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All Journal ELS Journal on Interdisciplinary Studies in Humanities Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Hanifiya: Jurnal Studi Agama-Agama Jurnal Syntax Imperatif : Jurnal Ilmu Sosial dan Pendidikan Hijai - Journal on Arabic Language and Literature JURNAL PENDIDIKAN INDONESIA: Teori, Penelitian, dan Inovasi Jurnal Iman dan Spiritualitas Jurnal Penelitian Ilmu Ushuluddin ELOQUENCE: Journal of Foreign Language Iklila: Jurnal Studi Islam dan Sosial Senarai: Journal of Islamic Heritage and Civilization Mashadiruna: Jurnal Ilmu Al-Qur’an dan Tafsir
Komarudin, Edi
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : ELS Journal on Interdisciplinary Studies in Humanities

 1 
Analysis Amr in the Book of Ṣuwar min Ḥayātiṣ-Ṣahābah by Dr. Abdurrahman Ra'fat Al-Basya (Al-Ma'ānī Study) Nurhaliza, Siti; Komarudin, Edi; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44343

Abstract

This study aims to analyze the form and meaning of amr as well as the structural components of imperative sentences in the book Ṣuwar min Ḥayātiṣ-Ṣaḥābah by Dr. Abdurrahman Ra’fat Al-Basha, using a semantic approach. This approach focuses on the meaning of language within a specific context. A semantic approach allows for an analysis of how the meaning of amr can vary depending on its situational usage, whether literal (Ḥaqīqī) or figurative (majāzī). The research method employed is descriptive-analytic, which serves to describe and provide an overview of the object under study through collected data or samples. The data were obtained from excerpts containing imperative verbs (fiʻl amr), which were classified according to their form and implied meaning, and then analyzed based on the theory of amr proposed by Ahmad Al-Hāsyimī. The results of this study indicate that the concept of amr in Ṣuwar min Ḥayātiṣ-Ṣaḥābah encompasses seven meanings: 55 instances of literal command (Ḥaqīqī), 2 of honoring (ikrām), 4 of permission (iʾzn), 28 of supplication (duʿāʾ), 43 of guidance (irshād), 17 of request among equals (iltimās), and 8 of threat (tahdīd). Morphologically, the imperative forms appear in two patterns: fiʻl mujarrad (basic/root verbs) and fiʻl mazīd (augmented verbs), both transitive and intransitive. Syntactically, the structure of amr typically follows the pattern: verb (fiʻl) – subject (fāʻil) – object (mafʻūl bih) – preposition (ḥarf jar) and vocative (nida'). Keywords: Balaghah, Fi'il Amr, Ṣuwar min Ḥayātiṣ - Ṣahābah
The Luxury Culture in Arab Film: Route 10 by Omar Naim (A Semiotic Analysis of Roland Barthes) Nur Afiffah, Syifa; Komarudin, Edi; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 3 (2025): SEPTEMBER
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i3.47424

Abstract

This study examines the representation of luxury culture in Omar Naim’s film Route 10 using Roland Barthes’ semiotic approach. The research aims to reveal how luxury objects and fashion function not merely as literal signs but as symbols of social hierarchy, prestige, and cultural adaptation. Employing a qualitative descriptive method with content analysis, selected dialogues and scenes are analyzed to uncover denotative and connotative meanings embedded in both narrative and visual elements. The findings indicate that luxury is depicted through icons such as branded cars, high-heeled shoes, and premium bags, representing elite status and global prestige. Indexes, including personal assistants, palatial residences, and exclusive privileges, highlight social hierarchies and structural inequalities. Symbols, such as formal attire, wedding gowns, and the fusion of religious tradition with modernity, reflect both aspirational and contradictory aspects of elite culture, including elitism, hypocrisy, and social distinction. Overall, the film presents luxury as a phenomenon that functions both as a marker of prestige and a source of social tension, illustrating how material and symbolic representations of wealth influence perceptions of identity, status, and cultural values in contemporary Arab society.
Co-Authors Alijaya, Adudin Aryanto, Redi Azmi, Pendi Nurul Dayudin, Dayudin Dedi Supriadi Fatimah, Nisa Fillaili, Fikri Fitriana Lubis, Mumun Fitriansyah, Muhammad Bayu Hidayah, Asep Taopik Ilma Amalia, Ilma Imam, Jahira Salsabila Nurul Kafiyah, Fitroh Ni’matul Kusuma, Dwiki Laelani, Lilih Mardiansyah, Yadi Mohammad Irfan Farraz Haecal Muhammad Arif Muhammad Yahya Nur Afiffah, Syifa Nurdin, Aldi Nurhayat, Tasya Putri Nursidik, Ihsan Rahayu, Tami Dewi Puspa Riyani, Irma Rohanda Rohanda, Rohanda Salsabila, Syifa Satia Siti Nurhaliza Syam, Ishmatul Karimah Taufik, Wildan Taufiq, Wildan Wahyuni, Neneng Sri