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All Journal International Journal of Public Health Science (IJPHS) Bumi Lestari Jurnal Sains dan Seni ITS IPTEK Journal of Proceedings Series Journal of Architecture & Environment NALARs Tesa Arsitektur EMARA : Indonesian Journal of Architecture Journal of Islamic Architecture Astonjadro Atrium : Jurnal Arsitektur Nusantara Science and Technology Proceedings Jurnal Multidisiplin Indonesia Interiority
Murni Rachmawati
Jurusan Arsitektur FTSP ITS
Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Medicine & Pharmacology Public Health Social Sciences Veterinary

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Primbon: Representation of Kraton Yogyakarta Arfianti, Ami; Rachmawati, Murni; Setijanti, Purwanita
Interiority Vol. 5, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Primbon as Javanese local knowledge has been a guide for Javanese everyday and ritual life, included buildings, for decades. This paper intends to investigate the use of primbon in the Kraton Yogyakarta (Palace of Yogyakarta) as the representation of the sultan (king). The investigation was conducted through interpretive criticism to reveal the degree of conformity under the rules and principles in primbon as an attempt to form a new perspective in understanding the primbon.The analysis focuses on verses 172 and 194–196 of Primbon Betaljemur Adammakna, which deals with the arrangement of buildings. By transliterating the verses into English and interpreting the application of the verses in Kraton Yogyakarta, the study demonstrated the manifestation of theprimbon verses in the kraton’s building arrangement. The study of primbon reveals the role ofkraton as the representation of the earth in the universe, while the representation here displays the hierarchical arrangement of building facilities, from sacred to nonsacred or from private to public.
Identity Meaning of a Gapura Wringinlawang at the Hinduism-Semeru Lumajang Temple Rizal Ardy Firmansyah; Murni Rachmawati; Ima Defiana
Journal of Architecture & Environment Vol. 22 No. 1 (2023)
Publisher : Center for Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j2355262x.v22i1.a16583

Abstract

Semiotics as a science that studies signs have a wide range of knowledge and one of them is in the field of Architecture which is a result of the cultural process of society because architectural works are the embodiment of the life of that society. Semiotics as the science of signs is capable of being a tool in tracing cultural relations in architectural objects or works. Pura Mandharagiri Semeru Agung as an architectural work that carries Balinese Hindu culture is an architectural work located at the foot of Mount Semeru, to be precise in an area called Senduro in Lumajang district. An architectural object in the form of a gate with the name Wringinlawang stands proudly at the entrance to the area. Wringinlawang in shape and color has a style that is different from the style in the temple area. Therefore, there is a need for a study related to the existence of the wringinlawang object in the middle of the temple area which carries Balinese Hindu culture. To trace the process of wringinlawang's existence and its meaning to the surrounding community, semiotics will be the main tool in tracing the sign, which in this case is the Gapura Wringinlawang. The purpose of this research is to explore the factors influencing the meaning of the Gapura Wringinlawang and to explore the relationship between the signs that are formed. The method used in this research is qualitative research using interview data alongside a literature review. The results of Charles S. Pierce's semiotic study show that the Gapura Wringinlawang contains a symbol of cultural identity for the Senduro community around the temple building. The culture in question is Javanese culture which is manifested through the building style used in the Gapura Wringinlawang building because of the context of the location.
Estetika dan Fungsi: Sebuah Diskursus Kritis pada Representasi Keberlanjutan di Kafe Modern Meliana Sanjulia Miryati; Murni Rachmawati; Bambang Soemardiono
Jurnal Multidisiplin Indonesia Vol. 5 No. 7 (2026): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v5i7.2869

Abstract

Penelitian ini mengkaji representasi keberlanjutan dalam wacana kafe modern urban Indonesia menggunakan Analisis Wacana Kritis (CDA) model Norman Fairclough. Korpus terdiri atas 42 teks, yaitu artikel media populer, profil desain arsitektur, ulasan pengguna digital, dan konten promosi resmi dari kafe ramah lingkungan di Jakarta, Bandung, Surabaya, Yogyakarta, Bali, dan Medan, yang terbit antara 2020–2025. Penelitian ini bertujuan mendekonstruksi dialektika antara estetika dan fungsi ekologis dalam representasi keberlanjutan. Temuan menunjukkan bahwa narasi keberlanjutan secara dominan dikonstruksi melalui leksikal estetika dan visual ('estetik', 'asri', 'hijau', 'kece'), sementara fungsi ekologis material (efisiensi energi, pengelolaan limbah terukur, jejak karbon) tersisihkan dan disampaikan secara kabur tanpa data kuantitatif. Pada tingkat praktik diskursif, rantai intertekstualitas sirkular antara konten promosi, artikel media, dan ulasan pengguna menciptakan ruang gema tanpa verifikasi, mengubah media arus utama dari watchdog menjadi megaphone pemasaran. Pada tingkat praktik sosial, wacana ini memproduksi green simulacrum (Baudrillard), di mana tanda visual hijau menggantikan realitas ekologis material, sekaligus mendepolitisasi krisis lingkungan melalui individualisasi tanggung jawab dan mereproduksi segregasi spasial berbasis kelas. Penelitian ini menyimpulkan bahwa wacana kafe ramah lingkungan di Indonesia adalah teater keberlanjutan, bukan wacana ekologi. Manfaat penelitian ini secara teoretis memperkaya kajian komunikasi lingkungan dan CDA, sedangkan secara praktis menjadi refleksi bagi pengelola kafe, desainer, jurnalis, dan pembuat kebijakan agar lebih kritis dalam memproduksi narasi keberlanjutan.
Co-Authors Adiar Ersti Mardisiwi Amien, Muchammad Andy Mappajaya Anggraeni Retnoningtiyas Anindita Ramadhani Annisa Budhiyani Tribhuwaneswari Ardianta, Defry Agatha Arfianti, Ami Arie Ranuari Arina Hayati Arina Marta Setya Putri Bambang Soemardiono Cinthia Sofie Devansari Deasy Tuffahati Defiana, Ima Dewi Septanti Endang Titi Sunarti BD Endang Titi Sunarti Darjosanjoto Hertanto, Irfan Ihdina Sabili Ihdina Sabili Indrati Prastiti Jayanata Putra Jayanata Putra Josef Prijotomo Josef Prijotomo JosefThis study concern to discuss about Prijotomo Katherine E.D.P Permanasari Kreisson Pisty Larwuy Maulana Cahyo Utama Mehdia Iffah Nailufar Mehdia Iffah Nailufar, Mehdia Iffah Meliana Sanjulia Miryati Muhammad Dewawisnu Mahdi Muhammad Faqih Muhammad Fikri Rajal Izza Muhammad Ilhamullah Muhammad Nurwahyu Muhammad Syafiq Nabilla Azhari Nehemia Bislissin Ni Wayan Anantasia Saraswati Novianto, Didit Nur Endah Nuffida Pridany Widya Ad’ha Purwanita Setijanti Rahma Sakinah Rahma Sakinah Rizal Ardy Firmansyah Rizal Ardy Firmansyah Rizkya Fisabila Shabrina Nareswara Sherly de Yong Widyawati, Anak Agung Ayu Pratiwi Yeptadian Sari Yustisia Sekar Pratiwi