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All Journal Jurnal Imajinasi JURNAL SOSIAL HUMANIORA (JSH) Muamalah Jurnal Sejarah dan Budaya JADECS (Journal of Art, Design, Art Education and Culture Studies) Panggung Gondang: Jurnal Seni dan Budaya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) JTP - Jurnal Teknologi Pendidikan Studi Budaya Nusantara Islamika: Jurnal Keislaman dan Ilmu Pendidikan PERSPEKTIF Jurnal Karinov International Journal of Visual and Performing Arts Jurnal Praksis dan Dedikasi Sosial Jurnal Abdi Insani IJORER : International Journal of Recent Educational Research Jurnal Abdi Masyarakat Indonesia Journal of Language, Literature, and Arts (JoLLA) Suluh: Jurnal Seni Desain Budaya Prosiding Seminar Nasional Pascasarjana The Indonesian Journal of Computer Science Panggung IPSSJ Jurnal bahasa, sastra, seni, dan pengajarannya
Ponimin
Universitas Negeri Malang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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PENCIPTAAN VAS TERAKOTA TANAMAN HIAS BERBASIS POTENSI LOKAL UNTUK PENDUKUNG ESTETIK KAWASAN DESA WISATA PETUNGSEWU MELALUI PROGRAM DESA MITRA Ponimin, Ponimin; Wisesa, Agnisa Maulani; Nusantari, Okta Viviana Asmi
Sejarah dan Budaya: Jurnal Sejarah, Budaya, dan Pengajarannya Vol 16, No 2 (2022): Sejarah dan Budaya: Jurnal Sejarah, Budaya, dan Pengajarannya
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um020v16i22022p304-317

Abstract

Petungsewu tourism village development program aims to increase the village's potential by developing vases of ornamental plants in the rest area of the village. The existence of these aesthetic element products can strengthen the attractiveness of tourists through the presentation of ornamental plants packaged in terracotta vases. There are various steps of creative activities related to the program of realizing from joint activities of the collaborator villages. The method includes: 1. The coordination process with the creative team from the LPPM UM with collaborator villages about the creative work plan, (2) The process of program implementation; which includes the formulation of the concept of terracotta vases and the process of making the initial design of terracotta vases, (3) The process of making or producing terracotta vases of ornamental plants includes the process of making basic shapes, the process of making advanced shapes, details, and ornamental elements, the process of realizing detailed shapes, and the finishing process, (4) The process of applying ornamental plant vases to the exterior aesthetic elements of the rest area of Petungsewu tourist village, (5) Analysis and conclusion of creative work results. The results of this creative work present a prototype of an ornamental plant terracotta vase product with the idea of local potential that is displayed in the tourist village area and the results can also strengthen the visual icon of the area. Program kegiatan pengembangan desa mitra wisata Petungsewu bertujuan untuk meningkatkan potensi desa melalui pengembangan sajian vas tanaman hias di kawasan rest area desa tersebut. Adanya produk elemen estetik tersebut dapat menguatkan daya tarik wisatawan melalui sajian tanaman hias yang dikemas dalam vas terakota. Metode pelaksanaan meliputi langkah-langkah kegiatan kreatif yang berkaitan dengan program merealisasikan dari kegiatan bersama desa mitra. Metode tersebut meliputi: (1) Proses koordinasi bersama tim pelaksana kreatif dari lembaga penelitian dan pengabdian kampus UM bersama desa mitra tentang rencana kerja kreatif. (2) Proses pelaksanaan program meliputi kegiatan perumusan konsep vas terakota dan proses perancangan gambar desain vas terakota tanaman hias, (3) Proses pembuatan atau produksi vas terakota tanaman hias. proses pembuatan bentuk dasar, proses pembuatan bentuk lanjut, proses pembuatan detail, proses pembuatan elemen-elemen hias pada karya tersebut, proses merealisasi bentuk-bentuk detail serta yang terakhir adalah proses finishing, (4) Proses penerapan vas tanaman hias untuk elemen estetik eksterior kawasan rest area desa wisata Petungsewu (5) Analisis dan penyimpulan hasil kerja kreatif. Hasil kerja kreatif tersebut menghasilkan produk vas terakota tanaman hias dengan ide potensi lokal yang terpajang di kawasan desa wisata dan hasilnya dapat menguatkan ikon visual kawasan.
DIVERSIFIKASI PRODUK KERAMIK HIAS TEKNIK CETAK TEKAN DAN ORNAMEN SGRAFFITO SENTRA SUMBERSEKAR DAU MALANG MELALUI PROGRAM KEMITRAAN MASYARAKAT Ponimin, Ponimin; Irawanto, Rudi; Hariri, Afwan; bin Rani, Muhammad Faizal; Dewayani, Wahyu; Asmi Nusantari, Okta Viviana
Studi Budaya Nusantara Vol. 7 No. 2 (2023): Studi Budaya Nusantara
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.01

