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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
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The Influence of Local Cultural Values in the Traditional Music Learning Process in the Sendratasik Department Armez Hidayat, Hengki; Syeilendra, Syeilendra; Marzam, Marzam; Hakim, Uswatul; Dhari, Belirda Wulan; Silahudin, Syafa’atussara
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.55509

Abstract

Traditional music as an integral part of a society's cultural wealth has aesthetic value and plays a role in deepening cultural identity. However, in the era of globalization and modernization, traditional music is often threatened by changes in values and lifestyles that dominate from outside the culture. This article explores the influence of local cultural values on the traditional music education process in the Sendratasik Department. The main challenge is maintaining the existence of traditional music amidst the ever-changing interests of the younger generation. The research is a type of qualitative research with a case study approach. Through in-depth interviews, document analysis, and direct observation, this research aims to understand the extent to which local cultural values influence students' attitudes, interests, and participation in learning traditional music. The research results show that curriculum implementation through face-to-face lectures, online learning, lecturer collaboration, and integration of educational technology are effective strategies for maintaining the existence of traditional music. Analysis of the impact of globalization shows that traditional music needs to adapt to contemporary trends to remain relevant. Traditional music education also plays a role in developing student character, such as creativity, communication skills, empathy, pedagogical skills, discipline, collaboration, understanding of cultural diversity, understanding of technology, self-development, spirit of inclusivity, as well as creation and performance. This research is expected to contribute to the development of learning strategies and curricula that focus on maintaining and developing traditional music as an inseparable part of cultural heritage that is alive and relevant in today's society.
Rambu Tuka': Making Ready-to-Wear Clothes Inspired by Traditional Thanksgiving Ceremonies in Toraja Land Putri, Sultana; Hidayati, Nurul
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56229

Abstract

Rambu Tuka' has the meaning Kameloan which means joy or happiness. For example, wedding ceremonies, tongkongan houses, and harvests. The process of the Rambu Tuka' event carried out by the Toraja community is followed by the Ma'letton ritual or what is known as the slaughtering of pigs, buffalo and chickens, then distributed to the community. Furthermore, the Pa'gellu Dance became a form of dance performed by the Toraja people during the Rambu Tuka' event. This ceremony is also carried out by the Toraja people as a form of gratitude to God for the gifts given. The uniqueness of the Rambu Tuka event then became a source of inspiration for the author in creating fashion works consisting of one ready-to-wear outfit. Clothing creation uses the Double Diamond Model process or double diamond model which consists of four creative processes, namely: (1) Discovery phase, (2) Define phase, (3) Development phase, (4) deliver. It is hoped that the results of this clothing creation will make people more familiar with the diversity of Indonesian culture, especially the uniqueness of the Rambu Tuka' ceremony.
Movement Analysis Of Bedincak Gymnastics Based On Traditional Dance Of Bangka Belitung Srilestari, Widia; Narawati, Tati; Sukmayadi, Yudi
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56549

Abstract

The problem of this research is how Senam Bedincak can be an alternative recreational sport for the people of Bangka Belitung. The purpose of this study is to describe and analyze the choreographic and musical structure of Bedincak Gymnastics in Bedindak Gymnastics so that it becomes an alternative recreational sport for the people of Bangka Belitung. The method used is descriptive analysis with a qualitative approach. Bedincak Gymnastics is a community sport that adopts traditional Bangka Belitung dance movements such as Kedidi Dance, Dincak Dambus Dance and Measles Dance. The purpose of Bedincak Gymnastics is to improve the overall health and fitness of the community as well as to introduce and preserve Bangka Belitung culture to the community. Bedincak Gymnastics consists of 7 movement structures, namely opening movement, pattern 1 movement, pattern string movement, bedincak basic movement, pattern 2 movement, pattern 3 movement and closing movement.
Bubuka Lawang Dance in Nyiar Lumar as a Media for Cultural Communication in Ciamis Intandiani, Annastasya Nur; Musunah, Juju; Narawati, Tati
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56571

