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All Journal Jurnal Mahasiswa Jurusan Arsitektur Jurnal Ruas (Review of Urbanism and Architectural Studies) Tesa Arsitektur ARTEKS : Jurnal Teknik Arsitektur

Ridjal, Abraham Mohammad

Jurusan Arsitektur Fakultas Teknik Universitas Brawijaya

Author-ID : 2783660

Civil Engineering, Building, Construction & Architecture

Published : 59 Documents Claim Missing Document

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Karakteristik Fasad Bangunan Arsitektur Kolonial Belanda di Kampung Bubutan Surabaya Utara Andriyani Andriyani; Abraham Mohammad Ridjal
Jurnal Mahasiswa Jurusan Arsitektur Vol 6, No 4 (2018)
Publisher : Jurnal Mahasiswa Jurusan Arsitektur

Show Abstract | Download Original | Original Source | Check in Google Scholar

Kampung Bubutan merupakan kampung kuno yang memiliki nilai historis tinggi sebagai awal mula terbentuknya Surabaya. Kawasan Bubutan merupakan kawasan kerajaan Hindu Mataram pada zaman dahulu dan kemudian menjadi kawasan penjajahan kolonial Belanda. Kawasan Bubutan merupakan kawasan cagar budaya dengan peninggalan bangunan-bangunan bersejarah. Pada Kampung Bubutan terdapat bangunan bersejarah yang tidak terawat dan banyak terdapat perombakan bangunan bersejarah dengan fungsi rumah tinggal. Perubahan fungsi bangunan rumah tinggal menjadi bangunan pemerintahan. Perombakan bangunan ini merubah fasad bangunan atau mengalami perubahan bentuk dari gaya kolonial Belanda menjadi gaya modern kontemporer. Fasad merupakan elemen arsitektur terpenting sehingga harus dijaga keasliannya. Metode penelitian kualitatif adalah metode yang digunakan untuk menganalisis data. Hasil penelitian dapat dilihat dari karakteristik fasad berupa langgam bagunan, elemen fasad dan prinsip komposisi fasad.

Pelestarian Bangunan Stasiun Kereta Api Kediri Yussi Oktarisa; Antariksa Antariksa; Abraham Mohammad Ridjal
Jurnal Mahasiswa Jurusan Arsitektur Vol 5, No 1 (2017)
Publisher : Jurnal Mahasiswa Jurusan Arsitektur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (664.949 KB)

Stasiun kereta api Kediri memiliki nilai historis yang kuat. Bentuk bangunan yangbergaya Indische empire ini memiliki karater yang dapat merekam jejak sejarah.Sejarah masa lampau yang menjadikan kota kediri sebagai kota karisedanan karenaadanya infrastruktur transportasi yang maju. Peranan bangunan stasiun Kereta apiKediri ini patut dipertahankan dan diarahkan ke upaya pelestarian. Metode yangdipakai adalah analisis kulitatif yang menggunakan pendekatan deskriptif denganmenganalisis karakter arsitektural. Karakter arsitektural ini kemudian diarahkan kemetode evaluative dengan penilaian makna kultural. Hasil dari metode evaluativetersebut, karakter arsitektural dikembangkan ke arahan dan upaya pelestariandengan potensial tinggi, sedang dan rendah. Potensial tinggi diarahkan kepreservasi dan konservasi. Potensial sedang diarahkan ke konservasi danrehabilitasi. Potensial rendah diarahkan ke rehabilitasi.Kata Kunci: Stasiun Kediri, Pelestarian, Bangunan Kolonial Belanda

Building Form berdasarkan Sejarah Kawasan Bangunan pada Jalan Basuki Rahmat Malang Abraham Mohammad Ridjal; Antariksa Antariksa; Noviani Suryasari; Joko Triwinarto Santoso
RUAS (Review of Urbanism and Architectural Studies) Vol 14, No 2 (2016)
Publisher : RUAS (Review of Urbanism and Architectural Studies)

