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I Putu Udiyana Wasista
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Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
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INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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FOR REVENGE: THE PHENOMENON OF EMO MUSIC PERFORMANCES AND AUDIENCE EMOTIONS Ardini, Ni Wayan; Wijaya, I Nyoman Cahyadi; Mudana, I Gede
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.568

Abstract

This research was conducted for the purpose of identifying the character of emo (emotional hardcore) music performances and their relationship to the emotional situation of the audience watching them, especially in the case of a music group in Indonesia named for Revenge. This qualitative research, which relies on document studies, observations and interviews, found that this underground group with an emo (emotional hardcore) character, with themes of inner conflict, suffering and rebellion, especially in matters of love, deserves to label itself as "for revenge” or “untuk balas dendam” in Indonesian. Apart from being musically aesthetic, the emo lyrics created in many cases are truly capable of piercing the deepest hearts of audiences who have experienced love problems. In today's era of social media, this group is favored by a fairly large segment of the youth market. This means that in Indonesia for Revenge has increasingly succeeded in blurring the boundaries between underground entities and the popular music industry.
BOUNDLESS CREATION, VIRTUAL MUSIC AND GLOBAL COLLABORATION Justin, Rizky Stephanie; Darmayuda, I Komang
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.569

Abstract

The advent of digital technologies has revolutionized the way music is created, shared, and experienced, thereby enabling a new era of boundless creation through virtual music. This study explores how the convergence of digital tools, virtual platforms, and global connectivity has transformed the landscape of music production, fostering unprecedented opportunities for collaboration across borders, cultures, and genres. Musicians, producers, and composers can now create, record, and perform together in virtual spaces regardless of their physical location. By leveraging cloud-based software, real-time collaboration tools, and virtual instruments, creators are no longer limited by geographical constraints, allowing for more diverse, innovative, and experimental work. The study also examines the impact of virtual music on the global music industry, including its role in democratizing access to music production, expanding audience reach, and reshaping traditional models of distribution and performance. Ultimately, the fusion of virtual music and global collaboration has opened new avenues for artistic expression, cross- cultural exchange, and creative freedom.
TOPENG RANGDA AS METAPHOR OF DEWI DURGA BY TJOKORDA OKA TUBLEN Artawan, Cokorda Alit; Mudra, I Wayan; Muka, I Ketut; Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.570

Abstract

The Topeng Rangda created by Tjokorda Oka Tublen with a distinctive character as an interpretation of Durga has a magical impression. This research aims to deeply understand Rangda as a metaphor of Durga by Tjokorda Oka Tublen. The Topeng Rangda created by Tjokorda Oka Tublen's is sacred to the community and used as a role model by the Balinese people. Nevertheless, until now there has been no special study about it. This research uses a qualitative method. The data collection is done by purpose sampling with observation, interview, and literature study techniques, dissected with aesthetic theory and metaphor theory. The result of this study, Topeng Rangda as a metaphor is a mask with a scary face as the embodiment of Dewi Durga in white with buck teeth, bulging eyes with a magical, majestic and authoritative impression. The process of creating Tjokorda Oka Tublen's mask includes: newasen, nyawi, nyalonan, makalan, nadiang, nelesang, ngalusang, ngewarna, dan pasupati.
THE CONTRIBUTION OF DIGITAL TECHNOLOGY TO ART STUDIO BUSINESS IN JAKARTA Budiastomo, Denta Mandra Pradipta; Trisnawati, Ida Ayu; Arshiniwati, Ni Made; Sudarta, I Gusti Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.571

Abstract

By leveraging technology, empowering people, encouraging innovation, and strengthening organizations, art studios can increase competitiveness while maintaining the relevance of arts and culture in modern society. To develop a business, the combination of technology usually consists of knowledge and physical equipment. Technoware (T), Humanware (H), Infoware (I), and Orgaware (O) are four basic components of development that interact dynamically in the development process. The purpose of this study is to analyze the contribution of digital technology through various digital media to art studio businesses in Jakarta in arts and cultural activities. This research uses quantitative methods, data sources are determined through a purposive sampling technique. Data were collected by direct observation, interviews, Focus Group Discussions, document reviews, and literature studies. The results of this study show the coefficient value of the contribution of digital technology for each technological component of the art studio business for the welfare of artists.
A REVIEW OF RINDIK MUSIC ADAPTATION IN THE WELLNESS TOURISM DEVELOPMENT Sari, Evi Thelia
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.573

Abstract

This article aims to analyze how the Rindik music adapts to the development of wellness tourism while maintaining the Balinese culture. The review focuses on the process of Rindik music adaptation in wellness tourism context and how it is adapted without sacrificing the culture essence. The qualitative research is used in this article by literature study processed by NVivo. The observation is used to support the thematic analysis. The result of this research found 4 adaptation components of Rindik music to show how the Rindik music adapts in the context of wellness tourism development, namely existence, direction, elements and triggers of adaptation. The existence indicates the changes and development and the direction refers to freedom to meet the market demand. The third component, elements of adaptation consist of method, sound, instruments, therapy, notes, traditional and value. The last component, triggers, can be listed as people, tourism, and culture.
KECAK DANCE LEARNING AND CULTIVATION OF CHARACTER EDUCATION VALUES IN PASRAMAN WIDYA SANTHI, SEBATU VILLAGE, BALI Ayana, I Wayan Deo; Arshiniwati, Ni Made; Mawan, I Gede; Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.574

