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All Journal Jurnal Imajinasi JURNAL SOSIAL HUMANIORA (JSH) Muamalah Jurnal Sejarah dan Budaya JADECS (Journal of Art, Design, Art Education and Culture Studies) Panggung Gondang: Jurnal Seni dan Budaya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) JTP - Jurnal Teknologi Pendidikan Studi Budaya Nusantara Islamika: Jurnal Keislaman dan Ilmu Pendidikan PERSPEKTIF Jurnal Karinov International Journal of Visual and Performing Arts Jurnal Praksis dan Dedikasi Sosial Jurnal Abdi Insani IJORER : International Journal of Recent Educational Research Jurnal Abdi Masyarakat Indonesia Journal of Language, Literature, and Arts (JoLLA) Suluh: Jurnal Seni Desain Budaya Prosiding Seminar Nasional Pascasarjana The Indonesian Journal of Computer Science Panggung IPSSJ Jurnal bahasa, sastra, seni, dan pengajarannya
Ponimin
Universitas Negeri Malang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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KREASI VAS TERAKOTA UNTUK UNTUK MENDUKUNG ESTETIKA DESA WISATA PADUSAN MOJOKERTO PROGRAM KEMITRAAN WILAYAH KAMPUS UM ponimin, Ponimin; Wardana, Mitra Istiar; Hadi, Nur; Nusantari, Okta Viviana Asmi
Jurnal Abdi Insani Vol 12 No 8 (2025): Jurnal Abdi Insani
Publisher : Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/abdiinsani.v12i8.2738

Abstract

Padusan Pacet Mojokerto Village has pioneered the development of a tourism village based on natural and cultural environments. The tourism village managers realize that to innovate in the region requires technical knowledge and experience. The creative art team from fine arts lecturers at Malang State University who are members of the community service program, have solved the problem, through a regional partnership program. Namely by creating visual icons created from sources of ideas for cultural artifacts from the Majapahit era. In order to strengthen these creations, they also strengthen the visual image of the Padusan tourism village. To achieve this, creative art methods are needed, including: (a.) Planning a terracotta vase creation program by the UM campus creative team together with the Padusan tourism village management team regarding the formulation of the terracotta vase product concept, (b.) The creative process of designing terracotta vase design drawings (c.) The process of production and display of terracotta vase creations. (d.) Analysis of the creative results of the exterior terracotta vases of the Padusan tourism village.
Kreasi Vertical Garden Figuratif-Artistik untuk Mendukung Citra Visual Desa Wisata Petungsewu Berbasis Kemitraan Kreatif Ponimin, Ponimin; Abdul, Muhammad Faizal Bin; Irwanto, Rudi; Guntur, Guntur; Nusantari, Okta Viviana Asmi
Jurnal Abdi Masyarakat Indonesia Vol 5 No 5 (2025): JAMSI - September 2025
Publisher : CV Firmos

