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All Journal Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Perspektif Pendidikan dan Keguruan Jurnal Pengabdian Nasional (JPN) Indonesia Sajak: Jurnal Penelitian dan Pengabdian Sastra, Bahasa, dan Pendidikan JURNAL ILMIAH PENELITIAN MAHASISWA JURNAL MULTIDISIPLIN ILMU AKADEMIK Jurnal Pengabdian Nasional (JPN) Indonesia Sultan Adam : Jurnal Hukum dan Sosial
Sri Rahayu
Universitas Islam Riau
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Social Sciences Other

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ANALISIS METAFORA DAN PERSONIFIKASI DALAM SYAIR PERANG SIAK KARYA DONALD J. GOUDIE Sri Rahayu; Afrilia Ningtyas; Febby Febryanti; Hafara Nurisra; Ira Gustiana Sari; Nani Maulina; Tri Suci Handa Yani; Varira Candra Dewi
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 3 (2026): JUNI
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i3.2341

Abstract

This study examines the use of figurative language, specifically metaphor and personification, in the Syair Perang Siak by Donald J. Goudie. The background of this research is based on the richness of classical Malay literature, which often conveys meaning indirectly through symbolic and imaginative language. The objective of this study is to identify, analyze, and interpret the forms and functions of metaphor and personification within the text. The research employs a descriptive qualitative method with a stylistic approach, focusing on the analysis of linguistic forms and their aesthetic and semantic functions. Data were collected through documentation techniques by selecting relevant lines containing figurative expressions. The findings reveal that metaphor is used to represent emotional conditions, shifts in power, and social realities through symbolic associations, while personification animates abstract concepts, creating a more vivid and dramatic narrative. Both figures of speech contribute significantly to enhancing the aesthetic quality and deepening the meaning of the text. The study implies that understanding figurative language in classical literature is essential to uncover cultural values, historical contexts, and the author’s perspective, as well as to enrich readers’ interpretative and analytical skills.
Analisis Citraan dalam Novel Badboy-ku Imamku Karya Hann Lestari Sri Rahayu; Alintang Raya Milaniza; Delvi Witri Haryani; Haura Hafizhah; Meitia Haspita Rani; Olivia Olivia; Siti Aisyah; Zilfa Zaldiah
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 3 (2026): JUNI
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i3.2385

Abstract

This study discusses the analysis of imagery in the novel Badboy-ku Imamku by Hann Lestari. The purpose of this study is to describe the use of various types of imagery found in the novel, namely auditory, olfactory, tactile, motion, and visual imagery. The method used is descriptive qualitative with data collection techniques in the form of reading techniques and note-taking techniques. The research data are in the form of quotations in the novel that contain elements of imagery. The results of the study show that all types of imagery are found in the novel, with the most common imagery being visual imagery, tactile imagery, and motion imagery. The use of these imagery is able to strengthen the description of the atmosphere, the emotions of the characters, and the course of the story so that it is more vivid and easily understood by the reader.
Analisis Metafora dalam Pantun Pernikahan Melayu Kepulauan Riau (Natuna) melalui Pendekatan Stilistika Gorys Keraf Hilda Enonia Gea; Sri Rahayu; Anggeli Anggeli; Desi Putri Amelia; Laras Andina; Nofanda Dwi Anggraini; Nur Ifni Hayati; Syalsha Desta Auliya
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 4 (2026): Agustus
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i4.2552

Abstract

Wedding pantun is part of the oral tradition of the Malay community of the Riau Archipelago, particularly in Natuna, which contains cultural values and linguistic aesthetics. This study aims to describe the forms and types of metaphor and to analyze the figurative meanings of metaphor in Malay wedding pantun of the Riau Archipelago (Natuna) based on the theory of Gorys Keraf (1991). This qualitative descriptive research uses six pantun as data, obtained through interviews. The results show that not all pantun contain metaphors; only three out of six data exhibit the use of live metaphors. These metaphors function to convey symbolic meanings of beauty, respect, and humility before God. All metaphors found are classified as live metaphors, reflecting the cultural, social, and religious values of the Malay community.
IMAJI DALAM ANTOLOGI PUISI “PAGAR RUMAHKU BERUBAH WARNA” KARYA AMA GASPAR Sri Rahayu; Amallia Wahyu Ningsih; Marsha Maulida; Najmi Zakkiyah; Refani Anggraeni; Rona Ayyasy; Sindi Kurniawati
SULTAN ADAM: Jurnal Hukum dan Sosial Vol 4 No 1 (2026): Januari-Juni 2026
Publisher : Yayasan Pendidikan Tanggui Baimbaian

