Articles
<![CDATA[The Spatial Consequences of High-Rise Building of The Public Space of Basuki Rahmat Corridor, Surabaya ]]>
<![CDATA[Annisa Budhiyani Tribhuwaneswari]]>;
<![CDATA[Endang Titi Sunarti Darjosanjoto]]>;
<![CDATA[Murni Rachmawati]]>
<![CDATA[ IPTEK Journal of Proceedings Series No 1 (2015): 1st International Seminar on Science and Technology (ISST) 2015 ]]>
Publisher : <![CDATA[Institut Teknologi Sepuluh Nopember ]]>
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DOI: 10.12962/j23546026.y2015i1.1125
<![CDATA[High-rise building functioned as a reflection of the city growth toward modernism. It indicated changes for more advanced urban development, showing the quality at various section, such as tourism, economy, and its environment. The rapid growth of vertical building creating an effect towards the surrounding environment, the public space, which need to be acknowledged and evaluated. The research method applied to the study was descriptive qualitative, mainly focused at analyzing the spatial consequences of high rise building upon the public space of Basuki Rahmat Corridor, Surabaya. The data was presented by index card and analyzed by using synchronic reading techniques. The results shows that there is relation and linkage between the public space and the high-rise building at the corridor.]]>
<![CDATA[The Influence of Islam and Javanese Culture on The Meaning of Keraton Surakarta Hadiningrat’s Architecture ]]>
<![CDATA[Ihdina Sabili]]>;
<![CDATA[Murni Rachmawati]]>;
<![CDATA[Purwanita Setijanti]]>
<![CDATA[ IPTEK Journal of Proceedings Series No 6 (2020): 6th International Seminar on Science and Technology 2020 (ISST 2020) ]]>
Publisher : <![CDATA[Institut Teknologi Sepuluh Nopember ]]>
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DOI: 10.12962/j23546026.y2020i6.9188
<![CDATA[The effects of religion and culture to the people’s life in Indonesia certainly become inevitability. Keraton, as the residence of the king and the family has philosophical concepts and meanings on each element. Keraton Surakarta in physically and principle adheres to the philosophy of the Javanese people’s life as a media of Islamic development as well as the Javanese culture. This study aims to find out the influence of Islamic values and Javanese culture on the architecture of Keraton Surakarta, especially on the philosophical meaning. The research paradigm used in this study is the Inter-subjective Paradigm. The method applied is Combined Strategies, between Historical Research and Qualitative Research. The data collection was obtained through the literary study, observations, and interview of Keraton Royal Family and The Servants. Research conclusions came from verifying data with interpretation and historiography on the research object. The result of this study is the architectural significance of Keraton Surakarta applying islamic values combined with Java 'cultural philosophy especially to the building orientation and layout sequences. Imprinted meaning derived from the core of the value of human's relationship with god and the courtship philosophy of the Manunggaling kawula gusti.]]>
<![CDATA[Spatial Modelling of Religious Tourism Development Strategy with Special Reference of Aer Mata Cemetery Bangkalan Madura, Indonesia ]]>
<![CDATA[Katherine E.D.P Permanasari]]>;
<![CDATA[Endang Titi Sunarti Darjosanjoto]]>;
<![CDATA[Murni Rachmawati]]>
<![CDATA[ IPTEK Journal of Proceedings Series No 1 (2015): 1st International Seminar on Science and Technology (ISST) 2015 ]]>
Publisher : <![CDATA[Institut Teknologi Sepuluh Nopember ]]>
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DOI: 10.12962/j23546026.y2015i1.1126
<![CDATA[The development of tourism in Indonesia can be classified based on the type of tourism attraction preferred. Bangkalan Regency determine religious tourism as a major tourism destination. This is as affected by the existence of a number of historical relics which are related to the spread of Islam on Madura Island. , It also asserts this Cemetery as urban heritage that must be protected in Bangkalan. This study explores Cemetery Aer Mata, this religious tourism destination layout has not been arranged properly. For this reason, formulation of the zone mapping in the area is needed, in order to be developed as tourism destination that contains a historical value and consistent with regional policy for conservation. An spatial modeling can be develop as tourism strategy by using cognitive mapping techniques. ]]>
<![CDATA[Evaluation of The Suitability of Urban Parks Based on The Characteristic of The Elderly’s Needs in Surabaya ]]>
<![CDATA[Anindita Ramadhani]]>;
<![CDATA[Endang Titi Sunarti Darjosanjoto]]>;
<![CDATA[Murni Rachmawati]]>
<![CDATA[ IPTEK Journal of Proceedings Series No 1 (2015): 1st International Seminar on Science and Technology (ISST) 2015 ]]>
Publisher : <![CDATA[Institut Teknologi Sepuluh Nopember ]]>
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DOI: 10.12962/j23546026.y2015i1.1031
<![CDATA[The number of elderly people in Surabaya City is growing fast, with the largest population in Development Unit (UP) Tunjungan. It resulted to the needs of elderly facilities, such as parks. The elderly have certain characteristics, so the designing of elderly park need a specific approach. Therefore, the research’s objective is to evaluate urban parks in UP Tunjungan that suitable for characteristic of the elderly’s need. The research’s methods is qualitative descriptive. The evaluation of eight parks in UP Tunjungan based on general criteria of elderly park through character appraisal analysis. The result is to find out the most suitable park to be designed as Elderly Park that meets 7 out of 10 sub criteria of an elderly park.]]>
