soekamti.com. Adapun makna cinta dalam penelitian ini diperoleh dari pemaknaan mitos menggunakan teori semiotika Roland Barthes.Jenis penelitian yang dilakukan ialah penelitian kepustakaan dengan pendekatan deskriptif kualitatif. Data penelitian yang digunakan berupa frasa dan klausa dengan sumber data berupa kumpulan lirik lagu yang terdapat di dalam album Soekamti.com. Lokasi penelitian ini bersifat opsional dalam artian tidak terikat dengan lokasi apapun dan dapat dilakukan di mana saja. Teknik pengumpulan data menggunakan teknik observasi dan teknik dokumentasi.Hasil penelitian ini terdapat makna cinta di dalam lagu Audisi, Masih Merdeka, Satria Bergitar, Jurus Jitu, Semoga Kau Dineraka, serta Berkibar Tinggi. Dalam album Soekamti.com cinta tidak hanya dimaknai sebagai romansa yang indah, namun juga emosi yang kompleks. Selain itu, mitos yang ada di masyarakat juga menjadi pendukung akan pemaknaan cinta yang ada pada album ini.Kata kunci: Album Soekamti.com, Lirik Lagu, Makna Cinta, Semiotika
An ecocriticism analysis of human-nature relationship in the film Jungle Cruise (2021) Puspita, Tiara Yessy; Kuncara, Singgih Daru
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.22187

Abstract

This research mainly focused on the representation of nature and the human-nature relationship in the film Jungle Cruise (2021), which was directed by Jaume Collet-Serra through the characters that involved with nature around them by using ecocriticism theory by Glotfelty and Garrard. The researcher used qualitative research in the form of explanations and descriptions. This film focused on the journey of Frank, Lily, and McGregor in the Amazon to find the legendary tree “The Tears of the Moon”. The data used in this research were the dialogues and actions of the characters that represented the ecocriticism. The data were collected by repeatedly watching the Jungle Cruise, focusing on the dialogue, scenes, and highlighting the events that indicated. This research used an ecocriticism approach to identify the representation of nature and the human-nature relationship. The analysis of this data showed Jungle Cruise film represents nature through wilderness, dwelling, and animals, and the human-nature relationship through the coexistence, provision, and nature exploitation.
Representasi krisis lingkungan dalam lirik lagu Speak Up: Sebuah kajian ekokritisisme punk al Ramadhan, Muhammad Fakhran
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.19421

Abstract

Environmental art is used as a mechanism to engage awareness in building environmental understanding and music provides some affective components of environmental education – emotions, values, and motivations driving pro-environmental behavior. Punk rock creates a sense of community and awareness through the lyrics. It is no longer about resistance to rigid, feudal systems and criticism of authoritarians, but also moves in responding to environmental issues, which is an interesting study to explore. This study aimed to explore how the ecological perspective in punk music by looking at the Jakarta punk band called Speak Up in responding to environmental issues. The initial analysis of 3 Speak Up songs; Suara Bumi, Balada Tanah Merah, and Puisi Bumi are to be analyzed. Based on literature review, theoretical basis and data obtained from observation and documentation of Ecological Perspective, the writer found that the disharmonic relationship between human and nature that showed ecological matters. Ecological Perspective is a way to understand how history, justice, and power intersect with any form of knowledge, and in this context how the lyrics deal with environmental issues and urban environmental injustices. Key Words: Environmental issues, Music Education, Punk, Ecological Perspective
Bahasa Indonesia in UNESCO’s 43rd general conference speech: a social practice analysis Nasir, Muhammad Alim Akbar; Prafitri, Wilma
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.26119

Abstract

This study examines a speech delivered by Abdul Mu'ti, Minister of Primary and Secondary Education, on behalf of the Government of Indonesia at UNESCO’s 43rd General Conference on 4 November 2025, using the social practice dimension as the analytical framework. The data consist of the official speech manuscript. The analysis relies on close analytical reading of the speech to connect language choices and statement content with institutional legitimacy, diplomatic norms, and Indonesia’s position in global governance. The findings indicate that the use of Bahasa Indonesia functions as a normal and accepted part of the UNESCO forum, not simply as a ceremonial or symbolic language act. In this context, Bahasa Indonesia is used as a practical language for official communication and is maintained across the speech’s substantive sections. The speech builds credibility by referring to education as a right, presenting enrollment figures, and naming policy programs, presenting Indonesia’s actions as aligned with global goals while keeping a formal diplomatic tone. It also places Indonesia within UNESCO-related fields beyond education, including science, the environment, culture, and communication, and follows common diplomatic routines such as expressing gratitude and showing solidarity. The closing use of an Indonesian cultural form, pantun, fits the formal setting, showing that cultural expression can be present in an international forum without undermining official authority.
Synesthesia of IbuIbu Belu: Bodies of Border as Contemporary Dance in Choreomusicology Perspective Maharani Luthvinda Dewi; R. Danang Cahyo Wijayanto; Renaldi Lestianto Utomo Putro
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.25920

