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A Semiotic Analysis of the Meaning of Longing in the Lyrics of the Song “Lagu Untukmu” by Raisa Azmi Nailan Wisam; Khaerudin Imawan
Salus Publica: Journal of Community Service Vol. 4 No. 2 (2026): August 2026
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/saluspublica.v4i2.647

Abstract

Song lyrics can act as a means of expressing one’s emotions, meanings, and particular symbols. This research intends to explore the concept of longing present in the lyrics of the song “Lagu Untukmu” through the lens of Ferdinand de Saussure’s semiotic theory. Saussure’s semiotic theory emphasizes two elements: the signifier and the signified. This study employs an interpretative qualitative approach and operationalizes Ferdinand de Saussure’s semiotic framework by analyzing the relationship between signifiers and signified meanings in the song lyrics. Data were collected through document analysis of song lyrics and in-depth interviews with selected listeners, which were used to complement the semiotic analysis. The result indicate that the meaning of longing is constructed through a system of linguistic signs representing emotional distance, memory, and maternal attachment. This longing represents not only physical yearning but also emotional yearning for unconditional acceptance, a sense of security, the warmth of the relationship, and memories of the past that have changed due to life transitions. The conclusion of this study is that song lyrics can serve as a medium for conveying messages or feelings experienced by the singer to the listener.
The Phenomenon of Fear of Missing Out (FOMO) in the Formation of a Healthy Lifestyle and Social Identity of Golerun Running Club Members Amalia Supandi, Lia; Imawan, Khaerudin; Rohida, Leni
Journal of Social Science Vol. 7 No. 3 (2026): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v7i3.1062

Abstract

This study aims to analyze the role of FOMO in the running community, describe the process of forming social identity through membership, interaction, and shared activities, and interpret its relevance in influencing the way members interpret their involvement, both as an effort to maintain health and as a need for social recognition and existence. The study used a descriptive qualitative method with in-depth interview techniques with six informants, participatory observation, and documentation. The results of the study show that there is a shift in the meaning of FOMO to "Good FOMO" which plays a role in disciplining health behaviors, especially related to sleep patterns and smoking cessation. The formation of social identity emerges through the categorization of the self as an inclusive group, the internalization of the role of the "runner" in the concept of self, and social comparison through digital media that encourages motivation to achieve. The research also found a paradox of participation, namely the involvement of members more driven by the need for social existence, making physical health a by-product. It is concluded that in hybrid communities, FOMO serves as an informal social control mechanism that maintains adherence to a healthy lifestyle while strengthening the group's social identity.
The Phenomenon of Fear of Missing Out (FOMO) in the Formation of a Healthy Lifestyle and Social Identity of Golerun Running Club Members Amalia Supandi, Lia; Imawan, Khaerudin; Rohida, Leni
Journal of Social Science Vol. 7 No. 3 (2026): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v7i3.1062

Abstract

This study aims to analyze the role of FOMO in the running community, describe the process of forming social identity through membership, interaction, and shared activities, and interpret its relevance in influencing the way members interpret their involvement, both as an effort to maintain health and as a need for social recognition and existence. The study used a descriptive qualitative method with in-depth interview techniques with six informants, participatory observation, and documentation. The results of the study show that there is a shift in the meaning of FOMO to "Good FOMO" which plays a role in disciplining health behaviors, especially related to sleep patterns and smoking cessation. The formation of social identity emerges through the categorization of the self as an inclusive group, the internalization of the role of the "runner" in the concept of self, and social comparison through digital media that encourages motivation to achieve. The research also found a paradox of participation, namely the involvement of members more driven by the need for social existence, making physical health a by-product. It is concluded that in hybrid communities, FOMO serves as an informal social control mechanism that maintains adherence to a healthy lifestyle while strengthening the group's social identity.
Communication Management for the UGJ Tancap Qris Event Regarding Literacy in Digital Payment Systems Tamamala, Ananda Farhan; Khaerudin Imawan; Novicky Alban Adiputra
Jurnal Bisnis dan Komunikasi Digital Vol. 3 No. 2 (2026): February 2026
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jbkd.v3i2.5735

