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All Journal Gorga : Jurnal Seni Rupa MUDRA Jurnal Seni Budaya Segara Widya: Jurnal Penelitian Seni Abdi Seni Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa International Journal of Engagement and Empowerment (IJE2) International Journal of Multidisciplinary Research and Literature (IJOMRAL) Jurnal Ilmiah Kesehatan Masyarakat Enrichment: Journal of Multidisciplinary Research and Development Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Framing: Journal of Art, Film, Television, Animation, Games and Technology Jurnal Studi Seni Visual dan Desain: Les-Guet's
I Wayan Setem
Institut Seni Indonesia Bali, Indonesia
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Veterinary Other

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Susu Ibu Sebagai Inspirasi Dalam Penciptaan Karya Seni Patung Kresna Yoga, I Gede Deva; Jodog, I Made; Setem , I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1845

Abstract

Breastfeeding is the process of giving milk to a baby or child with breast milk form the mother’s breast. Through the breastfeeding process, there is a personal relationship between mother and child in loving energy. Various perspective on breastfeeding occur in the community, including knowledge about the importance of breastfeeding. The concept of breastfeeding, breastfeeding attitudes, visuals of the breastfeeding process are interesting thing to research and the serve as the basis for creating ideas. This creation aims to remind the importance of breastfeeding and increase knowledge and the creation of sculptures. The analysis is carried out based on aesthetic, semiotic and deformation theories. The research was conducted by means of observation, interviews, documentation and stages of creation with exploration, experimentation and formation. Utilization of the element and principles of sculpture is the basis of creation. The main media used are cornice and banana trees. As a form of creation are sculpture entitled “Mother’s Milk” and “ Mother’s Happiness”.
Pujawali Pura Dalem Tungkub Mengwitani Sebagai Inspirasi Penciptaan Karya Lukis Prayoga, I Made Adi Putra; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3500

Abstract

Pujawali is a day to celebrated by Hindus as a form of gratitude to God. Furthermore, the pujawali at Dalem Tungkub Mengwitani temple includes several processions, including the process of ngias sumpang, going to the purification, give the blabaran, mamendet, murwa daksina, joint prayer, napak pertiwi, and nyineb. The aim of creating this work and writing is to find the author's unique painting style inspired by pujawali activities using expressionist techniques. The method used in the process of creating this work of painting is the writing method by Hawkins, including the stages of exploration, improvisation and formation. The results of this activity correspond to the stages carried out, namely (1) in the exploration stage relevant ideas and studies related to the work created are produced; (2) the improvisation stage produces sketches in a sketchbook; and (3) the formation stage produced six works of painting according to the pujawali plot at Pura Dalem Tungkub Mengwitani.
The Impact Of Deforestation As An Idea In The Creation Of Painting Nataprawira, Muhammad Rafli Ramdhani; Mustika, I Ketut; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3628

Abstract

This thesis contains a description of the creation of a work of painting with the theme "The Impact of Deforestation as an Idea in The Creation of Painting" which was inspired by reading a book which reminded the author of his visit to Kalimantan. This will discuss the impact of deforestation in Indonesia. Indonesia is the largest archipelagic country in the world, with its vast territory, Indonesia is known for its very diverse cultural, ethnic and natural riches, and as the Lungs of the World. However, the serious problem currently facing Indonesia is deforestation. Deforestation is the activity of cutting down forests where the land is converted for non-forest use. This change in forest land causes disruption of environmental conditions such as natural disasters, extinction of flora and fauna, global warming and climate change. The aim to be achieved in creating this work is to understand the impact of deforestation in Indonesia through creativity and imagination in the form of paintings using various techniques, media, considering the elements and principles of fine art. From the theme above, there are 6 (six) works that can be realized from the impact of deforestation which can provide an overview of the impact of deforestation in Indonesia.
The River In Senganan Village As A Source Of Ideas For The Creation Of Paintings Kanta, Putu Aripta Dera; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3629

