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All Journal Jurnal Ketahanan Nasional JSW (Jurnal Sosiologi Walisongo) k@ta Jurnal Informasi dan Teknologi Jurnal Syntax Transformation jurnal syntax admiration Jurnal Ilmu Komunikasi International Journal of Business, Economics, and Social Development Journal of Science and Education (JSE) Devotion: Journal of Research and Community Service International Journal of Social Service and Research Interdisciplinary Social Studies Indonesian Journal of Multidisciplinary Science Journal of Social Research International Journal of Humanities Education and Social Sciences Jurnal Signal Journal of Comprehensive Science Edunity: Kajian Ilmu Sosial dan Pendidikan Journal of Social Science Asian Journal of Management Analytics Jurnal Indonesia Sosial Teknologi Journal Research of Social Science, Economics, and Management Eduvest - Journal of Universal Studies ATHENA: Journal of Social Culture and Society Indonesian Journal of Advanced Research (IJAR) Salus Publica Jurnal Bisnis dan Komunikasi Digital Journal Of Public Policy (Social Politics) Sciences (Polisci) Asian Journal of Social and Humanities INTERACTION Communication Studies Journal Greenation International Journal of Law and Social Sciences Cognitionis Civitatis et Politicae
Khaerudin Imawan
Universitas Swadaya Gunung Jati
Aerospace Engineering Arts Humanities Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Neuroscience Physics Public Health Social Sciences Other

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Miscommunication and Conflict Resolution in Monogamous Relationships Khaerudin Imawan; Azfa Kautsar Hammami
Athena: Journal of Social, Culture and Society Vol. 4 No. 2 (2026): April 2026
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/athena.v4i2.509

Abstract

Miscommunication is cognitive-affective dissonance that happens during message transaction with potential disturbances of significant meaning transfer and relationship imbalance in relation to romantic associations. For monogamously related individuals, miscommunication is often expressed through relationship conflict which necessitates an efficient conflict resolution strategy to preserve relationship stability as well as relationship quality for a couple. The aim of this research is to examine and clarify (phénomènonlogically) the phenomenon of miscommunication dynamics and importantly, the mediating influence of assertive communication based on conflict resolution technique according to Robert E. Alberti and Michael L. Emmons’ Assertiveness Theory theory outline. Essentially, this research is meant to assess kinds of miscommunication experiences of relations, influence of miscommunication on relationship quality, as well as mediating influence of assertive communication as a link for understanding notions of differences of perspectives according to prior theoretical outline for effective conflict resolution for relations of all kinds. Research method qualifies as phenomenological with application of key participants’ analysis through intensive interviews with respondents. Expected findings for current research are supposed to give significant contribution to truth through technique application of promoting healthier relations with clearer and more meaningful communication through principles of assertive communication according to research outline aims objectives.
Masdddho's Personal Branding Strategy as a Newcomer Pop Javanese Musician through TikTok Aisah Detri; Denis Firmansyah; Khaerudin Imawan
Jurnal Indonesia Sosial Teknologi Vol. 6 No. 7 (2025): Jurnal Indonesia Sosial Teknologi
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/jist.v6i7.9088

Abstract

This research aims to authentically understand the personal branding strategy employed by Masdddho, a rising musician in the Javanese pop genre, through the TikTok platform. Applying the theory of Authentic Personal Branding proposed by Rampersad and using a qualitative research method, this study was conducted through interviews, social media analysis, and documentation with Masdddho as the main informant. The results show that Masdddho embodies characteristics aligned with the concept of authentic personal branding, namely authenticity, integrity, consistency, specialization, authority, distinctiveness, visibility, perseverance, relevance, kindness, and performance. As a newcomer, Masdddho has successfully built a strong personal brand through the excellence of his vocal character, principles, appearance, creativity, and musical quality. His success is reflected in his TikTok following, with 1.6 million followers on his personal account and 492.6 thousand followers on his production team's account. In addition, Masdddho has received prestigious awards, including the AMI Awards for Best Solo/Group/Collaboration Koplo Artist and Favorite Music Video. These findings indicate that implementing an authentic personal branding strategy significantly contributes to a musician’s visibility and success in the era of social media.
Critical Analysis of the Lyrics of the Song "Kenakalan Remaja di Era Informatika" By Efek Rumah Kaca Sesilia Maharani; Khaerudin Imawan
Jurnal Bisnis dan Komunikasi Digital Vol. 3 No. 1 (2025): November 2025
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jbkd.v3i1.5560

