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Kajian Karya Mas Ngabei Kramaprawira Dwiadmojo, Ghis Nggar
Jurnal IKADBUDI Vol. 11 No. 1 (2022)
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v11i1.62004

Abstract

Tulisan ini bertujuan memperkenalkan Mas Ngabei Kramaprawira, sebagai Pujangga Madiun yang pernah meninggalkan jejak di Kuncen Madiun. Selain itu penelitian ini juga bertujuan mengkaji karya-karya peninggalan sang pujangga. Berdasarkan bukti arkeologis di kompleks Makam Kuncen Kota Madiun terdapat makam seorang Pujangga Madiun Bernama Mas Ngabei Kramaprawira. Berdasarkan penelusuran karyanya ada beberaa karya yang merupakan peninggalannya, yaitu beberapa naskah yang tersimpan di dalam dan luar negeri. Naskah-naskah peninggalannya di antaranya adalah Bantah Kekalih, Cariyos Kalihwelas, Cariyos Prabu Humijol Fal, Geguritan Tani, Wacan, dan Dewaruci.
Nilai Tauhid dalam Serat Ambiya untuk Menguatkan Pendidikan Islam Berbasis Kearifan Lokal Eko Gunawan; Hesti Mulyani; Venny Indria Ekowati; Ghis Nggar Dwiadmojo; Yusi Nurcahya Dewi
Kawruh: Journal of Language Education, Literature and Local Culture Vol. 7 No. 2 (2025): Oktober 2025
Publisher : Universitas Veteran Bangun Nusantara Sukoharjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32585/kawruh.v7i2.7166

Abstract

Tawhid education, part of Islamic education, has an important position in Javanese society, especially for Muslims. Tawhid education can be obtained in various ways from various sources, one of which is from Serat Ambiya, which is part of Javanese local wisdom. The purpose of this study is to describe and explain the values of tawhid contained in Serat Ambiya. This research uses a qualitative descriptive method with a philological approach. Data in the form of words, phrases, clauses, or sentences in the text are taken by applying the purposive sampling technique. Data collection used reading and note-taking techniques. Based on data analysis of Serat Ambiya, the values of tauhid education contained therein can be summarized as follows: the acknowledgment of Allah as the Lord of the Universe and Allah as the Creator and Provider (tauhid rububiyah); the rejection of worshiping anything other than Allah, the declaration of tauhid, the prohibition of shirk, and the recitation of the tauhid phrase (tauhid uluhiyah); as well as the establishment of Allah's eternal nature, the call to invoke Allah's name, and the glorification of Allah (tauhid asma wa sifat). Strengthening the value of tawhid through local wisdom is one of the options as part of efforts to strengthen the values of Islamic Education in Javanese society.
PENERAPAN AKSARA JAWA PADA BANGUNAN CAGAR BUDAYA DAN OBJEK WISATA DI KAWASAN SUMBU FILOSOFI YOGYAKARTA Agyl Fathu Rochim; Nur Hidayati; Ghis Nggar Dwiadmojo
Sabdasastra : Jurnal Pendidikan Bahasa Jawa Vol 10, No 1 (2026): Sabdasastra : Jurnal Pendidikan Bahasa Jawa
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/sabpbj.v10i1.103274

Abstract

Aksara Jawa as one of the cultural heritages of the Javanese people is now increasingly rarely used in everyday life. This problem encourages the importance of preservation efforts, one of which is through utilization in public spaces, especially in the Yogyakarta philosophical axis area which is rich in cultural values. This study aims to examine the application of aksara Jawa in cultural heritage buildings and tourist attractions along the Yogyakarta philosophical axis, as well as to examine its relevance to values of Keyogyakartaan. The study uses a qualitative descriptive approach with field observation techniques, in-depth interviews, and visual documentation. The results of the study show that the use of aksara Jawa has been applied to nameplates, location markers, and decorative elements in historic buildings such as the Yogyakarta Palace, Tugu Pal Putih, Yogyakarta Station, and several points in Malioboro. However, its use still contains spelling errors and inconsistencies in the rules of aksara Jawa writing. These findings indicate that preservation has not been carried out optimally and tends to be only aesthetic. The values of Yogyakarta such as "pamenthanging gandewa, pamanthenging cipta" and "sawiji, greget, sengguh ora mingkuh" can be used as a basis for strengthening more meaningful preservation. The conclusion of this study is the need for standardization of aksara Jawa writing in public spaces as part of educative and representative cultural preservation. It is recommended that the government, academics, communities and society collaborate in compiling standard guidelines and increasing cultural literacy through strategic spaces.
Iluminasi Manuskrip Jawa sebagai Inspirasi Desain Undangan Pernikahan Ekowati, Venny Indria; Aryulita, Erlin; Dwiadmojo, Ghis Nggar; Hadirman, Hadirman
YASIN Vol 5 No 4 (2025): AGUSTUS
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v5i4.6288

