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All Journal Cakrawala Pendidikan DIKSI Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Bahasa dan Sastra Indonesian Journal of Applied Linguistics (IJAL) KEMBARA Jurnal Budaya Etnika Kawruh : Journal of Language Education, Literature and Local Culture Jurnal Abdi Masyarakat Indonesia JOURNAL OF HUMANITIES, SOCIAL SCIENCES AND BUSINESS (JHSSB) Jumantara: Jurnal Manuskrip Nusantara YASIN: Jurnal Pendidikan dan Sosial Budaya Susastra : Jurnal Ilmu Sastra dan Budaya Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah
Dwiadmojo, Ghis Nggar
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Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Kajian Karya Mas Ngabei Kramaprawira Dwiadmojo, Ghis Nggar
Jurnal IKADBUDI Vol. 11 No. 1 (2022)
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v11i1.62004

Abstract

Tulisan ini bertujuan memperkenalkan Mas Ngabei Kramaprawira, sebagai Pujangga Madiun yang pernah meninggalkan jejak di Kuncen Madiun. Selain itu penelitian ini juga bertujuan mengkaji karya-karya peninggalan sang pujangga. Berdasarkan bukti arkeologis di kompleks Makam Kuncen Kota Madiun terdapat makam seorang Pujangga Madiun Bernama Mas Ngabei Kramaprawira. Berdasarkan penelusuran karyanya ada beberaa karya yang merupakan peninggalannya, yaitu beberapa naskah yang tersimpan di dalam dan luar negeri. Naskah-naskah peninggalannya di antaranya adalah Bantah Kekalih, Cariyos Kalihwelas, Cariyos Prabu Humijol Fal, Geguritan Tani, Wacan, dan Dewaruci.
Nilai Tauhid dalam Serat Ambiya untuk Menguatkan Pendidikan Islam Berbasis Kearifan Lokal Eko Gunawan; Hesti Mulyani; Venny Indria Ekowati; Ghis Nggar Dwiadmojo; Yusi Nurcahya Dewi
Kawruh: Journal of Language Education, Literature and Local Culture Vol. 7 No. 2 (2025): Oktober 2025
Publisher : Universitas Veteran Bangun Nusantara Sukoharjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32585/kawruh.v7i2.7166

Abstract

Tawhid education, part of Islamic education, has an important position in Javanese society, especially for Muslims. Tawhid education can be obtained in various ways from various sources, one of which is from Serat Ambiya, which is part of Javanese local wisdom. The purpose of this study is to describe and explain the values of tawhid contained in Serat Ambiya. This research uses a qualitative descriptive method with a philological approach. Data in the form of words, phrases, clauses, or sentences in the text are taken by applying the purposive sampling technique. Data collection used reading and note-taking techniques. Based on data analysis of Serat Ambiya, the values of tauhid education contained therein can be summarized as follows: the acknowledgment of Allah as the Lord of the Universe and Allah as the Creator and Provider (tauhid rububiyah); the rejection of worshiping anything other than Allah, the declaration of tauhid, the prohibition of shirk, and the recitation of the tauhid phrase (tauhid uluhiyah); as well as the establishment of Allah's eternal nature, the call to invoke Allah's name, and the glorification of Allah (tauhid asma wa sifat). Strengthening the value of tawhid through local wisdom is one of the options as part of efforts to strengthen the values of Islamic Education in Javanese society.
EKSISTENSI KEBAYA MODERN DALAM IDENTITAS BUDAYA PEREMPUAN JAWA GEN Z DI ERA KONTEMPORER nisa, Annisa Laila Gustiavani; Endraswara, Suwardi; Dwiadmojo , Ghis Nggar
Jurnal Budaya Etnika Vol. 9 No. 2 (2025): POTRET BUDAYA TRADISI DAN MATERI LOKAL DAN GLOBAL PADA MASA KONTEMPORER DI INDO
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

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Abstract

Abstrak: Penelitian ini mengkaji tentang eksistensi kebaya modern dalam identitas budaya perempuan Jawa yang mengalami transformasi di era generasi Z dan era kontemporer saat ini. Metode yang digunakan dalam penelitian ini yaitu menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data melalui survei berupa kuisioner. Objek kajian dalam penelitian ini yaitu eksistensi kebaya modern dalam identitas budaya perempuan Jawa. Subjek penelitiannya yaitu perempuan Jawa generasi Z. Hasil Penelitian ini menunjukkan bahwa pada era kontemporer saat ini, perkembangan budaya semakin pesat, sehingga melahirkan berbagai model kebaya baru yang lebih modern. Kebaya ini yang kemudian dijadikan sebagai inovasi yang sangat populer di kalangan generasi Z saat ini, khususnya pada perempuan Jawa. Mereka menjadikan kebaya modern sebagai alat untuk mengekspresikan dirinya dengan bebas sebagai identitas perempuan di Jawa tanpa harus menghilangkan makna dan filosofi budaya yang sudah melekat di dalamnya. Kata kunci: Eksistensi, Kebaya, Gen Z, Kontemporer Abstract: This research aims to the existence of modern kebaya in the cultural identity of Javanese women who have undergone transformation in the era of generation Z and the current contemporary era. The method is a qualitative descriptive method with data collection techniques through a survey in the form of a questionnaire. The object of this research is the existence of modern kebaya in the cultural identity of Javanese women, and the subjects are Javanese women of generation Z. The results show that in the current contemporary era, cultural development is increasingly rapid, thus giving birth to various new, more modern kebaya models. This kebaya then became a very popular innovation among Generation Z today, especially among Javanese women. They use modern kebaya as a tool to freely express themselves as a Javanese woman's identity without having to eliminate the meaning and cultural philosophy that is inherent in it. Keywords: Existence, Kebaya, Gen Z, Contemporary
Nature Narratives in Serat Palilindon 9 L 197: Cheryll Glotfelty Ecocritical Studies Maghribi, Iftitah Ulfiana; Wulandari, Yosi; Dwiadmojo, Ghis Nggar
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 11 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v11i2.42223

