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All Journal KREDO : Jurnal Ilmiah Bahasa dan Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Perspektif Pendidikan dan Keguruan Jurnal Pengabdian Nasional (JPN) Indonesia Edu Cendikia: Jurnal Ilmiah Kependidikan Sajak: Jurnal Penelitian dan Pengabdian Sastra, Bahasa, dan Pendidikan JURNAL ILMIAH PENELITIAN MAHASISWA JURNAL MULTIDISIPLIN ILMU AKADEMIK Jurnal Pengabdian Nasional (JPN) Indonesia Sultan Adam : Jurnal Hukum dan Sosial Jurnal Selaksa Makna Jurnal Pengabdian Indonesia
Sri Rahayu
Universitas Islam Riau
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Social Sciences Other

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ANALISIS METAFORA DAN PERSONIFIKASI DALAM SYAIR PERANG SIAK KARYA DONALD J. GOUDIE Sri Rahayu; Afrilia Ningtyas; Febby Febryanti; Hafara Nurisra; Ira Gustiana Sari; Nani Maulina; Tri Suci Handa Yani; Varira Candra Dewi
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 3 (2026): JUNI
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i3.2341

Abstract

This study examines the use of figurative language, specifically metaphor and personification, in the Syair Perang Siak by Donald J. Goudie. The background of this research is based on the richness of classical Malay literature, which often conveys meaning indirectly through symbolic and imaginative language. The objective of this study is to identify, analyze, and interpret the forms and functions of metaphor and personification within the text. The research employs a descriptive qualitative method with a stylistic approach, focusing on the analysis of linguistic forms and their aesthetic and semantic functions. Data were collected through documentation techniques by selecting relevant lines containing figurative expressions. The findings reveal that metaphor is used to represent emotional conditions, shifts in power, and social realities through symbolic associations, while personification animates abstract concepts, creating a more vivid and dramatic narrative. Both figures of speech contribute significantly to enhancing the aesthetic quality and deepening the meaning of the text. The study implies that understanding figurative language in classical literature is essential to uncover cultural values, historical contexts, and the author’s perspective, as well as to enrich readers’ interpretative and analytical skills.
Analisis Citraan dalam Novel Badboy-ku Imamku Karya Hann Lestari Sri Rahayu; Alintang Raya Milaniza; Delvi Witri Haryani; Haura Hafizhah; Meitia Haspita Rani; Olivia Olivia; Siti Aisyah; Zilfa Zaldiah
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 3 (2026): JUNI
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i3.2385

Abstract

This study discusses the analysis of imagery in the novel Badboy-ku Imamku by Hann Lestari. The purpose of this study is to describe the use of various types of imagery found in the novel, namely auditory, olfactory, tactile, motion, and visual imagery. The method used is descriptive qualitative with data collection techniques in the form of reading techniques and note-taking techniques. The research data are in the form of quotations in the novel that contain elements of imagery. The results of the study show that all types of imagery are found in the novel, with the most common imagery being visual imagery, tactile imagery, and motion imagery. The use of these imagery is able to strengthen the description of the atmosphere, the emotions of the characters, and the course of the story so that it is more vivid and easily understood by the reader.
Analisis Metafora dalam Pantun Pernikahan Melayu Kepulauan Riau (Natuna) melalui Pendekatan Stilistika Gorys Keraf Sri Rahayu; Anggeli Anggeli; Desi Putri Amelia; Hilda Enonia Gea; Laras Andina; Nofanda Dwi Anggraini; Nur Ifni Hayati; Syalsha Desta Auliya
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 4 (2026): Agustus
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i4.2552

