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Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.

REPRESENTATION OF BALINESE CULTURE IN GUN GUN’S MAHABHARATA EPIC PUPPET COMIC I Wayan Nuriarta; I Nyoman Darma Putra; I Nyoman Suarka; Ida Ayu Laksmita Sari
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p01

The Mahabharata epic is better known to people in Bali, especially in shadow puppet plays. However, since 1955, the Mahabharata epic has been presented in the form of comics. This way of storytelling continued until 2014 with the printing of the Mahabharata epic puppet comic by Gun Gun, which presents Balinese cultural icons. This research aims to describe the representation of Balinese culture in Gun Gun’s Mahabharata epic puppet comic. The research method employed a critical qualitative design. Data collection was conducted through observation, interview, and literature study. The theories utilised are comic theory, hegemony theory, representation theory, and articulation theory. The findings indicate that Gun Gun’s Mahabharata epic puppet comic employs three forms of Balinese cultural representation. The three forms are as follows: (1) visual representation, whereby characters and backgrounds are depicted in comics in a manner that evokes Balinese architecture, including wantilan, pura, and togog; (2) verbal representation, which is evidenced by the presence of Balinese vocabulary in the dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma; and (3) narrative representation, which is evident in the explicit portrayal of Hindu teachings, including karma phala. The dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma, and the narrative representation that shows explicitly the teachings of Hinduism, such as karma phala, are also forms of cultural representation. The study of Balinese cultural representation in the Mahabharata epic comic contributes to the understanding that comics also serve as a medium for the adaptation of external cultural influences, thereby reinforcing Balinese identity. Keywords: Balinese culture, Mahabharata epic, comics, representation, Balinese identity

Deconstruction of Ecofeminist Ideology in Japanese Eco-friendly Beauty Products Advertisements Sari, Ida Ayu Laksmita; Mahardika, I Gusti Ayu Sugiartini
Mudra Jurnal Seni Budaya Vol 39 No 3 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i3.2860

Nowadays, many advertisements for Japanese cosmetic products are appearing that show ecology issues. Ecology issues and the role of women shown in advertisements cause the meaning to develop and become a deconstruction of previous advertisements. Now, the ideology contained in an advertisement can contain ecology issues and women's involvement in it or is called ecofeminist ideology. This research seeks to the forms of deconstruction of ecofeminist ideology. This research is qualitative research using document study methods and netnography methods. Data was collected from eight advertisements, then analyzed using Derrida's deconstruction theory, Barthes' semiotics, and Vandana Shiva’s ecofeminism theory. The results of this research show the forms of deconstruction of ecofeminist ideology in advertising are (1) represented by the role of women and efforts to save the future of nature, (2) nature and women grow together, (3) women's beauty is natural beauty, (4) and the relationship of tsubaki cultivation, traditions and women farmers.

Gastronomi dalam Cerita Rakyat Ainu Jepang Ida Ayu Laksmita Sari; I Nyoman Darma Putra; Ni Luh Kade Yuliani Giri
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.1205

ABSTRACTThis article analyzes the gastronomic aspects of the Ainu folklore in Japan. Gastronomic aspects examinedinclude how Ainu folklore narrates how they collect and cook food materials, how they consume, andwhat cultural values are attached to both the process of food production and consumption. The studyapplied library research and the object of analysis were selectively chosen from Ainu Mukashi Banashi’sbook: Hitotsubu no Satchiporo (2012), an anthology of Ainu folklore edited by Kayano Shigeru. Thestories chosen analyzed by the literary anthropology theory. The results show that the Ainu folklorecontains narratives about how people collect food, cook, and consume them. The study of the gastronomicnarratives of Ainu folklore presents a novelty that folklore not only contains a moral message for characterformation but is also a medium for preserving and continuing food and culinary culture across time andgenerations.Keywords: Ainu folktale, literary gastronomy, traditional food of Ainu JapanABSTRAKArtikel ini menganalisis aspek gastronomi dari cerita rakyat Ainu Jepang. Aspek gastronomiyang dikaji meliputi bagaimana cerita rakyat Ainu menceritakan cara mereka mengumpulkandan memasak bahan makanan, bagaimana mereka mengonsumsi, dan nilai-nilai budaya apayang melekat pada proses produksi dan konsumsi makanan. Penelitian dilakukan dengan risetperpustakaan dan objek kajian dipilih secara selektif dari buku Ainu Mukashi Banashi: Hitotsubuno Satchiporo (2012), sebuah antologi cerita rakyat Ainu dengan editor Kayano Shigeru. Datadianalisis dengan teori antropologi sastra. Hasil penelitian menunjukkan bahwa cerita rakyatAinu mengandung narasi tentang cara masyarakat mengumpulkan bahan makanan, memasak,dan mengkonsumsinya. Studi tentang narasi gastronomi cerita rakyat Ainu menyajikan halbaru bahwa cerita rakyat tidak saja mengandung pesan moral untuk pembentukan karaktertetapi juga menjadi media untuk melestarikan dan meneruskan budaya makanan dan kulinerlintas waktu dan generasi.Kata Kunci: cerita rakyat Ainu, gastronomi sastra, makanan tradisional Ainu Jepang