Abstract

This Independent Study TA thesis has the theme "Rivers In The Village Senganan As A Source (De Creating Works Of Painting"), departs from an idea about the river as a source of life for the community in Senganan village. From this, it gives rise to the urge to present natural visualizations with beautiful forms by combining certain techniques and references to achieve the goal and the desired meaning. The problem faced is how to process visuals to represent ideas. ideas, so that changes to the work look interesting. The tuivan and its benefits are to provide a new reflection for the community to better protect and preserve the river in Senganan village. To answer what is the aim of this work, the creation method involves exploration, improvisation and formation. By compiling elements of fine art, and through exploration, improvisation, and formation stages, and combined with ideas and ideas, 6 works were created entitled: 1) "Natural Water", 2) "Waterfall in the Forest", 5) "To river towards one point", 4) "Mysterious stone", 5) "Destruction of the river", 6) "The power of water". In accelerating the work, the author will use several references and techniques from artists. By combining impressionist techniques and expressionist techniques using paint acrylic, in visualizing works that embody the beautiful nature of rivers up to the pollution of these rivers as time goes by, various techniques are combined neatly to create aesthetic works, it is hoped that they can produce quality works and become the author's identity. In the end, it can be concluded that humans are very dependent on nature, and we must trade with nature to be sustainable. The river in Senganan village provides a lot of inspiration for creative work and is very interesting to use and develop with imaginative ideas that will become valuable and meaningful works. By creating this work, the author hopes to be able to convey a message or meaning regarding the personal phenomena that the author has experienced.
Gadamer's Hermeneutic Analysis For Digital Illustration Barong & Rangda On Emba Jeans By Illustrator Monez Ni Nyoman Sri Witari; I Wayan Swandi; I Wayan Setem; Alit Kumala Dewi
Warna Komunikasi Vol 1 No 2 (2025): Journal of Visual Art and Design Studies: Les-Guet's
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/lg.v1i2.5500

Abstract

Emba Jeans products promoted in the July 2023 season are rich in Balinese tradition, transforming the figures of Barong and Rangda as objects of creativity. The reproduction of the meaning of the text contained in the illustrations is very unique and rich with interpretations This study aims to describe relevant interpretations and understandings to explore the meaning and aesthetic value of Monez's digital illustrations that compose Barong and Rangda as the main characters on Emba Jeans products with the theme "Chatarsist,  Music Turns Tragedy into Rhapsody" using Gadamer's hermeneutic theory approach. This research is important considering that Emba uses elements of Balinese cultural symbols as a source of creativity. The research method uses a qualitative approach, which is descriptive interpretive, with the research object of the characters of Barong and Rangda in the illustrations of Emba Jeans which are analyzed with four conceptual variables according to Gadamer's hermeneutics, namely historical analysis, dialectical analysis, prejudice analysis, and linguistic analysis. The results of the interpretation of the meaning obtained from this illustration are that Barong and Rangda are considered as symbols of catharsis, which is reflected by the activities of meditating and playing musical instruments as a representation of a means of human psychological reflection that is able to change negative things into great joy and enthusiasm.
THE MEANING OF TYPOGRAPHY ON STREET FOOD CARTS IN BLOK M, SOUTH JAKARTA Darsono, Boedhatmaka; Artayasa, I Nyoman; Setem, I Wayan; Arsa, I Ketut Sida
International Journal of Multidisciplinary Research and Literature Vol. 5 No. 2 (2026): INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND LITERATURE
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ijomral.v5i2.401

Abstract

The phenomenon of changing trading patterns among street food vendors in Jakarta, from mobile to stationary stalls, has influenced the communication strategies used to attract consumers. While mobile carts rely on sound as a means of communication to signal their presence, stationary carts have shifted to visual communication through typography. This study uses mixed methods through observation, interviews, literature review, and documentation to examine the meaning of typographic elements on stationary carts in the Sisingamangaraja Street area, Blok M, South Jakarta. Semiotic analysis is used to interpret the relationship between the visual representation of typography and the meaning it produces. This study aims to reveal the meaning of visual typography elements on street food carts in both personal and communal dimensions. On a personal level, typography reflects the background, experience, and visual preferences of vendors as a form of individual identity. Meanwhile, at the communal level, typography functions as a collective representation that shapes the visual identity of the merchant group in the Sisingamangaraja street area, specifically in front of Blok M Plaza, South Jakarta. Through this interpretation, this study aims to provide a deeper understanding of the role of typography as a medium of visual cultural expression in the dynamics of the urban informal economy. The findings show that typography not only reflects the personal identity of traders, but also functions as a communal visual representation that shapes the identity of street vendor groups. This study confirms the role of typography as a medium of visual cultural expression in the context of the urban informal economy.
THE SANGHYANG JARAN DANCE IN NYALIAN VILLAGE, KLUNGKUNG, AS A SOURCE OF INSPIRATION FOR THE CREATION OF VISUAL ART WORKS Darmasuta, I Putu Eka; Setem, I Wayan; Adi Sucipta, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4516