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54082/jamsi.2064

Abstract

Desa Petungsewu Dau Malang perlu penataan taman kawasan di rest area desa wisata yang unik dengan kehijauan tumbuhan yang dapat memperkuat citra rintisan desa wisata berbasis alam lokal. Namun mereka tidak memiliki pengetahuan dan kemampuan teknis dalam mewujukannya. Diperlukan kegiatan kreatif berbasis artistik kolaboratif bersama desa mitra dengan perguruan tinggi, untuk meecahkan persoalan tersebut. Tim kreatif dosen seni rupa UM telah melakukan kegiatan kreatif berupa rancangan dan pembuatan garden vertikal figuratif untuk disajikan pada kawasan desa tersebut. Kegiatan ini untuk mendorong kreatifitas masyarakat sasaran program dalam mengembangkan desa wisata degan sajian yang menarik dan unik. Untuk mencapainya perlu ditetapkan metode kreatif kolaboratif dalam pembuatan/vertical garden. Metode tersebut meliputi: (a) koordinasi tim pelaksana program wilayah mitra sebagai pengguna serta penyiapan SDM dari desa mitra, (b) rumusan konsep perancangan IPTEKS untuk diterapkan di kawasan desa mitra, (c) persiapan alat dan bahan serta lokasi secara kolaboratif, (d) kerja kreatif kolaboratif perancangan dan pembuatan garden vertikal figuratif untuk kawasan rest area desa wisata Petungsewu, (e) Mengatasi kendala-kendala teknis dalam pelaksanaan program, (g) Hasil kreasi berupa rancangan desain dan prototipe produk garden vertical figuratif terpajang di Rest Area desa Petungsewu. Hasil kegiatan kreatif seni ini turut mendorong penguatan desa wisata melalui sajian produk artistik yang ramah lingkungan
KREASI VAS TERAKOTA PENDUKUNG ARTISTIK OBJEK WISATA PERKEMAHAN BEDENGAN PROGRAM DESA MITRA SELOREJO MALANG ponimin, Ponimin; Rani, Muhammad Faizal Bin Abdul; Wardana, Mitra Istiar; Vega, Brenda Lydia Ade; Nusantari, Okta Viviana Asmi
Jurnal Abdi Insani Vol 12 No 9 (2025): Jurnal Abdi Insani
Publisher : Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/abdiinsani.v12i9.2802

Abstract

The village of Selorejo in the Dau District of Malang Regency has pioneered as a tourism village. The initiative began by developing tourist attractions that made use of forest land along the banks of the Metro River, which was designated as a camping area. However, the development required creative ideas to strengthen the image of the area. Creative elements that can be offered involve creating aesthetic exterior elements of terracotta vases developed by academics, one of whom is from UM, collaborating with competent practitioners in the fields of crafts and landscape architecture. In realizing the creative artistic method, several stages are required, including: (1) design planning or conceptualization with Selorejo Village partners (exploring forms through sketches), (2) followed by the shaping and ornamentation of the terracotta vases, (3) drying and firing the artworks, and (4) displaying the creative terracotta vases at the Bedengan Selorejo Dau Malang Camping Ground (BUPER). The final product is a terracotta vase with a cylindrical base structure that not only offers aesthetic forms but also functional impacts. The upper part of the artwork features a jar-like shape with figurative relief and engraved patterns on all four sides of its surface.
Ecoprint Creations as Artistic Eco-Friendly Interior Accessories Ponimin, Ponimin; Ratnawati, Ike; Asmi Nusantari, Okta Viviana; Abhista Rozi, Eldiza Elmira
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.66386

Abstract

The development of aesthetic products for interior accessories has evolved with a variety of designs and materials. Interior accessories based on local potential and eco-friendly products are the hopes of any society in the era of increasing awareness of eco-friendly lifestyles. This research aims to create interior accessory products with local natural plant growth materials through the use of ecoprint textile crafts as a basis for the development. To realise this aim, a creative art method is necessary. These methods include: (a) product design, (b) preparation of materials and techniques, (c) the process of making ecoprint decorative motifs on fabrics, (d) application of ecoprint fabrics combined with other materials as surface decoration of prospective interior accessory element products, (d) finishing of prototype interior accessory element products from the combination of ecoprint, (e) analysis of creative results of the developed interior aesthetic element products. The products of this project consist of hanging lampshade, sitting lamp, and table ware products. It is expected that the results of this creation can enrich the variety of eco-friendly-based interior accessories craft products, which are developed from local potential.
KOMPARASI INTERIOR RUMAH TRADISIONAL NUSANTARA: RUMAH JOGLO YOGYAKARTA INDONESIA DAN RUMAH MELAKA MALAYSIA Anggriani, Swastika Dhesti; -, Ponimin; Sidyawati, Lisa; Ujang, Norsidah
PANGGUNG Vol 33 No 3 (2023): Resiliensi Budaya sebagai Ketahanan dalam Menjaga Tradisi hingga Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i3.1024