Abstract

The rapid development of information technology has changed the patterns of communication among teenagers in the digital space and given rise to new forms of juvenile delinquency, one of which is related to the dissemination of pornographic content. This social phenomenon has led to the creation of the song “Kenakalan Remaja di Era Informatika” by Efek Rumah Kaca, which represents social criticism of the ethical crisis among teenagers in their use of digital technology. This study aims to analyze how text structure, social cognition, and social context construct social criticism discourse in the song's lyrics, as well as to identify the forms of criticism conveyed. This study uses a descriptive qualitative approach with Teun A. Van Djik's Critical Discourse Analysis (CDA) model. Data was obtained through song lyric analysis and interviews with informants selected purposively. The results show that this song builds social criticism through the representation of youth behavior in the digital realm, constructed as a form of ethical deviation, particularly in digital pornography. Through the relationship between the text structure, the social cognition of the songwriter, and the social context of the time, this song functions not only as a musical work but also as a discourse of social criticism that reflects the reality and concerns of society regarding the morality of adolescents in the digital space.
When the Movie Screen Becomes An “Emotional” Narrative Within the Family (Film Analysis of NKCTHI) Fiqri Amalia, Dea; Khaerudin Imawan
Jurnal Bisnis dan Komunikasi Digital Vol. 3 No. 1 (2025): November 2025
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jbkd.v3i1.5607

Abstract

 The film Nanti Kita Cerita Tentang Hari Ini (NKCTHI), or We'll Talk About Today Later, depicts emotional communication within families through symbols, expressions, and visual atmospheres by revealing the denotative meanings, connotations, and myths in each scene depicting emotional communication within the family, as well as understanding how viewers interpret the messages conveyed in the film using a participatory approach with descriptive qualitative methods. Content analysis was conducted on ten scenes and supported by viewer interviews and literature reviews. The results of the study show that the film (NKCTHI) depicts the dynamics of emotional communication such as loss, inner pressure, conflict, and the healing process. The audience interprets each scene in the film differently, influenced by their respective experiences and emotional backgrounds. Films can be a medium that reflects patterns of emotional communication in modern families.
Framing Analysis of Racism Issue Coverage of K-Pop Girl Group Kiss of Life in Tempo Online Media Rostanti, Elena Dwi; Imawan, Khaerudin; Heryanto, Yanto
Greenation International Journal of Law and Social Sciences Vol. 4 No. 1 (2026): Vol. 4 No. 1 (2025): (GIJLSS) Greenation International Journal of Law and Socia
Publisher : Greenation Research & Yayasan Global Resarch National

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/gijlss.v4i1.752

Abstract

This study explores how Tempo.co framed the issue of racism involving the K-pop girl group Kiss of Life following a live broadcast themed “old-school hip hop vibes” in April 2025. The controversy emerged after the group was accused of cultural appropriation toward the Black community, resulting in the loss of more than 200,000 social media followers. The purpose of this study is to understand the framing strategy employed by Tempo.co and its impact on readers’ perceptions in Indonesia. The study applies framing analysis based on the model developed by Robert N. Entman, using a descriptive qualitative approach. The data consist of four Tempo.co articles published between April 6 and 9, 2025, complemented by in-depth interviews with fans of Kiss of Life. The findings indicate that Tempo.co consistently framed the case as a serious issue of racism through four key framing elements: defining the problem as cultural appropriation, diagnosing the cause as cultural ignorance, making moral judgments from various public perspectives, and emphasizing the perceived inadequacy of the group’s apology. This framing was found to be effective in enhancing readers’ understanding of the complexity of racism within the K-pop industry, while maintaining journalistic neutrality.
The Stages of Self-Disclosure by Anonymous Chat Users in Telegram to Build Virtual Relationships Sevia Hasanah; Khaerudin Imawan
Salus Publica: Journal of Community Service Vol. 4 No. 1 (2026): April 2026
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/saluspublica.v4i1.603

Abstract

The development of technology creates the new form of interpersonal relation, which is known as virtual relationship. Building online relationship is widely used by people especially young people. The phenomenon of building virtual relationship tends to make friendship or girl/boyfriend through the feature of Telegram, Anonymous Chat. However, this feature also vulnerable to digital sexual harassment and data privacy because this feature is anonymous. This research is intended to describe and analyses the phenomenon of self-disclosure in building virtual relationship through anonymous chat feature in Telegram. This study employs descriptive approach with in-depth interview with five informants who have experienced virtual relationship through the media. The findings of the research show that all informants have experienced the stages of self-disclosure as it is explained by social penetration theory, starting from orientation to stable exchange. In the initial stage, informants tended to disclose general and secure information as a form of caution in an anonymous space. As interactions and trust developed, informants began to reveal more personal information, including emotional experiences and true identities, although still with selectivity. These findings suggest that anonymity does not always hinder self-disclosure, but rather can be a springboard for developing closeness if managed carefully and with positive communication. This study also found that self-disclosure with strangers is easier than with someone within one's social circle.
Dramaturgical Analysis of Viral TikTok Phenomena: Case Study of Janice Kaori's “Yareu” Video Selfiani, Via; Imawan, Khaerudin
Indonesian Journal of Advanced Research Vol. 5 No. 3 (2026): March 2026
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/ijar.v5i3.16301