Abstract

Serat Palilindon 9 L 197 is a palm-leaf manuscript written in the Buda script from the Merapi-Merbabu tradition that records narratives of disasters, especially earthquakes (lindu), as cosmic events laden with moral, social, and spiritual meaning. This manuscript reflects the worldview of pre-modern Javanese society, which interpreted nature not merely as a physical phenomenon, but as the language of the cosmos and a means of ecological ethics. This study aims to analyze the representation of nature in the Palilindon section (lempir 2r-4v) through Cheryll Glotfelty's ecocritical approach using the concepts of nature as text, environmental ethics, and human-nature interaction. The research uses a descriptive qualitative method with content analysis techniques (Krippendorff, 2018). The main data consists of digital manuscripts from the National Library of Indonesia (Khastara) collection and validated transliteration results. The results of the study show five thematic categories, namely (1) natural phenomena as signs of disharmony, (2) human socio-spiritual responses to disasters, (3) symbolic/cosmological meanings through the Hijri calendar, (4) the reciprocal relationship between humans and nature, and (5) ecological values that emphasize solidarity and cosmic balance. The conclusion of the study affirms that Serat Palilindon presents nature as an active agent and an ethical, spiritual text that teaches balance among faith, morality, and ecology.
Iluminasi Manuskrip Jawa sebagai Inspirasi Desain Undangan Pernikahan Ekowati, Venny Indria; Aryulita, Erlin; Dwiadmojo, Ghis Nggar; Hadirman, Hadirman
YASIN Vol 5 No 4 (2025): AGUSTUS
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v5i4.6288

Abstract

Conserved Javanese manuscripts hold a wealth of visual richness and aesthetic value that remains largely unexplored, particularly in the illuminative elements which serve not only as decoration but also as illustrative support to the textual content. This study aims to propose an invitation card design inspired by the illuminations found in ancient manuscripts, as a form of cultural adaptation within the creative industry. The research employs a descriptive-qualitative method and content analysis. The primary object of study is the illumination in the manuscript Serat Jayalengkara Wulang, codex Add MS 12310, housed in the British Library. The adaptation process comprises five stages: (1) selection of illumination elements, (2) redrawing using the Procreate application, (3) stylization for form simplification, (4) layout arrangement for the invitation design, and (5) final rendering for production purposes. The end product is a market-ready digital invitation design, available for e-commerce distribution. This study demonstrates that Javanese manuscript illuminations can be creatively adapted as visual elements that hold both aesthetic and historical value, while also enhancing product appeal within the creative industry. The findings open new possibilities for utilizing intangible cultural heritage, which has traditionally focused more on script than on visual elements such as illumination.
Sintesa Islam-Jawa dalam Sěrat Wulang Dalěm Pakubuwana II Dwiadmojo, Ghis Nggar; Kurniawan, Abimardha; Mulyani, Hesti; Ekowati, Venny Indria; Gunawan, Eko; Dewi, Yusi Nurcahya
YASIN Vol 5 No 5 (2025): OKTOBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v5i5.6735

Abstract

This study aims to examine the synthesis of Islamic and Javanese elements in the Serat Wulang Dalem Pakubuwana II (SWDPB II), as found in manuscript Ms. Orient Okt 1224 from the Staatsbibliothek Berlin collection. The research adopts a new historicism approach, which views literary works as inseparable from the historical, social, political, and economic contexts of their time. The data consist of textual excerpts from the manuscript, analyzed to identify manifestations of Islamic-Javanese cultural synthesis. The findings reveal that this synthesis is articulated through the use of terminology drawn from two distinct traditions that are harmoniously juxtaposed, such as Arabic and Javanese scripts, the figures of prophets and kings, and the symbolic pairing of the right and left eyes. Within the textual construction, these elements are interpreted as complementary rather than oppositional. This synthesis reflects an intellectual and spiritual response to the evolving ethical and social dynamics of the 19th century, particularly in the context of the interaction between Islam and Javanese culture within the royal court.
Co-Authors Abimardha Kurniawan, Abimardha Afendy Widayat Agyl Fathu Rochim Aran Handoko Aryulita, Erlin Avi Meilawati Doni Dwi Hartanto Eko Gunawan Ernawati, Elis Gunawan, Eko Hadirman, Hadirman Hesti Mulyani Maghribi, Iftitah Ulfiana nisa, Annisa Laila Gustiavani Nur Hidayati Nurhayati, M.Pd., Endang Nurhidayati Nurhidayati Prastowo, Galang Purwadi Purwadi Sri Hertanti Wulan Suwardi Suwardi Venny Indria Ekowati Widyaningrum, Rahmatia Ayu Yosi Wulandari Yusi Nurcahya Dewi