MAKHLUK MITOLOGI MENGHALAU PANDEMI: KAJIAN SEMIOTIKA BUKU ILUSTRASI MINNA NO AMABIE Ida Ayu Laksmita Sari
PANGGUNG Vol 32 No 1 (2022): Varian Model Proses Kreatif dalam Cipta Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i1.1758

Penelitian ini menganalisis ilustrasi makhluk mitologi yang dipercaya oleh masyarakat Jepang dapat menghalau pandemi. Mahkluk mitologi yang bernama amabie ini merupakan warisan dalam sistem kepercayaan Jepang sejak dulu, namun menjadi trending topik sosial media terutama di twitter di tengah-tengah merebaknya pandemi Covid-19. Data diambil dari buku Ilustrasi Minna no Amabie (Amabie Kita Semua) memuat 87 karya yang dibagi menjadi 3 bagian, yaitu 1) ilustrasi dari komikus terkenal, 2) ilustrasi berbentuk patung dan kerajinan lainnya, dan 3) ilustrasi gambar atau lukisan. Penelitian ini bertujuan mengungkap fenomena kepopuleran amabie di tengah pandemi serta alasan di balik pembuatan karya ilustrasi tersebut. Data dianalisis dengan teori semiotika dan resepsi. Hasil analisis mengungkapkan bahwa sebagian besar pembuat karya ingin menyampaikan pesan bahwa amabie adalah simbol kekuatan agar masyarakat bersama-sama memerangi pandemi Covid-19 dan berharap pandemi ini dapat segera berakhir. Kata kunci: amabie, ilustrasi, pandemi Covid-19

IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI I Nyoman Darma Putra; Ida Bagus Jelantik Sutanegara Pidada; Ida Ayu Laksmita Sari
PANGGUNG Vol 33 No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2334

The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan

Storynomics: Intertextuality between Anime Naruto and Branding of a Creative Industry Product I Gusti Ayu Agung Istri Gita Saraswati Jelantik; Ida Ayu Laksmita Sari; I Nyoman Rauh Artana
Aksara Vol 35, No 1 (2023): AKSARA, EDISI JUNI 2023
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v35i1.839.94--105

This study aims to analyze the relationship between anime Naruto's text and creative and cultural industries in the creative industry products derived from anime Naruto. The method in this study is an informal method. There are three theories used, namely the storynomics theory proposed by Mckee (2018), the intertextual theory proposed by Kristeva (1980), and the semiotic theory proposed by Barthes (1957). Based on the results of the study, it is found that the word Naruto and Konoha village symbols are widely used in promoting a product. In addition, the psychological influence of the Naruto character affects the audience's interest in buying the product. Intertext also plays an important influence in product creation because the products sold are modified items that appear in the anime. Furthermore, the objects in the anime have existed since ancient times, one of which is hitaiate. In Japanese society, hitaiate is more popularly known as hachimaki. This hachimaki is often used by students, craftsmen and supporters of sports competitions. AbstrakPenelitian ini berjudul “Storynomics: Hubungan Intertekstual AnimeNaruto dengan BrandingSebuah Produk Industri Kreatif”. Penelitian ini bertujuan untuk mengetahui mengetahui hubungan antara teks anime Naruto dengan industri kreatif dan budaya yang terkadung dalam produk industri kreatif yang berasal dari animeNaruto. Metode yang digunakan dalam penelitian ini adalah metode informal. Teori yang digunakan ada tiga yaitu teori storynomicsyang dikemukakan oleh Mckee (2018), teori intertekstual yang dikemukakan oleh Kristeva (1980), dan teori semiotika yang dikemukakan oleh Barthes (1957). Berdasarkan hasil penelitian, didapatkan bahwa banyaknya kata Naruto dan simbol desa Konoha yang digunakan dalam mempromosikan sebuah produk. Selain itu pengaruh psikologi tokoh Naruto mempengaruhi minat audiens untuk membeli produk tersebut. Interteks juga memegang pengaruh penting dalam penciptaan produk karena produk yang dijual merupakan hasil modifikasi dari barang-barang yang muncul dalam anime. Selanjutnya, benda-benda yang terdapat dalam animepada kenyataannya benda tersebut sudah ada sejak zaman dahulu salah satunya adalah hitaiate. Dalam masyarakat Jepang hitaiatelebih populer dengan sebutan hachimaki. Hachimakiini sering digunakan oleh para pelajar, pengerajin kayu dan para pendukung perlombaan olahraga.