Abstract

Pasraman, ashram, padukuhan, or gurukula is a traditional education system in Hinduism that has existed since ancient times. Hinduism recognizes that education is an important aspect of human life. In Bali, the history of pasraman has been known since ancient times. In various folktales, there are many touches of education and the existence of padukuhan or pasraman, where Balinese generations gained knowledge in ancient times. This research aims to evaluate Kecak Dance learning in non-formal education in Pasraman Widya Santhi Sebatu Village and to know the process of instilling character education values through Kecak Dance learning in Pasraman Widya Santhi Sebatu Village. The research method used is descriptive qualitative with data collection techniques through observation, interviews, and documentation. The findings indicate that the learning of the Kecak Dance at Pasraman Widya Santhi is effective through interactive and participatory teaching methods. This learning process not only enhances students' dance skills but also provides a deep understanding of Balinese cultural values. Moreover, the activities successfully instill character education values such as discipline, responsibility, hard work, creativity, and pride in local culture. Community support, a conducive learning environment, and the integration of arts and cultural education are key factors in the program’s success. This study concludes that the learning of the Kecak Dance at Pasraman Widya Santhi serves as an effective model of non-formal education in shaping skilled, character-driven, and culturally aware youth. The structured and culture-based learning process enriches students' artistic skills while fostering awareness of the importance of preserving Bali's cultural heritage
“KUNO KINI” HERMENEUTIC STUDY OF CONCEPTUAL PHOTOGRAPHY BY GUNG AMA Putra, I Putu Dudyk Arya; Yasa, Desak Putu Yogi Antari Tirta
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.575

Abstract

I Gusti Agung Wijaya Utama S.Sn or Gung Ama is a photographer who has a distinctive characteristic in his work. Gung Ama's interest in photographic works produced in the 1930s encouraged a deeper exploration of ancient photographic styles. The concept of Kuno Kini was created by Gung Ama by photographing using an Afghan box camera, combining ancient darkroom techniques with experimental touches of modern media. The study of Kuno Kini in this article will refer to hermeneutics, how the interpretation and understanding of texts, history, and culture occur in a dialectical and historical process, refer to hermeneutics from Gadamer who classifies four stages of hermeneutic theory in interpreting or understanding. Gung Ama packages his concern about current problems and pours it into the form of conceptual photographic work Kuno Kini, as a form of criticism and self-reflection that is expressed visually in symbols and signs on his photographic elements.
THE EXISTENCE OF “NGINANG” AS A SOCIAL AND THEOLOGICAL STUDY OF PUPPETRY IN BALI Widnyana, I Kadek; Sadevi, Luh Wina; Widyarto, Rinto; Shahab, Fauziah; Putra, Ida Bagus Hari Kayana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.576

Abstract

Nginang is the habit of chewing betel leaves and other herbs, such as lime, gambier, areca nut, and tobacco. Nginang has been practiced by people in Southeast Asian countries and parts of Southern China since the 15th century AD. Currently, nginang habit in Indonesia has decreased, which can be caused by many factors. The custom of nginang in Indonesia, especially in Bali, has meaning in various rituals, such as in Balinese puppetry. Nginang functions as a social and theological means of Balinese Dharma Pewayangan Bali. The purpose of this study is to explore the social-theological meaning and existence of the nginang custom for puppeteer in Bali. This is a qualitative study, where primary data is obtained through interviews and observations, while secondary data is obtained through literature review. The conclusion from this study is that nginang is a theological symbol that unites spiritual and social aspects in the life of Balinese puppeteers who must master various arts and the Dharma of Balinese puppetry. Nginang can control words, actions, peace, and harmony during the performance and daily life of the dalang. Nginang should continue to the young generations of puppeteers in order to master the various arts and Dharma of Balinese puppetry.
EVALUATING THE IMPLEMENTATION OF GEOGRAPHICAL INDICATION PROTECTION FOR BATIK LASEM: CHALLENGES AND OPPORTUNITIES Adityayoga, Adityayoga
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.578

Abstract

This study evaluates the implementation of Geographical Indication (GI) protection for Batik Lasem, focusing on its impact, challenges, and potential improvements. While GI certification has bolstered artisans' confidence by providing legal safeguards, limited understanding of its protection scope such as motif preservation and violation reporting procedures—hinders its effectiveness. Artisans express concerns over plagiarism and inadequate support in addressing violations, highlighting the need for targeted education and clear reporting mechanisms. Using qualitative methods, including interviews with artisans and MPIG members and document analysis, the research identifies gaps in community knowledge and enforcement practices. Findings emphasize the necessity of intensive training and stronger collaboration between MPIG, government, and artisans to optimize GI's protective function. By enhancing community participation and refining implementation strategies, this study offers actionable recommendations to strengthen Batik Lasem’s cultural heritage and market positioning, ensuring sustainable benefits for the local ecosystem.
PENTAGRAM: FROM COMPLEXITY TO EMOTION THROUGH SOFTWARE SEQUENCERS Yudhistira, I Gede Raditya; Putra, I Pt. Lukita Wiweka Nugraha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.579

Abstract

Pentagram investigates the integration of technology in modern music composition, focusing on the use of software sequencers to merge human creativity with machine precision. The study highlights how these tools transform live performance by enhancing technical and expressive dimensions. The research aims to explore the roles of sequencers in Pentagram, focusing on complex pattern execution, real-time effect manipulation, expressive outcomes, and the intricate communication between the musician and the sequencer. This study employs a qualitative descriptive approach with a focus on music analysis, examining how sequencers contribute to technical precision, real-time responsiveness, and emotional storytelling in live performances. The research demonstrates that sequencers enable complex pattern execution, real-time effect manipulation, and intricate communication between the musician and the sequencer, offering new possibilities for composition and live performance. Pentagram highlights the transformative potential of sequencers in music, showcasing their ability to expand creative boundaries by combining precision, expressiveness, and innovation in live performance.

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