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Atrat: Jurnal Seni Rupa
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 23391642     EISSN : 27227200     DOI : http://dx.doi.org/10.26742
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Atrat is a Journal of Visual Arts containing scientific papers which includes Fine Art and Design, publisher by Jurusan Seni Rupa STSI Bandung (p-ISSN 2339-1642 & e-issn 2722-7200). Jurnal Atrat also embodies the results of various forms of scientific research as well as the creation of artworks, which can become new knowledge published in scientific articles, so it is worthy to be read and understood by readers. Atrat aims to give land to Artists, Designers, Art Students, Teachers/ Lecturers, and Fine Arts Society to exchange insights.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 404 Documents
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Aplikasi Motif Piring Enamel Menggunakan Teknik Shibori dan Ecoprint pada Ready To Wear Deluxe Seftiani, Audia; Albahi, Haidarsyah Dwi; Djuniwarti, Djuniwarti
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.3566

Abstract

The textile industry in Indonesia is increasing along with the demand for various textile products that follow fashion trends, and the processing process produces waste. One of them is liquid waste in the form of residual dyes/synthetic liquids from the fabric dyeing process. Reducing liquid waste in the form of textile dyes can be done by reusing natural materials as textile dyes and making motifs, such as using the Shibori and Ecoprint techniques. This technique can create various beautiful motifs, one of which is the enamel plate motif. Making enamel plates as the main motif, as a form of preserving antique/vintage items in line with the fashion style that will be made. The design takes inspiration from objects around it, namely from patterns found on enamel plates, which is an example of how designs from the household world are applied in the fashion world as unique and attractive display innovations. This method of creating fashion works has stages such as; 1) exploration, 2) design, and 3) realization. The results of this creative work process are 6 (six) ready to wear deluxe looks which were presented at the Jogja Fashion Parade 2024. Through the creation of this work, it is hoped that it can add to the collection of innovative fashion works in the fashion world.
Penerapan Teori Nirmana pada Komposisi Shibori Style Future Glam Sport pada Penerapan Ready to Wear Salsabil Putri, Qotrunada; Djuniwarti, Djuniwarti; Marlianti, Mira
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.3570

Abstract

Nirmana is a basic theory in design, and is a science of visual design. Nirmana has a huge influence on a design. Nirmana theory can be applied to Ready To Wear (RTW) designs with applications that produce novelty both in terms of appearance and composition. Shibori is a tie dye technique that is made by tying and/or covering certain parts of the fabric with thread before dyeing. The motif in the form of circular spots is inspired by meteors. The application of Shibori by applying nirmana theory makes RTW unique. The creation method used refers to Gustami, namely the stages: Exploration, Design, Realization. The final result was six RTW looks which were divided into two introducing look designs, three statement look designs, and one signature look design and the entire look was displayed in a fashion show at the JFP (Jogja Fashion Parade) event.
ANGSA DAN FIGUR DIRI PEREMPUAN: KARYA LUKIS SENI KONTEMPORER BERBASIS FANTASY ART Olivedia Justin Wijaya; Callula Manika Syaffiya; Erika Ernawan; Wawan Suryana
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4615

Abstract

This work discusses the use of visual metaphors and paradoxical structures in the creation of contemporary artworks themed around fragility in the face of social stereotypes. The swan was chosen as the main metaphor because of its ambiguous nature; graceful yet defensive, thus able to represent the psychological condition of a representative work. This method is used to analyze the works, utilizing the language of metaphor to form women in the face of social pressure. This paper aims to describe the meanings contained in the figure of the swan and the female self in the paintings created. The method employed is a creative research approach, analyzing works through the lens of metaphor to create used is a creative research method, analyzing the works using the language of metaphor to form a representative work through a personal journey of interacting with the social environment. The results of the study show that the representation of the swan and the female figure present a visual dynamic that reveals fragile beauty with hidden strength. This paradox is deepened through a pop-surrealist style that combines reality and fantasy to highlight the difference between external perception and personal experience. The research findings confirm that social stereotypes about fragility are insufficient to represent the diversity and complexity of female identity. The conclusion of the research shows that the work not only displays metaphorical aesthetics but also forms a reflective space for the audience to think more critically about how society generalizes individual conditions and more to appreciate the presence and uniqueness of each individual.
DEKONSTRUKSI RUANG PAMER: MEMBACA PRAKTIK PAMERAN SENI KONTEMPORER DI LUAR INSTITUSI FORMAL DENGAN METODE KRITIK SENI: Membaca Praktik Pameran Seni Kontemporer di Luar Institusi Formal dengan Metode Kritik Seni Padi, Sang; Nagara, Martien Roos
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4674

