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All Journal Jurnal Penelitian Humaniora DIKSI Litera Hexagone ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Edulitics (Education, Literature, and Linguistics) Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya NOTION: Journal of Linguistics, Literature, and Culture Arif: Jurnal Sastra dan Kearifan Lokal Edulitics (Education, Literature, and Linguistics) Journal Susastra : Jurnal Ilmu Sastra dan Budaya Literature and Literacy
Yeni Artanti
Universitas Negeri Yogyakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Queen Shima as Nusantara feminist pioneer: Feminist literary study on the novels Putri Kalingga and Avatar Keadilan Wiyatmi, Wiyatmi; Sudiati, Sudiati; Artanti, Yeni
Diksi Vol. 32 No. 1: DIKSI (MARCH 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i1.66349

Abstract

Up to the present time, the public is more familiar with the figures of Kartini, Dewi Sartika, and Cut Nyak Dien as icons of Indonesian women emancipation fighters. In reality, for hundreds of years before Kartini was born, in the 7th century, the Kingdom of Kalingga has been led by a woman, Queen Shima. Not much of the historical data has recorded her name and roles. In the midst of this condition, there were published two novels which enumerate the way of life of Queen Shima, entitled Putri Kalingga (Wibidharma, 2022) and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga (Nararosa, 2010). The present study is aimed at understanding the existence of Queen Shima as a pioneer of Nusantara feminism by using the perspectives of feminist literary approach. The study was qualitative feminist research. The data sources of the study were the two novels Putri Kalingga and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga. Data were the narratives that tell about the characteristics and way of life of Queen Shima as King of Kalingga Kingdom which contain information about her position and roles in Nusantara women history. Findings of the study show that Queen Shima, whose life story is told in the two novels Putri Kalingga and Avatar Keadilan is not only a fictitious character, but also a historical figure from the 7th century, who is hauled up as King of Kalingga Kingdom not because of inheriting the crown from her parents, but because of the intelligence, wisdom, and leardership capacities she has. In the perspectives of feminist literary criticism, Queen Shima represents Nusantara feminisim that has been practiced in the era of the Kalingga kingdom.
Manifestation of birds in the illumination of Javanese manuscripts Ekowati, Venny Indria; Artanti, Yeni; Gedat, Remmy; Hartanto, Doni Dwi
Diksi Vol. 32 No. 2: DIKSI (SEPTEMBER 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i2.72542

Abstract

Illuminations are decorative framing texts that are related to the content of the text. Illuminating Javanese manuscripts contain a variety of interesting symbols and ornaments that need to be revealed its meanings. One of the dominant ornaments in Javanese manuscript illumination is in the form of birds. The data of this study were 150 Javanese manuscripts with illumination from the collection of Sonobudoyo Museum and the Library of Balai Bahasa Yogyakarta. This research was built using qualitative methods with a hermeneutic approach to describe the manifestation of the bird symbol found in the illumination of Javanese texts. The hermeneutic approach is used in the analytical approach because the data used must be understood deeply through the symbols that appear in the illumination. The results of the present research show that: (1) the most common bird species used in illumination are eagles manifested as Garudha yeksa, sawat, and mirong, (2) the majority rationale (91%) of creating illumination of bird motifs is as the representation of the King, and (3) results of symbol interpretation establish a relationship between the symbol and the text. There were ornaments symbolising the King such as snakes, birds, crowns, batik motifs, leaves, houses, palaces, and others. Most ornaments contain meaning corroborating the contents of the manuscripts. For example, the change of power is symbolised by the cakra manggilingan, the HB (Hamengku Buwana) symbol shows the king on throne, and the bird symbolises and represents the king. The ornaments of birds in particular have the functions of didactic, aesthetic, and legitimacy. 
An introvert female in Indonesian literature: Jungian psychology perspectives Ahmadi, Anas; Artanti, Yeni; Baltazar, Cirilo; Colo, Heribertus Amaunut; Guterres, Antonio; Sarmento, Joao da Silva
Diksi Vol. 32 No. 2: DIKSI (SEPTEMBER 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i2.71563

Abstract

The research aims to explore an introverted female depicted in Indonesian literature. Data sources used were a novel entitled Amba by Laksmi Pamuntjak.  The research was focused on the introversion of a female character named Amba. The data collection technique used was a literature review. Data analysis technique referred to literary psychology that consisted of identification, classification, reduction, synthesis, interpretation, and verification of data which were related to the mind and behaviors of the introvert female character. The results showed that Amba was an introverted female proven from the characteristics of (1) introversion female and shy behavior, (2) introversion female and indifferent behavior, (3) introversion female and loyalty, (4) introversion female and jealousy, and (5) introversion female and inner world. The results showed that Indonesian females tended to be introverted because they are Eastern females.
KELUARGA DAN NEGARA: RUANG NEGOSIASI DIRI DALAM NOVEL QUI A TUí‰ MON PÈRE KARYA í‰DOUARD LOUIS Artanti, Yeni; Burhanudin, Burhanudin
Diksi Vol. 29 No. 1: DIKSI MARET 2021
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v29i1.34020