Abstract

The development of digital payment systems using the Indonesian Standard Quick Response Code (QRIS) calls for improved digital literacy, particularly among college students. One of the efforts undertaken is through event-based outreach activities, such as the UGJ TANCAP QRIS event organized by the Indonesian New Generation (GENBI) chapter at Swadaya Gunung Jati University (UGJ) in Cirebon. This study aims to analyze the application of communication management in organizing the event and its impact on improving students’ digital payment system literacy. This study uses a qualitative approach with a descriptive mode. Data were collected through in-depth interviews with GENBI executives, the organizing committee, and event participants, as well as supporting documentation. Data analysis was conducted using thematic analysis. The results indicate that communication management in the UGJ TANCAP QRIS event was implemented through four main stages: planning, organizing, execution, and evaluation of communication. Clear message planning, an organized communication structure, a communicative and interactive communication style, and post-event evaluation positively contributed to the effectiveness of information delivery. The research findings also indicate an increase in students’ understanding and interest in the use of QRIS after participating in the activity. This study concludes that well-planned and coordinated communication management plays a crucial role in supporting the success of digital payment system outreach activities within the university environment.
The Beautiful Construction of Meaning In @Beauty_Byaudy's Instagram Content Tivanka, Giza; Imawan, Khaerudin
Interaction Communication Studies Journal Vol. 3 No. 1 (2026): May
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/interaction.v3i1.5667

Abstract

This study stems from the phenomenon of the prevalence of beauty standards on social media, which often portray women with bodies and faces considered ideal, yet these do not always align with reality. Amid this context, the Instagram account @beauty_byaudy offers a different perspective on the meaning of “beauty.” This study aims to understand how the meaning of beauty is constructed through the content posted by this account using Ferdinand de Saussure’s semiotic analysis. The study adopts a qualitative descriptive approach, with data gathered through observation, literature study, and interviews. The analysis is centered on five selected video posts, including their captions, hastags, and audience comments, to identify the meaning conveyed through visual and textual elements. The findings demonstrate a shift in the representasion of beauty, moving away from conventional ideals of physical perfection toward values such as self-acceptance, confidence, and the freedom o express oneself through makeup. In addition, the content highlights that skin conditions like acne and texture are normal and should not be stigmatized. The results indicate that the constructed meaning of beauty no longer emphasizes physical perfection but rather self-acceptance, self-confidence, and freedom of expression through makeup. These contents also affirm that conditions such as skin texture or acne are normal. This study concludes that social media can serve as a space to foster a more open and humanistic understanding of beauty. Moving forward, the research is limited in scope similar research is expected to expand the scope of study and incorporate direct perspectives from content creator.
The Power Dynamics of Sunda Wiwitan Traditional Leaders as Cultural Mediators in the Seren Taun Ceremony in Cigugur Village, Kuningan Regency Umam, Irfan; Imawan, Khaerudin; Adiputra, Novicky
Interaction Communication Studies Journal Vol. 3 No. 1 (2026): May
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/interaction.v3i1.5684