Abstract

Dance performance is not merely a sequence of artistically arranged movements. Instead, a dance performance serves as a cultural communication medium between the creator and the audience. In the presentation of dance, expressed through each movement, there is meaning that goes beyond the physical aspects alone. Whether through harmonious movement or the selection of specific themes, a dance performance acts as a window that opens the audience's view into the world of emotions, values, and stories intended by the creator. The Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency, West Java, showcases a community that continues to preserve and uphold its culture through Nyiar Lumar activities held every two years. Since 1998, Nyiar Lumar has been organized with the aim of building social solidarity through artistic activities in public spaces. This article aims to describe the research findings on the presentation of the Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency. The research method employed is descriptive with a qualitative approach. The results reveal three stages in Nyiar Lumar: ngawalan (Opening ceremony), lalampahan (Journey), and magelaran (Performance). Additionally, there is a distinctive dance always featured during Nyiar Lumar titled "Tari Bubuka Lawang," with a different concept each year. Nyiar Lumar is closely related to the historical event of the Bubat War, which serves as the theme for Nyiar Lumar. The stage concept utilized is an outdoor stage with lighting relying on torches and candles. The movements are categorized into locomotion, pure movement, and symbolic gestures. Nyiar Lumar has become a biennial event to commemorate the history of West Java, Indonesia.
Mangkoan Sound: the Concept of Traditional Talempong Prohibition in Luhak nan Tigo Minangkabau Martis, Martis; Yunaidi, Yunaidi; Sastra, Andar Indra; Anton, Syahri; Nurwani, Nurwani
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56611

Abstract

Aesthetically, the aim of this research is to reveal the musical taste and musical standards of tuo talempong in alignment talempong tradition “ mangkoan sound. By ontology and epistemology; form music talempong in life public Already Lots revealed by the researchers previously. However there are one component important that hasn't been touched by researchers, which is related to draft alignment talempong tradition in Luhak Nan Tigo Minangkabau. Principle base alignment talempong related with the musical taste and musical standards of the tuo (elders) of talempong in Luhak Nan Tigo Minangkabau. Based on qualitative research principles; The researcher becomes the main instrument in collecting research data,includinginitial study and problem analysis, primary data collection through participant observers “ ethnography, in-depth interviews “ free and structured, documentation, and data analysis.The analysis was carried out on musical taste and musical standards that were found in the field. Research results show that ' mangkoan the sound ' is A draft alignment talempong tradition in Luhak Nan Tigo Minangkabau. hrough musical sensitivity, tuo talempong in Luhak Nan Tigo Minangkabau created the concept of mangkoan sounds (tala - tuning system) to identify the high and low sounds of jantan-batino talempong.
Between Desire and Anxiety: Music Performances during The COVID-19 Period In West Sumatera Asril, Asril; Rovylendes, Adjuoktoza
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56613

Abstract

This article discusses the desire and anxiety of mutual attraction experienced by traditional and popular artists in West Sumatra during the COVID-19 pandemic. Musicians in tradition and entertainment who rely on the survival of music performance services are under heavy pressure by the COVID-19 pandemic situation because performances are rarely performed, even banned. Musicians committed to the creative field of creation experience the same thing. Live music performances are considered to be the cause of the gathering of many people, which results in being vulnerable to the transmission of the COVID-19 virus. However, they still channel the desire to perform live with the risk of getting in the way. Some are creative, using digital internet technology and social media to perform virtually. The research method used in collecting data is a mixture of field and virtual research. The tug-of-war between desire and anxiety is realized through live and virtual performances with non-maximal results. Music performances in the context of traditional music, composition, festivals, and entertainment during the COVID-19 period in West Sumatra are in the range between hope and fear in an incomparable dynamic of balance; they tend to be afraid rather than do it. Anxiety still haunts activists and event managers of musical performances.
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Pangaribuan, Ezra Susilawaty; Purba, Mauly; Ginting, Pulumun Peterus
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
Embodiment of Parental Love Through the Medium of Wooden Matches in Expression Photography Saputra, Ichsan; Juned, Sulaiman; Nazar, Sahrul
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57338