Abstract

The art of ceramic craftsmanship in the Sumbersekar Dau Malang center requires diversification act in product design. This is intended so that the products produced become innovative products and can be adjusted to the trends of the era and the tastes of consumers. To achieve this, press molding techniques and sgraffito ornaments in ceramic production were developed. The method applied in achieving the research purposes is the participatory creative method. The method contains the stages of the participatory creative process, including: a) the implementation team coordinates with program partners for activity implementation plans; b) preparation of tools and materials; c) implementation of participatory creative activities: making print models; reproduction process; making ornaments; smoothing; d) firing and finishing works; e) analysis of participatory creative processes and results in the development of decorative ceramic products. This creative and participatory work produces souvenir ornamental ceramic art products, which include: ornamental ceramic vase products, table accessories, and others. The process and results of this activity are expected to trigger the growth of creativity of local craftsmen, and further improve the creative economic aspects of the craftsmen.
KREASI LAMPU TAMAN TERAKOTA BERKARAKTER LOKAL UNTUK KUATKAN CITRA DESA WISATA PETUNGSEWU PROGRAM DESA MITRA Ponimin Ponimin; Rudi Irawanto; Guntur Guntur
JURNAL IMAJINASI Vol 8, No 1 (2024): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/i.v8i1.53946

Abstract

Perancangan produk lampu terakota untuk unsur estetik eksterior taman kawasan rest area Desa Petungsewu bertujuan untuk menciptakan visual artistik dalam memperkuat daya tarik wisata. Produk tersebut dapat terlaksana dengan baik karena kerja kolaboratif bersama tim pelaksana program Desa Mitra LPPM UM dan masyarakat mitra Desa Petungsewu. Hasil kreasi dari perancangan produk tersebut juga untuk memperkuat tampilan artistik kawasan tersebut. Metode yang diterapkan untuk mencapai tujuan meliputi langkah-langkah kreatif seni: (1) Proses persiapan kegiatan dengan berkoordinasi bersama tim kreatif pelaksana program PKM LPPM UM dengan masyarakat Desa Mitra. (2) Kegiatan kreasi; yang meliputi kegiatan persiapan alat dan bahan, perancangan desain produk lampu terakota, dilanjutkan dengan pembuatan produk lampu taman terakota dengan material lokal tanah liat Malang, yang meliputi proses pembuatan ornamen produk lampu taman, proses penjemuran dan pembakaran produk lampu taman terakota. (3) Proses display  karya hasil kreasi. Pada akhir kegiatan kreatif dilakukan evaluasi untuk memperoleh masukan terkait apa saja yang penting untuk disempurnakan. Sehingga hasil kreasi ini agar dapat bermanfaat untuk mitra Desa Petungsewu.
KOMPARASI INTERIOR RUMAH TRADISIONAL NUSANTARA: RUMAH JOGLO YOGYAKARTA INDONESIA DAN RUMAH MELAKA MALAYSIA Swastika Dhesti Anggriani; Ponimin -; Lisa Sidyawati; Norsidah Ujang
PANGGUNG Vol 33 No 3 (2023): Resiliensi Budaya sebagai Ketahanan dalam Menjaga Tradisi hingga Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i3.1024

