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All Journal Sosiohumaniora Paramita: Historical Studies Journal Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Jurnal Sejarah Citra Lekha ETNOSIA : Jurnal Etnografi Indonesia Panggung Patanjala : Jurnal Penelitian Sejarah dan Budaya Ganaya: Jurnal Ilmu Sosial dan Humaniora Capture : Jurnal Seni Media Rekam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JSM (Jurnal Seni Musik) Suar Betang Metahumaniora JURNAL LENSA MUTIARA KOMUNIKASI Pantun: Jurnal Ilmiah Seni Budaya COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat Midang Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Berkala Arkeologi Kabuyutan: Jurnal Kajian Iilmu Sosial dan Humaniora Berbasis Kearifan Lokal Panggung
Widyo Nugrahanto
Fakultas Ilmu Budaya, Universitas Padjadjaran
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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The Connection of Klenteng Talang with Tan Eng Hoat and Tan Sam Tjai and Its Role in the History of the Cirebon Kingdom in Chinese Records Nugrahanto, Widyo; Sofianto, Kunto; Koeshandoyo, Eko Wahyu; Septiani, Ayu
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.40423

Abstract

Many people's ignore two Chinese Muslim figures (Tan Eng Hoat and Tan Sam Tjai) and their relationship with the Klenteng Talang is because there are not many local ancient texts that contain them or tell about them. The only text that contains the existence of these two figures and their relationship with the Klenteng Talang is the Klenteng Talang China News. To be able to reveal again the two figures mentioned above and the Klenteng Talang, we need to look again at the Chinese news about the Klenteng Talang, Cirebon. This research aims to re-reveal the role of Tan Eng Hoat and Tan Sam Tjai in the history of the Cirebon Kingdom based on the Chinese news of Klenteng Talang and its current relationship with the Chinese temple in Cirebon. Using intertextual approach with historical method was used in four stages of work, namely heuristic, criticism, interpretation, and historiography to the writings of the Chinese News text of Klenteng Talang. Our informants consists of care takers of Klenteng Talang and official of Harbourmaster and Port Authority Office in Muara Jati. The findings indicate that there is an influence of Chinese Muslims in the history of Cirebon, one of the archaeological remains of which is the Klenteng Talang building in Cirebon.   Klenteng Talang, Tan Eng Hoat, and Tan Sam Tjai had a very close relationship in the history of the Cirebon Kingdom in the Chinese news about the Chinese Temple. Although Tan Eng Hoat and Tan Sam Tjai were Muslims who converted to Confucianism, their relationship with Klenteng Talang cannot be ignored. Tan Eng Hoat played a significant role in the early establishment of the Cirebon Kingdom. Even the idea of establishing the Cirebon Kingdom came from Tan Eng Hoat, who conveyed it to Sunan Gunung Jati. Tan Sam Tjai, who was younger than Tan Eng Hoat, also played a significant role in helping to finance the Islamic kingdom of Cirebon until the end of his life, in spite of the fact he left Islam.
PEMBERDAYAAN SEBAGAI ALTERNATIF PENDEKATAN DALAM PELAKSANAAN PROGRAM PENGABDIAN KEPADA MASYARAKAT Kosasih, Ade; Sofianto, Kunto; Nugrahanto, Widyo; Septiani, Ayu
Midang Vol 3, No 1 (2025): Midang: Jurnal Pengabdian Kepada Masyarakat, Februari 2025
Publisher : Unpad Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/midang.v3i1.61446

