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David Rizar Nugroho
Universitas Pakuan
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Journal : Nivedana : Jurnal Komunikasi dan Bahasa

 1 
Penyusunan Konsep Naratif Tiga Babak Dalam Penyutradaraan Film Dokumenter “Ngindung ka Waktu Mibapa ka Jaman” Novita, Dwi Putri; Nugroho, David Rizar
NIVEDANA : Jurnal Komunikasi dan Bahasa Vol. 6 No. 3 (2025): NIVEDANA : Jurnal Komunikasi dan Bahasa
Publisher : Sekolah Tinggi Agama Buddha Negeri Raden Wijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53565/nivedana.v6i3.1806

Abstract

The documentary film “Ngindung ka Waktu Mibapa ka Jaman” was inspired by concerns about the declining interest of the public, especially the younger generation, in gamelan as one of Indonesia’s cultural heritages. The rapid development of technology and popular culture has marginalized gamelan from everyday life. This study aims to apply the concept of three-act narrative directing in building a documentary film plot that is not only informative, but also emotional and easy for the audience to understand. The three-act narrative structure consists of introduction, confrontation, and resolution, which are used to structure the story journey. The type of documentary used is a participatory documentary, where the director is actively and interactively present in the interview process and narrative development. The resource person becomes the subject who forms the narrative based on their experiences, especially gamelan craftsmen and cultural figures in Bogor. The results of the application of this concept show that the three-act narrative structure is able to build a documentary plot that is both emotionally and communicatively strong. This film is expected to be an effective educational media to revive public awareness of the importance of preserving gamelan culture amidst of the modernization era.
Co-Authors ., Hafzotillah Abdillah, Salman Abdurrozieq Haikal Abung Supama Wijaya Ahmad Ghariza Indra Nugroho Aida Vitayala S. Hubeis alamsyah, Feri ferdinan Alamsyah, Firstnila Putri Aminaturrizqi, Nida Amiruddin Saleh Anindita Sadira, Rafa Azizah, Frecya Yoli Bayu Suriaatmaja Suwanda Bianka Dwinanda Larasati Dasniar, Luthsya Artvi Dini Valdiani Dipo Krishyudi Ono Dwi Rini Sovia Firdaus Fajri, Raisya Halimatunnisa Fariq Hasril Adiwardana Firman, Kania Nurrahmi Habibie, Muhamad Hafzotillah Haikal, Abdurrozieq Hari Otang Sasmita Hasan, Syahirah Hermawati, Gustiar Ika Sartika Ika Yuliasari Khadijah Najma Zahirah Khairunisa, Anggi Widia Khairunnisa, Anggi Widia Layung Paramesti Martha Manisya, Nabhila Maulana, Hafidz Muhammad Reza Muhammad Reza Muhammad, Badar Nau, Naura Vania Ramadhani Novita, Dwi Putri Qoute Nuraini Cahyaningrum Restu Maharani Dewi Roni Jayawinangun Samiyah Samiyah Santoso, Hudi Siregar, Mariana R.A Sisca Wulandari Siti Nurlailatul Pajriah Suparman Suparman Wahyu Budi Priatna Yogaprasta A Nugraha