Abstract

Penelitian ini difokuskan pada analisis bentuk sinestetik sebagai hasil perseptual dalam karya tari kontemporer Ibulbu Belu: Bodies of Border (IBUBOB) yang dipentaskan di Teater Besar ISI Surakarta tahun 2022. Urgensi studi ini didasarkan pada fakta bahwa kajian sebelumnya cenderung menganalisis dimensi tari, musik, dan ruang secara terpisah, serta belum memposisikan gejala sinestetik sebagai fokus kajian utama. Penelitian ini mengajukan argumen bahwa bentuk sinestetik adalah sebuah konstruksi perseptual yang dikonstruksi secara kausal oleh strategi koreomusikal dan teknologi pemanggungan. Metode kualitatif deskriptif dengan pendekatan analisis konten dua-tahap (formalis dan resepsi) diterapkan, menggunakan data rekaman audio-visual, observasi, wawancara, dan studi pustaka berupa narasi audiens. Penelitian menemukan hasil dua penyebab utama. Pertama, strategi koreomusikal yang mengintegrasikan body percussion dan instrumen Tihar dalam pola ritmis paralel dan unison. Kedua, desain pemanggungan yang memanfaatkan lantai kayu parkit berlapis vynil sebagai instrumen perkusif pasif dan sonifikasi melalui mic condensor yang mengubah bunyi kinetik subtil (hentakan kaki) menjadi lanskap suara imersif. Temuan membuktikan bahwa kedua elemen teknis ini secara sistematis mengarahkan persepsi audiens, yang termanifestasi dalam narasi sinestetik seperti detak jantung kolektif. Disimpulkan bahwa bentuk sinestetik adalah akibat perseptual yang dapat dirancang secara sadar oleh seniman melalui keputusan teknis yang terintegrasi.  Kata kunci: Bentuk, Sinestetik, Tari Kontemporer, IBUBOB, Sonifikasi.

Page 62 of 62 | Total Record : 617

 58   59   60   61   62 

Filter by Year

2017 2026


Reset
Filter By Issues
All Issue Vol 10, No 2 (2026): April 2026 Vol 10, No 1 (2026): Januari 2026 Vol 9, No 4 (2025): Oktober 2025 Vol 9, No 3 (2025): Juli 2025 Vol 9, No 2 (2025): April 2025 Vol 9, No 1 (2025): Januari 2025 Vol 9 (2025): Special Issue "SESANTI 2025" Vol 8, No 4 (2024): Oktober 2024 Vol 8, No 3 (2024): Juli 2024 Vol 8, No 2 (2024): April 2024 Vol 8, No 1 (2024): Januari 2024 Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023 Vol 7, No 4 (2023): Oktober 2023 Vol 7, No 3 (2023): Juli 2023 Vol 7, No 1 (2023): Januari 2023 Vol 6, No 4 (2022): Oktober 2022 Vol 6, No 3 (2022): Juli 2022 Vol 6, No 2 (2022): April 2022 Vol 6, No 1 (2022): Januari 2022 Vol 5, No 4 (2021): Oktober 2021 Vol 5, No 3 (2021): Juli 2021 Vol 5, No 2 (2021): April 2021 Vol 5, No 1 (2021): Januari 2021 Vol 4, No 4 (2020): Oktober 2020 Vol 4, No 3 (2020): Juli 2020 Vol 4, No 2 (2020): April 2020 Vol 4, No 1 (2020): Januari 2020 Vol 3, No 4 (2019): Oktober 2019 Vol 3, No 3 (2019): Juli 2019 Vol 3, No 2 (2019): April 2019 Vol 3, No 1 (2019): Januari 2019 Vol 2, No 4 (2018): Oktober 2018 Vol 2, No 3 (2018): Edisi Juli 2018 Vol 2, No 2 (2018): Edisi April 2018 Vol 2, No 1 (2018): Edisi Januari 2018 Vol 1, No 4 (2017): Edisi Oktober 2017 Vol 1, No 3 (2017): Edisi Juli 2017 Vol 1, No 2 (2017): Edisi April 2017 Vol 1, No 1 (2017): Edisi Januari 2017 More Issue