<![CDATA[HUMANISME (KEMBALI) DALAM ARSITEKTUR ]]>
<![CDATA[Murni Rachmawati]]>
<![CDATA[ NALARs Vol 9, No 2 (2010): NALARs Volume 9 Nomor 2 Juli 2010 ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Jakarta ]]>
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DOI: 10.24853/nalars.9.2.%p
<![CDATA[ABSTRAK. Sebagai bagian dari dunia, arsitektur dihadapkan pada masalah-masalah dunia. Penelitian ini bertujuan untuk mencari konteks yang tepat dari arsitektur dalam mengatasi masalah-masalah tersebut. Metode yang digunakan dalam penelitian ini adalah metode kritiks dan argumentasi logika. Hasilnya mengacu pada pentingnya humanisme kembali pada arsitektur. Namun, konteks humanisme kontras terhadap humanisme yang disajikan pada arsitektur modern. Dalam arsitektur modern, humanisme menempatkan manusia sebagai subyek yang seharusnya melengkapi kebutuhan dan keinginan manusia. Kebutuhan humanisme adalah menempatkan manusia sebagai penentu seluruh kebijakan dalam melindungi alam, humanitarianisme dan juga teknologi untuk kebaikan manusia dan alam. Kata Kunci: arsitektur, humanisme ABSTRACT. As part of the world, architecture also faced the problem of the world. This study is aimed to look for the fits context of architecture according to faced the problem. Methods of this study are criticism methods and logical argumentation. The result is referred to the importance of humanism back for architecture. But, that humanism context is contrast to the humanism that presented at modern architecture. In modern architecture, humanism placed man as subject that shall be accomplished all of man wish. Needed humanism is that place man as determining all policy in protects nature, humanitarianism and technology to the good man and good nature. Key Word: Architecture, Humanism]]>
<![CDATA[KAJIAN ANTITESIS HEGELIAN DALAM ARSITEKTUR ]]>
<![CDATA[Muhammad Nurwahyu]]>;
<![CDATA[Murni Rachmawati]]>;
<![CDATA[Josef Prijotomo]]>
<![CDATA[ ATRIUM: Jurnal Arsitektur Vol. 1 No. 1 (2015): ATRIUM: Jurnal Arsitektur ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta ]]>
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DOI: 10.21460/atrium.v1i1.89
<![CDATA[Title: Study of Hegelian Antithesis in Architecture This paper tries to expose hegelian antithesis existence, that can be used as a way of thinking in architecture design process. With antithesis that lies in philosophy scope, then it needs to be settled with similar thing in architecture. The settlement will be set by using descriptive critique method. The result of the settlement can become a starting point for the usage of Hegelian antithesis in architecture design exploration. In this paper, antithesis proven to be equal with architecture of difference as bildung. Those equality shown in the architecture dialogue. With this equality, antithesis become defined and known its position in architecture.]]>
<![CDATA[Transitional Space as Solution for Occupants Safety: Learning from the Past ]]>
<![CDATA[Ami Arfianti]]>;
<![CDATA[Murni Rachmawati]]>;
<![CDATA[Purwanita Setijanti]]>
<![CDATA[ Nusantara Science and Technology Proceedings 5th International Seminar of Research Month 2020 ]]>
Publisher : <![CDATA[Future Science ]]>
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DOI: 10.11594/nstp.2021.0919
<![CDATA[This paper aims to show that for the safety of the occupants in today's architecture, we could learn from the spatial arrangement of the past architecture. In this paper, the adoption of the historiography method from historians was used to trace the genealogy of past architecture. Historiography is a method that is used to trace history back to the past to understand the past. By using historiography, the genealogy (line of a descendant) of vernacular Javanese building will be traced to find the transitional space in the spatial arrangement of the complex of housing. And then, the genealogy of vernacular Japanese buildings will be traced too, to find the transitional space in their spatial arrangement housing. To represent the European building, the genealogy of the Greek building will be used. Again, transitional space will be traced in their building. After that, the finding from these tracing will be compared to find the similarity and differences of the transition spaces. The result of this study showed that people from countries of samples did not design their building with open access to the spatial arrangement. There is always a transitional space from outside of the building to inside of the building. Because open access will make the occupants of the building prone to safety. Not only from tangible (physical) threats but also the intangible threats.]]>
<![CDATA[PLANNING OF RELIGIOUS TOURISM AREA OF GUS DUR TOMB INTEGRATED WITH REGIONALISM STRATEGY ]]>
<![CDATA[Jayanata Putra]]>;
<![CDATA[Dewi Septanti]]>;
<![CDATA[Murni Rachmawati]]>
<![CDATA[ Journal of Islamic Architecture Vol 7, No 1 (2022): Journal of Islamic Architecture ]]>
Publisher : <![CDATA[Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang ]]>
