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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
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Involvement of State Officials As Cast of Characters in Folk Theater Ketoprak RRI Yogyakarta Setiawan, Joe Harrianto; Astuti, Santi Indra; Diwangkara, Rawi; Setiawati, Daniari
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57504

Abstract

Ketoprak is a traditional Javanese performing art that incorporates elements of karawitan, dance, comedy, song, acting, and artistic arrangements. Traditional art is divided into two types, such as folk art and classical art, or palace art. Ketoprak is a folk art that has its origins among the people who live outside the palace. As a folk art, ketoprak is also used to communicate to the authorities issues that the people are concerned about. Criticizing through the performing arts is a powerful way to express criticism without taking offense. Ketoprak is usually performed by a group of artists on stage. However, in recent years, ketoprak performances have been performed not only by community performer groups but also by state officials taking the cast of characters on stage. The involvement of state officials at all levels, from regional to ministerial, as well as guest stars and main characters. Including those carried out under the RRI Yogyakarta ketoprak program. The descriptive qualitative research method was used to figure out how the implementation of the ketoprak program at RRI can preserve ketoprak's dignity as a folk theater, despite the fact that it is represented by state officials, by conducting interviews with program producers and respected ketoprak performers from Yogyakarta. The study's findings show that in its development, ketoprak was divided into two forms, conventional ketoprak which was standard with rules or pakem that were still preserved by RRI Yogyakarta and ketoprak garapan which is open to be interpreted in various ways and is free to be casted by anyone, including officials who are performed in the live version of the RRI Ketoprak Program.
Cultural Hybridity in Music Accompaniment of Performing Arts Bantengan Putro Taruno Satrio Lintang Mojokerto City Fatihah, Lauhil; Riyanto, Edi Dwi
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.57564

Abstract

Bantengan is one of the performing arts that developed in several regions of East Java, one of the communities that preserve Bantengan is the Bantengan Putro Taruno Satrio Lintang Community from Mojokerto City. One of the important elements in the performance art is the music which functions as a determinant of the dynamics of the performance art game, but along with the times the music presented has undergone cultural transformation due to the process of cultural hybridity in the music. This research aims to find out the cultural hybridity contained in the music accompaniment of Bantengan Putro Taruna Satrio Lintang performance art in Mojokerto City. In this study, researchers used ethnographic methods, namely field methods in the form of case studies, namely the Bantengan Putro Taruno Satrio Lintang Community in Mojokerto City. The techniques used in this research are observation, interview, document, and triangulation techniques. In this study, researchers used an analysis method in the form of interpretative qualitative methods and used an analysis model in the form of cultural studies analysis. The result of this research is that the cultural hybridity contained in the music accompaniment of Bantengan Putro Taruna Satrio Lintang performance art is influenced by three factors, such as space, cultural agents, and time.
Local Wisdom as the Basis of Visual Identity in Handwritten Batik from Sendang Pengilon Salatiga Utami, Birmanti Setia; Maharani, Penina Inten
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.57569

Abstract

Handwritten Batik from Sendang Pengilon is an enterprise managed by women in Pengilon Village, Salatiga. During the COVID-19 pandemic, this batik enterprise experienced setbacks in terms of sales, leading to a halt in production. After the COVID-19 pandemic ends, the batik business will resume operations with a new visual branding. The objective of this research is to identify various local assets of Pengilon Village that can be processed into the foundation for creating a visual identity. Utilizing local wisdom as the basis for creating a visual identity can provide uniqueness and differentiate Handwritten Batik from Sendang Pengilon among its competitors. A qualitative approach with data analysis using SWOT was employed in this research. The natural resources that constitute the richness of Salatiga, such as the Rejasa flower as a flora of Salatiga and the legendary story of Sendang Pengilon as one of Salatiga's local wisdom, serve as the basis for designing the identity of Batik Sendang Pengilon. This research resulted in a visual identity including a logo, typography, color variations, supergraphics, guidelines for consistent use of visual identity, and examples of visual identity application in various media. The outcomes of this research have been accepted and utilized by Batik Sendang Pengilon. Further development of the visual identity research for Batik Sendang Pengilon can be implemented across various media such as packaging and promotional materials. It is hoped that research on the visual identity of Batik Sendang Pengilon will continue to evolve and provide greater benefits for the specific development of the Batik Sendang Pengilon business and the economic empowerment of the Salatiga community in general.
Reading Ponoragan Visual Culture on The Visual Development Phenomenon of Dhadhak Merak Reyog Ponorogo Naufal, Romzi Akram Al; Djatiprambudi, Djuli; Yanuartuti, Setyo
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57629

