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INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 198 Documents
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Implementation of EDFAT Technique in the Creation of Photo Story about Galeri Foto Jurnalistik Antara Alyatalatthaf, Muhammad Dicka Ma'arief; Kusumawati, Dyah
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9106

Abstract

Photo story is a genre in photography which aims to capture various life events with a chronological plot that has a narrative aspect. It is enable us to tell a story in several photo that represent reality holistically. A photography technique known as EDFAT is also used to aid in the creation of works. The goal of this research is to use the EDFAT technique to create photo story works at Galeri Foto Jurnalistik Antara. The results of this study, "Galeri Foto Jurnalistik Antara" photo story is able to accommodate photos that are holistic visually and narratively due to the implementation of EDFAT: a) Entire, producing photos of locations, situations, events, activities, and objects that represent GFJA and Graha Bhakti Museum; b) Detail, produce photos of specific parts of the GFJA, the important elements in it are described in close-up and isolated through DOF; c) Frame, produces photos that highlight objects by utilizing the foreground and being able to frame discourse through visuals; d) Angle, produce photos with an unusual perspective so that the audience can enjoy objects from a unique perspective; e) Time, produce photos that philosophically want to describe the activities of visitors at GFJA.
Film Dokumenter Mereka: “Episode Ekspresi Personal Risman Marah dalam Berkarya Seni Fotografi”, Genre Biografi sebagai Media Pendidikan Samaratungga, Oscar; Sadewa, Ghalif Putra
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.10963

Abstract

Dokumenter “Mereka” merupakan proyek jangka panjang, menceritakan kisah hidup tokoh yang tekun dan berdedikasi di bidangnya masing-masing. Pemilihan genre biografi sebagai cara tutur memudahkan penonton untuk mengikuti rangkaian peristiwa yang dialami tokoh hingga membentuk ekspresi personal dalam setiap karya-karyanya. Dokumenter biografi seringkali digunakan sebagai media untuk menginspirasi dan memberikan pemahaman yang lebih dalam dari subjek filmnya. Episode kali ini, membahas ekspresi personal Risman Marah sebagai seorang maestro fotografer. Risman Marah, bukan nama asing bagi dunia fotografi Indonesia. Karya, kepakaran, hingga dedikasinya tak perlu diragukan lagi. Namun, seperti apa kehidupan Risman Marah dahulu kala? Tempaan alam dan kondisi seperti apa hingga ia menemukan jalurnya dalam fotografi. Kisah-kisah di luar proses memotret diyakini juga memiliki andil yang besar dalam kiprahnya pada dunia fotografi, baik sebagai pendidik maupun praktisi. Pertanyaan-pertanyaan tadi akan dirumuskan dengan membongkar arsip visual subjek dan diceritakan kembali lewat medium film dokumenter guna menjadi satu pemahaman tentang kisah hidup, cara berpikir, dan berkarya. Metode penciptaan film dokumenter menggunakan tahapan pra produksi, produksi, dan pasca produksi. Sedangkan hasil dari penciptaan film dokumenter akan dipublikasikan menggunakan media sosial sebagai medium promosi sekaligus edukasi dikarenakan kecenderungan akses masyarakat hari ini lebih dominan pada platform tersebut.Documentary Film “Mereka”: Episode of Risman Marah’s Personal Expression In Creating” Biography Genre As An Educational Medium. The documentary "Mereka" is a long-term project that tells the life stories of individuals who are diligent and dedicated in their respective fields. The choice of biography as a storytelling genre makes it easier for the audience to follow the series of events experienced by these individuals, leading to the formation of their personal expressions in each of their works. Biographical documentaries are often used as a means to inspire and provide a deeper understanding of the film's subjects. In this episode, we will delve into the personal expression of Risman Marah, a master photographer. Risman Marah is not an unfamiliar name in the world of Indonesian photography. His work, expertise, and dedication need no further confirmation. However, what was Risman Marah's life like in the past? How did the natural environment and conditions of that time influence his journey in the world of photography? It is believed that the stories beyond the photography process also play a significant role in his contributions to the world of photography, both as an educator and practitioner. These questions will be addressed by exploring visual archives of the subject and retelling them through the medium of a documentary film to provide a comprehensive understanding of Risman Marah's life, thoughts, and works. The documentary filmmaking process involves pre-production, production, and post-production stages. The results of this documentary will be published through social media as a means of promotion and education, considering that current society tends to be more dominant on that platform.
Genre Drama sebagai Favorit di Netflix Periode Januari – Juni 2021 Sitepu, Petrus Damiami; Sudarsono, Kus
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9201

