Article Per Year (5 Year)
p-Index From 2021 - 2026
3.035
P-Index
This Author published in this journals
All Journal Ekspresi: Indonesian Art Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Melayu Arts and Performance Journal Musica: Journal of Music ARTCHIVE: Indonesia Journal of Visual Art and Design V-art: Journal of Fine Art QISTINA: Jurnal Multidisiplin Indonesia Journal of Scientific Research, Education, and Technology Ethnography Menulis: Jurnal Penelitian Nusantara Aksara
Selvi Kasman
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing Social Sciences Other

Published : 24 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 24 Documents
Search

 1   2   3 
The Existence Of Istano Melayu Kampung In Kampung In Koto Gadang Koto Anau Didtrict Lembang Jaya Solok District Erza Safitri; Selvi Kasman; Edi Satria
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 2 No. 3 (2023): Vol. 2 No. 3 2023
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v2i3.216

Abstract

  The problem of this research is to discuss the causes of the unmaintained Kampung Dalam Malay Palace and how the current condition of the Kampung Dalam Malay Palace in Koto Gadang Koto Anau is. This study aims to determine the existence of Kampung Dalam Malay Palace in Koto Gadang Koto Anau. The method used in this study is qualitative research, which uses data collection techniques through observation, interviews and documentation. The analysis carried out is collecting data, reducing data, displaying data and making conclusions. The results of the research and discussion show that the Malay Palace of Kampung Dalam was not maintained because Prince Novi Almana Bagindo Yang Dipituan did not want to receive assistance from the government because he was afraid that the palace would be taken over by the government because he thought that later the people of Koto Gadang Koto Anau would not be able to use The palace is a gathering place for big events. Whereas Istano Melayu Kampung Dalam, there are many cultural and tourist attractions of prehistoric heritage that are abandoned and not maintained, and the local community also pays little attention to them due to financial constraints. Meanwhile, the palace, which is now a museum, is not well-maintained, such as buildings that are old and not cleaned, lots of moss on the walls, even the items inside the palace are not maintained, due to the relatively large cost constraints to maintain the palace. The palace of Kampung Dalam Melayu which is now actually being rebuilt and not the old palace, because the original palace has been abandoned, the current palace building has not been completed, it can be seen from the condition of the palace.
The Tradition of Maantaan Nasi Jujuang ot The Wedding Ceremony In Jorong Tanjuang Balik Nagari Salimpek Sub-District Gumanti Solok Regency Arda, Afrillia Marda Tillah; Selvi Kasman; Hijratur Rahmi
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 2 No. 3 (2023): Vol. 2 No. 3 2023
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v2i3.217

Abstract

The research entitled ”The tradition of Maantaan Nasi Jujuang at the wedding ceremony in jorong Tanjuang Balik Nagari Salimpek, Lembah Gumanti District, Solok Regency ainms to describe the form of the procession maantaan nasi jujuang and the symbolic meaning contained in the juadah (delivery) in the procession maantan nasi jujuang at a wedding ceremony the theory used in this research is symbolic interpretive the theory by Clifford Geertz on Dolgin et al. The method that the author uses is a qualitative method with data collection techniques, namely observation, interviews, and documentation. The results of the study found that the wedding ceremony was carried out with the stages of the wedding procession, namely maresek, mancaliak jerek (membuat kesepakatan), maantaan siriah, manduduak mamak, batak tando (batimbang tando), manjapuik marapulai,baralek dan maantaan anak. The  maantaan nasi jujuang  procession is a form of hospitality from the anak daro and family to the marapulai family with the aim of strengthening the relationship between the two parties. The procession has three stages, namely the tangah jalan field (arakan),the tangah countryard field (speech), the tangah field of the house (eating together). In addition, there meaning in the juadah (delivery) a dulang siriah , the kamaloyang , pinyaram ,  ampiang ,   buah kubang (godok-godok)  , barek nan sasukek ,  nasi kunik , paruik-paruik ayam.
Graffiti Culture As Playing Media for Youth In Batang Anai Subdistrict Muhammad Iqbal; Selvi Kasman; Emzia Fajri
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 2 No. 3 (2023): Vol. 2 No. 3 2023
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v2i3.225