Abstract

The dhadhak merak is an iconic mask in Reyog Ponorogo. Over a very long period of time, the dhadhak merak has visually evolved into the form that is often seen today. The visual phenomenon then forms an image of Ponoragan visual culture that is interesting to explore in greater depth. This is what attracts the author's attention to focus on reviewing: 1) The phenomenon of visual development of dhadhak merak over time and 2) Reading Ponoragan visual culture in dhadhak merak. This research is a descriptive qualitative research, with data collection techniques using literature studies and archival documentation. In the process of reading the visual culture of dhadhak merak, the author conducted a review from several aspects, namely: visual structure, function, value, and meaning. The results of this study are 1) The dhadhak merak has undergone seven phases of development starting from its simple dhadhak to the form that is commonly found today. 2) The visual structure, function, historical value, and meaning of the dhadhak merak are constructed on the culture of the people of Ponorogo itself starting from the era of animism-dynamism, Hindu-Buddhism, Islam, to the present era. From that, the Ponoragan culture as a very strong identity marker can be reflected in the dhadhak merak visual culture artifact.
Sintren in Gender Expressivity: The Role of Women in Dance Traditions Precillia, Monita; Cahyani, Magfi Redia; Jaeni, Jaeni
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.58993

Abstract

The Study of Sintren in Gender Expressivity: The Role of Women in Dance Traditions analyzes the role of Cirebonese women in expressing and preserving the art of Sintren. This research aims to further analyze and examine how women contribute to the arts and culture of Cirebon. A qualitative, empirical approach was employed, involving diverse documentation of events, recordings of speech, words, and gestures of the subjects, specific behaviors, written documents, and various visual images related to the social phenomenon. The study employs five stages of qualitative research methods, namely: (1) participant observation, (2) conversation analysis, (3) discourse analysis, (4) content analysis, and (5) ethnographic data collection. The findings reveal that, in a broader social context, the role of women in Sintren dance reflects societal changes. Although Sintren remains deeply rooted in tradition, women involved in its practice have begun exploring new aspects, such as innovations in movement and interpretation. These changes demonstrate that women are not merely passive participants in tradition but actively contribute to enriching and developing the performing arts. This creates a space for dialogue between tradition and modernity, providing women with opportunities to express their identities in a broader context. The study concludes that Sintren is an art form closely linked to the mystical and cultural practices of the Cirebon community. However, in the modern era, Sintren is increasingly marginalized amidst the advancements of the times. This is evident in the limited studies on Sintren, the scarcity of its documentation, and its performances being limited to specific groups. Such conditions highlight the need for greater efforts in preserving and revitalizing this traditional art form.
Traces of the History of the Composer's Role: Development of Deli Malay Music Lukitaningsih, Lukitaningsih; Priyatna, Ajeng Silvi; Ayubi, Muhammad Ali; Simbolon, Kartika Sarma; Aritonang, Mona Natalia; Wati, Rahma
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.59478

Abstract

This article describes the role of composers in the development of Deli Malay music in the city of Medan and examines the development of Deli Malay music from a scientific perspective history. The purpose of this study is to analyze the historical traces of the role of composers in Deli Malay music and elaborate on the development of Deli Malay music in the city of Medan. The method used here is a historical method with a literature study for data collection. The results of the research on Malay music show a combination with Arabic music based on Islamic Sharia, as found in the instruments and musical arrangements adapted to Malay-style characteristics, the song lyrics contains poems about daily life, full of moral messages, and have an influence on the Malay community as well as on other ethnic groups, especially in Medan city. Malay music reached its peak in the 1970s, signified by the many Malay orchestras that grew and developed during that time. By the year 2000, Malay music had experienced technological advances in terms of musical instruments, making Malay music treasures more colorful, less rigid, and more varied, providing a new atmosphere in Malay music. The role of musical composers is important in the development and maintenance of Malay Deli's musical heritage. They are responsible for creating new songs, arranging traditional music, and preserving the existing music repertoire. Thus, the role of Deli Malay music composers is crucial in ensuring the continuity and development of traditional music, keeping this cultural heritage alive and relevant amid changing times.
The Relation of Photography, Public Policy, and the Transformation of Public Spaces in Jakarta Tahalea, Silviana Amanda Aurelia; Novianti, Erliana; Rahmadani, Siti Febrina; Gitoprakoso, Leonardus Aryo
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.62036

