Garuda - Garba Rujukan Digital

p-Index From 2021 - 2026

3.582

P-Index

This Author published in this journals

All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Harmonia: Journal of Research and Education Journal of Urban SocietyÂ´s Arts JURNAL PENDIDIKAN TAMBUSAI International Journal of Elementary Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Gesture: Jurnal Seni Tari Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain

Desfiarni Desfiarni

Universitas Negeri Padang

Author-ID : 2727774

Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Public Health Social Sciences Other

Published : 73 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4 5

Peranan Tari Mancak Padang Pada Upacara Urak Balabek Di Nagari Pauh IX Kota Padang Yolanda Afika Putri; Desfiarni Desfiarni
SENDRATASIK UNP Vol 10, No 2 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to describe and analyze the role of Mancak Padang dance at Urak Balabek ceremony in Nagari Pauh IX, Padang City. This research belongs to a qualitative research using a descriptive analysis method. The instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools, a camera, and a tape recorder. Types of data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was done by collecting the data, describing the data, and concluding the data. The results show that Urak Balabek ceremony in Nagari Pauh IX Padang City is a ceremony held every 5 years. Urak Balabek ceremony is attended by all sasaran (martial art schools) in tapian (areas that have martial art schools) in Nagari Pauh IX. Urak Balabek ceremony is an activity to malewakan gala (title promotion of martial arts teachers) for martial art players and teachers to get a higher level of the title. The level of the teachers’ titles consists of 1. kako pandeka (first level), 2, niniak mamak (second level), 3. guru gadang (third level), 4. guru tuo (fourth level). All Urak Balabek ceremonial processions must be carried out because they are part of the appointment of martial art teachers starting from the procession to malewakan gala. The implementation of the malewakan gala (title promotion of martial arts teachers) is to achieve all levels of the existing titles. To achieve the title of guru tuo (lowest level) is from being teachers assistant (fighters who have good martial arts abilities). In the procession of malewakan gala, Mancak Padang dance must be performed by the teachers’ assistant and guru tuo. This is due to the fact that both guru tuo and guru gadang candidates must perform their abilities and skills to play the sword (mangilekan padang). After the performance of Mancak Padang dance, an oath and promise are carried out by guru tuo. Then the mimpantan (the persons who hosts Urak Balabek ceremony) first calls the title of guru tuo to the newly person appointed to have guru tuo status.The role of Mancak Padang dance at Urak Balabek ceremony plays a very important role due to the fact that it is performed and displays dexterity in playing the sword, so Mancak Padang dance is a medium which promotes the titles of martial arts teachers in the procession of mangilek an padang legalizing and validating gala or the teachers’ status to be appointed.

Maarak Bungo Lamang Merry Suhesti; Desfiarni Desfiarni
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i3.108132

Maarak Bungo Lamang Dance is a result of the creation of dance creations based on the life phenomenon of the Durian River of the South Solok district in order to celebrate the day of the Prophet Maulid. In this regard, the tradition of society that has a sense of gratitude for the day of the Prophet Maulid in a festive way is not separated from the Islamic faith. The dance work "Maarak Bungo Lamang" is an interpretation of the community tradition of the river Durian in welcoming the Prophet's Maulid by means of a journey around the village along with Shalawat-Shalawat. It is as an expression of gratitude for the Prophet's Maulid day. The dance works were performed by 7 dancers, 3 male dancers and 4 female dancers as well as 13 Pendukkung dancers for the early dances, expected to be a new form of dance creations. Program artwork is aimed at adding a wealth of dance artwork, as well as an educational platform for new artists.