Abstract

This research discuss about graffiti become playing media for youth in Batang Anai subdistrict. The graffiti is human activity in a culture. The youth graffitiers in Batang Anai create the characters and font in playing graffiti and it as an playing media having certain functions from graffitiers. The purpose of this research is to describe the meaning behind characters and graffiti font as playing media for youth in Batang Anai. The research method in this research is qualitative. The technique of collecting data by doing observation, literature review, interview, and documentation. The writer use semiotics theory by Charles Pierce to analyze meaning and to analyze the function use theory by Robert K. Merton. Based on this research, the conclusion is the meaning characters and graffiti font the youth as graffitiers in Batang Anai such as emoticons, frog’ science, adopt the scorpions way of survival, the birthrate, and abbreviation the real name. The function of graffiti as playing media for youth in Batang Anai such as expression form, the freedom, creativity and social
Loempo Batik Motifs: Visual Semiotics, Cultural Identity, and Heritage In-novation Dini Yanuarmi; Rias Wita Suryani; Nofi Rahmanita; Selvi Kasman
Aksara Vol 37, No 2 (2025): AKSARA, EDISI DESEMBER 2025
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v37i2.4914.392-404

Abstract

This study aims to analyze Loempo Batik motifs as cultural texts that reflect the intersection of Minangkabau tradition, local identity, and global visual culture. The research employs a qualitative case study approach with a triangulation technique combining interviews, visual documentation, and archival analysis. Data were collected through in-depth interviews with artisans, designers, community leaders, and consumers to obtain comprehensive perspectives. The data were then analyzed using semiotic and multimodal discourse analysis supported by Peirce’s sign theory and visual grammar. The results show that the Rumah Gadang motif serves as a cultural anchor symbolizing Minangkabau heritage; guardian figures such as dragons and Garuda illustrate curated hybridity; while exclusive motifs like Malereng represent forms of cultural resistance. The use of color also carries polysemous meanings that link adat, ecological awareness, and Islamic values. The study concludes that Loempo Batik embodies a model of heritage-based design innovation that balances identity preservation with creative economic development. AbstrakPenelitian ini bertujuan untuk menganalisis motif Loempo Batik sebagai teks budaya yang merepresentasikan persinggungan antara tradisi Minangkabau, identitas lokal, dan budaya visual global. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus dan teknik triangulasi yang memadukan wawancara, dokumentasi visual, serta analisis arsip. Data diperoleh melalui wawancara mendalam dengan perajin batik, desainer, tokoh masyarakat, dan konsumen untuk menggali persepsi dan makna budaya yang terkandung dalam motif Loempo Batik. Analisis data dilakukan dengan menggunakan pendekatan semiotika dan analisis wacana multimodal yang didukung oleh teori tanda Peirce dan tata bahasa visual. Hasil penelitian menunjukkan bahwa motif Rumah Gadang berfungsi sebagai jangkar budaya yang menegaskan identitas Minangkabau; figur penjaga seperti naga dan Garuda menggambarkan hibriditas terkurasi; sedangkan motif eksklusif seperti Malereng mencerminkan bentuk resistensi budaya. Simbolisme warna juga mengandung makna polisemi yang menghubungkan nilai-nilai adat, ekologi, dan Islam. Penelitian ini menyimpulkan bahwa Loempo Batik merupakan model inovasi desain berbasis warisan budaya yang mampu menyeimbangkan pelestarian identitas dengan pengembangan ekonomi kreatif.
Co-Authors Arda, Afrillia Marda Tillah ASRIL ASRIL Dini Yanuarmi Edi Satria Emzia Fajri Erizal Erizal Erza Safitri Fadhlan Azim Faridiano Febri Yulika Fitri, Anisa Gita Ramadhani Hafif HR Hasnah, Miftahul Hendri, Yon Hijratur Rahmi Iman Ashar Tanjung Indah Wulandari Irwan Irwan Masta, Putri Khairina Miswar Miswar Muhammad Iqbal Nofi Rahmanita Prastawa, Wisnu Purwo Prihatin Putri, Icha Gina Rani, Wahyu Mustika Rias Wita Suryani Rila Purnama Saduddin Saaduddin Satria, Edi Septriani Sriyanto Sriyanto Suryanti Suryanti Syofian Nur Wilma Sriwulan Yade Surayya Yang Junchu Yurika, Desi Yurisman