Abstract

This study aims to analyze how Janice Kaori, as a content creator, presents herself on the TikTok platform, particularly in the “Yareu” content, by using the dramaturgical perspective proposed by Erving Goffman and examining its relation to the process of personal branding formation. This research employs a qualitative approach with a case study method. Data were collected through in-depth interviews with audiences and observations of the TikTok content documentation uploaded by Janice Kaori. The findings indicate that Janice kaori consistently constructs a front stage through the use of the tagline “Yareu”, the use of a school uniform as a costume attribute, an expressive and energetic delivery style, and the selection of public spaces as recording locations. Meanwhile, on the back stage, there are visible processes of emotional management, preparation before content production, and efforts to maintain privacy boundaries in her personal life. This form of self-presentation demonstrates the management of public space (front stage) and private space (back stage) through the regulation of performance, the development of distinctive characteristics, and the establishment of boundaries between personal identity and the identity presented to the audience. The findings of this research suggest that consistency in self-presentation contributes to the formation of a strong, recognizable, and sustainable personal branding for non-celebrity content creators on the TikTok platform.
Co-Authors A, Raden Bima Sakti Arnanda Abdallah, Mohammad Raja Abdul Aziz Al Hakim Abdul Jalil Hermawan, Abdul Jalil Achdi Halim Achdi Halim Achdi Halim, Achdi Adam Ramadhan Aghnia Dian Lestari Agnesti, Mega Aisah Detri Alan Firmansyah, Moch Aldi Febrian Jaya Alfandi Fadillah Alfi Auliyansah, Muhamad Alianza, Ika Aliifa Nazlizasandi AlqiHernanda Gymnastiar Amelia, Ika Aminullah, Raynaldi Andang Buana, Teguh Andini, Rizky Dwi Andriany , Dian Apredeah Monica Selvi Apriliyanti, Rena Azfa Kautsar Hammami Azhar, Faqih Azzahra, Putri Salsabilla Billa, Putri Aoelia Tsalsa Cep Maulana Cusniawati Cusniawati Cusniawati, Cusniawati Dedet Erawati Dedi Muhammad Siddiq Denis Firmansyah Devy Purwanti Darmawan Dian Lestari, Aghnia Dwi Andika, Erlangga Erlangga Dwi Andika Fadhila, Valda Fadhillah Arrizky Heriansyah Fadhillah Shofa Lucyana Faiz Yassar Hakim Fakihani, Mukhamad Falah, Muhammad Bilal Fatria Adipati Ramadhan Faturrohman, Muhammad Azis Fiki Azkiya Fikriyasin, Cikal Aji Fiqri Amalia, Dea Firman Baehaqi Fitriana, Wilda G.R. Lono Lastoro Simatupang Gani Akbar, Muhamad Genta Tabah Ramadhan Hakim, Abdul Aziz Al Hanna Mazlin Haryani, Salzabila Heddy Shri Ahimsa-Putra Herlina Nur W Heryanto, Yanto Imeliyanti, Faradila Indra Sukma Wijaya Irma Nirmala Silki Isamayana Isamayana Kartini Kartini Kusuma, Wahyu Dwa Lulu Luqyana Najmi M. Deni Setiawan Maulidin, Nur Mazlin, Hanna Mega Agnesti Meilani Rahmah Moch Alan Firmansyah Modesta Roganda Siboro Mohamad Rifaldy Mohammad Fajrul Falaakh Muflih, Hafizh Muhamad Gani Akbar Muhamad Muhamad Muhammad Andra Setia Putra Mukarto Siswoyo Nabila, Syalma Ghusti Najwa Zahira Nanda, Reyhan Alif Nandito Dwi Anugrah Nirmala Silki, Irma Nirmalasari Nirmalasari Nur Kiblati, Ersa Kireina Nur Maulidin Nur W, Herlina Nurcahyadi, Asep Nurilawati, Nurilawati Nurohmah, Sintiya Putri Nurul Chamidah Octavia, Venita Oktario, Muhammad Beno Otto Fajarianto Putri Nurhalizah, Ratu Putri, Aprilia Sabila Putri, Ghina Fikriya Putri, Intan Sandika Putri, Meyrani Anggita Raden Bima Sakti Arnanda A Ragil, Muhammad Rahmah, Meilani Rahmayanti Rahmayanti Rahmayanti Rahmayanti Rahmayanti Ramadhan, Novi Amelia Ramadhan, Rifal Ramdani, Fadli Rattanaya, Kayla Regina, Revi Rifal Fathurrohman rifal fathurrohman Rifal Fathurrohman, Rifal Rifaldy, Mohamad Rismayanti, Rima Rizki Septian Firmansyah Rizky Al-Huda Rizky Dwi Andini Rostanti, Elena Dwi Salzabila Haryani Sarah Shafira, Siti Selfiani, Via Sesilia Maharani Setiadi, Mochamad Bilal Sevia Hasanah Siti Khumayah Siti Sarah Shafira Sofianti, Christina Eka Suardi, Safarina Bunga Subejo Suci Wulandari Sulaimah, Sulaimah Sunarru Samsi Hariadi Suslia ningrum Suyoto Suyoto Syifa, Vera Alfina Tazqiyatas Safira Teguh Andang Buana Ubaydillah, Ahmad Umami, Roisatul Utami, Auliya Venita Octavia Vika, Vika Welly Wihayati Wilda Fitriana Winda Winda Winda Winda