Abstract

This study aims to examine the cultural meanings, communication practices, power dynamics, and the role of actor networks in the Seren Taun ceremony in Cigugur Village, Kuningan Regency. A qualitative approach was employed, with data collected through in-depth interviews, participant observation, and documentation. The findings indicate that the cultural meanings of Seren Taun are conveyed through symbols, such as rice in the ngajayak procession, the Buyung Dance, Angklung Buncis, and the rice-pounding (nutu) ritual, which represent values of gratitude, social cohesion, balance in life, and the continuity of relationships between humans, nature, and the divine. Furthermore, the study reveals that traditional leaders play a central role as cultural communicators through verbal and nonverbal strategies. Verbal communication is expressed through traditional speeches that reinforce cultural values and authority, while nonverbal communication is reflected in exemplary actions and the involvement of the younger generation in ritual practices. From the perspective of power relations theory, the authority of traditional leaders operates symbolically and persuasively rather than coercively, enabling cultural values to be accepted and internalized by the community. In addition, Actor-Network Theory highlights that cultural meanings are produced through interactions between human actors such as traditional leaders and community members and non-human actors, including ritual symbols and artifacts. This interconnected network ensures the continuous reproduction and transmission of cultural values. Overall, the Seren Taun ceremony functions not only as a ritual tradition but also as a sustainable medium of cultural communication that maintains the identity and continuity of the Sunda Wiwitan community amid social change.
Experimental Photography Study by Kurnia Ngayuga Wibowo “Memory Lane” Abdul Aziz Al Hakim; Raden Bima Sakti Arnanda A; Rizky Dwi Andini; Khaerudin Imawan; Dedet Erawati
Journal of Social Research Vol. 3 No. 9 (2024): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i9.2235

Abstract

The work Experimental Photo Memory Lane by Kurnia Ngayuga Wibowo is a notable piece that has been featured in various prestigious exhibitions, such as "Permata Youth Photostory" organized by Permata Photojournalist Grant and Pannafoto Institute, Bandung Photography Triennale, Bandung Photography Month, and SEA Reading Photobookdummies in Taiwan. This work is considered a masterpiece by Kurnia Ngayuga Wibowo and serves as a compelling example of experimental photography. The appreciation of such a work is often conducted through art criticism, which plays a crucial role in interpreting and appreciating the underlying content of a photographic work. Understanding and interpreting each photograph can vary significantly, depending on the perspective of the critic or the photographer. The purpose of this research is to explore and analyze the artistic elements and intentions behind the Memory Lane series through the lens of art criticism, specifically using Feldman’s art criticism theory. This qualitative study utilizes Feldman’s four-step approach to art criticism-description, formal analysis, interpretation, and evaluation—to gain a deeper understanding of the photography series. The findings of this research reveal that Memory Lane represents a form of experimental photography, which navigates various challenges inherent to the medium, particularly in terms of storytelling through images. The study demonstrates how art criticism can provide diverse perspectives on a single work of art and how these perspectives can be integrated with other art forms to enrich the overall interpretation. The implications of this research extend to the broader field of art criticism and photography, highlighting the importance of critical analysis in understanding the multifaceted nature of photographic art and its capacity to convey complex narratives.
Self-Visualization In Cyber Space Between Front Stage And Back Stage (Case Study Of Instagram Account Owner @Kulinercirebon) Valda Fadhila; Auliya Utami; Khaerudin Imawan; Dedet Erawati
Journal of Social Research Vol. 3 No. 11 (2024): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i11.2237

Abstract

Nowadays, people often use social media, especially Instagram, to create an interesting impression for the audience. However, the content created often differs from reality. This research aims to find out how to use social media @kulinercirebon to manage impressions through Front Stage and Back Stage analysis on Instagram social media. This research uses qualitative methods with analysis that refers to Erving Goffman's Dramaturgical theory. The research results show that from the Front Stage side, the owner of the Instagram account @kulinercirebon tries to give an interesting impression of the culinary delights in Cirebon. The @kulinercirebon account displays various interesting and informative photos and videos, depicting typical Cirebon food in an appetizing way, while from the back stage, the owner of the @kulinercirebon account often responds to various questions that arise via direct messages on Instagram. Apart from that, the owner of the @kulinercirebon account also uses his social media account as a paid promotional medium for business people who want to promote the place they own. The conclusion of this research shows that the owner of the Instagram account @kulinercirebon manages his account according to his main goal, namely introducing culinary places in the Cirebon area.
Construction of Inner Conflict Meaning in Song Lyrics “Ego” by Rizky Febian Novi Amelia Ramadhan; Vika Vika; Khaerudin Imawan
Journal of Social Research Vol. 4 No. 8 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i7.2658