Abstract

The report on the creation of this work of pure art was inspired by the Sanghyang Jaran dance in Nyalian Village, Banjarangkan District, Klungkung Regency. As a source of inspiration for creative ideas, the author has lived side by side with the Balinese customs and traditions around him since childhood, and one of them is the Sanghyang Jaran dance. The Sanghyang Jaran dance is also a religious art because it involves the spirit of Sanghyang Jaran, which will possess the selected dancer and will experience a trance, and Sanghyang Jaran dance performances are held at several temples. is in Nyalian Village. The creation process used stages: basic research, exploration, canvas experiments with acrylic paint totaling 4 (four) works, and 2 (two) works of wood-based sculpture. In the process of creating the work, the author took references from the Wasundari Kamasan studio as a source for creating the work. The author combines the ornaments given. In the creation process, the author took the form of patterns, proportions of rock shapes, standards, and several other techniques.
Pelatihan Pengembangan Seni Lukis Wayang Kamasan pada Media Pot Gerabah dan Plexiglas di Sanggar Sinar Pande Kamasan Klungkung I Wayan Setem; Gede Yosef Tjokropramono; I Wayan Gulendra
Abdi Seni Vol. 17 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan pengabdian ini adalah menawarkan solusi atas persoalan kejenuhan peserta didik saat melukis dan mewarnai di Sanggar Sinar Pande Kamasan, Klungkung, dengan media alternatif berupa Plexiglas dan pot gerabah. Selain pemanfaatan media baru, peserta didik juga diberikan kebebasan untuk berekspresi/berkreasi, dan dibarengi dengan penyampaian materi yang menarik melalui storytelling. Metode yang digunakan yaitu demonstrasi praktik secara langsung. Sedangkan tahapan pelaksanaan pengabdian meliputi pengumpulan data permasalahan bersama pimpinan sanggar, merancang pelatihan, membuat modul, menyiapkan alat dan bahan, pelaksanaan pelatihan, monitoring, serta mendiseminasikan hasil pelatihan di Rumah BUMN Klungkung. Melalui pengembangan pembelajaran seni lukis wayang Kamasan dengan sinergi konsep diversifikasi teknik melukis dan revitalisasi tekstual dan kontekstual, dapat meningkatkan minat dan animo anak-anak untuk mengikuti pembelajaran melukis dan mewarnai. Revitalisasi atau pembaruan teknik proses melukis untuk memperkuat keterampilan lokal agar mampu mengaplikasikannya ke media yang lebih beragam. Revitalisasi tekstual dan kontekstual dilakukan melalui penerapan pada media baru yang unik dan artistik guna menghasilkan produk yang bervariasi serta lebih adaptif.   Kata kunci: Pembelajaran, wayang Kamasan, media alternatif, pot gerabah, Plexiglas
THE AESTHETICS OF RESISTANCE: AN INSTALLATION BY JOMPET KUSWIDANANTO Walid Syarthowi Basmalah; I Wayan Adnyana; I Wayan Setem; I Wayan Karja
International Journal of Multidisciplinary Research and Literature Vol. 5 No. 4 (2026): INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND LITERATURE
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ijomral.v5i4.467

