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All Journal RUANG: JURNAL LINGKUNGAN BINAAN (SPACE: JOURNAL OF THE BUILT ENVIRONMENT) Craft Jurnal Sosioteknologi Journal of Visual Art and Design Mozaik Humaniora Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal INVOTEC MUDRA Jurnal Seni Budaya Panggung Tawarikh : Journal of Historical Studies Prosiding Seminar Nasional Pakar Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Gelar : Jurnal Seni Budaya Jurnal Rupa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Keluwih: Jurnal Sains dan Teknologi Atrat: Jurnal Seni Rupa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Wimba: Jurnal Komunikasi Visual Jurnal Islam Nusantara Jurnal Dimensi Seni Rupa dan Desain Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Divinitas Jurnal Filsafat dan Teologi Kontekstual Serat Rupa: Journal of Design
Achmad Haldani Destiarmand
Faculty of Art and Design, Institut Teknologi Bandung
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mechanical Engineering Social Sciences Other

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UNSUR VISUAL ARCA PARWATI SEBAGAI DASAR IDE DESAIN PERHIASAN KONTEMPORER: USING VISUAL ASPECTS OF PARWATI STATUES AS A BASIS FOR CONTEMPORARY JEWEL DESIGNIDEAS Raissa Salsabila; Achmad Haldani Destiarmand
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 7 No. 1 (2024): Jurnal Seni dan Reka Rancang : Jurnal Ilmiah Magister Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v7i1.18998

Abstract

Dynamic developments in jewelry design encourage collaboration between designers and craftsmen to continue to develop innovation and uniqueness as a characteristic and strength of an industry. This research aims to design contemporary jewelry that integrates visual elements from the Parwati statue. The research method uses qualitative and quantitative approaches. With a qualitative and quantitative approach, data was collected through literature, observation, expert interviews, and questionnaires. The research results show that integrating traditional elements with new aesthetics through resin technology and 3D printing creates artistic jewelry products relevant to Generation Z. Design exploration successfully adopts past ideas, proving that design transformation can create explorative products and attract market interest. With high market interest in Arca Parwati-inspired jewelry, this research contributes to art and design, opens up new economic opportunities, and preserves cultural heritage through unique contemporary jewelry.  
KANDUNGAN NILAI AJARAN “MEMANGUN RESEP TIYASING SASAMA” PADA RAGAM HIAS GERBANG KOMPLEKS MAKAM SUNAN DRAJAT Sadah, Khozinatus; D, Achmad Haldani; Sachari, Agus
JURNAL ISLAM NUSANTARA Vol 2, No 2 (2018): KHAZANAH ISLAM NUSANTARA
Publisher : Lembaga Ta'lif wa An-Nasyr (LTN) PBNU

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (771.803 KB) | DOI: 10.33852/jurnalin.v2i2.91

Abstract

Sunan Drajat is one of the spreaders of Islam in the northern coast of Java island in the XV - XVI century by utilizing local culture as a medium of da’wah, one of which is in the form of religious symbols contained in decoration. At present, the tomb complex of Sunan Drajat is a religious tourist destination in Lamongan that can increase regional income, with visitors reaching 440 thousand people, in 2016. This study used a qualitative approach with aesthetic analysis, the morphology of Thomas Munro, aesthetic studies of Islam by Al Faruqi, and its meaning was carried out synchronously based on local oral traditions. The results showed that the decoration contained the meaning of Sunan Drajat's teachings and thoughts, namely memangun resep tyasing sasomo (we always make others happy), while the morphology consisted of lines, dots, expressions that formed a pavilion, mountains and tree of life. Aesthetic is achieved by a symmetrical arrangement with a pinch and focus in the center. Thus, the decoration at the main gate of the tomb complex of Sunan Drajat includes the media preaching the teachings of Sunan Drajat
Kajian Terhadap Kecenderungan Aspek Visual Dalam Perancangan Produk Mode Berbasis Tenun Gedhog Khas Tuban Mustikasari, Hany; Destiarmand, Achmad Haldani; Sachari, Agus
Keluwih: Jurnal Sains dan Teknologi Vol. 1 No. 2 (2020): Keluwih: Jurnal Sains dan Teknologi (August)
Publisher : Direktorat Penerbitan dan Publikasi Ilmiah, Universitas Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1065.228 KB) | DOI: 10.24123/saintek.v1i2.2922