Abstract

This study examines contemporary art exhibitions in alternative spaces using an artc riticism approach combined with a descriptive method. The research focuses on how alternative spaces function as flexible, experimental, and community-based platforms that differ from the institutional neutrality of the white cube paradigm. Data were analyzed through four stages of criticism: description, analysis, interpretation, and evaluation. Case studies of Pameran Antara Kota at Galeri Tjap Sahabat Bandung and Pameran Distribusi Distorsi at Abraham and Smith Bandung demonstrate that alternative spaces enable contemporary artists to negotiate ideas, create audience-oriented aesthetic experiences, and distribute artistic discourse beyond the logic of the mainstream art market. The findings conclude that alternative spaces are not merely sites of display but cultural strategies that sustain contemporary art ecosystems through accessibility, participation, and curatorial freedom.
Perancangan Video Kegiatan Edukasi Chinese Painting Sebagai Aset Dokumentasi Visual di Sentra Seni Lukis Jelekong Kaniasari Rukmana, Nia; Zaman, Farid Kurniawan Noor
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4906

Abstract

Penelitian ini mengkaji proses perancangan video edukasi Chinese Painting sebagai aset dokumentasi visual di Sentra Seni Jelekong, Kabupaten Bandung. Fokus penelitian adalah (1) merancang dan memproduksi video edukasi yang sistematis dan informatif mengenai teknik, alat, dan filosofi Chinese Painting; (2) menganalisis efektivitas video sebagai media pembelajaran dan arsip budaya untuk komunitas seni lokal; dan (3) mengevaluasi dampak implementasi video terhadap praktik seni di Jelekong. Penelitian menggunakan metode kualitatif deskriptif-desisif dengan teknik pengumpulan data meliputi observasi partisipatif, wawancara semi-struktural, dokumentasi, dan uji coba pengguna. Hasil rancangan berupa video berdurasi 10–12 menit yang mengintegrasikan elemen demonstratif, naratif, dan grafis edukatif. Evaluasi uji coba terhadap 30 responden (seniman, mahasiswa DKV, dan masyarakat umum) menunjukkan peningkatan pemahaman teknis sebesar 78% dan persepsi nilai dokumentasi budaya sebesar 84% dibanding kondisi awal. Video juga berfungsi sebagai referensi visual untuk pelatihan lanjutan dan dokumen arsip digital Sentra Seni Jelekong. Temuan menggarisbawahi pentingnya integrasi praktik lintas-budaya dalam kurikulum komunitas seni serta pemanfaatan media audio-visual untuk pelestarian budaya.
Kategori Pejalan Kaki di Jalur Pedestrian: Kriteria dan Konsep Perancangan Afifah, Salma Nur; Safira Riska, Annisa; Kusuma, Hanson E.
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4910

Abstract

Walking is a physical activity that is useful for improving public health. Indonesia is still a country with a low ranking in terms of walking. To improve the walking program, it requires the cooperation of the community, government, and planners as providers of great and comfortable walking paths. In the pedestrian path design process, it is necessary to study the criteria for a great path in terms of user activity. The purpose of this study is to determine the characteristics of pedestrians in terms of the relationship between the reasons for walking and the activities carried out on the pedestrian path. This research uses qualitative methods with a grounded theory approach. Data collection was carried out by using online questionnaire. The results showed that the characteristics of pedestrians on the pedestrian path were divided into four groups, namely connoisseurs, recreation, consumptive, and functional. The dominant group is found by the group of connoisseurs related to the quality of the pedestrian path so it can be concluded that the quality of the pedestrian path is affects people to walk. This study also found partners walking on pedestrians dominated by friends.
Peran Branding dan E-Commerce dalam Mempertahankan Eksistensi Kerajinan Anyaman Tasikmalaya Rohandi, Teten; Nurhayati, Dyah
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4911

Abstract

This study aims to analyze the role of branding and e-commerce in efforts to maintain the existence of woven crafts in Tasikmalaya. Tasikmalaya woven crafts are a local cultural heritage facing significant challenges amid modern market competition and changes in consumer behavior. To overcome these challenges, an adaptive marketing strategy is required, one of which involves integrating strong branding aspects and utilizing digital platforms. The method used in this research is qualitative with a descriptive-analytical approach. Data was collected through in-depth interviews with craft business owners, artisans, and relevant stakeholders, as well as through observation and document study. The collected data was analyzed using data reduction, data presentation, and conclusion drawing techniques. The results indicate that the role of branding and e-commerce is highly essential and has a significant impact on maintaining and enhancing the existence of Tasikmalaya woven crafts. Effective branding, which includes visual identity, product narrative (storytelling), and unique values, successfully builds a positive image and increases product competitiveness. Meanwhile, the use of e-commerce opens up wider market access, reaching consumers from various regions, and facilitating efficient transactions. The combination of these two elements not only maintains the sustainability of the woven craft business but also offers the potential for growth and strengthening the image of local products at both national and international levels.
Penciptaan Ready To Wear dengan Teknik Sulam Payet Inspirasi Burung Mambruk Victoria Salma, Saila Latifah; Albahi, Haidarsyah Dwi; Tavip, M
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4912

