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Hijratur Rahmi
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Scoring: Journal of Film Music
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 30218764     DOI : http://dx.doi.org/10.26887/scoring
Core Subject : Art,
Arts
Scoring: Journal of Film Music, an academic journal published by the Department of Film Music, Faculty of Performing Arts, Institut Seni Indonesia Padangpanjang twice a year. This journal publishes original articles focusing on the results of studies in the field of film music. The coverage of topics in this journal includes: Music in moving picture Composition or Arrangement for film music History of film music Theory of Film Music or Analysis Music Technology Music Studies
Arjuna Subject : Seni dan Humaniora - Musik
Articles 29 Documents
 1   2   3 
Structure of Nang Gumalunsang Angka Laut Toba Batak Song in Sisolu-Solu Village, North Sumatera Pintu Batu, Wanda; Wati, Rosmega; Aluna, Aluna
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4908

Abstract

The song 'Nang Gumalunsang Angka Laut' is one of the popular Batak Toba songs that is often performed at certain events such as church services, mourning ceremonies, and entertainment. The research location was in the village of Sisolu-solu, Sumbul District, North Sumatra. The song studied was performed in the SATB choral format and arranged by Mr. Edy Dh Siahaan, S.Th. This research aims to analyze the structure of the choral song titled 'Nang Gumalunsang Angka Laut'. This research uses a qualitative method with a descriptive analysis approach, with the intention of revealing and describing the analysis of the structure of the choral song. The data collection techniques used were observation, interviews, and documentation. The data analysis techniques include data reduction, data presentation, and conclusion drawing. The result of this research is the revealing of the form of the song 'Nang Gumalunsang Angka Laut', which in this research consists of three parts form song , with a melodic line that has similarities (parallel), and has an irregular phrase (more than 4 bars).
Tambua Tansa Performance Form By Sanggar Shimpony Badantiang In Nagari Lubuk Basung, West Sumatera Fikratul, Nesa Ulya; Anggraini, Nora; Munafri, Sastra
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4895

Abstract

Tambua Tansa is a Minangkabau tradition passed down from generation to generation in West Sumatra. One area that still pays attention to the existence of Tambua Tansa is Lubuk Basung, under Sanggar Shimpony Badantiang, founded by Marisha Isman in 2012. The focus of this research is on the form of Tambua Tansa performance developed by Sanggar Shimpony Badantiang, as well as the existence of this studio in Nagari Lubuk Basung. This research uses qualitative research methods, using a theoretical approach to performance forms and existence theory as supporting theories in examining the existence of Sanggar Shimpony Badantiang. The characteristics of the Tambua Tansa game use simple musical motifs which are then developed into songs. The songs that are often played in performances are divided into two songs, namely; Pangka Matam and Atam Panjang. The existence of Sanggar Shimpony Badantiang has been able to be maintained until now due to good organizational governance as well as creativity and innovation carried out by artists.
Performance of Laksmana Raja Di Laut Arranged by Julyani for Solo Marimba and Vibraphone Youlanda, Mayank Rizkia; Marh, Fahmi; Herdianto, Ferry; Zaidi, Ahmad
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4714

Abstract

Laksamana Raja Di Laut is a Malay song composed by Datuak Suhaimi (Pak Ngah) in 1993, which was popularized and sung by Iyeth Bustami. This song was rearranged by Ijunk for marimba solo and vibraphone, with Big Band accompaniment format. The accompaniment format for marimba solo with vibraphone is complemented by traditional Malay drums. The musical arrangement of this song into a solo, uses a new musical concept that offers hybrid music (mixed music), through the naming of a new genre by the arranger, namely Progressive Malay, by adapting a free-form approach and variations of the theme. The arrangement of Admiral Raja di Laut uses a tighter notation with thirty-second notes to display the arranger's imagination with vibraphone and marimba about the sea and the prowess of a sailor from the Malay lands.
Musical Illustration in the Film Silogui: A Cinematic Study of Mentawai Children Martiano, Vereki; Zaidi, Ahmad; Askhan, Asifa; Putra, Andika Bayu
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5654

Abstract

ABSTRACT  The film "Silogui" offers an authentic portrayal of children's lives on Siberut Island, Mentawai, West Sumatra, highlighting noble cultural values, reverence for nature, and the strong presence of ancestral spirits. The main narrative follows Kumey, who ventures to find Arenga palm wood with his friend, Aduy. Conflict arises when Kumey is disturbed by a great forest guardian spirit for failing to perform the Panki ritual. This incident leads Kumey to regret and promise to respect nature and ancestral customs. This journal specifically examines how musical illustration serves as the backbone of the narrative in "Silogui," analyzing how every note and rhythm not only accompanies but also actively shapes the cinematic experience, strengthening cultural themes, and deepening the emotions of the Mentawai child characters. Using a qualitative approach with semiotic analysis of music and film narrative, this research finds that music plays a crucial role in building atmosphere, representing spiritual values, and reinforcing messages of preservation.Keywords: Silogui, Kumey, Aduy,  Siberut, Mentawai, Panki   
Interpretation and Expression of Violin Soloist in Playing: Concerto In E Major, My Heart Will Go On, and Laila Canggung Nasrullah, M.; Sidik, Hadaci; Wijaksana, Bambang; Enida, Delfi; Dary, Mohammad
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5551

