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All Journal Jurnal Ilmiah Universitas Batanghari Jambi Capture : Jurnal Seni Media Rekam SANGKEP: Jurnal Kajian Sosial Keagamaan Pena Justisia: Media Komunikasi dan Kajian Hukum Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) KAGANGA KOMUNIKA: Journal of Communication Science Journal of Comprehensive Science Adjektiva: Educational Languages and Literature Studies Jurnal Indonesia Sosial Sains Innovative: Journal Of Social Science Research RESLAJ: Religion Education Social Laa Roiba Journal Jurnal Indonesia : Manajemen Informatika dan Komunikasi
Agustian, Jaka Farih
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Journal : RESLAJ: Religion Education Social Laa Roiba Journal

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Resepsi Khalayak terhadap Konflik Keluarga dalam Film Ngeri-Ngeri Sedap: Studi Kasus Mahasiswa Angkatan 2020 Program Studi Ilmu Komunikasi Universitas Mulawarman Putri, Irma Adella; Sucipta, Johantan Alfando Wikanda; Agustian, Jaka Farih; Rohmah, Ainun Nimatu
Reslaj: Religion Education Social Laa Roiba Journal Vol. 6 No. 7 (2024): RESLAJ: Religion Education Social Laa Roiba Journal 
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/reslaj.v6i7.3628

Abstract

Movies are part of mass communication and serve as a medium for disseminating information to the public. Movies depict life and contain social stories. Ngeri-Ngeri Sedap is one of Bene Dion's film works that addresses the theme of conflict within a Batak family, reflecting a reality that allows the audience to interpret it in various ways. This research was conducted to analyze how audiences interpret family conflicts in the film Ngeri-Ngeri Sedap. The research uses a qualitative approach method with interviews conducted with five informants selected according to the research criteria. The focus of the research is Stuart Hall's reception theory, dividing interpretations into three categories: dominant hegemonic position, negotiated position, and oppositional position. The data analysis technique used is the Miles and Huberman interactive model data analysis. The results showed that movies still influence audiences in understanding their messages, supported by aspects such as the informants' backgrounds and social lives. The film depicts conflicts between parents and children, such as differences in views on marriage, aspirations, and work. Informants were found to be divided into negotiated and oppositional positions. In the negotiated position, there are informants 3 and 4, which means they understand the movie's meaning but refuse to apply some of its messages. In the oppositional position, there are informants 1, 2, and 5 who reject the family conflict depicted in the movie Ngeri-Ngeri Sedap.
Co-Authors Ananda Putri, Aulia Lun Anitasari, Indah Astuti, Erlina Puji Aulia, Hirpa Basri, Bella Dwi Adinda Budi Irawanto Dwivayani, Kadek Dristiana Elyana, Kukuh Endang Dwi Sulistyowati Fitri, Ellysa Hairunnisa Hairunnisa Hanz, Tiara Nasha Iskandar, Fitriyanti Islam, Jeni Ananda Nur Kheyene Molekandella Boer Mahmuda, Nia Mahruf, Fatimah Nur Aliya Maudi, Muthia Muhammad, Harrry Isra Nina Queena Hadi Putri Nur Hasanah Nurhaliza, Jihan nurliah, nurliah Pradana, Rudi Adi Purwanti, Silviana Putri, Irma Adella Rahmadhani, Adinda Ramadhani, Asri Rina Juwita Rohmah, Ainun Nimatu Sanjaya, Muhammad Nurdin Sary, Kezia Arum Setyawati, Meita Sijaya, Zaynab Army Sinaga, Pardiaman Siti Suryani Sucipta, Johantan Alfando Wikanda Sucipta, Johantan Alfando Wikandana Tuffahati, Thifal Prameswari Umar Umar Wahab, Annisa Patricia Wardana, Abi Tri Wikandana Sucipta, Johantan Alfando WS, Johantan Alfando WS Yusak Hudiyono, Yusak