Abstract

Wedding pantun is part of the oral tradition of the Malay community of the Riau Archipelago, particularly in Natuna, which contains cultural values and linguistic aesthetics. This study aims to describe the forms and types of metaphor and to analyze the figurative meanings of metaphor in Malay wedding pantun of the Riau Archipelago (Natuna) based on the theory of Gorys Keraf (1991). This qualitative descriptive research uses six pantun as data, obtained through interviews. The results show that not all pantun contain metaphors; only three out of six data exhibit the use of live metaphors. These metaphors function to convey symbolic meanings of beauty, respect, and humility before God. All metaphors found are classified as live metaphors, reflecting the cultural, social, and religious values of the Malay community.
IMAJI DALAM ANTOLOGI PUISI “PAGAR RUMAHKU BERUBAH WARNA” KARYA AMA GASPAR Sri Rahayu; Amallia Wahyu Ningsih; Marsha Maulida; Najmi Zakkiyah; Refani Anggraeni; Rona Ayyasy; Sindi Kurniawati
SULTAN ADAM: Jurnal Hukum dan Sosial Vol 4 No 1 (2026): Januari-Juni 2026
Publisher : Yayasan Pendidikan Tanggui Baimbaian

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71456/sultan.v4i1.1897

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya imaji dalam puisi sebagai sarana menghadirkan gambaran konkret dan memperkuat pengalaman estetik pembaca. Penelitian bertujuan untuk mengidentifikasi, mengklasifikasikan, dan mendeskripsikan jenis serta fungsi imaji dalam antologi puisi Pagar Rumahku Berubah Warna karya Ama Gaspar. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode deskriptif dan teknik analisis isi. Populasi penelitian berupa seluruh puisi dalam antologi Pagar Rumahku Berubah Warna, sedangkan sampel penelitian berupa kutipan larik puisi yang mengandung unsur imaji. Instrumen penelitian menggunakan peneliti sebagai instrumen utama dengan bantuan tabel klasifikasi data. Teknik pengumpulan data dilakukan melalui membaca, mencatat, dan menafsirkan data, sedangkan teknik analisis data menggunakan pendekatan deskriptif-interpretatif berdasarkan teori imaji W.S. Hasanuddin. Hasil penelitian menunjukkan bahwa antologi puisi tersebut mengandung imaji visual, auditori, penciuman, perasaan, taktil, dan kinestetik, dengan imaji visual sebagai jenis yang paling dominan. Kesimpulan penelitian ini menegaskan bahwa penggunaan imaji mampu mengonkretkan gagasan abstrak serta memperkuat makna, suasana, kritik sosial, dan pengalaman batin dalam puisi.
Analisis Metafora dalam Berbalas Pantun Upacara Adat Pernikahan Melayu Bengkalis Riau (Pendekatan Semantik) Sri Rahayu; Puan Zahra Fazliani; Kheysa Aurellta Syahri; Riyanti Riyanti; Diandra Salsabillah Faradiba; Erlian Nisa Harahap; Yaya Efifanya Putri Siregar; Nurul Huda
JURNAL MULTIDISIPLIN ILMU AKADEMIK Vol. 3 No. 3 (2026): JUNI
Publisher : CV. KAMPUS AKADEMIK PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jmia.v3i3.10400

Abstract

The development of the times and the influence of modernization have also caused a decrease in the use of pantun in everyday life. The younger generation tends to be less interested in studying pantun in depth, thus potentially causing a loss of understanding of the cultural values contained therein. According to (Sung, 2020), pantun is an important part of Malay culture that contains moral values and community identity, so it needs to be preserved and understood comprehensively. The method used in this study is the content analysis method. This method is used to analyze the content or meaning contained in the pantun text. Through this method, researchers identify, classify, and analyze metaphors contained in pantun based on metaphor categories according to Stephen Ulman. The results of the study show that in the reply pantun in the Bengkalis Malay wedding ceremony there are only 2 types of metaphors out of 4 existing types. Namely concrete to abstract metaphors and synesthesia metaphors. The following is the author's description of the research results. From the analysis carried out with a semantic approach based on Stephen Ulman's theory, it was found that the metaphors in Bengkalis Malay wedding pantuns include several types, namely concrete to abstract metaphors, synesthesia metaphors, and a small number of other forms of metaphors. Among these types, concrete to abstract metaphors are the most dominant, because Malay people tend to use real objects or activities to describe abstract life concepts, such as affection, responsibility, commitment, and hope in building a household.
Analisis Citraan dalam Kumpulan Cerpen Cinta yang Tak Terucap: Dan Sehimpun Cerita Tentangnya Karya Saad Pamungkas dkk. Sri Rahayu; Alintang Raya Milaniza; Delvi Witri Haryani; Eva Debora Lumban Tobing; Haura Hafizhah; Meitia Haspita Rani; Olivia; Saidatina Ardiani; Siti Aisyah; Zilfa Zaldiah
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 4 (2026): Agustus
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i4.2653

