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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
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Designing Interactive Media for the Introduction of Visual Language on Kresnayana Relief in Prambanan Supandi, Fajar Persada
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53297

Abstract

Prambanan Temple in Yogyakarta is one of Indonesia's most meaningful and historic cultural heritages. One of the most impressive elements of the temple is the Kresnayana Relief, which depicts the epic story of Lord Vishnu transforming into Kresna. This relief has high artistic and historical value, but understanding and appreciation of the story is often limited. This research aims to design an interactive media that combines visual language with modern technology, focusing on the Kresnayana Relief. Through literature studies, surveys, interviews, and visual art analysis, we understand the story of the Kresnayana Relief and the interest of visitors to Prambanan Temple in interactive media. The result of this research is an interactive media prototype designed to provide an immersive experience in understanding the Kresnayana Relief story. The prototype includes a user-friendly interface, visual animation, narration, and audio elements that aim to enhance visitors' understanding and appreciation of this relief.
Art and Cultural Diversity of Dayak Ngaju Tribe: Christian Education Interactive Learning on Kuala Kurun Sugiyanto, Sugiyanto; Munte, Alfonso
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53351

Abstract

The prevalence of comedy and satirical programming on television and online platforms has contributed to a growing divide between entertainers (musicians) and their audiences, with the former offering guidance, criticism, and a reflection of everyday life through their work. As far as the researchers's search and exploration, there are still a few who examine and can even be said to rarely relate music through the culture of Karungut and Deder song, a culture that exists and lives in Dayak Ngaju, Central Kalimantan. This research is interesting because besides music as a fun strategy, Deder song as local wisdom is an expression of the daily life of the Dayak people in Central Kalimantan. This song contains advice, satire, advice and is still present today as part of the richness of world civilization. Lantunan Deder is presented in traditional events (weddings, welcoming guests and various Manasai dances that include men and women in rhythm or balance). Participation in Lantunan Deder has become interesting as a strategy for learning about the content of Christian religious education lessons in schools, living rooms and churches. The usefulness is more about the love of culture, God also sensitizes the participation of women and men as part of the sustainable development goals (SGDs). The research method used 4D model development with analysis and validation space and considered diversity, and song structure. The results showed that Deder as method, strategy, development, cultural actualization, as well as an instrument rarely done in the learning process of Christian religious education and researchers conducted direct practice in the field by melting Deder chants with the learning process which resulted in the creativity of students as actors and user subjects as well as cultural preservation subjects for Ngaju Dayak culture.
Main Characters and Relief of the Ramayana Story at the Siwa Temple of Prambanan Iskandar, Asep Deni
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53701

Abstract

The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.
Tornado In The Sea: A Media Transposition of the Barracuda Series Painting into a Musical Composition Anggara, Rama; Asril, Asril
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53754

Abstract

This work is the manifestation of the transformation of Zaimie bin Sahibil™s painting, Barracuda Series, into musical form. The Barracuda Series painting presents the beauty and richness of the ocean bed as a utopian paradigm of the maritime ecology of the coastal community of Sabah, Malaysia. The composer was inspired by his own aesthetic experience when appreciating the painting. This aesthetic experience became the material object that was treated with the concept of media transposition and turned into a musical composition. The media transposition was implemented through the interpretation and transformation of the external and internal structural levels of the Barracuda Series painting. These elements were adapted to create musical elements as a form of innovation in the way the composition was created. the creation of this work involved a number of work stages that were implemented constructively through a method of creation. These stages included: an analysis of data sources, experimentation, contemplation, composition, and formation. The work process utilized the results of extra-aesthetic interpretation and intra-aesthetic transformation to create an innovative musical text. The musical composition Tornado in the Sea uses the instrumentation of piano, violin, and kalimba. The stages of creation included an analysis of data sources, experimentation, contemplation, arrangement, formation, and execution.
Spectacle of Music: Critical Essay on the Evolution of Music in North Sumatra Togatorop, Merdy Roy Sunarya; Yusuf, Muhammad
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53878

Abstract

Music, as part of culture, is often seen as something that only plays a complementary role in life. In fact, if explored in depth, there are many things stored in the music, which are worthy of in-depth study. Music has deposits that describe the natural state of mind, environment, culture and existence of the owner of the music. In general, the essence of music is a sound engineering event. If it is related to sound, then it is enjoyed by hearing. However, in the archipelago in general, and Sumatra in particular, music has become something that is enjoyed by "watching". This is the impact of an evolution from a situation that we have slowly, but have come quite far from, experienced. This article will try to explain the evolution experienced by music from the perspective of art as an object and subject. For example, take the case of music in North Sumatra in general.
Composition Elements of the Traditional Joget Utan Dance in Bunjung Village Siak Regency Erawati, Yahyar; Sinaga, Syahrul Syah
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53951