Abstract

This study aims to construct the meaning of inner conflict in the lyrics of the song “Ego” by Rizky Febian through Roland Barthes' semiotic approach. The main issue that is the focus of this study refers to how the meaning of inner conflict is constructed through song lyrics as a medium of self-expression in interpersonal relationships. The song “Ego” was chosen because of its strong emotional resonance and its theme, which touches on awareness of egoism and its impact on the dynamics of interpersonal relationships. This study employs a qualitative method using text analysis as the primary research technique. Primary data is obtained from an analysis of the song lyrics based on Roland Barthes' semiotic perspective, which classifies meaning into three levels: denotation, connotation, and myth, while secondary data is obtained from documentation and fan comments on online platforms. The analysis results show that the lyrics of the song “Ego” depict emotional struggles and sacrifices in maintaining relationships, even if it means sacrificing oneself and personal feelings. This reflects the psychological dynamics of individuals and the prevailing ideology in society regarding love and selfishness. In conclusion, the song “Ego” is not merely a form of personal expression by the singer but also reflects a culture that tends to justify sacrifice in imbalanced interpersonal relationships. This study contributes to understanding how Indonesian K-pop music serves as a complex medium for self-expression and social reflection
Implementation of Policies for the Regulation of Street Vendors in Majalengka Regency Aura Yulliananda Lesmana; Khaerudin Imawan; Leni Rohida
Interdiciplinary Journal and Hummanity (INJURITY) Vol. 5 No. 4 (2026): Injurity: Interdiciplinary Journal and Humanity
Publisher : Pusat Publikasi Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58631/injurity.v5i4.1535