Abstract

Abstract- Indonesia has a lot of cultural diversity which able to support the sustainability of the Creative Industries. Among them is gedhog woven, a traditional weaving cloth. Compared to other types of weaving such as ikat or songket, gedhog woven still lack in popularity in the consumer market. However, gedhog woven has the opportunity of further development into a weaving-based product in the fashion industry to aim high recognization in society. Consumer interests and perceptions of weaving-based products are analyzed through qualitative method in order to understand the consumer market. Experiment also conducted to obtain the final form of fashion products made from gedhog woven material. Product diversification refers to visual aspects in design such as shape, color, size, and proportion. Analysis of tendencies towards fashion product from woven materials obtained through this research. This can be utilized both for the foundation of further research as well as improving the quality and value of selling products in the consumer market.Keywords: visual aspect, fashion, gedhog woven Abstrak- Indonesia memiliki banyak kekayaan budaya yang dapat mendukung keberlangsungan Dari Industri Kreatif. Salah satunya adalah wastra nusantara berupa tenun gedhog. Dibandingkan dengan jenis tenun yang lain seperti ikat atau songket, tenun gedhog masih kurang popularitasnya di dalam pasar konsumen. Meski demikian, tenun gedhog tetap memiliki peluang pengembangan lebih lanjut menjadi sebuah produk dalam industri mode supaya makin dikenal oleh masyarakat. Minat dan persepsi konsumen terhadap produk berbasis tenun dianalisis melalui metodologi kualitatif dalam rangka memahami keinginan pasar. Selain itu, dilakukan pula eksperimen untuk memperoleh bentuk akhir produk mode yang terbuat dari material tenun gedhog. Diversifikasi produk mengacu kepada aspek visual dalam desain seperti bentuk, warna, ukuran, dan proporsi. Melalui penelitian ini diperoleh analisis dari kecenderungan masyarakat terhadap pemilihan produk mode yang terbuat dari material tenun. Hal ini dapat dimanfaatkan baik bagi landasan penelitian selanjutnya maupun bagi peningkatan kualitas dan nilai jual produk dalam pasar konsumen.Kata kunci: aspek visual, mode, tenun gedhog
Padma Flower Ornaments on the Gedhe Kauman Mosque in Yogyakarta and Its Transformation Wiyono, Erina; Damayanti, Nuning Yanti; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13170

Abstract

The pride in the identity of a nation which is associated with the long history can be transformed into a valuable asset for both the present and the future. This can be achieved through the development of cultural heritage in the form of the artifacts owned. The diverse traditions associated with past legacies establish an inseparable connection between Indonesia and cultural history. An example of cultural heritage are the buildings that serve as evidence of the activities conducted in the past. Moreover, the influence of cultural, religious, and social systems caused by acculturation is evident in different forms of mosque buildings in Indonesia, specifically on Java Island. This can be observed from the adoption of ornaments in the Western period, starting from the 16th century. An example was the adoption of Padma Flower also known as the Lotus and Red Lotus by mosque buildings during the early introduction of Islam. The flower is also found in the house of worship, the Gedhe Kauman Mosque in Yogyakarta, built in 1773 AD by Sri Sultan Hamengku Buwono 1. Therefore, this research aimed to explain (1) the form of Padma Flower ornaments based on the shape, and (2) the changes in the form with subsequent influence on the present design. A qualitative method with a Visual Adaptation strategy was used to describe and analyze the form of the flower to determine the formulation process. The adaptation of Padma Flower ornaments in different places was expected to assist the process of using motif as a reference in the field of art and design.
Kelenteng Kong Fuk Nio dan Masjid Jami Muntok dalam Worldview Toleransi Kota Muntok Primayudha, Novrizal; Santosa, Imam; Syarief, Achmad; Destiarmand, Achmad Haldani
Divinitas Jurnal Filsafat dan Teologi Kontekstual Vol 2, No 1 (2024): Divinitas January
Publisher : Fakultas Teologi, Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/div.v2i1.7481

