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All Journal E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA Chi`e: Jurnal Pendidikan Bahasa Jepang MUDRA Jurnal Seni Budaya Panggung Aksara Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Panggung Aksara Open Access DRIVERset Aksara JENTERA: Jurnal Kajian Sastra

Ida Ayu Laksmita Sari

Universitas Udayana

Author-ID : 3267024

Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 38 Documents Claim Missing Document

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Representasi Sejarah dan Dampak Perang Dunia II dalam Komik Kono Sekai No Katasumi Ni Karya Fumiyo Kouno Reza Taufan Adhitya; Renny Anggraeny; Ida Ayu Laksmita Sari
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 2 (2021)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

This study aims to find out and understand the representation of the history of World War II and the impact of World War II on the Japanese, especially the people who live in Kure in the comic Kono Sekai no Katasumi ni by Fumiyo Kouno. The method used in this study is the descriptive analysis method. The theory used in this study is the theory of New Historicism by Stephen Greenbalt. The results show, there are five historical facts, the establishment of tonarigumi, the creation of the tatemono sokai policy, the air attack on Kure, the attack on the Hiro Naval Base, and the dropping of Atomic Bomb on Hiroshima, which also affected Kure area which is 20 kilometres to southeast Hiroshima. In addition, as a result of the occurrence of World War II, the mindset of the Japanese people regarding war changed from those previously zealous in warfare to preferring to maintain peace. On the other hand, the impact of World War II is still being felt today by the Japanese people, especially for victims who survived and were still alive until the time this comic was published.

MAKHLUK MITOLOGI MENGHALAU PANDEMI: KAJIAN SEMIOTIKA BUKU ILUSTRASI MINNA NO AMABIE Ida Ayu Laksmita Sari
PANGGUNG Vol 32, No 1 (2022): Varian Model Proses Kreatif dalam Cipta Karya Seni
Publisher : LP2M ISBI Bandung

Penelitian ini menganalisis ilustrasi makhluk mitologi yang dipercaya oleh masyarakat Jepang dapat menghalau pandemi. Mahkluk mitologi yang bernama amabie ini merupakan warisan dalam sistem kepercayaan Jepang sejak dulu, namun menjadi trending topik sosial media terutama di twitter di tengah-tengah merebaknya pandemi Covid-19. Data diambil dari buku Ilustrasi Minna no Amabie (Amabie Kita Semua) memuat 87 karya yang dibagi menjadi 3 bagian, yaitu 1) ilustrasi dari komikus terkenal, 2) ilustrasi berbentuk patung dan kerajinan lainnya, dan 3) ilustrasi gambar atau lukisan. Penelitian ini bertujuan mengungkap fenomena kepopuleran amabie di tengah pandemi serta alasan di balik pembuatan karya ilustrasi tersebut. Data dianalisis dengan teori semiotika dan resepsi. Hasil analisis mengungkapkan bahwa sebagian besar pembuat karya ingin menyampaikan pesan bahwa amabie adalah simbol kekuatan agar masyarakat bersama-sama memerangi pandemi Covid-19 dan berharap pandemi ini dapat segera berakhir. Kata kunci: amabie, ilustrasi, pandemi Covid-19

Gastronomi dalam Cerita Rakyat Ainu Jepang Ida Ayu Laksmita Sari; I Nyoman Darma Putra; Ni Luh Kade Yuliani Giri
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

ABSTRACTThis article analyzes the gastronomic aspects of the Ainu folklore in Japan. Gastronomic aspects examinedinclude how Ainu folklore narrates how they collect and cook food materials, how they consume, andwhat cultural values are attached to both the process of food production and consumption. The studyapplied library research and the object of analysis were selectively chosen from Ainu Mukashi Banashi’sbook: Hitotsubu no Satchiporo (2012), an anthology of Ainu folklore edited by Kayano Shigeru. Thestories chosen analyzed by the literary anthropology theory. The results show that the Ainu folklorecontains narratives about how people collect food, cook, and consume them. The study of the gastronomicnarratives of Ainu folklore presents a novelty that folklore not only contains a moral message for characterformation but is also a medium for preserving and continuing food and culinary culture across time andgenerations.Keywords: Ainu folktale, literary gastronomy, traditional food of Ainu JapanABSTRAKArtikel ini menganalisis aspek gastronomi dari cerita rakyat Ainu Jepang. Aspek gastronomiyang dikaji meliputi bagaimana cerita rakyat Ainu menceritakan cara mereka mengumpulkandan memasak bahan makanan, bagaimana mereka mengonsumsi, dan nilai-nilai budaya apayang melekat pada proses produksi dan konsumsi makanan. Penelitian dilakukan dengan risetperpustakaan dan objek kajian dipilih secara selektif dari buku Ainu Mukashi Banashi: Hitotsubuno Satchiporo (2012), sebuah antologi cerita rakyat Ainu dengan editor Kayano Shigeru. Datadianalisis dengan teori antropologi sastra. Hasil penelitian menunjukkan bahwa cerita rakyatAinu mengandung narasi tentang cara masyarakat mengumpulkan bahan makanan, memasak,dan mengkonsumsinya. Studi tentang narasi gastronomi cerita rakyat Ainu menyajikan halbaru bahwa cerita rakyat tidak saja mengandung pesan moral untuk pembentukan karaktertetapi juga menjadi media untuk melestarikan dan meneruskan budaya makanan dan kulinerlintas waktu dan generasi.Kata Kunci: cerita rakyat Ainu, gastronomi sastra, makanan tradisional Ainu Jepang