Abstract

This study aims to determine the differences and similarities between traditional houses in Nusantara with research samples taken from 2 countries namely Joglo traditional hoise in Yogyakarta Indonesia and Melaka traditional house in Melaka Malaysia. The research method used is qualitative by means of descriptive research that takes the type of comparative activities of traditional house in Nusantara. Data obtained from direct observation to the location (Yogyakarta and Malaysia), interviews with informants, and taking documents data in the form of photos, layout drawings, and images. The results showed similarities and differences between the Joglo traditional house in Yogyakarta, Indonesia and the Melaka tarditional house in Malaysia. Judging from the aspect of the building, the Joglo house was built directly above ground level while the Melaka house was built with a stage system. The different types of buildings, plus the different users and spatial activities, lead to differences in interior layout. However, both Joglo traditional house and Melaka traditional house were built in 1 building mass. Both houses also still use wood material in some parts of the house. In addition, the house is also supported by poles that use wood material. Keyword: Comparation, Interior, Traditional House, Joglo, Melaka  Penelitian ini bertujuan untuk mengetahui perbedaan dan persamaan diantara rumah tradisional Nusantara dengan sampel penelitian yang diambil dari 2 negara yaitu rumah tradisional Joglo Yogyakarta Indonesia dan rumah tradisional Melaka Malaysia. Metode penelitian yang digunakan adalah kualitatif dengan cara penelitian deskripsi yang mengambil jenis kegiatan komparasi rumah tinggal tradisional Nusantara. Data diperoleh dari observasi langsung ke lokasi (Yogyakarta dan Malaysia), wawancara kepada narasumber, serta mengambil data dalam bentuk dokumen berupa foto, gambar layout, dan gambar tampak. Hasil penelitian menunjukkan adanya persamaan dan perbedaan antara rumah Joglo Yogyakarta, Indonesia dan rumah Melaka Malaysia. Ditinjau dari aspek bangunan, rumah Joglo dibangun langsung di atas permukaan tanah sedangkan rumah Melaka dibangun dengan sistem panggung. Perbedaan jenis bangunan ini, ditambah perbedaan pengguna dan aktivitas ruangnya, menyebabkan adanya perbedaan tata ruang interior di dalamnya. Akan tetapi, Baik rumah Joglo dan Rumah Melaka dibangun dalam 1 massa bangunan. Kedua rumah tersebut juga masih menggunakan material kayu di beberapa bagian rumah. Selain itu, rumah juga disangga oleh tiang yang menggunakan material kayu. Keyword: Komparasi, Interior, Rumah Tradisional, Joglo, Melaka
Implementasi SDGs-12 melalui inovasi bio-leather limbah ampas sagu untuk potensi produk kerajinan lukis aplikatif Suseno, Bayu Aji; Utami, Putri Prabu; Satwikasanti, Winta Tridhatu; Ponimin, Ponimin; Rony, Rony; Hidayat, Anwar
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 8, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v8i2.14428

Abstract

The number of sago processing industries in Jayapura Regency has the potential to increase sago pulp fiber waste that is still not being optimally utilized. This study aims to address the problem of sago pulp waste by turning it into functional and aesthetic handicraft products using painting techniques. The design was carried out through exploration using the research through design (RTD) method, which consists of the stages of understanding material characteristics, exploring materials, and implementing materials. Data collection techniques used observation and interviews to gain an in-depth understanding of the sago waste processing from sago starch (flour) processing from sago trunk (tokok) grating, extraction, sedimentation, and drying. Samples of sago pulp waste were taken from the sago forest located in Kampung Harapan, Sentani District, East Jayapura Regency. The sample characteristics in the research population were two-week-old sago pulp fiber waste that had been crushed from the sago processing of sago pith or trunk contents. The result of this research is a composite sheet in the form of bio-leather from sago pulp waste that is used as a material for making fashion products. This research focuses on the application of a green economy by developing craft raw materials to support Sustainable Development Goals (SDGs) number 12, namely responsible consumption and production.
Effect of Implementing the Google Classroom Based on Learning Motivation, Interest in Learning and Student Learning Outcomes in Craft and Entrepreneurship Subjects Ponimin; Riki Mukhaiyar; Yeka Hendriyani; Hasan Maksum
JTP - Jurnal Teknologi Pendidikan Vol. 25 No. 3 (2023): Jurnal Teknologi Pendidikan
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jtp.v25i3.44965