Abstract

Netflix is a film exhibition platform in digital format. Netflix is one of the favourite platforms for film enthusiasts, especially among the respondents in this study. Netflix is included in the Non-Theatrical Exhibition Film category with its popular term Over-The-Top. Netflix is categorized explicitly as SVOD (Subscription Video On Demand). In this study, we do not only look at the categorization of films based on the primary genre but also look at the secondary film genres. According to respondents, the secondary genre of films is one aspect of selecting films on the Netflix platform.This study used a quantitative approach with a cluster random sampling method. The sample used in this research was students of the Film Study Program, Faculty of Art and Design, Multimedia Nusantara University. The results of this study show that in the period January - July 2021, the film Ali & Ratu Ratu Queens is an Indonesian film that many Netflix users watch. In addition, the film Sweet & Sour is the most-watched international film by respondents. Respondents in this study stated that there is a need for film categorization. Still, film categorization is not only based on the primary genre but there needs to be a secondary genre as well. Films in the drama genre are the favourite of the respondents in this study, both primary and secondary drama genres.
2D Animation Storyboard Design "Mira and The Batik Fairy: Batik Sawat Pengantin Cirebon for Children" Lionardi, Angelia; Lawe, I Gusti Agung Rangga; Aulia, Farah; Firdaus, Yasmin Zahra; Tobing, Sheril Luthfiana
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9216

Abstract

Batik, a cultural artifact full of philosophical values, is now seen as just a part of fashion style and a sweetening element. Many people, especially children, do not understand the symbolic meanings of the aesthetic elements of batik. This problem is commonplace in Indonesia, including Cirebon. As batik centers, only a few schools in Cirebon provide opportunities for their students to learn batik. If the meaning of batik is to be taught to the younger generation, then an approach using new media can be an alternative to introduce it persuasively. One medium that is close and has the potential to introduce batik to children is 2D animation. The research method that will be used is qualitative. The animation process starts with several stages, from collecting data about the batik we want to make into a story theme: Batik Sawat Pengantin Cirebon. Data collection was done by direct observation and interviews. After the data is collected, the next step is to search for story ideas, create scenarios, design visual concepts, and create storyboards. Then, the animation production process can be carried out. This research will focus on the storyboard design part, namely the clean-up storyboard and animatic storyboard, which will guide in making 2D animation.
Analisis Wacana Kekerasan Seksual Terhadap Perempuan dalam Film "Demi Nama Baik Kampus" dan Film "Please Be Quiet" Mulyani, Try; Handriyotopo, Handriyotopo; Rustim, Rustim
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.8536

Abstract

This study discusses the discourse of sexual violence in the short film Demi Nama Baik Kampus and the short film Please Be Queit to find out the representation of women as victims of sexual violence in the film. This study uses qualitative methods and Sara Mills' critical discourse. Based on its form, critical discourse analysis is divided into 3, namely the position of the subject-object and the position of the reader by selecting scenes that are considered representative. The findings of the analysis show that the position of the subject is carried out by a female character named Sinta who is a victim of sexual violence by her supervisor in the campus environment in the short film For the Good Name of the Campus. Whereas in the short film Please Be Queit played by Sarah who is considered a victim of sexual violence in the work environment. The position of the object is described as an actor that supports the subject's motion. Meanwhile, the writer positions Sarah and Sinta as parties who confirm the incident, so that the text is from the point of view that Sinta and Sarah experienced. The reader's position cannot change the discourse written by the author, because the reader cannot provide arguments to the writer, if there is no discrepancy in the content of the film's discussion.
Konstruksi Women Empowerment pada Film "Marlina si Pembunuh dalam Empat Babak" Salsabila, Siela Salma; Sintowoko, Dyah Ayu Wiwid; Wiguna, Iqbal Prabawa
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9329

Abstract

Women empowerment merupakan salah satu bentuk gerakan perlawanan perempuan dalam gender. Bentuk perlawanan tersebut adalah mengenai stigma perempuan yang masih dianggap lemah, bahkan di era ini. Salah satu bentuk perlawanan perempuan terhadap gender tampak terlihat dalam film Marlina si Pembunuh dalam Empat Babak. Berdasar pada latar belakang tersebut, penelitian ini bermaksud untuk menganalisis konstruksi women empowerment dalam film Marlina si Pembunuh dalam Empat Babak. Metode yang digunakan adalah kualitatif dengan melihat konteks-konteks yang tersembunyi dari adegan film. Jenis penelitian yang digunakan dalam penelitian ini adalah deskriptif analitis dengan pendekatan literature film. Hasil penelitian menunjukkan bahwa aspek mise-en-scene dapat mengkonstruksi women empowerment dengan didukung oleh dimensi penokohan. Visualisasi male gaze jugamasih terlihat dan menghasilkan karakter perempuan, Marlina, dengan adegan sadistic side. Dramatisasi adegan juga terlihat dari aspek sinematik film
Sinema Kethoprak: Perkembangan Kesenian Kethoprak dengan Pendekatan Gaya Film Haryono, Antonius Janu
Rekam Vol 20, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v20i1.10960