Abstract

Pengabdian kepada masyarakat adalah tanggung jawab para akademisi. Dalam pelaksanaannya, pengabdian yang ideal adalah berupa  pemberdayaan (empowering), sehingga masyarakat akan memiliki kekuatan setelah tidak didampingi lagi oleh akademisi. Dalam pemberdayaan, upaya yang harus dibangkitkan adalah partisipasi, masyarakat menjadi pusat kegiatan, serta menciptakan kemandirian. Artikel ini bertujuan mengungkapkan pandangan konseptual tentang pemberdayaan dalam kegiatan pengabdian kepada masyarakat agar tidak terjadi pelaksanaan pengabdian yang tidak tepat konsep dan pelaksanaannya.  Pengungkapan  maksud tersebut dilakukan dengan cara memaparkan konsep dasar dalam pemberdayaan yang bercirikan tiga hal tersebut, yaitu partisipasi, berbasis masyarakat, dan mewujudkan kemandirian. Metode yang digunakan adalah analisis deskriptif dengan cara menggali secara cermat berbagai pandangan tentang pemberdayaan dalam berbagai publikasi ilmiah. Untuk mewujudkan masyarakat yang harmonis, pemberdayaanlah yang tepat karena masyarakat itu sendiri banyak terlibat dalam tahap perencanaan, pelaksanaan, serta monitoring dan evaluasi. Pelaksana pengabdian hanya berperan sebagai fasilitator yang menghindari kecenderungan melakukan intervensi. Partisipasi merupakan bentuk peran serta khalayak secara sukarela tanpa mobilisasi dan tekanan. Berbasis masyarakat berarti seluruh tindakan harus disesuaikan dengan kondisi dan situasi karena setiap masyarakat mempunyai potensi dan masalah yang berbeda-beda. Kemandirian merupakan wujud bahwa masyarakat memiliki kemampuan untuk melaksanakan harapan dan cita-citanya tanpa terus didampingi oleh fasilitator.
MENJAHIT DAN PENJAHIT PAKAIAN DALAM LINTASAN SEJARAH; SEBUAH TINJAUAN AWAL Septiani, Ayu; Nugrahanto, Widyo
KABUYUTAN Vol 4 No 1 (2025): Kabuyutan, Maret 2025
Publisher : PT. RANESS MEDIA RANCAGE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61296/kabuyutan.v4i1.304

Abstract

berasal Pada periode kolonial di Indonesia, terdapat tiga golongan masyarakat yaitu pribumi, Timur Asing, dan Eropa. Mereka diwajibkan untuk mengenakan pakaian berdasarkan rasnya. Hal tersebut agar memudahkan pemerintah Hindia Belanda dalam mengawasi dan mengontrol penduduk di Pulau Jawa kala itu. Lalu darimana dan bagaimana pakaian-pakaian yang mereka kenakan tersebut dibuat. Fokus penelitian ini yaitu menjahit dan penjahit pakaian dalam lintasan sejarah. Setidaknya sejak periode paleolitikum dimana saat itu manusia menggunakan jarum dan benang dari tulang hewan. Penelitian ini menggunakan metode sejarah yang terdiri dari heuristik, kritik, interpretasi, dan historiografi, hasil penelitian ini menunjukkan bahwa pakaian yang digunakan tidak terlepas dari adanya mereka yang terampil dalam menggunakan benang dan jarum untuk membuat pakaian. Pada periode kolonial para penjahit dari golongan pribumi yang dipekerjakan di rumah-rumah orang Belanda. Dengan demikian, teknik menjahit sudah dikenal sejak periode paleolitikum dan para penjahit didominasi oleh kalangan perempuan.
THE CONSTRUCTION OF INDIE MUSIC FANDOM IDENTITY ON INSTAGRAM Narendra Wigati, Oki Turatula; Mulyadi, Raden Muhammad; Nugrahanto, Widyo
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4465

Abstract

This article discusses the significance of indie music fandom, particularly their involvement in collecting physical music releases, namely vinyl records, cassettes, and CDs uploaded to Instagram social media. This study aims to examine how the identity of indie music fandom is formed on social media and the motivations for uploading a collection of physical music releases. This research is a qualitative netnographic study supported by observing the content of fandom accounts, conducting interviews, and employing Content Analysis techniques. The results of this study indicate that past experiences, personality, and pride motivate indie music fandom to construct an identity through the collection and uploading of physical music releases on Instagram. 
Sakit Rindu: Romanticization of Manthous's Songs in Commodification Practices by Dapur Musik Project Andini, Mustika; Dienaputra, Reiza D.; Nugrahanto, Widyo
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.74766