Abstract

This study aims to describe the use of imagery in the short story collection Cinta yang Tak Terucap: Dan Sehimpun Cerita Tentangnya by Saad Pamungkas dkk. This study is motivated by the importance of studying imagery in literary works because imagery can help readers build imagination and understand the atmosphere, events, and experiences of characters in the story. This study uses a descriptive method with a qualitative approach. The source of research data is the short story collection Cinta yang Tak Terucap: Dan Sehimpun Cerita Tentangnya by Saad Pamungkas dkk. Data collection was carried out using hermeneutic techniques through reading, recording, and concluding techniques. Data analysis was carried out through the stages of identification, classification, description, analysis, and interpretation of data based on the type of imagery. This study focuses on the analysis of twenty data representing four types of imagery, namely visual, auditory, tactile, and motion imagery. The results of the study show that the author utilizes various types of imagery to strengthen the depiction of characters, atmosphere, and events in the story. Visual imagery is used to present vivid visuals, auditory imagery is used to enliven the atmosphere through sound and dialogue, tactile imagery is used to describe the characters’ tactile experiences, and motion imagery is used to show activities that bring the story to life. The use of these imageries makes the story more engaging and helps readers better understand and visualize the story’s content.
AN ANALYSIS OF IMAGERY IN CASA’S NOVEL *YUANFEN* Salwa Khairunnisa; Sri Rahayu
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 10 No. 1 (2026): JURNAL KREDO VOL 10 NO 1 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v10i1.17585

Abstract

This study aims to describe the forms of imagery found in the novel Yuanfen by Casa based on Pradopo’s theory of imagery. The research employed a qualitative approach using the content analysis method. The data consisted of words, phrases, sentences, and dialogues in the novel that contain imagery elements. Data were collected through reading and note-taking techniques, and then analyzed through the stages of identification, classification of imagery types, and interpretation of their meanings within the context of the story. The findings revealed that there are 90 instances of imagery in the novel Yuanfen, consisting of six types: visual imagery, auditory imagery, kinesthetic imagery, tactile imagery, gustatory imagery, and olfactory imagery. Kinesthetic imagery was found to be the most dominant type, followed by visual and auditory imagery. The use of imagery in the novel functions to clarify the depiction of events, settings, and the emotional conditions of the characters, enabling readers to imagine the situations in a more concrete and imaginative manner. Therefore, imagery plays an important role in building the readers’ aesthetic experience.
ANALISIS NILAI MORAL DALAM NOVEL TANAH PARA BANDIT KARYA TERE LIYE Azita; Sri Rahayu
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 10 No. 1 (2026): JURNAL KREDO VOL 10 NO 1 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v10i1.17828

Abstract

This study aims to describe the moral values in Tere Liye’s novel *Tanah Para Bandit* based on Bertens’s theory, which encompasses responsibility, conscience, and duty. This study employs a qualitative approach using a descriptive method. The data source for this study is the novel *Tanah Para Bandit* by Tere Liye, published by Sabak Grip in 2023. The research data consists of narrative excerpts and dialogues containing moral values relevant to the study’s focus. Data collection was conducted through reading and note-taking, while data analysis utilized an interactive analysis model comprising data reduction, data presentation, and drawing conclusions. Data validity was ensured through careful observation and theoretical triangulation. The results revealed 33 instances of moral values, consisting of 13 instances of responsibility, 11 instances of conscience, and 9 instances of duty. Moral values related to responsibility emerged as the most dominant aspect, as demonstrated by the characters’ attitudes in fulfilling their duties, upholding their commitments, and taking responsibility for every decision made. Values of conscience were reflected through the characters’ inner struggles, empathy, and moral awareness in facing various issues, while values of duty were manifested through the performance of tasks, the upholding of justice, and commitment to the responsibilities entrusted to them. The results of this study indicate that the novel *Tanah Para Bandit* not only presents an engaging story but also contains relevant moral values that serve as a medium for character education and can be used as a reference in literature education and research on moral values in Indonesian literary works.
ANALISIS MAKNA DENOTATIF DAN KONOTATIF DALAM PANTUN PENOBATAN GELAR DATUK DI KUANTANSINGINGI: KAJIAN SEMANTIK Sri Rahayu; Selsi Aulia; Ririn Rahmadani; Dani Arli Ramayani; Alfa Ramadandika; Tasya Ayuni Syahira; Dhea Altha Fino; Suci Ramadhani
JURNAL SELAKSA MAKNA Vol. 2 No. 2 (2026): JURNAL SELAKSA MAKNA
Publisher : PROGRAM STUDI PENDIDIKAN BAHASA LAMPUNG, FKIP UNIVERSITAS LAMPUNG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/selaksamakna.v2i2.1839