Human civilization had been through along with the evidence of history. The city of Malang has its own history which been proved by its buildings as the eyewitnesses. As a part of Indonesian History, Malang contributed to colonialism era in which colored this nation efforts during the independence through its buildings which became the evidence of what happened. The existence of these buildings were important for the record of history, not just political stories but also how did people acted in it. Ignorance of these could erase the history of Malang, in which could stop the transfer information about what did Malang. In this case identified and re-constructed history of Malang is needed to re-built its identity. Through this agenda by historical-description hoped Malang Identity could be found and the building form could re-arranged through its character. If this action done, development of Malang city would be synergy with its own history and identity.Keywords: conservation, history, colonialism

Perubahan Fungsi Ruang Taneyan Lanjhang Pada Masyarakat Migran Madura Di Desa Krajan Jember Abraham Mohammad Ridjal
RUAS (Review of Urbanism and Architectural Studies) Vol 12, No 2 (2014)
Publisher : RUAS (Review of Urbanism and Architectural Studies)

Exodus by Madurese people to Java, represented one of the resident disseminating process in Indonesia. Besides transfer of human beings, there were also architecture and culture transfer, especially house remain was important shares in human life. The aim of this architecture’s research is to know changes of architecture that happened in two cultures in its life pattern. Though culture that goes on it follows local culture, however its architecture’s orientation does not stem from the same culture, and so does on the contrary. This matter represent there are values that able to perceive physically on the elements of architecture, and also its influence on its pattern habit of society exist in depth.This research represents a kind of study and object case research, by determining one of the research object and conduct it with in depth study to get required data to analyse. Besides, this research also represents a qualitative research to describe and compare of two architectures. In course of analysis, quantitative data also needed, which obtained from questioner concerning architecture composition. By the existence of existing change and difference gotten after analysis process by compare of two architecture, showed that architecture have a dynamically character. Besides, the change and its dynamically was supported by a very good relationship between architecture, human being and environment where the architecture woke up.Keywords: Madurese architecture, culture, environment

Membangun Jembatan Antara Buku Dan Praksis Arsitektur Abraham Mohammad Ridjal
RUAS (Review of Urbanism and Architectural Studies) Vol 10, No 2 (2012)
Publisher : RUAS (Review of Urbanism and Architectural Studies)

Berbagai anggapan sering muncul terkait hubungan antara dunia akademis dan dunia praktek arsitektur yang mengatakan keduanya saling bertolak belakang dan berbeda arah. Dunia akademisi dianggap sebagai dunia dimana calon arsitek bebas berkreasi dengan angan-angan dan impian yang tidak terbatas, sedangkan dunia ppraktek adalah dunia dimana banyak aturan dan batasan-batasan yang mengekang ide kreatifitas, karena banyak tuntutan yang harus dipenuhi. Padahal jika menilik proses awal lahirnya ilmu arsitektur, tidak ada dikotomi antara dunia arsitektur dan dunia praksis, keduanya tidak terpisahkan. Keilmuan arsitektur akan didapatkan ketika kita berpraktik di lapangan, demikian juga pengembangan praksis keilmuan akan menjadi lebih tajam setelah kita banyak melakukan pengamatan dan penyimpulan terhadap proses ber-arsitektur, sebagaimana wujud arsitektur tradisional kita. Metode semacam ini merupakan proses induktif, dimana kita menyimpulkan pengamatan-pengamatan yang kita lakukan di lapangan untuk dirumuskan menjadi sebuah kajian keilmuan. Dengan demikian, pendidikan dan pengajaran arsitektur akan dapat memperkecil ketidakpastian (anomali).Melalui penggalian lebih dalam mengenai keterkaitan antara proses yang dilakukan oleh para praktisi dengan pengajaran yang dilakukan dalam dunia pendidikan arsitektur agar dapat terbangun sinergi diantara keduanya. Selain itu, sebagai pengembangan teori dan pengajaran arsitektur, juga perlu dirumuskan konsep desain yang berangkat dari pengalaman praksis untuk memperkaya teori yang sudah dikembangkan di dunia kampusKata Kunci: praksis arsitektur, akademisi, metode desain, pengalaman ber-arsitektur