Abstract

This study aims to determine the differences and similarities between traditional houses in Nusantara with research samples taken from 2 countries namely Joglo traditional hoise in Yogyakarta Indonesia and Melaka traditional house in Melaka Malaysia. The research method used is qualitative by means of descriptive research that takes the type of comparative activities of traditional house in Nusantara. Data obtained from direct observation to the location (Yogyakarta and Malaysia), interviews with informants, and taking documents data in the form of photos, layout drawings, and images. The results showed similarities and differences between the Joglo traditional house in Yogyakarta, Indonesia and the Melaka tarditional house in Malaysia. Judging from the aspect of the building, the Joglo house was built directly above ground level while the Melaka house was built with a stage system. The different types of buildings, plus the different users and spatial activities, lead to differences in interior layout. However, both Joglo traditional house and Melaka traditional house were built in 1 building mass. Both houses also still use wood material in some parts of the house. In addition, the house is also supported by poles that use wood material. Keyword: Comparation, Interior, Traditional House, Joglo, Melaka  Penelitian ini bertujuan untuk mengetahui perbedaan dan persamaan diantara rumah tradisional Nusantara dengan sampel penelitian yang diambil dari 2 negara yaitu rumah tradisional Joglo Yogyakarta Indonesia dan rumah tradisional Melaka Malaysia. Metode penelitian yang digunakan adalah kualitatif dengan cara penelitian deskripsi yang mengambil jenis kegiatan komparasi rumah tinggal tradisional Nusantara. Data diperoleh dari observasi langsung ke lokasi (Yogyakarta dan Malaysia), wawancara kepada narasumber, serta mengambil data dalam bentuk dokumen berupa foto, gambar layout, dan gambar tampak. Hasil penelitian menunjukkan adanya persamaan dan perbedaan antara rumah Joglo Yogyakarta, Indonesia dan rumah Melaka Malaysia. Ditinjau dari aspek bangunan, rumah Joglo dibangun langsung di atas permukaan tanah sedangkan rumah Melaka dibangun dengan sistem panggung. Perbedaan jenis bangunan ini, ditambah perbedaan pengguna dan aktivitas ruangnya, menyebabkan adanya perbedaan tata ruang interior di dalamnya. Akan tetapi, Baik rumah Joglo dan Rumah Melaka dibangun dalam 1 massa bangunan. Kedua rumah tersebut juga masih menggunakan material kayu di beberapa bagian rumah. Selain itu, rumah juga disangga oleh tiang yang menggunakan material kayu. Keyword: Komparasi, Interior, Rumah Tradisional, Joglo, Melaka
Strategi Modelling The Way Dapat Meningkatkan Aktivitas dan Kemampuan dalam Melakukan Sholat Wajib pada Siswa Kelas 3 SDN 80/I Muara Bulian Ponimin, Ponimin; Rumainah, Rumainah; Aisyah, Siti
ISLAMIKA Vol 7 No 1 (2025): JANUARI
Publisher : Pendidikan Agama Islam STIT Palapa Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36088/islamika.v7i1.5474

Abstract

This study aims to examine the effectiveness of the Modelling the Way strategy in improving the activity and ability of third-grade students at SDN 80/I Muara Bulian in performing obligatory prayers. This strategy focuses on teachers serving as role models in demonstrating discipline and the proper way of performing prayers, enabling students to observe and imitate the behaviors presented. The study employed a quantitative approach with a simple experimental design, involving a sample of 30 students divided into two groups: an experimental group that received the intervention through the application of this strategy and a control group that did not. Statistical analysis, including t-tests and ANOVA, revealed a significant increase in the experimental group compared to the control group. The regression coefficient for the Experimental variable was 0.163, with a t-value of 4.001 and a significance of 0.001, indicating a significant positive effect, while the coefficient for the Control variable was 0.411, with a t-value of 5.065 and a significance of 0.000, showing an even stronger influence. Additionally, the Kolmogorov-Smirnov normality test results indicated that the residuals from the regression model followed a normal distribution (p = 0.565), confirming that the normality assumption was met. No multicollinearity issues were found in the model, as Tolerance and VIF values were within acceptable limits. These findings demonstrate that the Modelling the Way strategy is an effective method for establishing the habit of prayer among students, with teachers serving as key role models in the learning process. Furthermore, the study highlights the importance of the family environment in reinforcing the habits developed at school. Students who received parental support showed faster improvements in their prayer activities. Overall, the study indicates that role modeling in prayer practices by teachers, supported by a conducive family environment, can significantly impact the development of religious character in students, particularly in cultivating the habit of performing obligatory prayers.
Apresiasi dan Kemahiran Berkreasi Seni Kriya Untuk Tanamkan Cinta Indonesia Bagi Siswa Sekolah Indonesia Makkah (SIM) di Arab Saudi Ponimin, Ponimin; Qothub, Abdullah; Rahmawati, Siti
SULUH: Jurnal Seni Desain Budaya Vol 7, No 1 (2024)
Publisher : Universitas Islam Nahdlatul Ulama Jepara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34001/jsuluh.v7i1.7182