Abstract

The creation of this Ready to wear fashion was inspired by the Victorian Crowned Pigeon, a typical fauna of West Papua, which has blue feathers and a magnificent crown, as well as its status as a vulnerable and endangered species. The purpose of this creation is to reflect the beauty of the bird into the fashion world through the sequin embroidery technique. This research was raised based on deep concerns about the lack of application of Papuan natural aesthetics, especially the Victorian Crowned Pigeon, in a Ready to wear mode that can increase public awareness, as well as a serious threat to the decline in the bird population due to hunting and habitat destruction. Creation methods include pre-design, planning, and embodiment. The creation result is in the form of 4 Ready to wear fashions that are presented in the Bandung Fashion Runaway event on TVRI in Bandung city. This work is expected to be able to become a collection of new forms of fashion in the fashion realm as well as introduce the beauty of Indonesian fauna through Ready to wear clothing and make the Victorian Crowned Pigeon still maintain its sustainability.
Kajian Ruwatan Murwakala Cirebon Fauzi, Mochamad Reyhan; Falah, Asep Miftahul; Cahyana, Agus
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4913

Abstract

This study aims to find out about the art and culture of Ruwatan Murwakala in Cirebon, as we know that in Indonesia there are many traditional customs and ceremonies from various tribes that teach and convey the teachings of goodness so that humans within the scope of the tribe are reflected in how behavior or norms and rules that they have to follow, because customs in Indonesia are always tied to religious teachings or good teachings from their ancestors, Ruwat itself is one of the traditions from Indonesia which is very close to Javanese society where the spread of this tradition has several meanings in Each region has different presentations. If in the Dieng plains ruwatan is a tradition of shaving a child’s hair but it is different from that in Cirebon, ruwatan is a tradition of presenting shadow puppet performances with Cirebon wayang gagrak, which must perform a special play, namely the play about the birth of Batara. Kala. The shadow puppet show is very full of meaning and the teachings of the Tareqat Syathariyah which is very popular among the people of Cirebon, this is what makes the concept of this ruwatan full of meaning from Islamic teachings through the prayers offered by the puppeteer during the performance using the Free language and Arabic. In this study we will also find out the philological aspects of Ruwatan Murwakala Cirebon. By taking a qualitative, descriptive approach.
Kemunculan Tradisi Sentra Lukis Jelekong dalam Perkembangan Seni Rupa Modern Indonesia Haqi, Dhiya Ul; Cahyana, Agus; Nagara, Martien Roos
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4914

Abstract

Terdapat sentra seni lukis yang sudah menjadi sebuah tradisi di masyarakatnya hingga saat ini dan memiliki eksistensi yang cukup lama dalam ranah seni rupa di bandung, yaitu sentra lukis yang berada di kampung seni Jelekong, tepatnya di baleendah, Kabupaten Bandung. Sentra lukis jelekong menjadi sebuah identitas bagi masyarakatnya yang memiliki keahlian dalam menciptakan sebuah karya seni, salah satunya adalah penciptaan visual lukisan yang dipengaruhi oleh letak geografi dan budaya yang terletak pada lingkungan masyarakatnya, juga dipengaruhi oleh berkembangannya gaya dan aliran dalam seni lukis global. para seniman jelekong saat ini mewarisi tradisi melukis yang telah dilakukan sejak tahun 70-an. Seniman-seniman yang melestarikan keahliannya pada saat itu mempengaruhi perkembangan ekonomi dan sosial di masyarakatnya. Seniman jelekong memiliki orientasi yang berbeda dengan seorang seniman kontemporer yang menciptakan sebuah karya sebagai ekspresi batin dengan berbagai medium yang beragam. Seniman-seniman sentra lukis jelekong tetap bertahan dalam medium konvensional yang menyesuaikan dengan kebutuhan pasar. Tentu saja perkembangan seni lukis jelekong tidak bisa lepas dari pengaruh medan utama gejolak seni rupa yang sedang terjadi di Indonesia, Sejarah kemunculan sentra lukis ini tentunya memiliki keterkaitan dan pengaruh tersendiri dengan situasi perkembangan seni rupa, khususnya seni lukis pada lingkup nasional, mengingat kota bandung sebagai salah satu kota penggerak perkembangan seni rupa di Indonesia.

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