Alih Wahana Cerita Rakyat Terjadinya Pulau Bali dari Buku Cerita Bergambar Menjadi Anime Silvia Damayanti; Ni Putu Luhur Wedayanti; Ida Ayu Laksmita Sari
Journal Social and Humaniora Vol 18 No 2 (2018)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Penelitian ini mengkaji alih wahana cerita rakyat Bali yang berjudul Terjadinya Pulau Bali dari buku cerita bergambar menjadi anime. Objek penelitian ini adalah cerita rakyat Bali Terjadinya Pulau Bali karya Yuliadi Soekardi (2004) dan Anime Legenda Selat Bali karya Evelyn Zhang (2010). Penelitian ini dianalisis secara kualitatif dengan teori Alih Wahana Damono (2012) dan teori Strukturalis. Penelitian ini bertujuan untuk mengetahui cara alih wahana cerita rakyat Bali dari buku cerita bergambar menjadi anime dan meningkatkan ketertarikan dan kecintaan masyarakat Bali terhadap cerita rakyat Bali. Hasil penelitian yaitu bahwa sebagai sarana pelestarian cerita rakyat, penulis cerita anime Legenda Selat Bali dalam proses alih wahana dari buku cerita bergambar melakukan pengurangan, penambahan, dan pemvariasian unsur-unsur intrinsik pembentuk cerita rakyat Terjadinya Pulau Bali. Pengurangan, penambahan, dan pemvariasian tersebut dilakukan untuk menyesuaikan dengan bentuk dan jenis anime yang dibuat. Anime Legenda Selat Bali diperuntukkan bagi anak-anak oleh karena itu, terdapat pengurangan pada tokoh cerita, alur dan peristiwa, dan latar. Pengurangan ini dilakukan untuk menyerderhanakan cerita. Selain itu, penyesuaian dilakukan dengan menghilangkan beberapa adegan kekerasan. Penambahan cerita terdapat pada adegan anti klimaks. Perubahan bervariasi terdapat pada bentuk perjudian yang dilakukan tokoh Manik dari perjudian dengan dadu menjadi sabung ayam. Simpulan penelitian ini adalah bahwa pengurangan, penambahan, dan perubahan bervariasi dalam cerita dilakukan pengarang agar cerita lebih menarik, manambah unsur penasaran, dan agar para pembaca tidak bosan.

Chunibyo: Psychological Disorders in Anime Aura: Maryuinko Ga Saigo No Tatakai Ida Ayu Laksmita Sari; Renny Aggraeny
Udayana Journal of Social Sciences and Humanities Vol 1 No 1 (2017): UJoSSH, Feburary 2017
Publisher : Research and Community Services Institutes of Udayana University

This study discusses the behavior of the characters in anime Aura: Maryuinko ga Saigo no Tatakai who are suffering from chunibyo psychological disorders. Chunibyo? behavior can occur because of excessive admiration of animated character so that one can be dissolved in an imaginary world. Through the psychological theory of literature and psychology of personality this paper analyzes the behavior of chunibyo in Anime Aura: Maryuinko ga Saigo no Tatakai, discrimination exercised by the local community and how to cure chunibyo psychological disorders. The results showed that the characters in anime Aura: Maryuinko ga Saigo no Tatakai suffer from psychological disorder of chunibyo jakigankei type characterized, among others, by possession of another identity, consider themselves super hero, come from other world, and the rejection of the environment. Discriminatory behavior which is the most widely accepted by the patient of chunibyo is ijime (bullying). In this anime, the characters can be cured in many ways by involving them into the fantasy world and taking them back to the real world.

The Figures and Meanings of Tengu: Semiotic Study of Mythological Creatures in Japanese Folklore Ida Ayu Laksmita Sari
Humanus Vol 19, No 2 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Japan is famous as an advanced manufacturing industrial country as a result of the high rationality in their works, however in daily life Japanese people still highly believe in the existence of Youkai, mythological creatures. This study examined the figures and meanings of Tengu, mythological creatures that are classified as Youkai which one of them is, as described in the Japanese folklore, having long nose and fully-red colored body. The data for this study are the folklore taken from the anthology book Nihon Mukashi Banashi 101 edited by Sayumi Kawauchi (2007). The figures and existence of Tengu in the folklore were practically analyzed using the Peirce's semiotic theory, with the focus on the meaning of icons, indexes, and symbols of Tengu in the folklore and the Japanese belief system. Moreover, this study revealed two figure types of Tengu namely daitengu, is a tengu whose long nose and kotengu whose eagle-like wings. In the Japanese belief system, it is believed that Tengu are mountain guardians, for example the Mount Takao, one of the places which is believed to be a Tengu habitat. Tengu is as well believed to have objects with supernatural powers such as kakuremino (a cloak) and ha uchiwa (a fan). The descriptions in the folklore clearly show that these Tengu actually exist, although the fact in reality is different. Regardless of either the presence or absence of these mythological creatures in the real world, furthermore, the folklore narrative shows that modern Japanese society still has a strong belief in the existence of Tengu. Stories about Tengu along with other mythological creatures continue to be passed on from a generation to another in both oral and written forms that indicates that Japanese people do not ever detach themselves from their old belief system.

IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI I Nyoman Darma Putra; Ida Bagus Jelantik Sutanegara Pidada; Ida Ayu Laksmita Sari
PANGGUNG Vol 33, No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2334

The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan

Karakter Youkai dalam Game Onmyoji Arena Yukaido Hismubaroq; Ida Ayu Laksmita Sari; I Gede Oeinada
Journal Social and Humaniora Vol 23 No 2 (2023)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/PJIIB.2023.v23.i02.p08

This research is titled "Youkai Characters in Onmyoji Arena Game". This research aims to describe the depiction of youkai used as characters in the Onmyoji Arena game. The method used in this research is descriptive analysis method. This research uses semiotics theory according to Charles Sanders Peirce. Based on the research results, there are five youkai taken in the Onmyoji Arena game. The depiction of the form of youkai contained in the Onmyoji Arena game has several things related to the concept of youkai in Japanese beliefs. The depictions seen in the youkai in the Onmyoji Arena game are (1) Youkai Tanuki who is related to sake and the science of shapeshifting. (2) Youkai Zashiki Warashi which is related to luck and house guardian spirits. (3) Youkai Yumekui who likes to eat dreams. (4) Youkai Kiyohime who has a tragic love. (5) Youkai Aoandon who is related to the event 'Hyakumonogatari Kaidankai'. These five youkai produce icons, indexes, and symbols. The icon is an image, the index is the emergence of the youkai, and the symbol is the meaning of the youkai in Japanese society.

Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.

REPRESENTATION OF BALINESE CULTURE IN GUN GUN’S MAHABHARATA EPIC PUPPET COMIC I Wayan Nuriarta; I Nyoman Darma Putra; I Nyoman Suarka; Ida Ayu Laksmita Sari
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p01

The Mahabharata epic is better known to people in Bali, especially in shadow puppet plays. However, since 1955, the Mahabharata epic has been presented in the form of comics. This way of storytelling continued until 2014 with the printing of the Mahabharata epic puppet comic by Gun Gun, which presents Balinese cultural icons. This research aims to describe the representation of Balinese culture in Gun Gun’s Mahabharata epic puppet comic. The research method employed a critical qualitative design. Data collection was conducted through observation, interview, and literature study. The theories utilised are comic theory, hegemony theory, representation theory, and articulation theory. The findings indicate that Gun Gun’s Mahabharata epic puppet comic employs three forms of Balinese cultural representation. The three forms are as follows: (1) visual representation, whereby characters and backgrounds are depicted in comics in a manner that evokes Balinese architecture, including wantilan, pura, and togog; (2) verbal representation, which is evidenced by the presence of Balinese vocabulary in the dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma; and (3) narrative representation, which is evident in the explicit portrayal of Hindu teachings, including karma phala. The dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma, and the narrative representation that shows explicitly the teachings of Hinduism, such as karma phala, are also forms of cultural representation. The study of Balinese cultural representation in the Mahabharata epic comic contributes to the understanding that comics also serve as a medium for the adaptation of external cultural influences, thereby reinforcing Balinese identity. Keywords: Balinese culture, Mahabharata epic, comics, representation, Balinese identity

Co-Authors Anak Agung Anom Bintang Bayu Putra Daniel Susilo Guellica Agnesia Claudia Thanos I G N Arya Tresna Dharma I Gede Oeinada I Gusti Agung Ayu Putri Kinanti I Gusti Ayu Agung Istri Gita Saraswati Jelantik I Gusti Ayu Andani Pertiwi I Gusti Ayu Andani Pertiwi I Komang Rama Kusuma I Made Sendra I Nyoman Darma Putra I Nyoman Rauh Artana I Nyoman Suarka I Wayan Nuriarta I Wayan Suardiana Ida Bagus Jelantik Sutanegara Pidada Irma Setiawan, Irma M Aris Akbar Made Ratna Dian Aryani Mahardika, I Gusti Ayu Sugiartini Ngurah Indra Pradana Ngurah Indra Pradhana Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Luh Ulan Sari Ni Made Andry Anita Dewi Ni Putu Ayu Imelda Sasiandari Ni Putu Karlina Devi Ni Putu Luhur Wedayanti Ni Wayan Suarji Indrawati Ni Wayan Sutarini Ronthi Pidada, Ida Bagus Jelantik Sutanegara Pipit Aprilia Susanti Renny Aggraeny Reza Taufan Adhitya Sachiko Takasaki Silvia Damayanti Suryadi Suryadi Suryadi Toong Hai Sam Wijayanti, Ni Kadek Rika Yukaido Hismubaroq Yuliani Giri, Ni Luh Kade

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