Abstract

Penerapan Berkembangnya arus informasi dan komunikasi telah mendorong pada masyarakat seluruh dunia dalam menghadapi pengaruh budaya asing secara lebih luas. Dalam hal ini termasuk para siswa Sekolah Indonesia  Makkah (SIM) yang tinggal Arab Saudi. Pengaruh budaya tersebut terkadang dapat mendorong pada berkurangnya rasa cinta terhadap negerinya Indonesia.  Oleh karena itu penumbuhan dan penguatan rasa cinta tersebut harus terus dibangun dan dikuatkan. Agar mereka tidak tercerabut dari akar budaya Indonesia. Guna pencapaian tersebut perlu dilakukan melalui kegiatan berapresiasi dan kemahiran berkreasi seni kriya.  Seperti yang dilaksanakan tim kreatif bidang seni rupa dan budaya LPPM Universitas Negeri Malang. Pada pelaksanaan program diperlukan metode apresiasi maupun kreasi seni. Metode tersebut meliputi (a) penyampaian materi dalam pelatihan / workshop apresiasi seni kriya, (b) workshop berkreasi seni kriya dengan berbagai media seni kriya, (c) berproduksi  kreasi seni kriya, (d)  analisis, evaluasi hasil apresiasi dan kreasi seni kriya.
Ekspresi Dampak Homesickness pada Mahasiswa Rantau dalam Penciptaan Seni Lukis Anggraini, Wini Puspita; Ponimin, Ponimin; Wisesa, Agnisa Maulani
Journal of Language Literature and Arts Vol. 5 No. 4 (2025)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um064v5i42025p408-418

Abstract

Mahasiswa perantauan sering menghadapi tantangan dalam menyesuaikan diri dengan kehidupan akademik dan sosial di lingkungan baru. Salah satu dampak yang sering dialami adalah homesickness, yang dapat memengaruhi kondisi sosial dan psikologis mereka, seperti kehilangan motivasi, kesepian, isolasi sosial, stres akademik, dan depresi. Penelitian ini bertujuan untuk merepresentasikan dampak negatif homesickness melalui karya seni lukis beraliran Realisme. Pengalaman pribadi dan observasi terhadap teman sejawat menjadi dasar dalam penciptaan karya ini. Metode yang digunakan adalah metode L.H. Chapman yang telah dimodifikasi, terdiri dari tiga tahap: permulaan, penyempurnaan, dan penyelesaian. Hasil dari penelitian ini adalah enam karya lukis beraliran Realisme berjudul No More Dream, Tiba-Tiba Sendiri, Aku Aneh, Katanya, Feeling Blue, Day by Day, dan Orang-Orang Ku. Karya-karya ini menggambarkan berbagai aspek emosional dan psikologis dari homesickness dengan pendekatan visual yang mendalam dan detail.
APRESIASI DAN KREASI SENI RUPA NUSANTARA SEBAGAI PENDORONG KECINTAAN TERHADAP BUDAYA NUSANTARA BAGI SISWA SEKOLAH INDONESIA RIYADH ARAB SAUDI Ponimin, Ponimin
Studi Budaya Nusantara Vol. 7 No. 1 (2023): Studi Budaya Nusantara
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776./ub.sbn.2022.007.01.02

Abstract

A sense of love, belonging and pride in the culture of the Nusantara must still be grown in every Indonesian citizen. This is to strengthen their identity as a Nusantara nation so as not to be uprooted from their cultural roots. This is also no exception for the students of the Riyadh Indonesian School (SIR) in Saudi Arabia. The strategies to encourage this sense of love, belonging and pride include art appreciation activities and art creations for the Nusantara's cultural arts to them in a way that is implemented in the overseas community service program from LPPM State University of Malang. To achieve the results of these activities such as workshops and training methods are applied which include the following methods: (1) The presentation with the theme of fostering insight to SIR students (Sekolah Indonesia Riyadh), (2) The Demonstration method for creating Nusantara fine arts, (3) Discussion and evaluation of the results of activities and implementation of activities, (4) Analysis of the results of appreciation activities and creations of Nusantara fine arts that have been carried out by students as program targets. The results of this activity are expected that the students will have an understanding of the importance of loving through the act of appreciation and creation of Nusantara cultural arts as Indonesians. On the other hand, the students have the ability and technical experience in creating, especially in the field of Nusantara fine arts which is achieved through training activities to create fine arts.
PROSES VISUALISASI DAN MAKNA MOTIF BATIK DI SANGGAR BATIK SAYU WIWIT KABUPATEN BANYUWANGI Agus Nurul Muwahid; Ponimin
Integrative Perspectives of Social and Science Journal Vol. 2 No. 2 April (2025): Integrative Perspectives of Social and Science Journal
Publisher : PT Wahana Global Education