Abstract

Conserved Javanese manuscripts hold a wealth of visual richness and aesthetic value that remains largely unexplored, particularly in the illuminative elements which serve not only as decoration but also as illustrative support to the textual content. This study aims to propose an invitation card design inspired by the illuminations found in ancient manuscripts, as a form of cultural adaptation within the creative industry. The research employs a descriptive-qualitative method and content analysis. The primary object of study is the illumination in the manuscript Serat Jayalengkara Wulang, codex Add MS 12310, housed in the British Library. The adaptation process comprises five stages: (1) selection of illumination elements, (2) redrawing using the Procreate application, (3) stylization for form simplification, (4) layout arrangement for the invitation design, and (5) final rendering for production purposes. The end product is a market-ready digital invitation design, available for e-commerce distribution. This study demonstrates that Javanese manuscript illuminations can be creatively adapted as visual elements that hold both aesthetic and historical value, while also enhancing product appeal within the creative industry. The findings open new possibilities for utilizing intangible cultural heritage, which has traditionally focused more on script than on visual elements such as illumination.
Sintesa Islam-Jawa dalam Sěrat Wulang Dalěm Pakubuwana II Dwiadmojo, Ghis Nggar; Kurniawan, Abimardha; Mulyani, Hesti; Ekowati, Venny Indria; Gunawan, Eko; Dewi, Yusi Nurcahya
YASIN Vol 5 No 5 (2025): OKTOBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v5i5.6735

Abstract

This study aims to examine the synthesis of Islamic and Javanese elements in the Serat Wulang Dalem Pakubuwana II (SWDPB II), as found in manuscript Ms. Orient Okt 1224 from the Staatsbibliothek Berlin collection. The research adopts a new historicism approach, which views literary works as inseparable from the historical, social, political, and economic contexts of their time. The data consist of textual excerpts from the manuscript, analyzed to identify manifestations of Islamic-Javanese cultural synthesis. The findings reveal that this synthesis is articulated through the use of terminology drawn from two distinct traditions that are harmoniously juxtaposed, such as Arabic and Javanese scripts, the figures of prophets and kings, and the symbolic pairing of the right and left eyes. Within the textual construction, these elements are interpreted as complementary rather than oppositional. This synthesis reflects an intellectual and spiritual response to the evolving ethical and social dynamics of the 19th century, particularly in the context of the interaction between Islam and Javanese culture within the royal court.
EKSISTENSI KEBAYA MODERN DALAM IDENTITAS BUDAYA PEREMPUAN JAWA GEN Z DI ERA KONTEMPORER Annisa Laila Gustiavani nisa; Suwardi Endraswara; Ghis Nggar Dwiadmojo
Jurnal Budaya Etnika Vol. 9 No. 2 (2025): POTRET BUDAYA TRADISI DAN MATERI LOKAL DAN GLOBAL PADA MASA KONTEMPORER DI INDO
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstrak: Penelitian ini mengkaji tentang eksistensi kebaya modern dalam identitas budaya perempuan Jawa yang mengalami transformasi di era generasi Z dan era kontemporer saat ini. Metode yang digunakan dalam penelitian ini yaitu menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data melalui survei berupa kuisioner. Objek kajian dalam penelitian ini yaitu eksistensi kebaya modern dalam identitas budaya perempuan Jawa. Subjek penelitiannya yaitu perempuan Jawa generasi Z. Hasil Penelitian ini menunjukkan bahwa pada era kontemporer saat ini, perkembangan budaya semakin pesat, sehingga melahirkan berbagai model kebaya baru yang lebih modern. Kebaya ini yang kemudian dijadikan sebagai inovasi yang sangat populer di kalangan generasi Z saat ini, khususnya pada perempuan Jawa. Mereka menjadikan kebaya modern sebagai alat untuk mengekspresikan dirinya dengan bebas sebagai identitas perempuan di Jawa tanpa harus menghilangkan makna dan filosofi budaya yang sudah melekat di dalamnya. Kata kunci: Eksistensi, Kebaya, Gen Z, Kontemporer Abstract: This research aims to the existence of modern kebaya in the cultural identity of Javanese women who have undergone transformation in the era of generation Z and the current contemporary era. The method is a qualitative descriptive method with data collection techniques through a survey in the form of a questionnaire. The object of this research is the existence of modern kebaya in the cultural identity of Javanese women, and the subjects are Javanese women of generation Z. The results show that in the current contemporary era, cultural development is increasingly rapid, thus giving birth to various new, more modern kebaya models. This kebaya then became a very popular innovation among Generation Z today, especially among Javanese women. They use modern kebaya as a tool to freely express themselves as a Javanese woman's identity without having to eliminate the meaning and cultural philosophy that is inherent in it. Keywords: Existence, Kebaya, Gen Z, Contemporary
Reconstruction of Past Disasters Mitigation in Sěrat Primbon Palintangan Palinḍon Pakědutan (Add.12311): Collective Memory Studies on Maurice Halbwachs’ Perspective Isna Ilham Nur Rizki; Yosi Wulandari; Ghis Nggar Dwiadmojo; I Kadek Purnawan
JENTERA: Jurnal Kajian Sastra Vol 15, No 1 (2026): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v15i1.8517