Abstract

This photographic work raises the theme of parental love through the medium of wooden matches in expression photography. This work focuses on life experiences, the daily activities of the creator while he was born and grew up full of love from his parents in Aceh. The theory of ideas that the creator uses in creating this work of Expression photography is in the form of Expression Photography, Composition, Semiotics and Lighting. This creation method also involves experimentation. The creative concepts and ideas displayed in this photo work are a reflection of the creator's daily life. The main object in making this work is a miniature person created from wooden matches. This work is inspired by the author's life story of the sincere love of his parents, as well as daily life activities that the author has experienced and felt. Rooted in a deep narrative of parental love, the project captures the essence of familial warmth and affection, depicting miniature wooden matchsticks involved in everyday activities as symbolic representations of the human experience. Each photo encapsulates a narrative of parental love and familial bonds, visually depicting moments of tenderness, joy and nurturing care. In "In Mother's Lap", "Happiness", "Dodaidi Swing", "Adab", and "Guardian", the creator visualizes the multifaceted nature of parental love, from caring for babies to guiding adolescence. These photos are a touching reminder of the eternal bond between parents and children, illustrating the profound impact that love and care can have on a child's development and well-being. Ultimately, through a blend of artistic expression and qualitative inquiry, the project œParental Love through the Medium of Wooden Matching in Expressive Photography transcends the realm of conventional photography, offering viewers a glimpse into the depth and richness of human relationships and experiences.
Six-Hand Piano: Its Effectiveness as A Development for Piano Learning in Music Colleges Samosir, Tanesya Hotris
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57366

Abstract

This research was conducted as an effort to address an issue regarding the decline in motivation for learning and practicing piano in intermediate-level piano classes at a music college. This has led to a stagnation in students' practical piano skills in specific piano techniques and theoretical abilities. The researcher proposes the development of learning through six-hand piano, with repertoire material created by the researcher entitled 'Explore'. This study applies the Robert K. Yin model of the case study method, conducted in three stages: Design, Execution, and Analysis. Sample selection utilized case-based sampling, involving three students from the class. Data collection included semi-structured interviews, observational analysis, document analysis, and literature review. To ensure the validity of the interview data, this study additionally employed Focus on Group Discussions (FGD). The analysis of the data encompassed within-case analysis, drawing conclusions, and comparison against theory. The findings in this research were identified as follows: Firstly, musical knowledge. Students gained a good understanding that enhanced their skills in several piano techniques, also music structure and form in repertoire. Secondly, several character values were identified based on the formulation of the 18 pillars of national character, which were observed throughout the learning process until its completion. These values were curiosity, responsibility, cooperation, discipline, hardwork, also friendly and communicative. These character values cultivate students' motivation to learn and practice the piano, thereby fostering musical knowledge
Synchronization Functions of œMickey-Mousing in Animation Film Rhapsody Rabbit Fadly, Alvriza Mohammed; Supiarza, Hery; Pawitan, Zakiah
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57435

Abstract

Synchronization between visual animation and music has been widely known as mickey-mousing. Notable old animation films have used this particular technique to reinforce action with a musical flourish and convey a certain meaning. Furthermore, animation music is commonly based on popular music, such as The Hungarian Rhapsody No.2 in Rhapsody Rabbit. The music is utilized not just as a scoring aspect but to dictate every Bugs Bunny's action when playing the piano. This research aims to study the implementation of the mickey-mousing technique in Rhapsody Rabbit film. It uses a qualitative content analysis approach to analyze visual and aural aspects”primary data is sourced from the Rhapsody Rabbit film and the Hungarian Rhapsody No. 2 music sheet. Secondary data is collected from literature studies related to the topic. Data collection is conducted through observation, interview, and documentation study. The data is analyzed using Klaus Krippendorf's content analysis technique which divided into six steps. The result of this study is that the mickey-mousing technique is implemented through a combination of a fast pace of visual and musical play altogether. Animation adapts to several parts of the musical composition so that articulation, illustration, and accentuation occur as a function of the mickey-mousing technique.

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