Abstract

Language is the primary means of communication and the transmission of local wisdom, especially in Malay society, which is rich in oral literary traditions such as pantun. The problem of this research is how the denotative and connotative meanings in the pantun for the coronation of the Datuk title in Kuantan Singingi. This study aims to describe and analyze both types of meanings. The method used is descriptive qualitative with data sources in the form of pantun texts resulting from interviews with native Kuantan Singingi residents who understand the traditional procession. Data collection techniques were carried out through interviews, listening, and taking notes, while data analysis used Abdul Chaer's semantic theory which focuses on the relationship between language forms and denotative and connotative meanings. The results of the study show that there are 16 data in eight pantun stanzas consisting of 8 denotative meanings and 8 connotative meanings. This is because each stanza is composed of a sampiran and a fixed pattern of content, where the sampiran describes concrete things that have denotative meanings and the content contains traditional messages that have connotative meanings. This balance occurs because, in the Malay tradition, pantun serves as both a medium for conveying messages and a linguistic aesthetic that demands harmony between form and meaning. This uniqueness lies in the balance between literal and symbolic meaning in each verse of the pantun conferring the title of Datuk in Kuantan Singingi.   Bahasa merupakan sarana utama komunikasi dan pewarisan kearifan lokal, terutama dalam masyarakat Melayu yang kaya akan tradisi sastra lisan seperti pantun. Permasalahan penelitian ini adalah bagaimana makna denotatif dan konotatif dalam pantun penobatan gelar Datuk di Kuantan Singingi. Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis kedua jenis makna tersebut. Metode yang digunakan adalah deskriptif kualitatif dengan sumber data berupa teks pantun hasil wawancara dengan masyarakat asli Kuantan Singingi yang memahami prosesi adat. Teknik pengumpulan data dilakukan melalui wawancara, simak, dan catat, sedangkan analisis data menggunakan teori semantik Abdul Chaer yang berfokus pada hubungan bentuk bahasa dengan makna denotatif dan konotatif. Hasil penelitian menunjukkan terdapat 16 data dalam delapan bait pantun yang terdiri atas 8 makna denotatif dan 8 makna konotatif. Hal ini karena setiap bait tersusun atas sampiran dan isi yang berpola tetap, di mana sampiran menggambarkan hal konkret yang bermakna denotatif dan isi memuat pesan adat yang bermakna konotatif. Keseimbangan ini terjadi karena dalam tradisi Melayu pantun berfungsi sebagai media penyampaian pesan sekaligus estetika bahasa yang menuntut keselarasan bentuk dan makna. Inilah keunikannya, yaitu adanya keseimbangan antara makna literal dan simbolik dalam setiap bait pantun penobatan gelar Datuk di Kuantan Singingi.
SOSIALISASI HUKUM TENTANG DAMPAK PERNIKAHAN BEDA AGAMATERHADAP ANAK YANG DILAHIRKN BAGI JEMA’AH KAUM IBUMASJID MUJAHIDIN Meilan Lestari; Erlina Erlina; R. Febrina Andarina Zaharnika; Sri Rahayu; M. Amru Ramadhan; Risda Aini Putri
Jurnal Pengabdian Indonesia (JPI) Vol. 2 No. 2 (2026): Vol. 2 No. 2 Edisi Juli 2026
Publisher : PT. Jurnal Center Indonesia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62567/jpi.v2i2.2943