Abstract

The Majalengka Regency Government issued Regent Regulation No. 12 of 2022 on the Management and Empowerment of Street Vendors. Street vendors play a vital role in the local economy. However, they often cause problems related to sanitation, the use of public spaces, and public order. The objective of this study is to examine Regent Regulation No. 12 of 2022, the factors influencing its success and obstacles, and the efforts undertaken by the Satpol PP Agency. This study employs a qualitative approach using a descriptive method. The findings indicate that the implementation of the Regent’s Regulation regarding street vendor management policies has not been effectively carried out; obstacles persist. Street vendors prioritize strategic locations and economic sustainability, while the government emphasizes public order and the function of public spaces. This policy benefits both the government and the broader community, particularly regarding public order. Vendors’ compliance with the policy is influenced by the social circumstances of street vendors and the lack of strategic relocation sites. This study concludes that the implementation of Regent Regulation No. 12 of 2022 still faces several challenges, particularly regarding support from the target group and the sustainability of vendors’ behavior. Therefore, it is crucial to enhance vendors’ involvement in the policy-making process, provide more representative spaces, and adopt greater accountability strategies to achieve the goal of fair and sustainable street vendor management.
Co-Authors Abdallah, Mohammad Raja Abdul Aziz Al Hakim Abdul Aziz Al Hakim Abdul Jalil Hermawan, Abdul Jalil Achdi Halim Achdi Halim Achdi Halim, Achdi Adam Ramadhan Adiputra, Novicky Afrizal Hadi, Ronan Aghnia Dian Lestari Agnesti, Mega Aisah Detri Alan Firmansyah, Moch Aldi Febrian Jaya Alfandi Fadillah Alfi Auliyansah, Muhamad Alianza, Ika Aliifa Nazlizasandi AlqiHernanda Gymnastiar Amalia Supandi, Lia Amelia, Ika Aminullah, Raynaldi Andang Buana, Teguh Andriany , Dian Apredeah Monica Selvi Apriliyanti, Rena Auliya Utami Aura Yulliananda Lesmana Azfa Kautsar Hammami Azhar, Faqih Azmi Nailan Wisam Azzahra, Putri Salsabilla Billa, Putri Aoelia Tsalsa Cep Maulana Cusniawati Cusniawati Cusniawati, Cusniawati Dedet Erawati Dedi Muhammad Siddiq Denis Firmansyah Devy Purwanti Darmawan Dian Lestari, Aghnia Diva Rahmanto Dwi Andika, Erlangga Erlangga Dwi Andika Fadhillah Arrizky Heriansyah Fadhillah Shofa Lucyana Faiz Yassar Hakim Fakihani, Mukhamad Falah, Muhammad Bilal Fatria Adipati Ramadhan Faturrohman, Muhammad Azis Fiki Azkiya Fikriyasin, Cikal Aji Fiqri Amalia, Dea Fitriana, Wilda G.R. Lono Lastoro Simatupang Gani Akbar, Muhamad Gayatri, Nabilla Putri Genta Tabah Ramadhan Hanna Mazlin Haryani, Salzabila Heddy Shri Ahimsa-Putra Herlina Nur W Heryanto, Yanto Imeliyanti, Faradila Indra Sukma Wijaya Irma Nirmala Silki Isamayana Isamayana Kartini Kartini Kusuma, Wahyu Dwa Leni Rohida Lulu Luqyana Najmi M. Deni Setiawan Maulidin, Nur Mazlin, Hanna Mega Agnesti Meilani Rahmah Moch Alan Firmansyah Modesta Roganda Siboro Mohamad Rifaldy Mohammad Fajrul Falaakh Muflih, Hafizh Muhamad Gani Akbar Muhamad Muhamad Muhammad Andra Setia Putra Mukarto Siswoyo Nabila, Syalma Ghusti Najwa Zahira Nanda, Reyhan Alif Nandito Dwi Anugrah Nirmala Silki, Irma Nirmalasari Nirmalasari Novi Amelia Ramadhan Novicky Alban Adiputra Nur Kiblati, Ersa Kireina Nur Maulidin Nur W, Herlina Nurcahyadi, Asep Nurilawati, Nurilawati Nurohmah, Sintiya Putri Nurul Chamidah Octavia, Venita Oktario, Muhammad Beno Otto Fajarianto Pipit Putri Mayangsari Putri Nurhalizah, Ratu Putri, Aprilia Sabila Putri, Ghina Fikriya Putri, Intan Sandika Putri, Meyrani Anggita Raden Bima Sakti Arnanda A Raden Bima Sakti Arnanda A Ragil, Muhammad Rahmah, Meilani Rahmayanti Rahmayanti Rahmayanti Rahmayanti Rahmayanti Ramadhan, Rifal Ramdani, Fadli Rattanaya, Kayla Regina, Revi rifal fathurrohman Rifal Fathurrohman Rifal Fathurrohman, Rifal Rifaldy, Mohamad Rismayanti, Rima Rizki Septian Firmansyah Rizki, Reizal Rizky Al-Huda Rizky Dwi Andini Rizky Dwi Andini Rostanti, Elena Dwi Salzabila Haryani Sarah Shafira, Siti Selfiani, Via Sesilia Maharani Setiadi, Mochamad Bilal Shendy Aulia Yusuf Siti Khumayah Siti Sarah Shafira Sofianti, Christina Eka Suardi, Safarina Bunga Subakti, Alifya Zafira Subejo Suci Wulandari Sulaimah, Sulaimah Sunarru Samsi Hariadi Suslia ningrum Suyoto Suyoto Syifa, Vera Alfina Tamamala, Ananda Farhan Tazqiyatas Safira Teguh Andang Buana Tivanka, Giza Ubaydillah, Ahmad Umam, Irfan Umami, Roisatul Valda Fadhila Venita Octavia Vika Vika Welly Wihayati Welly Wihayati Wilda Fitriana Winda Winda Winda Winda Yusuf Nurrahman, Mohamad Alfian