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71456/sultan.v4i1.1897

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya imaji dalam puisi sebagai sarana menghadirkan gambaran konkret dan memperkuat pengalaman estetik pembaca. Penelitian bertujuan untuk mengidentifikasi, mengklasifikasikan, dan mendeskripsikan jenis serta fungsi imaji dalam antologi puisi Pagar Rumahku Berubah Warna karya Ama Gaspar. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode deskriptif dan teknik analisis isi. Populasi penelitian berupa seluruh puisi dalam antologi Pagar Rumahku Berubah Warna, sedangkan sampel penelitian berupa kutipan larik puisi yang mengandung unsur imaji. Instrumen penelitian menggunakan peneliti sebagai instrumen utama dengan bantuan tabel klasifikasi data. Teknik pengumpulan data dilakukan melalui membaca, mencatat, dan menafsirkan data, sedangkan teknik analisis data menggunakan pendekatan deskriptif-interpretatif berdasarkan teori imaji W.S. Hasanuddin. Hasil penelitian menunjukkan bahwa antologi puisi tersebut mengandung imaji visual, auditori, penciuman, perasaan, taktil, dan kinestetik, dengan imaji visual sebagai jenis yang paling dominan. Kesimpulan penelitian ini menegaskan bahwa penggunaan imaji mampu mengonkretkan gagasan abstrak serta memperkuat makna, suasana, kritik sosial, dan pengalaman batin dalam puisi.
Analisis Metafora dalam Berbalas Pantun Upacara Adat Pernikahan Melayu Bengkalis Riau (Pendekatan Semantik) Sri Rahayu; Puan Zahra Fazliani; Kheysa Aurellta Syahri; Riyanti Riyanti; Diandra Salsabillah Faradiba; Erlian Nisa Harahap; Yaya Efifanya Putri Siregar; Nurul Huda
JURNAL MULTIDISIPLIN ILMU AKADEMIK Vol. 3 No. 3 (2026): JUNI
Publisher : CV. KAMPUS AKADEMIK PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jmia.v3i3.10400

Abstract

The development of the times and the influence of modernization have also caused a decrease in the use of pantun in everyday life. The younger generation tends to be less interested in studying pantun in depth, thus potentially causing a loss of understanding of the cultural values contained therein. According to (Sung, 2020), pantun is an important part of Malay culture that contains moral values and community identity, so it needs to be preserved and understood comprehensively. The method used in this study is the content analysis method. This method is used to analyze the content or meaning contained in the pantun text. Through this method, researchers identify, classify, and analyze metaphors contained in pantun based on metaphor categories according to Stephen Ulman. The results of the study show that in the reply pantun in the Bengkalis Malay wedding ceremony there are only 2 types of metaphors out of 4 existing types. Namely concrete to abstract metaphors and synesthesia metaphors. The following is the author's description of the research results. From the analysis carried out with a semantic approach based on Stephen Ulman's theory, it was found that the metaphors in Bengkalis Malay wedding pantuns include several types, namely concrete to abstract metaphors, synesthesia metaphors, and a small number of other forms of metaphors. Among these types, concrete to abstract metaphors are the most dominant, because Malay people tend to use real objects or activities to describe abstract life concepts, such as affection, responsibility, commitment, and hope in building a household.
Co-Authors Afrilia Ningtyas Alintang Raya Milaniza Amallia Wahyu Ningsih Anggeli Anggeli Aslan Efendi Ayu Pramusuari Della Ardila Delvi Witri Haryani Desi Putri Amelia Devita Rahmawati Putri Diandra Salsabillah Faradiba Dini Thiyana Luthfi Elvi Mulia Girsang Erlian Nisa Harahap Ermawati Sulaiman Erni Erni Febby Febryanti Hafara Nurisra Hanifa Zahra Haura Hafizhah Hermaliza Hermaliza Hilda Enonia Gea Indah Sari Indah Widiati Ira Gustiana Sari Kheysa Aurellta Syahri Laras Andina Luthfi Hayatun Maharani Marsha Maulida Meitia Haspita Rani Muhammad Arief Najmi Zakkiyah Nani Maulina Neka Nopendra Nofanda Dwi Anggraini Nofika Dewi Nur Aripa Nur Ifni Hayati Nurul Huda Olivia Olivia Piliang, Wilda Srihastuty Handayani Puan Zahra Fazliani Redhalia Hanafi Refani Anggraeni Regina Anggraini Reni Ambarwati Riyanti Riyanti Rona Ayyasy Santhy Dewi Putri P Shefira Nurulita Sindi Kurniawati Siti Aisyah Srikandi Monalisa Syafriyani Nofitri Syalsha Desta Auliya Tri Suci Handa Yani Varira Candra Dewi Viora Willy Dwika Afriani Wulandari Wulandari Yaya Efifanya Putri Siregar Yuliani, Sri Yulianto Zahra Putri Maharani Zilfa Zaldiah