TARI ARAK IRIANG MANJALANG MAMAK DI KANAGARIAN MUARO PAITI KECAMATAN KAPUR IX KABUPATEN LIMA PULUH KOTA: BENTUK PENYAJIAN Nela Eka Fitri; Idawati Syarif; Desfiarni Desfiarni
SENDRATASIK UNP Vol 1, No 1 (2012): Seri B
Publisher : FBS Universitas Negeri Padang

This throught for description the form of Tari Arak Iriang Manjalang Mamak in Muaro Paiti Village Kapur IX subdistrick Lima puluh kota regency. The matter to be formula is : 1.Origin the dance. 2. Elements dance. 3.Description dance. The kind through are kualitatif through,the make description metode Analisis. Result of through is shape diskes,Tari Arak Iriang Manjalang Mamak is the shopiere display because this dance the order formation dancer. To be definite by ordinal expert in the row line. In the ceremony tradition Arrach accompanymennt Manjalang Mamak In Muaro Paiti village . In the front is dubalang ranking second is Bundo kanduang with the umbrella man,third row are mother’s brother, the fourth is religious man and umbrella man. Keyword: Tari, Arak iriang, Manjalang, Mamak, Bentuk penyajian.

KEBERADAAN TARI PISAU DI DESA SUNGAI BAUNG KECAMATAN RAWAS ULU KABUPATEN MUSI RAWAS UTARA Asih Elida Parastu; Desfiarni Desfiarni; Fuji Astuti
SENDRATASIK UNP Vol 6, No 2 (2017)
Publisher : FBS Universitas Negeri Padang

Makna Tari Kejai Dalam Upacara Pesta Perkawinan Di Desa Topos Kecamatan Topos Kabupaten Lebong Provinsi Bengkulu Suci Ramada Jayanti; Desfiarni Desfiarni; Nerosti Nerosti
SENDRATASIK UNP Vol 8, No 4 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to describe and analyze the meaning of the Kejai Dance in a wedding Party in the Rejang society of Lebong Regency in Bengkulu Province. The type of this study was qualitative. The instruments used in collecting data were stationery, cameras, cellphone and handycam. The types of data in this study were primary and secondary data. The techniques of data collection were done by means of literature studies, observations and interviews. The steps in analyzing data were done by doing data reduction, data model (data display), withdrawal or verification conclusions. The results of the study indicate that the Rejang society of Lebong regency in Bengkulu Province has the Kejai Dance which has a social meaning matchmaking at a wedding party. The meaning is expressed in the movements of the Kejai dance as follows: (1) Sambah movement gives the sense of gratitude to Allah SWT so that it is given a smooth and straightforward work all that is to be done. (2) awal movement to begins the dance has the meaning that the society is always slow to do a job and always think first to make a decision. (3) Siap movement to get acquainted has good attitude and has good procedures. (4) Memberi dan menerima movement has the meaning that this society always receives whatever the results of the business they get in the form of gratitude. (5) Patah dayung movement has the meaning the society has a stand in every action and their hard work. (6) Sambah penutup movement has the meaning that every work that is done is always runs well and keeps returning to take care of it well whatever the results. Each movement has very deep meaning so that those show that the Kejai Dance includes life and social values in matchmaking betweenlackey and maid in the society of the Topos Village. The equipments (properties and costumes) give meaning to that society always has polite attitude and polite in dressing. The floor patterns mean that a married life is very simple but still solid and secure. The music instrument gives the meaning that the life of the Rejang area is also very simple. The Kejai Dance performance in a wedding party has an overall meaning which is the value of people's lives, responsibility and mutual respect as a binder of solidarity to strengthen the relationship among people.

Nilai-nilai Pendidikan Dalam Kesenian Randai Pada Sanggar Al-Barokah Di Korong Rimbo Panjang, Padang Pariaman Geubrina Suci Agustin; Desfiarni Desfiarni
SENDRATASIK UNP Vol 10, No 4 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to identify and describe the values of Randai art education in the Al-Barokah Korong Rimbo Panjang Studio, Nagari Sungai Abang, Lubuk Alung District, Padang Pariaman Regency which is contained in the three elements of art in Randai namely script, motion, and music. The Randai played in the research object of the Al-Barokah studio is Randai with a script entitled Siti Baheram dari Pariaman, the values seen in this Randai are social values, ethics, and customs. This research is motivated by an interest in the Minangkabau tribe which is rich in customs and culture that regulates people's lives in a very complex manner. One of the elements of culture is art and a very interesting art in Minangkabau is Randai. According to Randai experts, apart from being an entertainment, it can also function as an educational medium. This research is qualitative by using descriptive method. The instrument in this study was the researcher himself with the help of stationery and cellphone cameras. Data collection techniques are observation, interviews, and documentation. The results of the study reveal that social values, ethics, and customs are contained in Siti Baheram's script, movements and in Randai music.