Perubahan Ruang Pada Bangunan Rumah Panjae Suku Dayak Iban Kalimantan Barat Muammar Ardli Hafiid; Antariksa Antariksa; Abraham Mohammad Ridjal
RUAS (Review of Urbanism and Architectural Studies) Vol 13, No 2 (2015)
Publisher : RUAS (Review of Urbanism and Architectural Studies)

Long House (Rumah Panjae) Traditional Home Society of West Kalimantan Dayak Iban, long house or betang know in Dayak Iban language as Rumah Panjae. Long House (Rumah Panjae). Panjae Dayak Iban house is constructed of ironwood poles long, Rumah Panjae has its own meaning is backed by the confidence that exists in the customs and culture of the local community. Similarly, the change in house building Panjae is changing due to the needs of society. This study focuses on the problems of space changes in house building Dayak Iban language as Rumah Panjae West Kalimantan. This study aims to identify and analyze changes in the building space Dayak Iban House Panjae Utik River West Kalimantan. Conducting research using descriptive method, the survey directly into the field, the observed changes in the building space Panjae house. The study shows that changes that occur in the House chamber Panjae Dayak Iban influenced by the needs of today's society, such as the kitchen (Uji Bilik) and lounge (Kaki Lima) contained in the house being brought forward Panjae.Keyword: Rumah Panjae, Changes In Space

TIPOLOGI ELEMEN ARSITEKTUR RUMAH BANGSAL DI DESA LARANGAN LUAR PAMEKASAN MADURA Intan Kurnia Asmarani; Antariksa Antariksa; Abraham Mohammad Ridjal
Tesa Arsitektur Vol 14, No 1 (2016)
Publisher : Unika Soegijapranata Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/tesa.v14i1.514

Rumah bangsal merupakan salah satu tipe arsitektur rumah tradisional di Madura. Arsitektur Jawa yang menjadi asal usul dari arsitektur Madura tercermin pada bentuk rumah bangsal yang mengadopsi dari bentuk rumah joglo. Desa Larangan Luar merupakan desa di Kabupaten Pamekasan yang masih menyimpan kekayaan peninggalan arsitektur tradisional rumah bangsal. Rumah bangsal sebagai salah satu arsitektur tradisional Madura merupakan peninggalan yang sangat berharga dan patut dijaga keberadaanya. Studi ini bertujuan untuk mengidentifikasi dan menganalisis tipologi elemen arsitektur tradisional rumah bangsal di Desa Larangan Luar Pamekasan Madura. Metode penelitian yang digunakan pada studi ini adalah kualitatif deskriptif dengan pendekatan tipologi. Pendekatan tipologi digunakan untuk mengelompokkan elemen arsitektur yang dimiliki oleh rumah bangsal dan untuk mengetahui perubahan arsitektur rumah bangsal. Metode pemilihan kasus bangunan menggunakan metode purposive sampling, menggunakan kriteria untuk memilih kasus bangunan. Hasil studi menemukan bahwa setiap elemen arsitektur rumah bangsal memiliki tipe-tipe elemen yang dipengaruhi oleh faktor budaya, sosial dan iklim.

Memahami Makna Ruang Melalui ‘SIMPUKNG’ Abraham Mohammad Ridjal
RUAS (Review of Urbanism and Architectural Studies) Vol 13, No 1 (2015)
Publisher : RUAS (Review of Urbanism and Architectural Studies)