Abstract

Photography is a powerful tool for capturing and conveying stories, emotions, and experiences, and it holds significant potential to influence public awareness and policy. This research investigates the impact of photography on public space infrastructure in Jakarta. It aims to explore how photography shapes public space infrastructure, affects public perception, and raises awareness of policy issues, while also evaluating its role in mobilizing support for policy changes. The study contributes to understanding the relationship between photography and public policy, integrating visual theory, critical theory, and communication studies. The hypothesis is that photography significantly impacts the public policy-making process and outcomes. Using qualitative methods such as observation, content analysis, and data collection representing subjects' reactions and behaviors, along with photographic content analysis, this research seeks to offer a comprehensive understanding of how visual images influence public opinion, enhance awareness, and affect policy debates. The study also includes a critical analysis through Spatial Critical Theory to clarify the dynamics between urban development, public space usage, and public policy in Jakarta. This research aligns with the author’s academic focus on photography's role in urban culture and architecture, complementing the course on Architecture and Interior Photography taught by the lead researcher. The findings aim to provide insights into photography's role in shaping public policy and facilities, offering practical implications for policymakers, photographers, and the public in leveraging photography for policy advocacy and public facility enhancement.
Bungong Rencong: Representation of the Fighting Spirit of Inong Balee in Aceh into Dance Creation Cufara, Dwindy Putri; Gusmanto, Rico
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.63564

Abstract

Inong Balee was Aceh's war fleet led by Indonesia's first female admiral, Keumalahayati. Inong Balee consisted of widows who lost theirhusbands in the war and girls who fought against the invaders. The progress of this fleet is represented as a Lioness standing proudly on the ship of the Sultanate of Aceh. This work emerged from the fighting spirit of heroic women. This Inong Balee spirit influenced the emancipation of Acehnese women. This is what makes Aceh women different from women in other regions, where Aceh women are known to have a tough nature.This spirit is interestingly implemented in the form of abstract dance artworks. The purpose of this research is to create an abstract dance artwork that represents the Lioness in the fighting spirit of Inong Balee in Aceh as a pioneer of emancipation. The method used is the creation method byAlma Hawkins which consists of exploration, improvisation, and formation. This research is expected to answer global challenges related to women's issues, especially women in social status. With the achievement of the objectives of this research, the research output can be targeted, namely a dance artwork entitled Bungong Rencong, a scientific article in an accredited national journal, and a copyright certificate for the artwork.
The Character “Put On” Influence on Peranakan TiongHoa Identity through Indonesian Values Johanes, Johanes
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.63654

Abstract

"Put On" is the name of a character as well as the title of a comic that was once popular in Indonesia. Put On was published around 1931 by Kho Wan Gie in the mass media. The comic Put On showcases many aspects of Chinese Peranakan culture residing in Jakarta. The Chinese culture depicted in the comic includes language, daily habits, family structure, and the food consumed. In the comic, Put On is portrayed as a mischievous, naive, and childish character, despite being depicted as a large, middle-aged man. This research was conducted using qualitative methods in the form of multimodal analysis and narrative inquiry. Observations from the multimodal analysis method were carried out to examine the graphic narrative elements within the comic, while the narrative inquiry was conducted to gain insight into the reading experience of Put On. The aspects examined in the reading experience include character design (drawing style, physical appearance, and clothing style), language (body gestures and speech), and visualizations of social situations. The results of the research indicate that the Chinese Peranakan identity is not immediately apparent from the design and traits of Put On as the main character. However, it is through his interactions with other characters such as using distinctive language and his inhabit specifi social environments that the comic Put On successfully represents peranakan TiongHoa culture.
Transformation of Female Masculinity in Bala Anjani Dance to Webtoon Comics as Gender Education Media Nahdlatuzzainiyah, Nahdlatuzzainiyah; Sudewi, Ni Ketut Putri Nila; Putrajip, Mohamad Yudisa
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.63860

Abstract

Bala Anjani Dance contains a message of gender equality, emphasizing that women and men have equal positions. This social message aims to eliminate gender discrimination and destroy negative stereotypes against women. However, the limitations of traditional art media limit the reach of this message. This study aims to transform masculinity in the choreography of the Bala Anjani Dance, which is full of social values, into a digital comic media based on the Webtoon platform to reach the wider community, especially the younger generation. The research method uses a qualitative-descriptive approach to analyze the art of the Bala Anjani Dance and a design approach to produce comic products. The media transfer process includes several stages: (1) ecranization to transfer the moral message of gender equality into a comic story; (2) reduction, namely simplifying the original story to make it more interesting; (3) additions and variations to the story, setting, and characterization; (4) product testing on 30 students; and (5) implementation, namely the creation of a digital comic to be published on Webtoon. The results of the study produced the character and story of the comic "Bala Anjani" which raises the value of gender equality. Based on the test, 100% of respondents considered the character illustrations attractive, 87% stated that the color composition was harmonious, and 84% considered the storyline easy to understand. All respondents agreed that the story conveys a moral message of gender equality. The final product in the form of comic panels is ready to be published on Webtoon. This study shows that the transformation of traditional art into digital media is effective in conveying social messages to a wider audience. This approach has the potential to be a model for media transfer for other traditional arts to support education and gender equality campaigns.

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