Abstract

This research aims to examine the elements of dance composition in the Joget Utan traditional dance in Bunsur Village, Sungai Apit District, Siak Regency. The Joget Utan dance is rich in cultural values and is a legacy from previous generations. The traditional Joget Utan dance is an integral part of the life of the local community. However, there has been no research that has studied in depth the elements of this dance composition. Therefore, this research aims to fill this gap and provide a deeper understanding of the elements involved in the Joget Utan dance. The research method uses a qualitative approach with data collection methods through direct observation of dance performances, interviews with dancers and local community leaders, as well as literature study to obtain information on the Joget Utan dance. The collected data will be analyzed descriptively to describe the elements of dance composition. By following this stage, it is hoped that we can provide better insight into the richness of Joget Utan dance culture and contribute to efforts to preserve and develop this traditional dance art
Exploring the Dynamics of Conflict: The Case of Tuah Sarumpun Dance Studio and the Government of Nagari Limau Lunggo Solok Regency Haqqi, Iqbal Rahmatull; Ernida, Ernida; Erlinda, Erlinda; Nursyirwan, Nursyirwan
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.54442

Abstract

This paper discusses the problem of Conflict Analysis between the art group Tuah Sarumpun and the Government of Nagari Limau Lunggo, Lembang Jaya District, Solok Regency. This case occurred because of the disharmonious communication between the Nagari government and the Tuah Sarumpun group. This problem continued and escalated when the Nagari government established a new group by providing facilities and financial support to ensure the health of the group. This triggered a conflict between the two camps. However, the conflict had a positive impact. For sanggar Tuah Sarumpun, the conflict can help maintain their social structure in the community. In fact, the conflict can also unite group members and reaffirm their group as members of sanggar Tuah Sarumpun. Their group identity as members of sanggar Tuah Sarumpun is positive. This research is classified as qualitative research that produces descriptive data. Related to that, the data collection methods used were interviews, observations, document studies, and group discussions. For the analysis of the main study is using conflict theory. As Corser (2010: 126) says, conflict is not only seen from the negative side, but positively conflict helps maintain social structures. Also, conflict can positively strengthen groups.
The Improvement of Art Exhibition Quality Through Teaching Materials Development for the Management of Art Exhibition Sinaga, Osberth; Saragi, Daulat; Anam, Ibrahim
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.54844

Abstract

This research is aimed to create teaching materials for art exhibition management in order to improve the implementation and management of art exhibitions.  This is a research and development using the 4D model: define, design, develop, and disseminate. The instrument of this research used is a questionnaire that consists of validator questionnaire, design material and language as well as the college students™ response questionnaire as input in revising the developed teaching materials.  The results of this study indicate that the teaching materials developed by the researchers are in the very good category so they are worth to be tried out.  At the testing stage, the developed teaching materials were in the very good category. The response from exhibition visitors has also increased. For that reasons, the teaching materials that researchers developed can improve the art exhibitions quality.
Implementation of Reading Fixed ˜Do™ and Moving ˜Do™ Notations on Improving Music Practical Achievement Murbiyantoro, Heri; Dharmawanputra, Budi; Anggoro, Raden Roro Maha Kalyana Mitta; Karyawanto, Harpang Yudha; Mahendra, Marda Putra
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.54860

Abstract

Music education is a realm of study concerned with the teaching and learning of music. This music education will develop affective, motor skills in students who play instruments and expand cognitive development through reasoning and interpretation of musical notation. However, many people still underestimate music education. In the education and teaching system of music arts, especially in the last years of the 20th century, new methods emerged. One of the methods that will be discussed is the Tonika-Do Method. This article is a type of literature study and uses the exposition method in presenting the concepts contained in previous studies. The sources used contain the results of discussions about art education, music, and music education. The application of fixed "do" is not carried out as it should be from the meaning of fixed "do" itself. The reading system used in this lesson is not an fixed "do", but a system taken from the basic idea of an fixed "do" system, where 'Do' is not understood as a C, D, E note or something else, but is more understood as a number 1, which is the tone of writing in numerical notation. This fixed œdo reading system is carried out with the aim of avoiding moving 1 ('do') which is generally found in how to read numerical notation, which of course tends to make it difficult for students in a notation recognition. The learning process can include practicing the C scale, followed by the chromatic scale, etude, then entering the song.
Development of Teaching Materials for Dance Music Courses Based on Project Based Learning Containing QR Codes Irwansyah, Irwansyah; Prastiawan, Inggit
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.55319

Abstract

This research aims to develop Project Based Learning-Based Teaching Materials containing QR Codes for the Dance Music course that are valid and effective in improving the learning outcomes of Dance and Performing Arts Study Program students. The research method used is development research with a 4D (Four-D) development model which consists of four stages, namely: 1) Define, 2) Design, 3) Development and 4) Disseminate. The data collection techniques that will be used are expert validation sheets, response questionnaires and student learning outcomes instruments. The results of this research are as follows (1) Producing Project Based Learning-Based Teaching Materials containing QR Codes in the Dance Music course which are suitable for use with an average percentage of expert validation results of 89.28% in the "very good" category while the percentage is average -The average in individual tests, small groups and limited field tests was 95.20% in the "very good" category. (2) The effectiveness of using teaching materials that have been developed in learning shows that there is a prominent difference between learning outcomes before using and after using teaching material products. This is based on data processing using the SPSS 20 application, obtained t count > t table or 42.32 > 2.05 with df =25, the learning outcomes after using teaching materials are 77.42% higher than the learning outcomes before using teaching materials which are 64.46%. So, it is concluded that the teaching materials developed are effective in improving student learning outcomes.

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