Abstract

Performances of musical repertoire from various eras, such as classical, modern, Malay, and popular, are wrapped into a solo violin performance in the form of interpretation and expression of works using musical performance techniques that contain conventional rules. This performance consists of several repertoires from different eras. The first repertoire is a repertoire that originates from the baroque era or the 16th century, entitled Concerto in E Major No. 1 Spring, with a combination of Antonio Vivaldi, which was created in 1725. The second repertoire is My Heart Will Go On, which is popular. The third repertoire is Laila Awkward, which Hamid and Amardi Raga created. Presenters interpret and express their repertoire by applying techniques such as arpeggios, trills, legato, and slurs to create a perfect performance.
Tanoh Kamoe: Tarek Pukat In The Form Of A Two-Part Musical Composition Aqilah, Fatin; Surayya, Yade; Sina, Ibnu; Syaputra, Weldi
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5544

Abstract

This composition raises the tradition of Tarek Pukat, an art and culture from the coastal communities of Aceh, as the basis for creating a musical composition entitled Tanoh Kamoe. This tradition, which reflects the spirit of cooperation and the life of fishermen, is adapted into a two-part musical composition using the Acehnese Fusion Ensemble format. The original melody of Tarek Pukat, which is simple and repetitive, is developed through musical processing techniques such as augmentation, diminution, imitation, and sequence. This composition consists of two parts: Part I emphasizes traditional musical instruments such as serune kale, rapa’i, vocals, and flutes, while Part II presents a modern nuance with orchestral instruments and a combo band. With a total duration of 15 minutes, this work describes the journey of fishermen from preparation, fishing, to sharing the catch. The creation method involves exploring music theory, interviews, and using software such as Sibelius. Through this work, it is hoped that local traditions can be preserved and recognized by the wider community while providing innovation in the processing of tradition-based musical art. Ensemble
Babunyi: Recomposition of Materak Art in Minimalist Music Concept Al Mubaraq, M. Habib; Panggabean, Della Rosa; Anggraini, Nora; Putra, Vindo Alhamda
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5547

Abstract

The musical composition “Babunyi” (a recomposition of Materak art in the minimalist music concept) is inspired by one of the kompang patterns found in Materak art, specifically the Kurang 1 pattern, which consists of the Induk (parent), Anak 2 (second child), and Anak 3 (third child) patterns. The concept of "Babunyi" utilizes a minimalist music approach, processed using the harmonic minor scale, and will be realized in a mixed ensemble format. The creation method for this work consists of three stages: exploration, experimentation, and realization. There are three structural processes in this composition: I (restricted pitch and rhythm materials), II (phasing), and III (long duration). The conclusion drawn is the use of minimal patterns followed by gradual changes until a complete musical composition is achieved.  Keywords : Materak, Kompang, Kurang 1, Minimalist Music, Mixed Ensamble.
Sound Design Composition Of ISI Padangpanjang with Studio one 5 Application Gulo, Yogi; Zaidi, Ahmad; Rahmadinata, Melisa Fitri; Munafri, Sastra; Hendri, Yon
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5549

Abstract

The sound composition of the Indonesian Institute of the Arts Padang Panjang with the Studio One 5 Application is a process of creating musical works using digital technology. This musical composition originates from the activities of the academic community that took place in the environment of the Indonesian Institute of the Arts Padang Panjang. The Studio One 5 application is used as a tool to process sounds taken from art education activities, then processed in a demicrophone manner to become a new sound composition. This composition was created with the aim of describing the atmosphere in the environment of the Indonesian Institute of the Arts Padang Panjang which is presented through audio sound. The method of creating the sound composition of the Indonesian Institute of the Arts Padang Panjang involves modern music production techniques. The stages of creation are by recording audio samples which are then processed through the Studio One 5 application, and given additions such as the use of sound effects, mixing, and digital mastering. After the entire music work is complete, the musical composition that originates from the sounds in the environment of the Indonesian Institute of the Arts Padang Panjang then becomes a new musical composition entitled sound design isi padangpanjang.
Application of Superman Songs In the Pop Rock Genre Goes to Reggae with Ensemble Format at SMAN 3 Padangpanjang rizki, azkia ghaniya; Yonhendri, Yonhendri -; Emridawati, Emridawati -; Awerman, Awerman -; Anggara, Rama
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5548

Abstract

The research entitled "The Application of Superman Songs in the Pop Rock Goes to Reggae Genre with Ensemble Format at SMA N 3 Padangpanjang" aims to determine the ability of researchers in providing learning in the field of music to students of SMA N 3 Padangpanjang. Lagu Superman is arranged into a musical ensemble format with instruments such as bellyra, pianica, bass guitar, electric guitar, drumset, and vocals. The research method used is qualitative in the form of action research, where the researcher goes directly to the research site. In the research process, the researcher applied several supporting methods: demonstration, imitation, exercise, and evaluation. This research aims to show students' progress and knowledge in playing musical instruments and understanding music's tempo and dynamics. The results of the research and teaching were performed by the students of SMA N 3 Padang Panjang at the Hoeridjah Adam Performance Building, Indonesian Institute of the Arts, Padangpanjang. 

Page 3 of 3 | Total Record : 29

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