Abstract

Perkawinan beda agama masih menjadi persoalan yang menimbulkan berbagai implikasi hukum di Indonesia, khususnya terkait status hukum anak yang dilahirkan, hak keperdataan, pencatatan sipil, pewarisan, dan perlindungan hukum. Kurangnya pemahaman masyarakat mengenai ketentuan hukum yang berlaku berpotensi menimbulkan kesalahpahaman serta permasalahan hukum di kemudian hari. Oleh karena itu, kegiatan Pengabdian kepada Masyarakat ini bertujuan untuk meningkatkan pemahaman hukum Jemaah Kaum Ibu Masjid Mujahidin mengenai dampak perkawinan beda agama terhadap anak yang dilahirkan berdasarkan ketentuan peraturan perundang-undangan yang berlaku di Indonesia. Metode pelaksanaan kegiatan meliputi penyampaian materi melalui sosialisasi, diskusi interaktif, dan sesi tanya jawab untuk mengidentifikasi permasalahan yang dihadapi peserta sekaligus memberikan penjelasan hukum yang komprehensif. Materi yang disampaikan mencakup pengaturan perkawinan menurut hukum nasional, kedudukan hukum anak, hak-hak keperdataan anak, serta pentingnya pencatatan perkawinan dan kelahiran sebagai bentuk perlindungan hukum. Hasil kegiatan menunjukkan bahwa peserta memperoleh peningkatan pemahaman mengenai konsekuensi hukum perkawinan beda agama terhadap anak, pentingnya kepastian hukum dalam pembentukan keluarga, serta langkah-langkah preventif untuk menghindari sengketa hukum di masa mendatang. Kegiatan ini diharapkan dapat memperkuat kesadaran hukum masyarakat sehingga mampu mengambil keputusan yang sesuai dengan ketentuan hukum dan memberikan perlindungan terhadap hak-hak anak sebagai subjek hukum yang harus dijamin oleh Negara.
Co-Authors Afrilia Ningtyas Alfa Ramadandika Alintang Raya Milaniza Amallia Wahyu Ningsih Anggeli Anggeli Aslan Efendi Ayu Pramusuari Azita Dani Arli Ramayani Della Ardila Delvi Witri Haryani Desi Putri Amelia Devita Rahmawati Putri Dhea Altha Fino Diandra Salsabillah Faradiba Dini Thiyana Luthfi Elvi Mulia Girsang Erlian Nisa Harahap Erlina Erlina Ermawati Sulaiman Erni Erni Eva Debora Lumban Tobing Febby Febryanti Hafara Nurisra Hanifa Zahra Haura Hafizhah Hermaliza Hermaliza Hilda Enonia Gea Indah Sari Indah Widiati Ira Gustiana Sari Kheysa Aurellta Syahri Laras Andina Luthfi Hayatun Maharani M. Amru Ramadhan Marsha Maulida Meilan Lestari Meitia Haspita Rani Mela Farhany Muhammad Arief Najmi Zakkiyah Nani Maulina Neka Nopendra Nofanda Dwi Anggraini Nofika Dewi Nur Aripa Nur Ifni Hayati Nurul Huda Olivia Olivia Olivia Piliang, Wilda Srihastuty Handayani Puan Zahra Fazliani R. Febrina Andarina Zaharnika Redhalia Hanafi Refani Anggraeni Regina Anggraini Reni Ambarwati Ririn Rahmadani Risda Aini Putri Riyanti Riyanti Rona Ayyasy Saidatina Ardiani Salwa Khairunnisa Santhy Dewi Putri P Selsi Aulia Shefira Nurulita Sindi Kurniawati Siti Aisyah Srikandi Monalisa Suci Ramadhani Syafriyani Nofitri Syalsha Desta Auliya Tasya Ayuni Syahira Tri Suci Handa Yani Varira Candra Dewi Viora Willy Dwika Afriani Wulandari Wulandari Yaya Efifanya Putri Siregar Yuliani, Sri Yulianto Zahra Putri Maharani Zilfa Zaldiah