Abstract

Perkembangan media internet memaksa banyak kesenian tradisional untuk melakukan penyesuaian agar terus dapat bertahan di tengah arus hiburan yang semakin banyak dan mudah diakses. Dalam beberapa tahun terakhir, kesenian kethoprak juga telah beradaptasi dengan menggabungkan seni pertunjukan tradisional Jawa dengan film yang disebut sinema kethoprak. Youtube merupakan salah satu platform yang banyak digunakan seniman kethoprak untuk mendistribusikan sinema kethoprak. Banyaknya ragam bentuk dan gaya sinema kethoprak yang ada pada platform Youtube memunculkan permasalahan baru tentang bagaimana mempertahankan ciri khas kesenian kethoprak dalam kemasan bentuk dan gaya film. Tujuan penelitian ini adalah memetakan ragam gaya film (film style) yang digunakan pada sinema kethoprak. Teknik pengumpulan data yang digunakan adalah dengan metode observasi terhadap karya-karya sinema kethoprak di youtube yang masih terdapat ciri khas kesenian kethoprak serta elemen-elemen mise en scene, sinematografi, editing dan suara. Dengan pemetaan ini diharapkan dapat bermanfaat untuk merancang atau mendesain gaya sinema kethoprak yang tetap mempertahan nilai-nilai seni dan budaya kethoprak.
Memotret Dunia Anak Autis dalam Fotografi Liam’s World Karya Erin Lefevre Rahardian, Adinatasya Luthfiyyah; Heriyawati, Yanti
Rekam Vol 20, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v20i1.11460

Abstract

Fotografi dokumenter dapat memvisualisasikan secara jelas gagasan dan tulisan yang dibuat oleh seorang fotografer jurnalistik. Erin Lafevre adalah salah satu fotografer dokumenter di New York City yang mengabadikan aktivitas keseharian dari adiknya yang didiagnosa autisme. Kajian ini dilakukan pada tiga karya foto Erin Lafevre dari keseluruhan karya berjudul Liam’s World. Metode EDFAT diterapkan untuk mengidentifikasi tanda-tanda pada foto. Teori semiotika Roland Barthes digunakan untuk menganalisis makna denotasi dan konotasi dari ketiga karya foto yang dikaji. Secara denotatif foto-foto tersebut menunjukkan Liam sebagai anak autis ketika komunikasi tidak melihat lawan bicaranya, berbeda fokusnya ketika interaksi sendiri seperti menggambar atau menyentuh benda tertentu. Secara konotatif, anak autis sulit fokus saat interaksi dengan orang lain dan mudah terdistraksi dengan benda menarik lainnya yang ada di sekitarnya, sisi lain kemandiriannya dapat diasah secara optimal. Hasil kajian menunjukkan foto-foto tersebut mampu menangkap peristiwa secara objektif. Liam sebagai anak autis aktivitasnya tertangkap kamera yang menunjukkan bagaimana karakteristik dan kecenderungan anak autis dalam berbagai macam aktivitas: cara merespon, berinterkasi, dan berkomunikasi. Foto memiliki cara sendiri dalam bercerita dan bersuara melalui visual.  Kata kunci: autis, fotografi, semiotika
Pemberdayaan Budaya Visual Erison J. Kambari dalam Ranah Pelestarian Budaya Lokal Sumatera Barat Susanti, Indah
Rekam Vol 20, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v20i1.7805

Abstract

This article reveals the sides of photography  by local photographers. The method used is to analyze the work of Erison J Kamari and the appreciation of the audience for his photographs. The method used in this research is qualitative. The result of this research is how to promote and introduce the local potentials of West Sumatran culture by Erison through his visual records. The actions of this photographer from Kurai provide realization in professional art creation management. Capturing moments that cannot be separated from patience, basic understanding of photography techniques, selection of ideas, writing captions and being able to help promote the tourism sector. Erison's gait was able to invite young photographers to care about the culture of West Sumatra, one of which was through the Jawi race. The implication of this research is that it has a positive impact on the tourism sector and the economy.Keywords: Erison J. Kambari, Visual culture, Photographer and West Sumatra. This article reveals the sides of photography  by local photographers. The method used is to analyze the work of Erison J Kamari and the appreciation of the audience for his photographs. The method used in this research is qualitative. The result of this research is how to promote and introduce the local potentials of West Sumatran culture by Erison through his visual records. The actions of this photographer from Kurai provide realization in professional art creation management. Capturing moments that cannot be separated from patience, basic understanding of photography techniques, selection of ideas, writing captions and being able to help promote the tourism sector. Erison's gait was able to invite young photographers to care about the culture of West Sumatra, one of which was through the Jawi race. The implication of this research is that it has a positive impact on the tourism sector and the economy.Keywords: Erison J. Kambari, Visual culture, Photographer and West Sumatra. 
Perubahan Preferensi Menonton Film pada Era Media Sosial: Dampak Short Video dan Implikasinya pada Perilaku Menonton Film Verakandhi, Diyah
Rekam Vol 20, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v20i1.11286

Abstract

This research investigates changes in film viewing preferences in the context of the social media era. The main focus of the research is the impact of short videos reviewing films and their implications for film watching behavior. In the face of dramatic changes in film accessibility and the influence of social media, this research seeks to understand how short videos, especially those containing spoilers, influence the way viewers enjoy and appreciate films. The research method used is a mixed method, namely qualitative and quantitative involving surveys, short video content analysis, and interviews with film producers and directors. The findings of this research illustrate significant changes in film viewing preferences and their implications for the way audiences explore and enjoy film works. This research provides in-depth insights into the transformation of film viewing behavior in the dynamic social media era and proposes recommendations that can be useful for the film industry and social media content creators.

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