Abstract

Abstract (Title: Family and State: Space of Self-Negotiation in "Qui A Tué Mon Père" Novel's by í‰douard Louis). Literary work reflects a culture outside its world. A family cannot be separated from society and country in which it is belonged to. Individuals in a family cannot be disconnected from their genetics. This qualitative descriptive study using Bourdieu's theoretical reference aims to describe the habitus, symbolic violence, and the arena of power in the novel "Qui a tué mon père" or "Who Killed My Father" by í‰douard Louis. The results showed that the habitus manifested through the main character "Je" or "I" was obtained through an individual historical process as someone who was born in a poor and a working family that is structurally dominated by society and state. In conclusion, the main character who experienced symbolic violence not only from his family (father and mother) but also from his social environment (neighbor, school, and government) try to negotiate his identity through this novel.   Keywords: habitus, symbolic violence, arena of power, dialectical, structural-constructivist
Metanarration of Islamophobia through Houellebecq's Soumission Artanti, Yeni
Diksi Vol. 31 No. 1: DIKSI (MARCH 2023)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v31i1.60814

Abstract

The persistent conflict resulting from distinctions in our diverse world are sustained by suspicion and fear in public life, yet cultural products offer insights into societal issues, highlighting the significance of mutual respect and authentic freedom. This study examined Soumission (2015) by Houellebecq as its main data source to trace Islam and deconstruct intertextually its misconceptions in the novel. This study uses qualitative research steps in literary studies, namely by reading many times data sources, making notes, grouping data thematically, and analyzing it inductively. Results showed that in this novel, Islam is portrayed as a threatening, frightening, ambiguous religion that favors a patriarchal system that places women in a subordinate position. Based on an examination of the Quran and Hadith of Islam reveals that Islam is a peaceful religion that respects its adherents and provides them with clear instructions on what is right and wrong, prohibited and permitted. Critical readers have the right to question the portrayal of Islam in this work if it aims to ridicule religious individuals, particularly Muslims, necessitating a prudent response to counter the author's deception. Keywords: déconstruction, laí¯cité, metanarration, politique, satire
Linguistic construction of the expression 'Penantian' in Didi Kempot's lyrics: A semantic pragmatic analysis Iswatiningsih, Daroe; Mujianto, Gigit; Artanti, Yeni
Diksi Vol. 33 No. 2: DIKSI (SEPTEMBER 2025)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v33i2.86807

Abstract

This study explores the linguistic construction of the expressive speech act of penantian (waiting) in Didi Kempot's song lyrics by employing a descriptive qualitative method with a pragmatic-semantic framework, drawing from Searle’s theory of speech acts and Cruse’s lexical semantics. The analysis was conducted on a corpus of six popular songs selected purposively based on the dominance of penantian themes. Each lyric was examined in terms of its expressive act, contextual meaning, and cultural-symbolic references. This phenomenon of penantian, often associated with deep emotions such as sadness, longing, and resignation, reflects Didi Kempot’s strong identity as Indonesia’s “Godfather of Broken Heart.” The findings reveal eleven expressive variants of penantian (e.g., hope, longing, grief) and seven context-based meanings (e.g., longing for reunion, emotional endurance, betrayal of promises). Furthermore, linguistic representations are constructed through culturally loaded temporal (e.g., "a year," "the third season") and spatial symbols (e.g., "Stasiun Balapan," "Nickerie"), which—when interpreted through a cultural semiotic perspective—highlight the embodiment of time and space in Javanese emotional expression. Using figures of speech such as hyperbole, personification, and metaphor further enhances the dramatic expression of penantian. These findings demonstrate how Didi Kempot utilizes culturally resonant language to articulate the intricate emotional landscape of waiting, betrayal (cidra), and heartbreak (ambyar), thus contributing to the study of pragmatics and semantics within a culturally contextualized framework of regional music.
Co-Authors Ahmad Taufiq Anas Ahmadi Ashadi Azhari Baltazar, Cirilo Burhanudin Burhanudin Colo, Heribertus Amaunut Daroe Iswatiningsih Diajeng Sofyanti Dinda Destari Doni Dwi Hartanto Dwiyanto Djoko Pranowo Gedat, Remmy Gigit Mujianto Guterres, Antonio Herawati, Diyah Herman Herman Muhammad Deni Reza P. Muhammad Zikrullah Mustofa, Andi Nafingatul Mustafidah Novitasari, Hilda Dian Nova Orchid, Andy Adawiyah Otta Orsya Putri, Intan Anugrah Rohali Rohali Roswita Lumban Tobing Sarmento, Joao da Silva Senen, Ikram Siti Perdi Rahayu Siti Sumiyati Sofyanti, Diajeng Sudiati Sudiati Tianusad, Marseilles Tri Kusnawati Venny Indria Ekowati Wiwin Hartanti Wiyatmi Wiyatmi