Abstract

Advancements in modern technology provide teachers with opportunities to develop their skills in using media and teaching materials. This shift helps transform the instructional paradigms used in school learning processes, making education more modern and high-quality. Therefore, teachers need to be proficient in using information technology to enhance classroom learning, especially in subjects like crafts and entrepreneurship. This study is a quantiative research that focuses on examining the impact of Google Classroom on students' learning motivation, interest, and outcomes. The research was conducted at SMK Negeri 1 Tualang, Tualang District, Siak Regency, with a sample size of 95 eleventh-grade students. The data collected from this study were deemed valid and reliable, particularly concerning the influence of Google Classroom on learning motivation. The research findings were obtained through the use of questionnaires, with 33 respondents, providing data on the Google Classroom variable with a maximum score of 40. This indicates that there is a significant difference between the learning outcomes of students who were taught using the Online Google Classroom Learning Method and those taught using the conventional learning model in the subject of Crafts and Entrepreneurship for the 10th-grade students of SMK Negeri 1 Tualang in the Odd Semester of the Academic Year 2023/2024.
Workshop Apresiasi Seni Kriya Tradisi Bagi Mahasiswa Arsitektur UTM Johor Bahru Malaysia Sebagai Pendorong Cinta Budaya Lokal Ponimin, Ponimin; Irawanto, Rudi; Guntur, Guntur; Rani, Muhammad Faizal Abdul; Nusantari, Okta Viviana Asmi; Syarahdevi, Balqis Aprillia
SULUH: Jurnal Seni Desain Budaya Vol 8, No 2 (2025)
Publisher : Universitas Islam Nahdlatul Ulama Jepara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34001/jsuluh.v8i2.8956