Nature of the Nusantara archipelago with the composition of the ocean and the land has formed a diverse culture and architecture that characterizes all the archipelago's. Archipelago architecture has a form and concept are very diverse, ranging from simple to very complex. One of the underlying architecture embodiment of the archipelago is the conception of space. Diverse groups of people have a variety of concepts of space different, but with the sole purpose of creating archipelago nature and society for the better. One of them is 'simpukng' conception of the public space Benuaq governing society and the environment proxies in order to stay awake and well ordered. Simpukng concept is not only applied in the scientific community architecture Benuaq, but the concept of this space is used in almost all activities of the local people there. Therefore, in studying interdisciplinary required in order to obtain a more comprehensive understanding about this simpukng. One that can be learned from simpukng in architecture today is how to formulate the space, both micro and macro in formulating a sustainable overall concept, not partially.Keywords: Simpukng, Benuaq, space, architecture now, sustainable

Reimagining the image reconstruction of Candi Badut in Malang through geometry fractal Yusfan Adeputera Yusran; Dhara Adyuta Sasikirana; Abraham Mohammad Ridjal
ARTEKS : Jurnal Teknik Arsitektur Vol 7 No 1 (2022): ARTEKS : Jurnal Teknik Arsitektur | Januari 2022 ~ April 2022
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v7i1.1246

Badut Temple is the oldest temple on Java Island and a historical relic of the Kanjuruhan Kingdom that collapsed due to natural and human factors. Therefore, this study aims to determine the suitability of the Badut Temple design drawn by B. De Haan. Based on the vastu purusha mandala philosophy, this Hindu-style temple uses repeated divisions of squares to prove that the design of the head of the temple uses Fractal Geometry with the box-counting method. The results showed that the fractal dimension index on the foot, body, and head with a ratio of 1.878: 1.870: 1.872 or be rounded up to 1:1:1. This means that the B. De Haan sketch design is similar to the existing temple. Furthermore, the ratio of the height of the foot, body, and head was 2.35:4.88:6.94 which is simplified to 1:2:3. Therefore, the Badut Temple adheres to the Vastu Purusha Mandala philosophy.

Co-Authors A. Rendra Atasa Abdullah Aslam Adif Lazuardy Firdiansyah Aditya Taufiqurrahman Ajeng Dyosta Lucandhary Ali Soekirno Alifian Kharisma S amalia melody Andi Muhammad Aria Pinandita Andre Sandhywinata Andriyani Andriyani Antariksa Sudikno Arga Prayodhya Arida Fitriana Yasmin Arnes Ayunurafidha Bayu Nugroho Putra Chairil Budiarto Amiuza Daniar Valent Prameswari Dewa Gde Agung Wibawa Dhara Adyuta Sasikirana Dion Farhan Harun Dionisius Dino Briananto Disyacita Sauma Absari egi satya dharma Elsa Intan Pratiwi Fatma Zahrotun Nisa' Femy Andromedha Atthalibi Haru Agus Razziati Herry Santosa Indyah Martiningrum Intan Kurnia Asmarani Intan Kurnia Asmarani Jenny Ernawati Joko Triwinarto Santoso Kade Praditya S. Empuadji Khoirul Hidayat Komang Ayu Laksmi Harshinta Sari Kurnia Wulan Suci Nur Azizah Lina Mardiani Lisa Dwi Wulandari Marinda Noor Fajrina Maulana Reddy Firmansyah Mohammad Bahrun Nidzom Muammar Ardli Hafiid Muhammad Ricky Ronaldo Mustivia Mustivia Nesyarani Fauzia Ami Nindya Adhyaksa Nita Tria Pitasari Novalinda Puspitasari Noviani Suryasari Oktavia Eka Megayanti Prima Adi Yudha Putra Adytia Raissa Vedayanti Rinawati Pudji Handajani Ririn Prasetya P Sayf Askaril Akbar Siti Miftahul Ulum Subhan Ramdlani Sudiaryandari Sudiaryandari Tito Haripradianto Triandriani Mustikawati Tsalats Falaqie Chandra No Hikari Viva Virginia Suhartawan Wahyuni Eka Sari Yazid Dwi Putra Noerhadi Yofangga Rayson Yusfan Adeputera Yusran Yusran Yussi Oktarisa

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