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All Journal Jurnal Adabiyah IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam LOYALITAS: Jurnal Pengabdian Kepada Masyarakat CALL Edukasi Lingua Sastra Journal of English Teaching and Linguistics EPIGRAM (e-journal) Saksama: Jurnal Sastra Riwayat: Educational Journal of History and Humanities Lire Journal (Journal of Linguistics and Literature) Jurnal Ragam Pengabdian
Assiddiqi, Hasbi
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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LIFE AND DEATH FANTASY IN MATT HAIG'S THE MIDNIGHT LIBRARY Sinda, Vatina; Assiddiqi, Hasbi; Pramita, Agry
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.34283

Abstract

Abstract This study discusses the fantasy of life and death desire in Matt Haig's The Midnight Library (2020). The aim of this research is: To find out what fantasy of life and death desire that represent id, ego, and superego of Matt Haig in The Midnight Library. This study uses a psychoanalysis approach, which is used to analyze the fantasy of life and death desire that can representative the id, ego, and superego of Matt Haig as an author regarding to life and death desire. The result of this study show the id is dominant among the ego and superego. prominently features id symbols, indicating a profound exploration of primal desires, instincts, and the unconscious mind, particularly evident in main character's arc. These id symbols, serve to unveil author's innermost wishes and untamed impulses, suspending societal norms and reality's constraints. Through id- driven narratives, readers witness Nora's pursuit of immediate gratification, navigating alternate lives driven solely by desires, devoid of moral judgment. Additionally, ego symbols reflect author's attempts to negotiate reality, while superego symbols embody societal ideals and moral judgments that conflict with author's id-driven desires. Keywords: Fantasy, Psychoanalysis, Matt Haig, Novel. Life and death.
Peningkatan Kualitas Pembelajaran RA Plus Al-Islam Simpangsari Garut melalui Optimalisasi Sarana Ekoedukasi Berbasis Pertanian Asyiah, Iis Nur; Assiddiqi, Hasbi; Mudakir, Imam; Ellena FL Lilipaly
LOYALITAS: Jurnal Pengabdian Kepada Masyarakat Vol. 8 No. 1 (2025): Mei 2025
Publisher : Universitas KH. Mukhtar Syafaat (UIMSYA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30739/loyalitas.v8i1.3660

Abstract

The kindergarten can utilize its schoolyard as a supportive and ideal learning place in teaching and learning activities, especially regarding the environment. So far, RA Plus Al-Islam has not managed the schoolyard thoughtfully; they have only arranged it to fulfill the game tools. Considering the geographical conditions and the main livelihoods of the community around the school, RA Plus Al-Islam can use the schoolyard as an agricultural-based eco-education facility. The purpose of Service activity is to optimize the RA Plus Al-Islam schoolyard so that it is safe and comfortable to play and, at the same time, can function as an agriculture-based eco-education facility. The method of implementing activities is by lecture, discussion, practice, and mentoring, with the activity's target being RA teachers. The post-test results showed increased teacher knowledge about agriculture-based ecoeducation, with an average score of 90. Using the schoolyard as a means of agriculture-based eco-education increased the interest and enthusiasm of RA students in learning to care for plants.
THE SYMPHONY OF NATIONALISM: A POSTCOLONIAL STUDY TO THE MUSIC AND LYRICS OF INDONESIAN KERONCONG Assiddiqi, Hasbi; Nurrachman, Dian; Priyawan, Pepen; Sudarisman, Yoga
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 22 No. 1 (2025): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

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Abstract

This paper examines the role of keroncong music as a medium for building and strengthening the values of patriotism, nationalism, and diversity harmony in Indonesia. Keroncong music, which was first introduced by Portuguese sailors in the 16th century, underwent a process of acculturation until it became an integral part of Indonesian cultural identity. During the colonial period, this genre of music was used as a symbolic tool of resistance that ignited the spirit of struggle and nationalism. With its touching lyrics and melodious tunes, keroncong became a means for the Indonesian people to express their love for their homeland and national identity. Songs such as “Bengawan Solo,” “Melati di Tapal Batas,” and “Rayuan Pulau Kelapa” became powerful symbols of patriotism and played an important role in the Indonesian independence movement. Postcolonial literary criticism was applied to understand how colonial and nationalist elements interacted in keroncong music, as well as how keroncong helped reconstruct postcolonial national identity in Indonesia. The results of the study show that keroncong music not only serves as entertainment but also as a symbol of struggle that reflects Indonesia's national identity. As an adaptive form of music, keroncong has successfully maintained its relevance by incorporating local elements and themes that reflect Indonesia's socio-political dynamics. In its lyrics, keroncong conveys messages rich in national values and diversity, capable of embracing all layers of Indonesian society, from various ethnicities, religions, and social backgrounds. The value of patriotism in keroncong music emerges through themes of struggle, love for the homeland, and pride as an independent nation. Nationalism in keroncong is further strengthened by the use of local language and idioms, as well as the incorporation of traditional cultural elements deeply rooted in Indonesian society.
FROM WARRIORS TO UNITY: ANALYSING FANTASY FORMULA IN RAYA AND THE LAST DRAGON (2011) Tasari, Putri Devi; Assiddiqi, Hasbi
Saksama: Jurnal Sastra Vol. 2 No. 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.27767