Abstract

The long history of ethnic and religious tolerance in Indonesia has always tended to tell a story about expressions of indifference, and even hidden persuasiveness, which scrutinizes the problems of large organizations such as religion and culture. By concentrating on two contiguous places of worship of two religious’ communities in Muntok City, West Bangka, this article strives to identification from a side that is rarely exposed. The observation, interviews, and the acquisition of literature data elucidate how the application of amalgamated components in the two places of worship is a product of tolerance practices negotiated in the past hence it is of utmost significance to refrain from disregarding this historical substance through the interpretation of anomalous forms or idealized occasionalism. Thus, through Rainer Forst's concept of "Toleration", this article attempts to provide research significance to comprehending the concept of tolerance by discussing the relationship between physical cultural relics and tolerance practices to gain the worldview of the cultural proprietors. In this discourse, the presence of a building that represents a form of tolerance in a region is not only seen from its physical appearance, but also by careful consideration of the intangible relationships that operate in the realm of history and societal change.AbstrakSejarah panjang toleransi dari keragaman etnis dan agama di Indonesia senantiasa memiliki kecenderungan untuk menceritakan sebuah kisah mengenai ungkapan ketidakpedulian dan keterpaksaan, yang menganalisis permasalahan dari organisasi besar seperti agama dan budaya. Dengan mengambil fokus pada dua tempat peribadatan dari dua umat beragama yang berdampingan di Kota Muntok, Bangka Barat, artikel ini akan mencoba mengidentifikasi dari sisi yang jarang terekspos. Hasil observasi, wawancara dan perolehan data literatur, menunjukkan bagaimana penerapan elemen yang dipadukan pada dua bangunan peribadatan tersebut merupakan produk dari praktik toleransi yang dinegosiasikan di masa lampau sehingga penting sekali untuk tidak mengabaikan sejarah material ini dengan memaknai toleransi pada bentuk yang anomali, perpaduan yang kebetulan, atau oksidentalisme yang diidealkan. Melalui, konsepsi “Toleration” dari Rainer Forst, artikel ini mencoba untuk memberikan signifikasi penelitian terhadap konsep toleransi dengan mendiskusikan relasi antara artefak budaya fisik dan praktik toleransi serta worldview (pandangan-dunia) masyarakat pemiliknya. Dalam artikel ini, keberadaan sebuah bangunan yang digunakan untuk merepresentasikan toleransi dalam sebuah wilayah, tidak serta merta melihat secara fisik saja, namun harus juga melihat relasi-relasi nonfisik yang bergerak dalam dimensi sejarah maupun perkembangan masyarakatnya. 
Adaptasi Visual Motif Gambar Fauna pada Produk Scarf Hijab Modis Brand Alzena Kids Moslem Suliastuti, Iftika; Destiarmand, Achmad Haldani
Serat Rupa: Journal of Design Vol 7 No 2 (2023): SRJD - JULI
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v7i2.6252

Abstract

Fauna motifs hold social and cultural significance as symbolism in their application to cultural artifacts. Fauna decorative motifs applied to fashionable scarves and hijabs have religious limitations, as depicting fauna images is strictly prohibited and considered a form of associating partners with Allah SWT in the Islamic religion. One of the fauna motifs explored in this research is the representation of imaginary living creatures. The topic addressed in this study is the analysis of fauna motif designs using a visual adaptation strategy approach, with a focus on aesthetic elements in the printed fauna motifs of the Alzena Kids Moslem brand's fashionable hijabs. The fauna motif that serves as the brand's identity within the broader context of Muslim fashion is the Unicorn image. The Unicorn, also known as Qilin in Chinese history, is an adaptation of a horse-like creature with unique features, including a horn. This research aims to understand the reasons behind brands incorporating depictions of living creatures in the visual adaptation of fauna motif designs on printed scarf hijabs. The research methodology employed is qualitative descriptive research with a visual adaptation approach. The study examines the aesthetic elements through the theory of visual adaptation strategies as parameters for analyzing the research objects. The analysis of objects is conducted by collecting hijab products with fauna motif designs obtained from observations at the Indonesia Hijab Festival 2022 exhibition. This research is conducted to map out the designs and adaptation strategies of printed fashionable hijabs featuring fauna motifs from the Alzena Kids Moslem brand.
“Mbok Mase” dan “Mbok Semok”: Reinterpretasi Karakter Perempuan Jawa dalam Kultur Batik Nurcahyanti, Desy; Sachari, Agus; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
PANGGUNG Vol 31 No 3 (2021): Budaya Ritual, Tradisi, dan Kreativitas
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v31i3.1096