MASKULINITAS TOKOH TARŌ DALAM MUKASHI BANASHI Ida Ayu Laksmita Sari
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v28i1.13.15-24

Penelitian ini mengkaji maskulinitas tokoh Tarō dalam mukashi banashi, cerita rakyatJepang. Mukashi banashi yang menjadi objek kajian ini adalah Momotarō, Kintarō, Kotarōto Haharyū, Sannen Netarō, dan Urashima Tarō. Pada kelima mukashi banashi ini terdapattokoh yang bernama Tarō dengan peranannya masing-masing. Fokus penelitian ini adalahanalisis gambaran tokoh Tarō, fungsi, dan nilai budaya Jepang yang terdapat dalam mukashibanashi. Penelitian ini menggunakan teori sosiologi sastra dan teori maskulinitas denganmetode deskriptif analisis. Hasil penelitian ini menunjukkan lima tokoh Tarō, yaitu Momotarō,Kintarō, Kotarō, Sannen Netarō, dan Urashima Tarō yang memiliki ciri fisik maskulin dansifat bushido ‘kesatria’. Namun, terdapat juga beberapa sifat yang sedikit bertentangan dengankonsep maskulin. Selain itu, melalui kelima mukashi banashi ini diketahui pula fungsi danunsur-unsur budaya yang terdapat dalam cerita rakyat Jepang.

Comparative Voices of Resistance: Gender and Power in Japanese and Balinese Novels (1989–2019) I Gusti Ayu Andani Pertiwi; Ida Ayu Laksmita Sari; I Nyoman Suarka; Sachiko Takasaki
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 2 (2025): Symbolism in Balinese Rituals
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i02.p11

The resistance to patriarchal domination in Japanese and Balinese societies between 1989 and 2019 is reflected in various literary works that portray women's struggles against restrictive social norms. In this vein, this study compares the forms and meanings of resistance depicted in the Japanese novels Out by Natsuo Kirino and Convenience Store Woman by Sayaka Murata with the Balinese novels Tempurung and Kenanga by Oka Rusmini. Using qualitative research with a cultural studies approach, it identifies two shared forms of resistance: rejection of traditional gender roles and struggle for bodily autonomy. Differences appear in the forms, with radical resistance in the Japanese novels and subversive resistance in the Balinese novels, and in the backgrounds, where structural oppression shapes the Japanese texts while traditional customs influence the Balinese texts. Ultimately, these narratives critique both Japanese patriarchy and Balinese customary traditions that constrain women’s identities and choices.

Comparative Voices of Resistance: Gender and Power in Japanese and Balinese Novels (1989–2019) I Gusti Ayu Andani Pertiwi; Ida Ayu Laksmita Sari; I Nyoman Suarka; Sachiko Takasaki
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 2 (2025): Symbolism in Balinese Rituals
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i02.p11

The resistance to patriarchal domination in Japanese and Balinese societies between 1989 and 2019 is reflected in various literary works that portray women's struggles against restrictive social norms. In this vein, this study compares the forms and meanings of resistance depicted in the Japanese novels Out by Natsuo Kirino and Convenience Store Woman by Sayaka Murata with the Balinese novels Tempurung and Kenanga by Oka Rusmini. Using qualitative research with a cultural studies approach, it identifies two shared forms of resistance: rejection of traditional gender roles and struggle for bodily autonomy. Differences appear in the forms, with radical resistance in the Japanese novels and subversive resistance in the Balinese novels, and in the backgrounds, where structural oppression shapes the Japanese texts while traditional customs influence the Balinese texts. Ultimately, these narratives critique both Japanese patriarchy and Balinese customary traditions that constrain women’s identities and choices.

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