Abstract

This research aims to analyze the conflict formula in Raya and The Last Dragon, directed by Carlos López Estrada and Don Hall. The film portrays the story of Raya, a female warrior in a country abundant with animals and a unique mode of transportation called Tuktuk, before it turns dystopian. The scenes from the film represent the cultural diversity of Southeast Asia. The research method employs a descriptive quantitative approach, analysing data and sources through the intrinsic elements of the film. Data collection techniques include documentation techniques, such as films and literary observations, and interactive techniques, such as data reduction, data presentation, and data collection. The writer applies literary theory to comprehend the literary systematics in films. The findings of this study reveal that Raya and The Last Dragon presents Kumandra as a country that exemplifies Southeast Asian civilization, aiming to demonstrate tolerance, resilience, acceptance, and unity.
Stereotype of Beauty and Ugliness in Soman Chainani’s The School for Good and Evil Salsabila, Socha; Assiddiqi, Hasbi; Fauzi, Erfan Muhammad
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.6141

Abstract

This research analyzes the stereotypes of beauty and ugliness in Soman Chainani’s The School for Good and Evil. This research aims to identify the stereotypes of beauty and ugliness constructed through the characterization of the two main characters, Sophie and Agatha, as well as how the novel challenges and reconstructs traditional expectations of beauty and ugliness. Using a qualitative approach and descriptive analysis methods, this research identifies narrative elements that reinforce and challenge these stereotypes. The research results show that beauty is often associated with good, while ugliness is associated with evil. Sophie, who is described as very physically beautiful, was initially considered good, but later developed into a character full of selfishness. Agatha, who is perceived as ugly, actually displays kindness and strong morality. The novel The School For Good and Evil subverts the traditional stereotype, showing that physical appearance does not always reflect a person's morality. This research uses the theories of Janice Radway and John Cawelti. Radway explains that beauty is often associated with the role of the female hero, while Cawelti discusses the balance between convention and invention in popular works. This research identifies beauty not only through outer beauty such as physical appearance but also inner beauty. Good deeds such as defending, forgiving, helping, giving, and loving are the essence of goodness. With the meaning that inner beauty involves honesty, sincerity, and good deeds that reflect the values of true goodness.
Turn-Taking Mechanism in Piers Morgan Uncensored Talkshow: Going Down For LIFE Piers Morgan Discusses the Downfall of Diddy Rahmah, Nazma Sania; Ruminda, Ruminda; Assiddiqi, Hasbi
Riwayat: Educational Journal of History and Humanities Vol 8, No 1 (2025): Januari, Special Issue on "Educational design research for human beings learning
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v8i1.44273

Abstract

This research analyzes how the turn of conversation on Piers Morgan Uncensored Talkshow episode Going Down Forlife Piers Morgan Discusses The Downfall of Diddy, using Jacob L Mey, (2001) conversation analysis theory as a framework. This research analyzes taking the floor, holding the floor, and yielding the floor through a qualitative examination of the conversation that took place between Piers Morgan and his guest. This study analyzes how the turn of conversation on the piers morgan talk-show in the episode going down for life thr downfall of diddy, using Jacob L. Mey's theory of conversation analysis as a framework. This research identifying the type of turn-taking mechanism used in the conversation. The method used in this research is descriptive qualitative method to produce precise and factual conclusions by using approaches to collect data. The result shows that holding the floor most common used in the conversation that happened in this talk show.
Reclaiming Female Agency through Écriture Féminine in Carol Ann Duffy’s The World’s Wife Fauziah Rahmalia, Salma; Assiddiqi, Hasbi; Nurrachman, Dian
Jurnal Ragam Pengabdian Vol. 3 No. 2 (2026): Mei-Agustus, Sustainable Development Goals (SDGs): Multidisciplinary Perspectiv
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/fwczmg35

Abstract

This study examines the textual strategies used to reclaim female agency in Carol Ann Duffy’s poetry collection “The World’s Wife” through Hélène Cixous’s framework of écriture féminine. While past research heavily generalizes historical or mythological adaptations, this paper addresses a critical gap by analyzing the exact linguistic subversion and structural reconstruction of the female body and voice. Applying a mimetic approach and qualitative close reading, this study analyzes three specific poems: "Little Red Cap," "Queen Kong," and "Mrs Rip Van Winkle." The findings show that female liberation functions as a continuous, structured journey: developing from the deconstruction of internal psychological and spatial fears in "Little Red Cap," transitioning into a radical subversion of the masculine gaze through humor and desire in "Queen Kong," and culminating in complete somatic independence and autonomous creative expression in "Mrs Rip Van Winkle." Ultimately, this study demonstrates that Duffy’s revisions operate beyond simple thematic commentary; they serve as a radical practice of écriture féminine that successfully weaponizes aesthetic structures to destroy traditional patriarchal binary systems in literature.
Co-Authors Dahlan, Sandra Dewi Dian Nurrachman, Dian Edi Ardian, Edi EF, Abd. Hanan Ellena FL Lilipaly Fajar, Rahmat Fauzi, Erfan Muhammad Fauziah Rahmalia, Salma Fauziah, Afifah Nur Rizki Febrianti, Nabilah Tri Iis Nur Asyiah Imam Mudakir Issanty, Nadia Mauliana Khusnah, Nurul Azizatul Listiani, Toneng Miranda, Lirang Titania Muhammad Ramdhan pramita, agry Priyawan, Pepen Rahmah, Nazma Sania Ruminda Ruminda Salsabila, Socha Sape'i, Sape'i Sinda, Vatina Sudjatnika, Tenny Tasari, Putri Devi Wahyuningsih, Mirotin Eka Yoga Sudarisman