TARI RENTAK GUMANTAN: PERKEMBANGAN BENTUK DARI TARI GUMANTAN DI DESA PISANG BEREBUS KECAMATAN GUNUNG TOAR KABUPATEN KUANTAN SINGINGI PROVINSI RIAU Gustri Wella; Desfiarni Desfiarni; Afifah Asriati
SENDRATASIK UNP Vol 2, No 1 (2013): Seri D
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to describe the development of the Gumantan dance type in Pisang Berebus Village Gunung Toar Rengency, Kuantan Singingi District, Riau Province. Type of the research is qualitative with descriptive analysis method. The techniques of data collection are literature study, observation, interviews, photo shoot and recording. The technique of the data analysis is to classifying the data based on the conceptual framework. The result showed that: the development of Gumantan dance influenced by citizen in that area. The purpose of the citizen in that area is to the make Gumantan dance still exist so that Lukman Edi created Rentak Gumantan dance. The developments of that dance can we see from the part of elements. Those elements are movements, space design, music dance, costumes, the dance dynamics and composition group. Kata kunci: Perkembangan, Bentuk, dari, tari, Gumantan

Kemasan Tari Kejai Dalam Pesta Perkawinan Di Desa Tunggang Kecamatan Lebong Utara Kabupaten Lebong Provinsi Bengkulu Ririz Dwi Oktaviani; Desfiarni Desfiarni
SENDRATASIK UNP Vol 10, No 4 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to identify and describe the packaging of the Kejai Dance in a Wedding Party in North Lebong Village, Bengkulu Province. This type of research is a qualitative research with descriptive method. The instruments in this study were the researchers themselves and were assisted by supporting instruments such as stationery, cameras, cellphones and flash drives. This type of data uses primary data and secondary data. Data collection techniques were carried out by means of library research, observation, interviews and documentation. The stages of data analysis are data collection, data reduction, data presentation and drawing conclusions. The results show that the new Kejai Dance is a modification of the old Kejai Dance which still remains the identity of the Kejai Dance (local culture of the Rejang Region). The new packaging forms for the modified Kejai Dance include: 1) movement; 2) floor pattern; 3) dancers; 4) music; 5) costumes; 6) property; and 7) duration of appearance

Perkembangan Tari Marcok Di Sanggar Seni Ilok Rupo Kota Sungai Penuh Provinsi Jambi Inessya Lelioritha NS; Desfiarni Desfiarni
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The research aims to reveal, describe, and analyze the development of Marcok Dance at Ilok Rupo Art Studio, Sungai Penuh City. This research belongs to a qualitative research using a descriptive analysis method. The types of data in this study were primary and secondary data. The main instrument was the researcher itself, and it was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature, observation, interviews, and documentation. The data analysis was done through data collection, data reduction, data presentation, and conclusions drawing. The results show that the traditional Marcok Dance had developed into a creation Marcok Dance. This development can be seen from the management of movements, dancers, floor patterns, accompaniment music, clothing, time performance, and place of performance. In motion, there are 2 new motion additions. Related to the floor pattern, there is a reduction from 26 to 14 creation Marcok dance floor patterns. Costumes have developed in terms of accessories used. In addition, there is an additional musical instrument called gong. The development process of Marcok Dance at the Ilok Rupo Art Studio, Sungai Penuh City is supported because of the desire of Ilok Rupo Art Studio to keep the traditional Marcok Dance by develop it so it is attractive for the community to use. Moreover it is useful as a forum for young people to learn how to maintain cultural heritage, and it becomes an identity in the local area.