Abstract

This article examines how Jompet Kuswidananto formulates a counter-hegemonic aesthetics through installation works that combine spectral figures, sonic orchestration, and material icons to challenge dominant narratives of history and Javanese-Indonesian identity in the post-New Order era. The research data consist of in-depth interviews with Jompet (2024-2025), exhibition documentation, and secondary literature. The analysis focuses on Java's Machine: Phantasmagoria (2008), which presents a parade of “ghost soldiers” and hybridises marching-band sounds with Javanese symbols, and on After Voices (2016), which articulates political memory and collective movement. The findings reveal three principal counter-hegemonic aesthetic devices: (1) spectrality, which reactivates historical trauma and destabilises the authority of representation; (2) sonic-politics, which inserts irony into militaristic and nationalist forms of discipline; and (3) symbolic iconoclasm, exemplified by the use of crystal chandeliers as allegories for the collapse of colonial power. Drawing upon Antonio Gramsci's theory of hegemony, Stuart Hall's concept of representation, and Claire Bishop's writings on installation art, this study demonstrates that Jompet’s works create a space for negotiating meaning, enriching the discourse of contemporary art in Southeast Asia. This article contributes to cultural studies by proposing the “Three S” matrix (spectrality, sonic politics, and symbolic iconoclasm) as an analytical framework for examining counter-hegemonic strategies in installation art
Pengaruh Leaflet terhadap Motivasi Pengendalian Hipertensi Metode Pretest-Posttest di Puskesmas Sokaraja II dan Sumbang II Risky Devy Lupitasari; Resy Setem; Ruth Gratia Dwi P; Sesilia Tiara Yuvita; Siti Setianingsih
SEHATMAS: Jurnal Ilmiah Kesehatan Masyarakat Vol. 5 No. 3 (2026): Juli 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sehatmas.v5i3.9091

Abstract

Hypertension is one of the non-communicable diseases that remains a major public health problem due to its substantial contribution to morbidity and mortality associated with cardiovascular complications. Effective health education is essential to enhance patients' motivation for hypertension control. This study aimed to analyze the effect of leaflet-based health education on hypertension control motivation among participants of the Chronic Disease Management Program (PROLANIS) at Sokaraja II and Sumbang II Primary Health Centers, Banyumas Regency. This study employed a quantitative approach with a pre-experimental one-group pretest–posttest design. A total of 72 respondents were selected using a random sampling technique. Data were collected using a hypertension control motivation questionnaire administered before (pretest) and after (posttest) the educational intervention using leaflet media. Data were analyzed using univariate analysis to describe respondents' characteristics and motivation levels, while bivariate analysis was performed using the Wilcoxon signed-rank test with a significance level of p<0.05. The results showed an increase in the proportion of respondents with good motivation at Sokaraja II Primary Health Center from 25.00% to 63.89% and at Sumbang II Primary Health Center from 30.56% to 72.22%, accompanied by a decrease in the proportion of respondents with poor motivation. The Wilcoxon signed-rank test demonstrated a statistically significant difference between the pretest and posttest scores (p<0.05). In conclusion, leaflet-based health education was effective in improving hypertension control motivation among PROLANIS participants. Leaflets may serve as an effective health education strategy to support hypertension control in primary healthcare settings.
Co-Authors Alit Kumala Dewi Arsad Tri Gunawan, I Made Aryani, Ni Nyoman Ayu Suti Darma Yoga, I Made Darmasuta, I Putu Eka Darsono, Boedhatmaka Dewi, Citra Samara Dewobroto, Bambang Trisilo Drs. I Wayan Mudana,M.Si. . Gulendra, I Wayan I Gede Jaya Putra I Ketut Murdana I Ketut Mustika I Ketut Sida Arsa I Made Bendi Yudha, I Made Bendi I Made Sudana I Made Sudana I Made Sumantra I Nengah Wirakesuma, I Nengah I Nyoman Artayasa I Wayan Adnyana I Wayan Gulendra I Wayan Mudana I Wayan Swandi Jodog , I Made Kanta, Putu Aripta Dera Kariana, I Nengah Komang Nelly Sundari Kondra, I Wayan Kresna Yoga, I Gede Deva Kristina, Renata Ayu M. Dwi Marianto Nataprawira, Muhammad Rafli Ramdhani Ni Made Purnami Utami Ni Nyoman Sri Witari Pande Made Sukerta Prayoga, I Made Adi Putra Putra Artawan, I Made Putra, Anak Agung Ramanda Risky Devy Lupitasari Ruth Gratia Dwi P Sardono W Kusomo Selimanorita, Shafa’ Sesilia Tiara Yuvita Siti Setianingsih Sucipta, Wayan Gede Adi Susanto, Moh. Rusnoto Tjokropramono, Gede Yosef Utama, Pande Komang Budhi Sastra Utomo, M. Indra Bayu Vanesa Vanesa Martida, Vanesa Walid Syarthowi Basmalah Wayan Karja