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DOI: 10.18860/jia.v7i1.12994
<![CDATA[Uncontrolled tourism development makes an area develops unevenly and causes changes of function that can harm the surrounding community. Thus, integration in an area is needed to form urban area plans. The development of tourist areas cannot be separated from the change of function that leads to the changes in areas that develop unevenly. For example, a change of lifestyle makes people initially gathered in open spaces move to areas with certain interests. So, the integration between spaces is an important concern in the scope of region development. These corridors can become open spaces that improve the quality of tourist areas. This research aims at identifying the potential development of the religious tourism area of Gus Dur Cemetery in Jombang City with a regionalism approach. It includes activities, facilities, and several symbols that increase the value of the place. The research method employed logical argumentation on which the research relies on argument as a reference in aspects and results of research. The data collection techniques are interviews, observations, cognitive mapping, and literature studies. This study shows some activities that need to be developed; providing an open space to support the community activities, providing facilities that make the value of a tourist area can increase economically, developing new symbols, developing religious tourism areas, and arranging landscapes. ]]>
<![CDATA[IDENTITY MEANING OF A GAPURA WRINGINLAWANG AT THE HINDUISM-SEMERU LUMAJANG TEMPLE ]]>
<![CDATA[Rizal Ardy Firmansyah]]>;
<![CDATA[Murni Rachmawati]]>;
<![CDATA[Ima Defiana]]>
<![CDATA[ Journal of Architecture&ENVIRONMENT Vol 22, No 1 (2023) ]]>
Publisher : <![CDATA[Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS) ]]>
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DOI: 10.12962/j2355262x.v22i1.a16583
<![CDATA[Semiotics as a science that studies signs have a wide range of knowledge and one of them is in the field of Architecture which is a result of the cultural process of society because architectural works are the embodiment of the life of that society. Semiotics as the science of signs is capable of being a tool in tracing cultural relations in architectural objects or works. Pura Mandharagiri Semeru Agung as an architectural work that carries Balinese Hindu culture is an architectural work located at the foot of Mount Semeru, to be precise in an area called Senduro in Lumajang district. An architectural object in the form of a gate with the name Wringinlawang stands proudly at the entrance to the area. Wringinlawang in shape and color has a style that is different from the style in the temple area. Therefore, there is a need for a study related to the existence of the wringinlawang object in the middle of the temple area which carries Balinese Hindu culture. To trace the process of wringinlawang's existence and its meaning to the surrounding community, semiotics will be the main tool in tracing the sign, which in this case is the Gapura Wringinlawang. The purpose of this research is to explore the factors influencing the meaning of the Gapura Wringinlawang and to explore the relationship between the signs that are formed. The method used in this research is qualitative research using interview data alongside a literature review. The results of Charles S. Pierce's semiotic study show that the Gapura Wringinlawang contains a symbol of cultural identity for the Senduro community around the temple building. The culture in question is Javanese culture which is manifested through the building style used in the Gapura Wringinlawang building because of the context of the location.]]>
<![CDATA[Architect Aesthetic Concept in WYAH Art and Creative Space Cafe Building Ubud, Bali ]]>
<![CDATA[Widyawati, Anak Agung Ayu Pratiwi]]>;
<![CDATA[Rachmawati, Murni]]>;
<![CDATA[Novianto, Didit]]>
<![CDATA[ ASTONJADRO Vol. 12 No. 3 (2023): ASTONJADRO ]]>
Publisher : <![CDATA[Universitas Ibn Khaldun Bogor ]]>
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DOI: 10.32832/astonjadro.v12i3.14375
<![CDATA[The concept of architectural aesthetics is closely related to the architect who designed it. Architectural works of art today do not only consider the function and robustness of the structure, but also the aesthetic aspects. Current architectural developments show the trend of developing cafe buildings with unique designs that are owned as an attraction, one of which is the WYAH Art and Creative Space cafe building. This affects architects and is expected to be able to create buildings with new innovations that are unique and aesthetically attractive. This study aims to identify the aesthetic concepts applied by architects in WYAH cafe buildings. Based on the research objectives, this study uses a qualitative strategy with a phenomenology approach. The analysis technique used is content analysis and interpretive architectural criticism. The result obtained is that the aesthetic concept applied by the architect in the process of designing the WYAH cafe building adopts the surrounding nature potentials (utilizing land conditions). The implication is that this building becomes an attraction and attracts the interest of many visitors, so it can be concluded that the architect's aesthetic concept is an important value in the process of designing architectural works.]]>