Abstract

The phenomenon of music cover in new media is now increasingly mushrooming, especially in Indonesia. Dapur Musik Project, as a keroncong music group consisting of young people, also works on cover versions of Manthous's songs, who is considered a predecessor to them. Sakit Rindu is one of Dapur Musik Project content that is most popular with the audience, as evidenced by the acquisition of million viewers. This research uses qualitative methods to analyze how Dapur Musik Project commodifies the songs composed by Manthous. In general, this research uses the framework of Adorno and Horkheimer (1944) which expresses the cultural industry theory, commodification theory put forward by Mosco (2009), and social practice theory or structural-constructive theory from Bourdieu's (1984) framework. The results of this research explain the commodification practices carried out by Dapur Musik Project in the realm of musicals and performances, as well as in the realm of packaging and marketing, with an attachment to industry and economic value. Dapur Musik Project also utilizes the symbolic power they have over relational relationships as the Manthous family in perpetuating commodification practices. The various changes in form, composition, packaging and strategy carried out by Dapur Musik Project are not considered renewal, but only a form of romanticization of Manthous's songs. Dapur Musik Project is an example of how youth people try to mediate the standardization polemic in keroncong music with their own roles and methods. This research annunciating the keroncong music community about the urgency of commodification practices in the discourse on the preservation and development of keroncong music in the Indonesian music scene.
THE CONSTRUCTION OF INDIE MUSIC FANDOM IDENTITY ON INSTAGRAM Narendra Wigati, Oki Turatula; Mulyadi, Raden Muhammad; Nugrahanto, Widyo
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4465

Abstract

This article discusses the significance of indie music fandom, particularly their involvement in collecting physical music releases, namely vinyl records, cassettes, and CDs uploaded to Instagram social media. This study aims to examine how the identity of indie music fandom is formed on social media and the motivations for uploading a collection of physical music releases. This research is a qualitative netnographic study supported by observing the content of fandom accounts, conducting interviews, and employing Content Analysis techniques. The results of this study indicate that past experiences, personality, and pride motivate indie music fandom to construct an identity through the collection and uploading of physical music releases on Instagram. 
Colonial Version of The Chinese Chronicles from Sam Po Kong Temple As a Historical Evidence Nugrahanto, Widyo; Saringendyanti, Etty; Koeshandoyo, Eko Wahyu; Skober, Tanti Restiasih; Septiani, Ayu
PURBAWIDYA Vol. 13 No. 1 (2024): Vol. 13(1) Juni 2024
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2024.1167

Abstract

This article discusses the result of research on a manuscript called Chinese Chronicles on Sam Po Kong Temple found in a manuscript from Cirebon. This research used a historical method consisting of 4 stages: heuristics, criticism interpretation, and historiography using analytic descriptive method. This research aims to prove that the chronicles are as secondary historical evidence, not a primary one. These Chinese chronicles are a copy of the manuscript. It is estimated that the copy was made in the Dutch colonial era after 1928. The Chronicles tell the life of the Moslem Chinese in Nusantara, especially Java Island, after Cheng Ho’s voyage to Nusantara when it was still under Majapahit kingdom sovereignty.
Co-Authors Aam Amaliah Rahmat Ade Kosasih Agung Purnama Agusmanon Yuniadi Agusmanon Yuniadi Andini, Mustika Arovah, Eva Nur Aswati Mukadas Ayu Septiani Ayu Septiani Ayu Septiani, Ayu Basrin Melamba Budi Gustaman Dade Mahzuni Darsa, Undang Ahmad Deddy Setiawan Dede Mahzuni, Dede Dedy Setiawan Eko Wahyu Koeshandoyo Eko Wahyu Koeshandoyo Etty Saringendyanti Etty Saringendyanti Gugun Gunardi Hendrayana, Dian Hidayat, Angga Pusaka Indra Sarathan Karolina Sianipar Karolina Sianipar, Karolina Kosasih, Ade Kunto Sofianto Kunto Sofianto Kunto Sofianto Lubis, Nina Herlina Mahzuni, Dede Miftahul Falah Muhzin Z., Mumuh Mulyadi, R.M. Mumuh Muhzin Z., Mumuh Narendra Wigati, Oki Turatula Nina Herlina Nina Herlina Lubis Nina Herlina Lubis Oki Turatula Narendra Wigati R.M. Mulyadi Raden Muhammad Mulyadi Raden Muhammad Mulyadi Randy Ridwansyah Reiza D. Dienaputra Reiza Dienaputra Rina Adyawardhina Rudiansyah . Sarathan, Indra Saringendyanti, Etty Skober, Tanti Restiasih Sofianto, Kunto Sri Rustiyanti Sunjana, Dani Tanti Restiasih Skober Teddi Muhtadin Tisna Prabasmoro Tisna Prabasmoro Trisna Awaludin Harisman Undang Ahmad Darsa, Undang Ahmad