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan penelitian, yaitu: (1) untuk memahami proses pembuatan batik di Sanggar Batik Sayu Wiwit. (2) untuk memahami hasil visual motif batik di Sanggar Batik Sayu Wiwit. (3) untuk memahami makna motif batik Banyuwangi di Sanggar Batik Sayu Wiwit. Penelitian menekankan pada pendekatan kualitatif dengan metode deskriptif. Metode pengumpulan data menggunakan teknik wawancara, observasi, dan dokumentasi. Hasil penelitian, yaitu: (1) proses pembuatan batik meliputi, (a) persiapan alat dan bahan; (b) pengolahan kain; (c) pemotongan kain; (d) pemindahan pola batik pada kain (mola atau nyorek); (e) pencantingan pertama (ngelowong, membatik cap, nerusi, dan ngisen-isen); (f) pewarnaan pertama (teknik colet); (g) pencantingan kedua (nemboki); (h) pewarnaan kedua (teknik celup); (i) pemberian water glass; (j) pelorodan batik; (k) pencucian dan penjemuran batik; (l) finishing batik. (2) motif batik Banyuwangi secara visual memiliki nilai seni tinggi yang di dalamnya terdapat unsur-unsur visual, prinsip-prinsip visual, perpaduan corak, dan unsur penyusun bentuk motif yang menjadikan batik terlihat indah. (3) dari semua motif batik Banyuwangi mempunyai makna bahwa manusia harus bersinergi dalam hubungan antara manusia dengan manusia, hubungan antara manusia dengan alam, serta hubungan antara manusia dengan Tuhannya. Batik Banyuwangi menyiratkan suatu pesan agar manusia saling toleransi, saling menghargai, saling merangkul antar semua golongan masyaraka, mengasihi antar umat serta status manusia yang berbeda.
KREASI PATUNG KERAMIK LANDSCAPE SEBAGAI PENDUKUNG ARTISTIK PADA OBJEK WISATA MELALUI PROGRAM KEMITRAAN DESA WISATA SELOREJO Ponimin, Ponimin
Studi Budaya Nusantara Vol. 4 No. 2 (2020): Studi Budaya Nusantara
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ceramic material landscape statue design process with “Mother and Children Harvesting Oranges” theme has purpose to strengthen Selorejo village potential as tourism village. Activity was done through PPDM LP2M UM Village Partnership Program to drive partner community creativity. Program method includes preparation, application, and evaluation. (1) Preparation includes coordination with local tourism village administrators to produce concept and design of artistic landscape statue artwork by using terracotta ceramic, cement and sand. (2) Application includes preparation of tool and material for statue artwork creation process through collaborative work between PPDM UM team and village tourism administrator team, until displaying process in tourism object and artwork finishing. (3) evaluation is by searching feedback critics by PPDM LP2M UM team and village partner to the creative activity, and this evaluation result is used as improvement tool. This activity produce one set of landscape statue artwork which displayed in Selorejo tourism village region which is located in Dau subdistrict, Malang regency.
Co-Authors Abdul, Muhammad Faizal Bin Abhista Rozi, Eldiza Elmira Afwan Hariri Agnisa Maulani Wisesa Agus Nurul Muwahid Ahmad Taufik Ahmad Taufiq Andy Pramono Anggraini, Wini Puspita Asmi Nusantari, Okta Viviana Astri Anindya Sari Bambang Hermanto Baskoro Tedjo, Astri Anindya Sari, Hanson Endra Kusuma, Bayu Aji Suseno bin Rani, Muhammad Faizal Dewayani, Wahyu Eko Haryanto Eko Sugiarto Febriari Febriari Guntur Guntur Guntur, Guntur Hasan Maksum Hidayat, Anwar Ike Ratnawati Irwanto, Rudi Lindawati Lindawati Makmun, Moh Mitra Istiar Wardhana, Mitra Istiar Muh. Ibnan Syarif, Muh. Ibnan Muhammad Sirojul Muniir Mukhaiyar, Riki Naisca, Naisca Aufa Olivia Nita Dian Faradila Norsidah Ujang Norsidah Ujang Nur Hadi Nusantari, Okta Viviana Asmi Putri Prabu Utami Qothub, Abdullah Rakuti, Nurhadi Rani, Muhammad Faizal Abdul Rani, Muhammad Faizal Bin Abdul Rini, Denik Ristya Robby Hidajat Rochmah, Dinta Wisnu Nur Rochmiatun, Siti Rony, Rony Rudi Irawanto RUMAINAH, RUMAINAH Sagaf Faozata Adzkia Sangrani, Eet Setyaningrum, Fery Sidyawati, Lisa Siti Aisyah Siti Rahmawati Swastika Dhesti Anggraini Swastika Dhesti Anggriani Syaadati, Arinis Syakir Syakir Syarahdevi, Balqis Aprillia Tamuddin, M Tenry Latanre Timbul Raharjo Triyono Triyono Ujang, Norsidah Vega, Brenda Lydia Ade Wahyuningtyas, Dinda Nastiti Wardana, Mitra Istiar Wida Rahayuningtyas Winta Tridhatu Satwikasanti, Winta Tridhatu Yeka Hendriyani Zulkifli, Norzizi