Abstract

Seni kriya di kawasan Asia Tenggara memiliki kekayaan nilai estetika, filosofi, dan teknik yang berakar pada budaya lokal dan sejarah panjang masyarakatnya. Namun demikian, apresiasi terhadap seni kriya tradisional di kalangan generasi muda, terutama mahasiswa arsitektur, masih memerlukan penguatan, agar pemahaman terhadap nilai-nilainya menjadi modal pengetahuan yang terus berkembang. Melalui kegiatan workshop apresiasi seni kriya, mahasiswa Arsitektur Universiti Teknologi Malaysia (UTM) Johor diperkenalkan pada nilai-nilai filosofis, teknis, dan estetis yang terkandung dalam kriya tradisional, terutama kriya yang dimanfaatkan untuk mendukung arsitektur. Kegiatan ini diselenggarakan oleh tim dosen Seni dan Desain Universitas Negeri Malang sebagai bagian dari program public lekture di kampus tersebut. Metode pelaksanaan menggunakan ceramah, dengan pendekatan apresiatif partisipatif, yang menekankan pada pembelajaran aktif melalui teori, demonstrasi atau praktik kreatif seni kriya. Peserta diberi wawasan tentang beragam kriya tradisional, memahami makna simbolik dan nilai filosofisnya, serta eksplorasi teknik pembuatannya. Hasil kegiatan menunjukkan adanya peningkatan pemahaman peserta dari kegiatan workshop apresiasi terhadap kriya tradisional, kemampuan teknis dalam mengolah material, serta munculnya kreativitas untuk mengadaptasi unsur kriya dalam desain arsitektur pada masa mendatang. Melalui program workshop apresiasi seni kriya tidak hanya memperkaya wawasan mahasiswa, tetapi juga memperkuat kesadaran akan pentingnya pemahaman dan modal pengembangannya di tengah arus globalisasi
Traditional Indonesian carved ornaments in Rancakan contemporary gamelan to support fine arts learning Hermanto, Bambang; Ponimin, Ponimin; Rahayuningtyas, Wida; Zulkifli, Norzizi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 52, No. 2
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The teaching process in the form of teaching, training and research can be a means to strengthen steps in living in the world so that achievements in the fields of knowledge and skills are expected by everyone, namely a way to fully enjoy life based on the world. These human needs and desires can be fulfilled by the emergence of creative thinking ideas and innovative thinking ideas which are achieved by studying one's education. The aim of this research is to increase students' love for Indonesian culture through "Nusantara Ornaments". The design of this research is qualitative research. The population and sample in this study consisted of MAN Batu students in class. The results of this research are that students can describe works of applied art through ana-lytical sketches which include application, installation and combination columns. We conclude that the activity of observing and carrying out art criticism can help students gain information about works of applied art, the artists who created them, and the pro-cess of creating sculpture according to the students themselves.
Diversifikasi Desain Produk Sentra Keramik Dinoyo Bersumber Ide Budaya Lokal Malang Ponimin, Ponimin
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 46, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ceramic craft in Sentra Keramik Dinoyo of Malang has been produced in more or less four generations long. In the beginning, local crafters made potteries in traditional kitchenware. The increasing demand of consumer made room for decorative ceramic. Unfortunately, their product design development didn’t reflect local culture nuance. It because crafters weren’t able to develop the design. Through this activity, researcher tried to solve design problem, extracted from local culture as ceramic creation idea. So that local culture could appear as local ceramic characters. Ceramic product design development is done by formulating design concept, manifesting concept into product design image. Design image result then tested to design expert. The product design image then improved. This design improvement then manifested into ceramic product prototype. This development produced a unique design, one of them is ceramic with ‘Kendi Garuda Kamandalu’ (teapot) from Kidal Temple’s reliefs theme.
Co-Authors Abdul, Muhammad Faizal Bin Abhista Rozi, Eldiza Elmira Afwan Hariri Agnisa Maulani Wisesa Agus Nurul Muwahid Ahmad Taufik Ahmad Taufiq Andy Pramono Anggraini, Wini Puspita Asmi Nusantari, Okta Viviana Astri Anindya Sari Bambang Hermanto Baskoro Tedjo, Astri Anindya Sari, Hanson Endra Kusuma, Bayu Aji Suseno bin Rani, Muhammad Faizal Dewayani, Wahyu Eko Haryanto Eko Sugiarto Febriari Febriari Guntur Guntur Guntur, Guntur Hasan Maksum Hidayat, Anwar Ike Ratnawati Irwanto, Rudi Lindawati Lindawati Makmun, Moh Mitra Istiar Wardhana, Mitra Istiar Muh. Ibnan Syarif, Muh. Ibnan Muhammad Sirojul Muniir Mukhaiyar, Riki Naisca, Naisca Aufa Olivia Nita Dian Faradila Norsidah Ujang Norsidah Ujang Nur Hadi Nusantari, Okta Viviana Asmi Putri Prabu Utami Qothub, Abdullah Rakuti, Nurhadi Rani, Muhammad Faizal Abdul Rani, Muhammad Faizal Bin Abdul Rini, Denik Ristya Robby Hidajat Rochmah, Dinta Wisnu Nur Rochmiatun, Siti Rony, Rony Rudi Irawanto RUMAINAH, RUMAINAH Sagaf Faozata Adzkia Sangrani, Eet Setyaningrum, Fery Sidyawati, Lisa Siti Aisyah Siti Rahmawati Swastika Dhesti Anggraini Swastika Dhesti Anggriani Syaadati, Arinis Syakir Syakir Syarahdevi, Balqis Aprillia Tamuddin, M Tenry Latanre Timbul Raharjo Triyono Triyono Ujang, Norsidah Vega, Brenda Lydia Ade Wahyuningtyas, Dinda Nastiti Wardana, Mitra Istiar Wida Rahayuningtyas Winta Tridhatu Satwikasanti, Winta Tridhatu Yeka Hendriyani Zulkifli, Norzizi