Abstract

Stigma masyarakat tentang karakter perempuan Jawa digambarkan sebagai sosok marginal yang tunduk pada kekuatan laki-laki, pengabdi, penurut, pelayan, bertutur kata lemah lembut, dan bergerak pelan dengan wajah menunduk. Deskripsi tersebut berubah secara dinamis dan mengalami reinterpretasi melalui peristiwa sejarah terkait peran perempuan Jawa dalam perjuangan penyetaraan hak dengan kaum laki-laki. Pemaknaan ulang karakter perempuan Jawa terjadi pada lingkup pengrajin batik di Girilayu, Karanganyar, Jawa Tengah. Mereka bersepakat membentuk pencitraan untuk ciri khas produk batik dengan istilah “Mbok Semok”. Analisis perspektif sosio-kultural memperlihatkan bahwa karakter, kekuatan, dan peran para perempuan pengrajin batik tersebut sebagai motor penggerak perekonomian di Girilayu. Uraian tersebut memiliki kesamaan dengan karakter, kekuatan, dan peran perempuan juragan di Laweyan, Surakarta (Solo) dengan sebutan “Mbok Mase”, sebagai kunci keberhasilan perjalanan sebuah usaha batik keluarga. Penelitian ini bersifat kualitatif dengan pendekatan antropologi budaya, analisis menggunakan metode komparatif berdasarkan konsep teori reinterpretasi dari Melville J. Herskovits. Hasil penelitian berupa deskripsi, latar belakang serta bentuk-bentuk reinterpretasi karakter perempuan Jawa dengan komparasi antara “Mbok Mase” di Laweyan, Surakarta dengan “Mbok Semok” di Girilayu, Karanganyar. Temuan penelitian adalah karakter, kekuatan, peran, sikap bahkan sistem di Girilayu dan Laweyan yang mereinterpretasi karakter perempuan Jawa merupakan etos kultur batik.
Co-Authors Acep Iwan Saidi Achmad Syarief Adolfus Djayes Madewa Djatinugroho Agus Sachari Agus Sachari Agus Sachari Agus Sachari Agus Sachari Agus Sachari Andar Bagus Sriwarno Andriana, Yunita Fitra Ariani . Arya Pageh Wibawa Bismo Jelantik Chandra Tresnadi Deni Yana Desy Nurcahyanti desy nurcahyanti Desy Nurcahyanti Devi Astarina Eliya Pebriyeni, S.Pd., M.Sn, HESTI ROSITA DWI PUTRI, Dra. Ernis, M.Pd, Fajar Ciptandi Ghaida Nasya Putri Gina Glad Tanaro Gregorius Prasetyo Adhitama Iftika Suliastuti Imam Santosa Imam Santosa Imam Santosa Imam Santosa Jesslyn Nadia Darmansa Mira Marlianti, Mira Muhamad Lukman Mustikasari, Hany Nadiah Salsabila Hakim Pambudi Naomi Haswanto Nisa Fardani Novrizal Primayudha Nuning Yanti Damayanti Nurcahyanti, Desy Rachman, Ariani Rachminingsih, Irma Raissa Salsabila Rully Darmawan Sadah, Khozinatus Setiawan Sabana Setiawan Sabana Siti Hadiyanti Suliastuti, Iftika Suyin Pramono Syarifah Dwi Rahma Ulfa Septiana Wiyono, Erina Yan Yan Sunarya Yan Yan Sunarya Yan Yan Sunarya Yan Yan Surnarya Yun Hariadi Yuningsih, Sari Zahra Afdianahl