Abstract

This study aims to examine the Sĕrat Primbon Palintangan Palinḍon Pakĕdutan (Add.12311) as a form of the Javanese people’s collective memory of disasters and reconstruct the culture-based disaster mitigation potential contained within it. This study employs a descriptive qualitative method using Maurice Halbwachs’ collective memory approach. The primary data source is the manuscript Sĕrat Primbon Palintangan Palinḍon Pakĕdutan (Add.12311) from the British Library collection, analyzed through literature review and qualitative content analysis. The results indicate that earthquakes in the Palindon text are understood not only as natural phenomena but also as indicators of social, health, economic, and environmental changes. Experiences regarding social conflict, food crises, disease outbreaks, population displacement, and ecological vulnerabilities are organized as collective memory passed down through Javanese written traditions. This study also found the existence of culture-based disaster mitigation awareness, manifested in vigilance toward environmental changes, the strengthening of social solidarity, preparedness for food and health crises, and the maintenance of socio-ecological balance in the face of crisis situations. Thus, the Palindon texts serve as a medium for transmitting traditional disaster knowledge that remains relevant for strengthening culture-based disaster mitigation in contemporary society. Abstrak Penelitian ini bertujuan untuk mengkaji Sĕrat Primbon Palintangan Palinḍon Pakĕdutan (Add.12311) sebagai bentuk memori kolektif masyarakat Jawa tentang bencana dan merekonstruksi potensi mitigasi bencana berbasis budaya yang terkandung di dalamnya. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan memori kolektif Maurice Halbwachs. Sumber data utama adalah manuskrip Sĕrat Primbon Palintangan Palinḍon Pakĕdutan (Add.12311) dari koleksi British Library, yang dianalisis melalui tinjauan pustaka dan analisis isi kualitatif. Hasil penelitian menunjukkan bahwa gempa bumi dalam teks Palindon dipahami tidak hanya sebagai fenomena alam tetapi juga sebagai indikator perubahan sosial, kesehatan, ekonomi, dan lingkungan. Pengalaman mengenai konflik sosial, krisis pangan, wabah penyakit, pengungsian penduduk, dan kerentanan ekologis diorganisasikan sebagai memori kolektif yang diturunkan melalui tradisi tulis Jawa. Studi ini juga menemukan adanya kesadaran mitigasi bencana berbasis budaya, yang termanifestasi dalam kewaspadaan terhadap perubahan lingkungan, penguatan solidaritas sosial, kesiapan menghadapi krisis pangan dan kesehatan, serta pemeliharaan keseimbangan sosial-ekologis dalam menghadapi situasi krisis. Dengan demikian, teks-teks Palindon berfungsi sebagai media untuk menyampaikan pengetahuan tradisional tentang bencana yang tetap relevan untuk memperkuat mitigasi bencana berbasis budaya dalam masyarakat kontemporer.