PELESTARIAN TARI SIKATUNTUANG DI SANGGAR TARI MANDUGO OMBAK DI KELURAHAN IBUH KECAMATAN PAYAKUMBUH BARAT KOTA PAYAKUMBUH Shalsa Bila Ivanka; Desfiarni Desfiarni; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This study aimed to reveal and describe the conservation efforts of the Sikatuntuang Dance at Mandugo Ombak Dance Studio in Ibuh Village, West Payakumbuh Subdistrict, Payakumbuh City. The type of this research was qualitative research with descriptive method inorder to understand a deeper phenomenon. The object of this research wasSkatuntuang Dance in Mandugo Ombak Dance Studio in Ibuh Village, West Payakumbuh Subdistrict, Payakumbuh City. The research instrumentswere the researcher herself whowas assisted by tools such as recording devices, stationery, and a list of interview questions. Data collection techniques in this research were done through library study, observation, interviews and documentation. In this study, the data obtained in the field from the results of observations, interviews, recordings and photographs, then described and arranged in the form of scientific research in the form of an undergraduate thesis. The results showed that the effort to preserve the Sikatuntuang Dance was performed by the Mandugo Ombak Dance Studio through modern teaching methods by means of training and dissemination. The modern way wasdoing regular training of Sikatuntuang Dance at the Mandugo Ombakstudio. Dance practice wasdone three times in a week that were every Friday, Saturday and Sunday at 16.00 to 18.00 P.M. The taught materials, were; a) information, knowledge, introduction, cultural values inculcating from Sikatuntuang Dance, b) the practice of Sikatuntuang Dance.Furthermore, the dissemination was carried out by the Tari Sikatuntuang appearance in various events, such as Tari Sikatuntuang in the Gonjong Limo event in Bandung in 1996, performing at the guest reception in Payakumbuh in 1997, at Padang Cultural Park in 2010, at the opening ceremony of The Singkarak Tour in Jakarta in 2011. In 2015, the Sikatuntuang Dance became one of the traditional art training objects from Japanese visits to the Mandugo Ombak Dance Studio. Moreover, Sikatuntang dance was also performed at the graduation ceremony at Andalas University in 2015 and at wedding events. Keywords: Preservation, Dance, Sikatuntuang, Mandugo Ombak.

Co-Authors Abd Rohman Hasan Abdullah, Ardi Abdullah, Arohiyah Afifah Asriati Agestia, Feby Ajrina Rosada Harma Albadri Albadri Andhika Rahmadhanur Aprilia, Adinda ARI FATMAWATI Asih Elida Parastu Attahhiyyah, Febriani Ayu Lestari Ayulia Marentika Aziza Safitri M Darmawati Darmawati Darmawati Darmawati Darmawati Darmawati Diana Diana Dyantika Citra Winanda Elfi Yulianti Erlinda Putri Hasibuan, Rifka Fadhila Saktia Firmadanni Liska Fitri Wahyuni Fuji Astuti Fuji Astuti Geubrina Suci Agustin Gustia Arini E Gustri Wella Hayatun Ridha Herlinda Mansyur Herman, Hanifah Hidayat, Hengki Armez Idawati Syarif Idol Fatria Indrayuda Indrayuda Inessya Lelioritha NS Irdhan Epria Darma Putra Khairah, Wardhatul Kosasih, Ahmad Kumara, M Fadjriansyah Lusi Malani Malani, Lusi Maya Endah Rahayu Mayrani, Wahyu Megawati Marrita Putri Merry Suhesti Morenza, Elva Nia Muhammad Afif Muhammad Trio Idha Murniati Murnianti Mustika, Rilla Nela Eka Fitri Nerosti Nika Suryanti Niken Audia Ulfa Riana Nasmi Ririn Yunita Ririz Dwi Oktaviani Rizka Gasima Putri Roja’atul Khoiriyah Salsabilla Faiqaersya Sari, Ayuthia Mayang Selsi Efrima Yuni Seyra Winna Sari Shafii, AS Hardy Shalsa Bila Ivanka Silviana Silviana Srirahayu Srirahayu Suci Adela Rosyadi Suci Ramada Jayanti Susmiarti Syaputra, Hengky Novri Ukie Winaranti Utari, Aprilia Viola Julia Wulan Permata Sari Wulanda Khairunisa Yolanda Afika Putri Yosi Zullyani Yuliasma Yuliasma Yuni Safitri Zora Iriani

Title

Found 73 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 73 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 73 Documents
Search